INTERVIEW: New Pagans

Filled with urgent, considered, intensely catchy songs that challenge the norms surrounding relationships, history, and gender; New Pagans‘ debut EP Glacial Erratic is a powerful blend of alternative sounds. The Belfast band take the best elements of post-punk, grunge, and indie rock and transform them in to abrasive, yet melodic noise.

Formed of Claire Miskimmin, Cahir O’Doherty, Conor McAuley, and Lyndsey McDougall, the band have cut their teeth playing in different outfits over the years (Girls Names, Rupture Dogs, Fighting With Wire, Jetplane Landing). Together under the New Pagans moniker, they sound louder and more confident, creating a sonic space to explore issues of frustration, defiance, and resolution. We caught up with Claire to ask about the band’s EP, their recent UK tour, and what bands she’d recommend listening to right now…

 

Hello Claire, How are you holding up at the moment?
All good, I think we are all managing to keep it together at the minute. Keeping fit and keeping our brains ticking over. Absolutely bizarre for everything to be so different yet so normal, seeing this out in our homes, familiar surroundings. Absolutely surreal. Worst sci-fi film ever.

For anyone who doesn’t know, can you explain how New Pagans came together? We know each of you played in different bands before…
The majority of us have been in bands since our teens with the exception of Lyndsey, this is her first band, unbelievably. We’ve been playing for 3 years. Cahir and Lyndsey had talked about starting to write music together for a while but I don’t think they necessarily had a band in mind. Conor was a good friend of theirs and is an unbelievable drummer, so that was a no-brainer. As for me, I was messing about on a bass set up in their kitchen one night, recorded a rough sketch and thought nothing of it again until it was sent back to me a while later fully fleshed out by Cahir and with Lyndsey’s vocals; and it blew my mind. So that was me in! Allan was the last part of the jigsaw. He came in on guitar when we started to have bigger ambitions for the songs and he rounds of the sound off perfectly.

You released your debut EP Glacial Erratic in March. What are you most proud of about this release?
I think we are most proud that it’s a physical release. We had been releasing singles digitally over the last three years and it’s amazing to be able to find a home for them and there’s nothing like holding your own record in your hand and thinking “we made that”. It’s a beautiful object. I can see why people obsess and collect them.

Many of your songs blend the personal with the political, and I think that’s especially clear on ‘Lily Yeats’ and on ‘It’s Darker’. Can you talk me through the contexts of each song, and how they transformed into these affecting, memorable tracks?
This is more a question for Lyndsey to answer as she’s our lyricist, but I would say that she mines everything around her for inspiration. Her studies for her PHD led her to discover Lily Yeats, day to day experiences like an argument at a party with a man trying to exert his dominance over a female opinion like on ‘It’s Darker’. Everyday conversations overheard on a bus strung together into a Dadaist poem as with ‘Charlie Had the Face of a Saint’.
‘Admire’ is about learning to navigate a long term relationship once the initial spark of newness has gone & appreciate what you have. Politics, history, nature, human fragility, forgotten female voices told from an Irish perspective.

Do you have a favourite track on the record? If so, why?
I think my favourite track is ‘Admire’. Maybe it feels freshest. Or it’s the change of pace it brings on the record. It’s a mature track. I think it really sets a precedent for what we are doing next. Saying that, they are all bangers.

You’ve recently returned from touring the UK promoting the record. What were the highlights from your trip? Favourite venues/moments you’d like to talk about?
It was great for us to get out on the road together and actually great timing, another week and those shows would have been cancelled amid the chaos. Stand out venue would be the Flying Duck in Glasgow for me. They really looked after us and it makes such a difference to arrive at a venue and everything to be easy. Believe me this is a rarity for UK shows. Anyone reading this who has toured the UK will understand. As for the highlight, those drives to the hotel after the shows when we are all a little tipsy or running on adrenaline from the gig are the best craic. Makes you forget you are crammed in a tin box hurtling from one end of the country to the other.

