LIVE: Indietracks Festival 27/07/18 – 29/02/18 (PART 2)

(Part 2 of our Indietracks Festival review – read Part 1 here….)

Continuing a completely joyous Saturday, queens Dream Wife take to the outdoor stage. Having not seen them for about three years when they completely blew me away at Visions Festival, they do not disappoint. Oozing their trademark empowering force, Rakel and co. take my breath away once more; such is their immense liberating power. Sparkling with her vibrant charisma, Rakel is the perfect, engaging front woman as Alice and Bella deliver frenzied, defiant hooks. With shout outs to Alice’s super cool grandma (who I was standing next to in the crowd), and a truly stirring performance of ‘Somebody’ (“this one’s about smashing gender roles that need to be smashed”), Dream Wife prove they’re an unstoppable force to be reckoned with.

After unsuccessfully attempting to get into the church to catch Spanish band Melenas (they sounded good from the door though!), we chill out for the rest of Saturday evening – preparing ourselves for a Sunday jam-packed full of some of the best new music.

Despite a rainy start, all the lush live music on Sunday certainly brightens the mood. The first example being Brighton band Just Blankets who bring their dreamy harmonies to the indoor stage; the perfect start to the day.

And the rain doesn’t stop us heading to see personal faves Wolf Girl. Alongside many “wet jokes”, they deliver their immensely infectious, thoroughly engaging indie-pop to perfection. As the crowd unites in a buoyant, albeit damp, cheer, I find that singing along to the uplifting hooks and exquisite harmonies of tracks such as ‘Middlesexy’ causes me to complete forget the weather and drift away on waves of Wolf Girl’s sunny energy.

Heading back to shelter for our favourite Feminist Punk Witches Dream Nails on the indoor stage, the DIY spirit and wonderful music continues. Despite having seen them live many times, Dream Nails never fail to totally inspire me. Treating us to a range of songs, new and old, they deliver their message as loud and as clear as ever to an adoring crowd of near 700. With her truly captivating intense energy, Janey leads the way in raging against sexual violence, misogyny and Facism, as guitarist Anya delivers impressive racing riffs, and Mimi and Lucy complete the punk-filled power of this unique band. As they deliver riotous impassioned lyrics such as “Hey mister, get your hands off my sister”, and express solidarity with those coming out as queer with uplifting offerings like ‘Swimming Pool’, a wonderful aura of unity sweeps throughout the crowd – as girls, women and non-binary people of all ages (in front of me a mother bops with her head-phoned baby in arms) dance and sing in solidarity – and I’m reminded once again why these strong-spirited wonder-women are so essential in our lives right now.

After sticking around to dance in buoyant joy to the utterly uplifting and twinkling calypso-like musicality of Tigercats, the empowering mood continues with (yet another GIHE fave), The Baby Seals in the church. With their uplifting charisma and triumphant wit, they champion autonomy and body positivity with wonderfully tongue-in-cheek (and amazingly entitled) offerings such as ‘My Labia’s Lopsided But I Don’t Mind’ and ‘Nipple Hair’, as well as mighty tracks celebrating Masturbation Month. Apologising for mentioning “tits” in a church, The Baby Seals celebrate all things female and break gender boundaries in all the right ways with their superb insightful humour and catchy musical prowess.

Sticking around in the intimate setting of The Church, we’re welcomed by another band who’ve wowed us at one of our nights at The Finsbury – the immensely impressive Sink Ya Teeth. Oozing their addictive, pulsating beats and ‘80s-inspired dance-pop hooks, they continue to prove themselves to be one of the most exciting bands around. As Maria Uzor’s smooth, intoxicating vocals soar, Gemma Cullinford’s pounding, funk-fused bass-lines provide a perfect, groove-ridden soundscape.

As the sun shines once more, we head back to the outdoor stage for North London’s Girl Ray. With their sweet, sunny charisma, each offering is a truly uplifting delight. Flowing with smooth, swooning vocals and catchy jangly melodies, they deliver their dreamy slices of gentle garage-rock with a sparkling grace, and – despite appearing to miss my personal favourite ‘Stupid Things’ – continue to cement their place firmly in our hearts.

After another welcome interlude with the owls and parrots (still not over how amazing this festival was!), final band of the weekend, Scotland’s Honeyblood, soothe our ears as the sun goes down. With a shimmering grace combined with their scuzzy garage-rock anthems and subtle empowering energy, the duo draw an end to the live music with all the perfect uplifting colour and fiery finesse we could have hoped for.

