Describing herself as finally finding her “hullabaloo within the storm”, new electronic artist Julia-Sophie shared her mesmerising debut EP, Y?, last week, and we cannot stop listening to it.
Y? is a sublime four track record of emotionally intelligent, electrifying electronica. Music which builds and layers, over and over, resulting in an almost painfully blissful experience; much like listening to a Gazelle Twin record. Julia-Sophie is clearly an artist who has a solid understanding of producing sound, removing boundaries and letting music speak for itself.
We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Julia-Sophie to ask about her “Five Favourites” – five albums that influenced her own writing techniques. Check out her choices below, and scroll down to watch the video for her single ‘x0x’ at the end of this post.
1. Thom Yorke – ANIMA
I’ve been listening to a lot of Thom Yorke this last year and feel very drawn into his latest album ANIMA. For me, it feels dark and tender and addresses emotional holes in my life. I’m attracted to his lyrics that have a dreamlike quality, like a stream of consciousness; like a beautiful nightmare. I love the way the album floats through unease as it slips and slides all over the place without ever becoming boring. It’s a left of centre electronic album with jabbing pulses, syncopated rhythms, spring loaded grooves and wheezy synths surging in waves; I love how effortless it all feels. I only dream of making music with that apparent ease. I love feeling like I can hear his whole creative process. The album makes me feel like I’m listening to art, like a sculptor mastering textures and layers; as I drift off the album catches me unawares. I love it and can’t recommend it enough.
2. James Blake – Assume Form
James has an infectious take on post-dubstep and downtempo, minimalistic electronica. His vocals are otherworldly, airy and his productions boundary-breaking. When the way that you relate to the world becomes difficult I look for artists who express emotions that I cannot; that I am searching for. I felt particularly connected to this album; it is melancholic yet hopeful. The record is full on emotion, and like all the best things in life, it doesn’t reveal itself immediately; it deserves time. As a producer, his sounds make me want to explore the record further and as I do, I capture themes that I didn’t quite grasp the first time round. When I feel dulled by emotion and trauma, James’ music makes me feel safe; his music makes me feel like I’m being held; arms wrapped around me delicately; all unencumbered by musical form. The guests on this album are incredible and are definitely worth revisiting, most notably Moses Sumney’s performance on ‘Tell Them’ blows me away. There’s definitely something particularly special about this album.
3. Art School Girlfriend – Into The Blue Hour
I’m not sure where or how I first came across Polly Mackey, aka Art School Girlfriend (knowing me, I was probably stalking Paul Epworth’s Wolftone Records as I’m a guilty Glass Animals and Harry Edwards fan). Art School Girlfriend self-produces music that for me shares the hypnotic euphoria of trance music. Her ability to create surreal, ethereal bodies of work laced with moodiness not only blows my mind and inspires me, but also gives me feelings of lustfulness and space; within this space I find myself free to think, feel, bend and reflect. I love that place she takes me to. Her music is all very dreamlike but packed with emotion and feels as menacing as it does beautiful. As someone who loves and is obsessed with electronic sounds, I love her use of electronica and only dream to be able to create hazy soundscapes like her, that are tied together with an innate pop understanding. Her music to me, feels quite sad and melancholic, but all tinged with beauty and mystery; it draws me in. Definitely music worth escaping to (plus she has a really cute dog, so what’s not to love about her and her music?)
4. TT (Theresa Wayman) – Lovelaws
I was never a huge Warpaint fan, not because I didn’t like them, but because I was late to the party. Warpaint’s music was so big that it seeped into my life all the same, always playing in the background at friend’s houses or in cafés, and so I’ve always had a wispy notion of their sound. When I heard Warpaint’s Theresa Wayman’s solo debut, I guess because I’ve become more into electronic music than guitar-led music, I was immediately drawn in. Her vocals felt intimate and her use of electronica excited me. This debut record feels really honest; where she explores themes of motherhood, isolation and romances. Her songs are dreamy and I feel she allows me to dream with her; the sound of skin on skin, she journeys fragile threads of human connections and makes me feel a certain sense of companionship and loneliness, all given in equal weight. The album never overpowers; it is warm and comforting: its songs mutate in ways that are unexpected and offer different kinds of rewards. She reminds me that we are all human, obsessing, disconnecting, passionate and jealous. I love her and this record for it.
5. Double Negative – Low
I first discovered this record at my local record store, Truck Music Store in Oxford, as they made it their album of the year. I remember Carl who works behind the counter waving it to me as I asked for recommendations. He was telling me about this album and I loved it from the get go. It’s an immensely creative, ambitious, warped slowcore album that takes you on an experimental journey from start to finish. It’s a radical record in many ways, creating all kinds of atmospheres; sometimes through drone and then also through using song as a conduit. It thumps, crackles and hums, is as oblique in its nature as it is haunting and on first listen sent shivers through me. I was hooked; I found myself lost in its noise, its darkness and heartbreak and yet the album somehow made me feel good even when I was falling apart.