We know it’s an uncertain time right now for musicians, especially in Ireland. How are you looking after yourselves? What’s the reaction from the music community in Belfast been like?
There’s always a real sense of community between bands in Belfast, it’s so small you know everyone. I’m just really loving the online presence that’s keeping us all connected right now until we can all play shows together again.

I don’t know how this goes when we come out the other side, but at the minute there’s a lot of positivity. We are using this time to try and write the album although we can’t get in a room together yet. We just need to ride it out.

Finally, what bands or artists would you recommend we listen to?
Careerist, Problem Patterns, Gross Net, Altered Hours. In fact, do yourself a favour and find an Irish music playlist on Spotify and give that a go. A lot of bands making a lot of great music on this island, as there always has been.

Thanks to Claire for answering our questions. Follow New Pagans on Facebook & Spotify for more updates.

PLAYLIST: Love & Solidarity

It’s safe to say, each and every one of us right now is going through a hard time; a scary, strange time filled with uncertainty and fear. A time when feelings of anxiety are heightened and we need to seek refuge in our favourite music more than ever.

So, we wanted to put together a few tunes to soothe the soul; to calm and to motivate. Some music to aid positive thoughts and relaxation, and taking time for yourself to switch off and de-stress is so essential right now. Take a deep breath, unwind, and let us send you all a big dose of love and solidarity as you hit play and follow this playlist.. (link below)

Le Tigre – ‘Eau D’Bedroom Dancing’
Because I need Kathleen’s voice more than ever right now. This chilled number from one of my favourite albums, Le Tigre’s Deceptacon, just oozes so much twinkling heartfelt emotion from Hanna that my heart bursts a little more on each listen. Also, we will all no doubt be doing plenty of ‘Bedroom Dancing’ over the next few weeks/months…(Mari Lane)

Noga Erez – ‘Global Fear’
I listened to this track at least once a day on my commute to work pre-pandemic because, despite its melancholy context, I find it really relaxing. I’m a big fan of Noga Erez anyway, but I find her music extra impressive at a time like this, because it makes me feel both alienated and connected at the same time. She’s set to release her second album at some point this year, and that’s a small thing I’m holding on to. (Kate Crudgington)

Nilüfer Yanya – ‘Tears’
One of my favourite tracks from Nilüfer Yanya, and a slight move away from her guitar heavy tunes, ‘Tears’ captures you and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, and it reminds me of a personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (Tash Walker)

Sink Ya Teeth – ‘Breathe’
Taken from their latest album Two, here our favourite Norwich duo create a soothing, sparkling majesty; oozing the soaring, calming vibes that we all need right now, it’s a truly exquisite offering, highlighting that it’s more important than ever now to make time each day to switch off, to simply breathe. And if you do that whilst listening to this euphoric soundscape, I guarantee it’ll make you feel a little better. (ML)

Massive Attack – ‘Safe From Harm’
This Massive Attack tune never fails to calm me down. The snaking bass lines and Shara Nelson’s mesmerising vocals override the threats being explored in the lyrics, making it an oddly soothing listen. (KC)

Portishead – ‘Roads’
Taken from my most listened to album of all time, ‘Roads’ is one of those tracks that never fails to calm me. With a cathartic raw emotion and whirring energy that builds with each throbbing beat, I find something deeply therapeutic about it. It’s the same with the whole of Dummy, but this song is probably just a notch above the rest. Listen, close your eyes and let the impassioned grace of Beth Gibbons’ heartfelt vocals take you down a road of healing. (ML)

Elsa Hewitt – ‘Tiny Dancer’
Whatever your mood, electronic artist & producer Elsa Hewitt has a tune to accompany it. I was so caught up in her live set when she played for us at Notting Hill Arts Club in 2018, I could’ve listened to her mixing and triggering her ambient tunes all night. A perfect distraction in these strange times. (KC)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away ‘Old Soul’ at the beginning of 2019 and has just kept getting better. It was a complete pleasure to see her perform for our IWD x Sofar Sounds gig a couple of weeks back. Listening to this song now, it leaves me reflecting on the older generations of our society, who we must all rally around as a community to help support through this uncertain time. (TW)