And that’s it; after spending a few more blissful hours dancing away in The Marquee, my first Indietracks is over. The most refreshing and enjoyable of weekends; one which exceeded all expectations. It was simply so wonderful to be a part of an event that so triumphantly champions DIY bands and artists of all genders and genres, in a beautiful location that’s not only family friendly, but a safe space for all, however you may identify.

Unfortunately, it still seems to be unusual to attend bigger festivals these days and not encounter ingrained misogyny or disrespect of some kind, but Indietracks felt like a different world; a safe, joy-filled world, and one jam-packed with all the best music (Also, did I mention there are owls and parrots?!). So, huge thanks to the organisers for creating something so beautiful, and I can only hope that more events start to take a leaf out of your book very soon!

Until next year, Indietracks…

Mari Lane
@marimindles

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LIVE: Indietracks Festival, 27/07/18 – 29/07/18 (PART 1)

With our ongoing disappointment at the lack of diversity on the majority of mainstream festival line-ups this year, I was particularly excited to have found out about Indietracks Festival (thanks to a number of bands I know who all highly recommended it) – one that refreshingly, consistently, champions DIY bands and artists of all genders and genres. And, I wasn’t to be disappointed; the weekend – set in the idyllic Midland Railway Centre near Ripley in Derbyshire – exceeded all expectations.

After one of the hottest, and longest, drives of our lives, we finally arrived. Hurriedly setting up our tent at the best campsite we’ve ever been to (Golden Valley Camping and Caravan Park), I was relieved to make it to the site just in time to catch first band of the weekend, the ever lovely Worst Place. Having previously charmed us at one of our events at The Finsbury (a little bit of theme throughout the weekend…), they soon spread their contagious, effervescent joy with their truly dreamy, sparkling brand of infectious indie pop, with shades of the sunny energy of Best Coast or Alvvays. And, with their youthful charisma and witty rapport with the crowd (“Don’t swear in front of the kids… Actually, it’s ok, they’re cool festival kids!”), they’re simply impossible not to love.

Following a tasty – and reasonably priced – pint of local beer, next up are another band who never fail to make me smile: Sacred Paws. Treating us to one delectable, danceable delight after another, front woman Rachel Aggs bounces across the stage with a whirring energy as their vibrant melodies flow seamlessly alongside lush harmonies and thrilling, racing beats. As the whole front field fills with smiling faces and buoyant bodies, I’m left grinning cheek to cheek at the utterly uplifting experience of seeing one of my favourite bands live on a sun-filled evening, surrounded by like-minded people and good vibes a plenty.

One of the few bands of the weekend that I haven’t seen live before, Friday’s headliners The Lovely Eggs blow me away with their immense, raucous offerings. Slightly more cynical, yet no less great, than the evening’s previous acts, vocalist/guitarist Holly Ross fast becomes my new hero. With a refreshing honesty and spot-on wit, her between-song banter (and necking of bottles of water) is matched only by the wonderfully eccentric energy and vibrant riotous delivery of each and every track. Leaving me desperate to make seeing them live a regular occurance, the duo’s insightful and charismatic lo-fi psych sounds are the perfect end to the perfect start of this perfect festival.

After a little boogie to some bangers, thanks to Des Was A David Bowie Fan DJs in the indoor stage (I literally ran inside to the sound of Le Tigre being played), we head back to the tent to prepare ourselves for another day of blissful sounds.

Being one of the first to arrive on site on Saturday, we have some time to spend with the owls and parrots (yes, there are owls and parrots at this festival!), before heading to the indoor stage to check out Belfast-based Strange New Places. With their luscious, folk-tinged punk pop offerings, reflecting on mental health and queerness (and Conor Oberst lyrics), they’re a truly gorgeous way to start a Saturday, and a band I’ll definitely be hoping to hear a lot more of in the future.

Another band who’ve graced our Finsbury stage and wowed me with their immersive live performances numerous times, GIHE faves Ghum kick things off on the outdoor stage with a bit of their unique gothic energy. Simply captivating as always, they treat us to a set of songs old and new, drawing in an attentive and intrigued crowd as their sweeping splendour oozes from the stage. As a wave of pride comes over me, it really is wonderful to see these women take on a festival for the first time and absolutely nail it! As front woman Laura’s magnetising charisma draws you in, and the band’s sweeping atmospheric dark-pop floats into the ears with a majestic grace, Ghum prove they’re a band who deserve to be heard – and have most certainly made some new fans with this stunning performance.

Although I was actually meant to be heading to the church next, we end up back in the indoor stage (it’s where the beer is), and happen upon Happy Accidents – a happy accident, if you will! And I couldn’t be more glad we did. With their instantly uplifting pop-punk offerings and delicious harmonies, they’re a true delight to have accidentally come across. Having waited four years to play the festival, they encourage us to “keep the head-nodding going” throughout, and how could we not? They’re just so buoyantly head-nod inducing with their shimmering creations. And, when asked to boo for the camera for a video they’re making, I find it quite impossible – sorry guys, if there’s someone in the crowd with a big stupid grin on their face, it’s probably me, it’s just the effect you have!

After a short break to enjoy some of the fantastic vegetarian food on offer at the festival, Colour Me Wednesday treat our ears to their luscious honey-sweet harmonies, sunny, twinkling energy and instantly catchy jangly melodies. Priding themselves on their DIY feminist ethos, they succeed in brightening up a drizzly afternoon with their truly enlivening offerings and empowering spirit.

I pull myself away from Colour Me Wednesday to catch some of the dreamy sounds of Nightflowers. Over the last few weeks I’ve been totally addicted to their infectious latest album Wild Notion, and so it’s a delight to be able to sing along to it live. Fronted by the dazzling sparkle of Sophia Pettit, the band deliver a set filled with a vibrant energy and perfect, shimmering indie-pop.
 

Although there’s only a certain number of adjectives to describe just how wonderful all the bands at Indietracks were, I’m going to continuing using them more in part two of my review of the weekend (featuring Dream Wife, Dream Nails, Sink Ya Teeth, Girl Ray and more…) Coming very soon!

Mari Lane
@marimindles

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Interview & Playlist: Indietracks Festival

With festival season fast approaching, we’re getting extremely excited about heading to Derbyshire festival Indietracks for the first time this July. And, with our ongoing disappointment at the lack of diversity on the majority of mainstream festival line-ups this year, it’s particularly refreshing to come across one that consistently champions DIY bands and artists of all genders and genres. 

With the line up looking particularly wonderful this year, we caught up with Nat and Beck from Indietracks to find out more! 

Hi Indietracks! 2018 will be the festival’s 12th year – congrats! Can you tell us a bit about how it all started out?
Nat: The festival was originally the idea of Stuart Mackay, who used to work at the Midland Railway restoring the steam trains there. He had the idea of holding an indiepop one-night gig in April 2007, taking place on the platform at Butterley. The event sold out really quickly and was so successful that the railway then supported him to turn it into a weekend festival, with the first one being held in the summer of that year! When we first started, we didn’t even have an outdoor stage, but since then the festival has grown and evolved into something bigger than we could have ever dreamed of, with four stages, kids activities, workshops, discos and a fantastic food and merch area too. Sadly Stuart had to step down in 2010, and the team has changed a bit since 2007, but we’re still all so excited about running the festival!

What strikes me about Indietracks and makes it stand out against other festivals at the moment is the number of DIY bands and the good gender balance of the line up – was there an intentional and specific decision to do this, or does it just naturally pan out that way?
Beck: We’re aware of the need to get a good gender balance, but I think it’s more of a natural process for us. Female/femme fronted bands are just very visible in our DIY world and there are so many awesome bands that we want to book.

And how do you feel about the general lack of female headliners at a lot of big festivals at the moment?
Beck: I don’t really get it! It was great to see Beyonce, Cardi B and St Vincent given headline/prominent billing at Coachella this year, and I hope other festivals will follow suit. I think this whole issue just shows the difference between DIY and more mainstream music festivals.
Nat: I don’t get it either! In the run-up to Indietracks we’re just focused on creating our own line-up, and I’m really happy that we’re managing to showcase such a good balance of bands. Other festivals like Decolonise, First Timers Fest and Wales Goes Pop also showcase a brilliant range of bands too. Hopefully more mainstream festivals will continue to follow suit!

Over the last 11 years, you’ve hosted some amazing bands and artists including The Go! Team, Slow Club, Camera Obscura, Cate Le Bon and Skinny Girl Diet, but has there been a particular set that stands out for you as a personal highlight over the years?
Beck: Personally, it was seeing Helen Love in 2013. She means an awful lot to me – Love, Glitter, Hot Days and Music was the soundtrack to so many of mine and my sister’s nights out when we were sixteen or so, and ‘Debbie Loves Joey’ has been played at pretty much every clubnight I’ve ever DJ-ed! I never thought I’d get to see her because she didn’t really play live, so that Indietracks show was unbelievably exciting – everybody was singing and dancing along and there were confetti cannons!
Nat: I’ve been to Indietracks since the first one-nighter event in 2007, so I’ve got a lot of memories to look back on! My personal favourites are probably La Casa Azul in 2009, when Elefant sponsored our outdoor stage, and The Go! Team in 2015, which was just amazing. We’d wanted to book them for so long, and they were just brilliant!