Babeheaven – ‘Seabird’
A perfectly dreamy accompaniment to gazing out the window at the beautiful blossom and budding dafs swaying in the breeze; a reminder that nature carries on, birds will continue to sing, flowers continue to grow, even when everything else is in disarray. I’ve found it really grounding over the last couple of weeks to focus on this, to seek solace in nature. And the luscious, soulful energy and beautifully rich vocals of ‘Seabird’ couldn’t be more welcome right now. (ML)

Connie Constance – ‘English Rose’
I first heard this cover about a year ago, but it’s really resonating with me at the moment, especially with the moments I go outside. Originally by The Jam, for me Connie Constance’s cover is the soundtrack to my daily stroll, enjoying every second I can of being outside at a time when we really value the things we used to take for granted. (TW)

Christine and the Queens – ‘Mountains (We Met)’
This track has been playing on repeat in my flat over the last couple of weeks, loved so much by my girlfriend who it brings a real sense of calm to. It reminds me of how lucky I am to be in lockdown with my loved ones, and the importance of staying connected week to week. Connected, we are a community, and communities can survive anything with love and solidarity. (TW)

Sharon Van Etten – ‘Beaten Down’
A poignant reflection on “love, patience and empathy”, Sharon Van Etten’s voice smoulders across dark synths, atmospheric keys and sparse echoing beats on this track. “‘Beaten Down’ is about making life-changing choices and remaining strong enough to see them through”, Etten explains. I think it’s okay to admit that the current situation has beaten most of us down, but I think you’ll be surprised how resilient you can be in the face of adversity too.
(KC)

Rilo Kiley – ‘A Better Son/Daughter’
With its twinkling emotion strewn splendour and heartbreakingly raw honesty, this is my go-to cathartic motivational soundtrack in life generally, but in the last couple of weeks I’ve pretty much been listening to Rilo Kiley on a loop. And I feel like this song in particular, with its impassioned and relatable lyricism, is a pretty spot on mantra of hope for getting through these strange times: “… You’ll fight it, and you’ll make it through… You’ll be awake, you’ll be alert // You’ll be positive though it hurts // And you’ll laugh and embrace all your friends…” (ML)

Mazzy Star – ‘Fade Into You’
One of the most beautiful and touching songs, from ’90s slow-core band Mazzy Star. ‘Fade Into You’ is so slow, considered and full of emotion, it’s hard not to get completely mesmerised by it. Escapism at its best. (TW)

Wolf Alice – ‘Blush’
I can’t listen to a Wolf Alice track without experiencing a flood of emotion. Most of the time it’s a giddy feeling that makes me want to stomp about and sing Ellie Rowsell’s lyrics really loudly; but with ‘Blush’, I always get a bit choked. It’s such a soft, romantic, sentimental tune. I’m looking forward to singing “Punch drunk, dumb struck, pot luck, happy happy” into my sisters’ faces again when all this blows over. (KC)

Kate Tempest – ‘People’s Faces’
There is so much that is so perfectly poignant in this song – the glaringly honest and completely relevant social commentary showcases Tempest’s unique poetic skill at creating relevant and hugely emotive social narratives. But a subtle glimmer of hope also shines through; the comfort we gain from those we love, and the comfort we can offer them just by being there (even over a Zoom or Skype meet!). So, even when it feels like the world is ending, we can still find happiness in each other: “… then we smile at all our friends… Even when I’m weak and I’m breaking… I can see your faces. There is so much peace to be found in people’s faces.” (ML)

Guest Blog: HUSK

To mark Transgender Day Of Visibility – a day to set the tone for every day, show your support, increase equality and stand by trans people to live their lives freely and confidently – trans, non binary artist HUSK talks to us about their experience in the music industry. Dubbed as “the outsider popstar we’ve all been waiting for” and “pretty darn good” by BBC 6 Music, they combine ’80s synth-pop nostalgia with fresh leftfield pop to create their signature sound. 