And this year you’ve got some GIHE faves playing – Dream Wife, Sacred Paws, Ghum, Dream Nails, Sink Ya Teeth… Curating such awesome line ups must be a lot of work – how do you normally go about it? Is it all based on bands/artists that have got in touch with you over the year?
Beck: We start off with a list of bands we are personally keen to book and we also look at Facebook and the Anorak Forum where people post up their wish-lists. We also get contacted by bands, agents, record labels who know the festival and, finally, we have an applications process where bands submit their music for us to consider. I think we’ve listened to somewhere in the region of 450-500 bands to get to the final line-up this year.

And for any upcoming bands/artists looking to apply for festivals next year, do you have any tips?
Beck: I can only really speak from the perspective of our applications process and aside from the obvious (make sure your contact email address and the link to your music work!), I find it really useful to know about the live shows bands have been playing (who they’ve been playing with, who is putting them on etc) and whether they’ve got any press that we can look at.

How do you feel the music industry is for new bands and artists at the moment – would you say it’s difficult to get noticed?
Beck: I think it’s hard for us to say because we’re focused on a very specific DIY community. We’ve got a few bands on the bill this year who don’t have a big profile in our world, but we just really liked, and we always keep an eye on who is playing events like First Timers Fest, Loud Women, Decolonise and Wales Goes Pop to find interesting new artists. I think festivals like these give new, up-and-coming bands an opportunity to get noticed and play shows in front of good crowds and that’s really positive.

Finally, as we’re a new music focused site, are there any particular new bands or artists you’d recommend we check out?
Beck: Beyond the bands we’ve booked for the festival, I’m really loving Karen Meat’s debut album (You’re An Ugly Person) which has just come out on Emotional Response Records. The lyrics are hilarious, and it’s sort of lo-fi with a liberal sprinkling of jazzy keyboard demos and bass riffs. Honestly, they’re amazing – check them out! Halo Maud is a really interesting new Heavenly Recordings signing.
Nat: I’ve been listening to the Indietracks compilation at the moment – Sink Ya Teeth, Happy Accidents and Melenas are definitely all worth checking out!

Huge thanks to Nat and Beck for answering our questions, we can’t wait for Indietracks festival on 27th – 29th July! Find all ticket and line-up info at their website.

And, in the meantime, have a listen to our playlist of some of our Indietracks faves here:

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Introducing Interview: LIINES

Having supported Desperate Journalist and Nelson Can on tour last year, Manchester trio (and GIHE faves) LIINES have fast been gaining attention from the likes of John Kennedy, The Quietus and BBC Introducing, as well as earning the title of ‘Ones To Watch 2018’ from yours truly.

Now, having cemented our love of them by blowing us away with their riotous, impassioned energy at The Finsbury a couple of months back, the trio are set to release their debut album next month, and have just shared another immense blast of post-punk perfection with new single ‘Cold’.

We caught up with Leila O’Sullivan and Zoe McVeigh from the band to find out more…

Hi LIINES, welcome to Get In Her Ears! Can you tell us a bit about yourselves and what you do?
Zoe: Hello! We are LIINES from Manchester. I’m Zoe and I sing and play guitar, and also in the band are Tamsin who plays bass and Leila who plays drums.

How did you all initially get together and start creating music?
Zoe: LIINES was formed in 2014. We were originally a band called (hooker) and decided to change our name when our sound and style of music was going from something a bit more grungy to a more sparse, post-punk sound. Our original bassist, Steph sadly had to leave last year which was really sad as we’ve played together for so many years. But we invited Tamsin to join – thankfully she said yes – and she’s been a great addition to the band and to our live shows!

Your new album Stop – Start is out next month, can you tell us a bit about it? Are there any themes running throughout it?
Leila: That’s right! It’s our debut album and one we’ve been working on for a few years. We’ve been playing some of the songs since the start of LIINES and it’s taken time to save up and record the album. To finally get it ready for release and see it out there on 4th May will be a very proud moment for us. Finishing the album was also something we were able to do before Steph left, so it’s got a lot of meaning for us and we’re really proud of the final product.
Zoe: In terms of themes, the theme lyrically is about relationships and loss. I find this the easiest thing to talk about as it’s something I feel I can articulate well and sing about passionately as I’ve experienced it – as many of us have. We also chose this particular set of songs to represent us in our first album as they have a strong musical theme running through of being sparse yet still powerful. We always think a lot about creating an atmosphere and how we structure our songs to give an impact. We’re really excited to hear people’s reaction to Stop-Start.

You’ve been compared to the likes of Sleater Kinney and Savages, but who would you say are your main musical influences?
Zoe: These are amazing comparisons – Sleater-Kinney especially. I think other influences are bands like The Pixies, Nirvana and Joy Division – bands who aren’t afraid of creating space in their music and a having vulnerability in the lyrics. I don’t think we can hide from the songs and they’re quite exposing and that’s what I hope creates our intense live shows and how much you feel from us performing them. There’s no acting. It’s all real.

You’ve previously wowed us with the immense seething force of your live show at The Finsbury, but would you say there’s been a particular gig you’ve played that stands out as a highlight for you?
Leila: It’s hard to pinpoint specific gigs as there’s always something memorable from any gig we do. Some of our most special gigs have been festivals in Europe – we’ve played to packed crowds who turn up because they trust the promoters. We’ve played a few packed rooms to people who don’t know who the hell we are but have welcomed us and get into the music from the first notes. One night in particular we played the night of a film festival in Linz to 400 people – not numbers we are used to playing to! – and near the end of a brilliant gigs ever Zoe raised her beer, said “Prost!” and the whole room screamed “Prost!” back – it was electric!
Zoe: We’ve already had some amazing gigs this year – absolutely including our headline gig for Get In Her Ears – but selling out the Manchester date of our tour last month was an amazing feeling and made for a pretty special night.

How is your local music scene? Do you go to see much live music?
Leila: Manchester has an amazing music scene – we are spoilt by some incredible small to massive venues all putting on music most nights of the week. Though it’s also devastating to see some legendary venues lost to developers, which I know is happening all over the place. It’s also the variety of stuff going on that impresses me. We try to go to as many gigs as we can – from new music to coming through to touring bands and I can’t see that changing any time soon!

As we’re a new music focused site, are there any other new upcoming bands/artists who you’d recommend we check out?
Zoe: One of the best things we love about gigging is who we get to play with! In the last 6 month we’ve supported two amazing bands – Nelson Can and Desperate Journalist. We also played with Sink Ya Teeth at Loud Women Fest last year, who were brilliant (and we play with them again next month!). And then I saw Kin play recently and she blew me away. Specific songs I’d recommend are: Nelson Can – Break Down Your Walls , Kin – Killed Off My Unicorn So I Can Pay Off The Loan , Desperate Journalist – Hollow , Sink Ya Teeth – If You See Me

And how do you feel the industry is for new bands at the moment – would you say it’s difficult to get noticed?
Leila: There are so many bands, and new ones I hear about every single day, it blows your mind and makes you wonder how any band can make it today. We were playing as LIINES for a while and struggling to get any attention or make any impact, even though we were playing some pretty decent gigs. So, we took a step back and made some plans about how we were going to approach the following 12-18 months and that was when we started to get noticed by a few blogs, websites and even radio. It wasn’t anything too difficult, but it was the basis for the last few years and it’s really put us in a good place as we release our album. So, definitely, it’s crowded and sometimes feels like it’s hard to get noticed, but get your music out there and do it in a way that makes it hard not to be noticed. I think it’s hard being ignored, and we’ve been disappointed when we’ve not heard back from some places or DJs, but you need to carry on – writing, gigging and releasing – and enjoy making music!

Finally, what does the rest of 2018 have in store for LIINES?
Leila: We have some pretty special gigs coming up in the next few weeks – we’re playing The Membranes all-dayer at The Ritz in Manchester, alongside Sink Ya Teeth which will be the biggest venue we’ve played in! Then we have some festival appearances and more gigs to be announced to promote our album. We’re hoping to make it back to Europe for a tour in autumn too, as we’ve done quite a few gigs over there and have been waiting until our album was out to go back. We’ve already started to write and play some new songs, and we’re going to keep on at that for the rest of the year as we don’t want to wait another few years before our next album!

Thanks so much for answering our questions!
Leila: Thanks so much for having us and to Mari and all the GIHE team for supporting LIINES over the last few years and for all you do to champion women in music!

Stop – Start, the debut album from LIINES, is out 4th May via Reckless Yes Records. Catch LIINES live at the following dates:

5th May – The Ritz, Manchester (The Membranes & Friends festival)
25th May – Dot to Dot Festival, Manchester
18th August – Some Weird Sin Festival, London
14th September – Head for the Hills Festival, Ramsbottom
+ more TBA

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