Find out more below: 

I always get comments about my voice, both good and bad; it’s the first thing people notice. It’s high, it’s low. It’s soulful, it’s raw. It’s trans. Despite the coronavirus disruption, today is Trans Day of Visibility (TDOV), and I’m so proud to be a Trans NB synth-pop musician.

I’ve always been attracted to synth-pop because of its queer history and androgyny. Artists like Grace Jones breaking the gender wall and Erasure, Eurythmics and Bronski Beat challenging vocal expectations that became an iconic symbol of the ’80s. It also has a natural sadness to it, but you can still dance to it. I think that draws a parallel with what it’s like to be a trans musician at the minute.

The difficult parts are well-known. The prejudice of not being booked or featured before listening to what I’m offering. The “I don’t get it” comments about my awesome gender-bending voice. The TERFs and transphobes sending tweets you could do without, and not to mention all the other things that come with being a trans person in society right now.

There’s so many amazing things too.

You’re not confined to societal standards about gender if you’re not conforming anyway. So, you’re a bit more free to write what you love, be your unapologetic self, no matter how many times you have to figure that out. And you get to weed out all those that you’ll ignore when you’re huge! Ha!

It’s really humbling to be representative of such a diverse community. I was once introduced on stage as “an emblem of trans masculinity”, which was terrifying, not to mention inaccurate. I always try to be vocal about my experience and the fact that I’m not a man, I’m just simply not a woman, and I happen to take testosterone.

I’ve been featured in some pretty major BBC 6Music LGBT+ shows, amongst some huge names. This is massively important, not just to me as an artist, but for gender non-conforming people to see. I didn’t have that, and I’ve had to carve out space for someone like me.

You also inherit a community. Allies and other trans people want to see you do well, especially in a world where trans people are vilified for simply existing. Supporting trans people has never been more important.

I’m currently working on my new single campaign for ‘Below The Neck’, which has been supported by Superbia of Manchester Pride, allowing me the freedom to release a high energy, new wave-y synth catchy af pop song. A song that would have otherwise been gathering digital dust on my laptop. It’s also giving others work, including the talented Sugar House and a team of all female radio pluggers.

Now though, we are seeing more and more trans noise. Anohni and Big Freedia are both out trans women of hugely different genres at the top of their game. Half of the artists on AnalogueTrash have trans band members, including the ‘gay metal disco’ from St Lucifer, who are always ridiculously fun to see live. Harvey is making the news in the Midlands and The Spook School are still making their super fun indie pop. Not so long ago, Jordan Grey was up on prime time TV on The Voice and is now on Comedy Central smashing it. And this is HUGE!

I would never change being trans. I would never change being a trans musician. And the industry should support us. Book us. Play us. Listen to us. We have so much to offer. Find out – we’re dying to share it with you!

‘Below The Neck’ is out 3rd April on Spotify, iTunes & Bandcamp. Find HUSK on social media – @husknoise .

Massive thanks to HUSK for talking about their experiences with us! 

FIVE FAVOURITES: Mentrix

Born in Iran but now based in Berlin, Mentrix blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. She’s set to release her debut album – My Enemy, My Love – on 3rd April via her own (female-led) record label, House of Strength.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Mentrix to ask about her “Five Favourites” – five albums that influenced her song writing techniques. Check out her choices below, and scroll down to watch the video for ‘Nature’ at the end of this post.

Mentrix: “It’s hard to narrow things down to five favourite records. I love soul, funk, blues, rock, punk, hip hop. I have adored James Brown, Mick Jagger, Erykah Badu, Candi Staton, Aretha Franklin, Nina Simone, Patti Smith and Mariah Carey (yes yes, l love Mariah). Who can deny the global phenomenon that was Michael Jackson’s History? And no matter what genre of music you are into, Bob Marley will always have a place of its own in your music-consciousness. As of pop and electronic music; MIA, Santigold and The Knife are among artists I consider pioneers. But when it comes to albums, strangely enough I surprise myself with what popped up. Suddenly, some albums that I had not thought of for a long time came back to mind. I know every note of Smoker’s Delight (Nightmares on Wax) and Fink’s first album Biscuit for Breakfast is a significant one for me. But, as I began to ask myself which were the 5 albums that stood out the most; some forgotten memories returned with their very own soundtrack. Here are my top 5 albums as I remember them today…”

1. Tracy Chapman – Tracy Chapman
The first record that comes to mind is the one that blew my mind – although 10 years had passed since its original release, it was a discovery for me and probably my introduction to songwriting. I would teach English lessons to an older lady in Tehran using the lyrics of this album. I miss that woman and hope to find her some day…

2. The Police – Greatest Hits
Another album that had a huge impact on me was The Police Greatest hits released in 1992. Every track an undeniable hit. Probably my introduction to what a hit is.

3. Radiohead – In Rainbows 
I discovered them much later in life and they won my utter most reverence with the album In Rainbows. Radiohead know how to make that kind of record.

4. Bjork – Vulnicura
Bjork has been a constant inspiration and Vulnicura is my favorite album of the artist. Although I m a huge Biophilia and Medulla fan, I relate much more to the love and pain topic of the artist’s most bold album in my opinion.

5. Yeah Yeah Yeahs – Fever to Tell
I discovered the Yeah Yeah Yeahs a bit too late to be honest… When I did, I listened to this record over and over again. It gave me the confidence to make music and inspired me at so many levels. I consider Karen O a bit of a guru… And this record remains sacred to me.

Thanks to Mentrix for sharing her favourites with us. Follow her on Facebook & Spotify for more updates.

Photo Credit: Gilles Estève

FIVE FAVOURITES: Sans Soucis

Italo-Congolese singer-songwriter Sans Soucis caught our attention after the release of her most recent single, ‘Make One From A Two’. The song explores the complexities of love, uniting Soucis’ delicate vocals with an intimate, orchestral backing to create a tapestry of rich acoustics. She’s set to release her new EP, Unfinished, on 17th April, and we’re excited to hear it.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Sans Soucis to ask about their “Five Favourites” – five songs that influenced their song writing techniques. Check out their choices below, and scroll down to listen to ‘Make One From A Two’ at the end of this post.

 

1. Coldplay – ‘A Rush of Blood to the Head’
This is probably what really got me into songwriting. I never properly took the time to write my own music until I was 20, but I started developing a certain sensitivity around songwriting by listening to Coldplay. They are my first love and probably this is one of the first pieces of music on which I shed a few tears when I was a teenager. I believe music can touch many different strings in our lives, depending on where we are, how we relate to it, but certainly great and evergreen music doesn’t leave you any choice but to empathise with what’s presented to you and dig deeper into something you weren’t seeing before. Coldplay unsealed so many new ways for me to decide how and where to fulfil my need to establish a profound connections with people.

2. Nelly Furtado – ‘I’m Like a Bird’
Ok, I’m taking it this right back to the time I had the physical ability to listen to a song more than 20 times in a row. It was a time where I would get excited about music more than anything else around me. Looking back, I think I was starting to stick my nose out for some pop music to sing along to. My sister and I used to make so many CDs to put in the car, and we spent quite a lot on time online “crate-digging”. The only music I was learning and singing at that time was the music I was given in my classical choir, so Nelly Furtado on my way to school, or on my way to my singing classes sounded like freedom. My knowledge of English was just about good enough to catch the chorus, and I remember getting so frustrated with my blurred understanding of the song that I searched for the lyrics online and started translating word by word. I felt like such a hippie every time I was singing it. It’s such a good pop song!

3. St. Vincent – ‘Marry Me’
This is probably from one of my favourite albums ever! I love every track. It is so original; merging pop, classical music, alternative rock, enticing the ear of such a broad range of listeners, unified under the most beautiful melodies and arrangements. When I discovered St. Vincent, I felt musically ready to take all this beauty in. I really respect artists who write their own music and produce it, because I’m doing the same myself and it is of great inspiration to witness how much creativity and boldness is out there to be discovered. She is definitely someone I look up to when I think about my career.

4. Arthur Verocai – ‘Desabrochando’
Arthur Verocai is a Brazilian composer who started releasing music a bit less than 50 years ago. I discovered his music last year and I got massively obsessed with it. The piece I chose comes from his album No Voo Do Urubu, released in 2016. It is so peaceful and beautifully executed. It encapsulate my love for folk music, guitar and orchestration. It reminds me of my grandparents and the afternoons we spent at home listening to old opera cassettes, of my father spinning records from Italian songwriters 24/7 and of my strong connection with my own folklore. This is another example that proves music can speak to anybody, regardless of who they are and where they’re coming from.

5. Bjork – ‘It’s Oh So Quiet’
It was difficult to pick my last one, but I couldn’t leave this one behind. Bjork is a real visionary and I respect her so much to bring big band out for such an epic walk in the 2000s. I love how dramatic this performance is. You almost feel like being in a movie while listening to it. The interpretation draws you in so much that you really don’t feel like leaving in the end. It’s also such a good representation of how I feel when I fall in love, that I feel like claiming it as my personal soundtrack.

Thanks to Sans Soucis for sharing her favourites. Follow Sans Soucis on Facebook, Instagram and Twitter for more updates.

Photo Credit: Luca Perrin

FIVE FAVOURITES: Party Fears

The creator of some of our favourite DIY art-pop tunes over the last few years, Party Fears (aka Maggie Devlin) has shared her new single, ‘All Is Good’. Released via Babywoman Records, it’s a tender, lo-fi offering that explores feelings of loss, nostalgia and emotional endurance.

We think one of the best ways to get to know an artist is by asking them what music inspired them to write in the first place. We caught up with Maggie to ask her about her “Five Favourites” – five songs that have influenced her song writing techniques. In true Party Fears style, Maggie has put her own spin on the feature, and has shared five songs that are “good for pretending you’re in a film” to. Check out her choices below, and make sure you watch the video for ‘All Is Good’ (spoiler: it’s got a cute dog in it.)

 

1. Duran Duran – ‘Ordinary World’
This song is in pole position on my list both because of the soaring eloquence of its melody and also because of those hyperbolic yet ethereal lyrics that seemed to permeate the 80s, like everyone was constantly carolling epic ditties for the sake of humanity: “I will learn to survive!” We could do with an epic 80s ditty or two about now, to be honest. Musically, there are a few highlights for me. The double tracking or echo on the main vocal, and the snare that nails things down so they don’t get too lofty. The backing vocals are ace. Then at around the three minute mark, Le Bon starts wailing in very cinematic fashion. This is the moment you could stop walking, perhaps, and look up through the rain. Wear a denim jacket with very deep pockets and get the hands shoved in there for effect. There’s also a nice moment where the synth/strings crescendo at about 3.46. Start running here. Very nice.

2. Kate Bush – ‘This Woman’s Work’
Gentle banger. Twin notes, bright on the piano and sparsely played, coax us into the song. This is followed by Bush’s airy howling before she goes right for the throat with the opening lyric, “Pray God, you can cope.” There’s no messing: she’s telling us from the top that she’s here to kick the fuck out of your tear ducts. The warm wash of backing vocals, the melodic acrobatics, how the voices deliver every “t” on “I know you’ve got a little life in you yet”, demonstrate expert precision intended to wound the listener in the most sublime way. The song is best enjoyed while you play back an imagined break up in your head, preferably in sepia tones. Make sure there’s someone on a swing, smiling as they glide through the air. Your hands pressed to absent cheeks, awash with tears. And at least one teddy bear dropped into a puddle. At the climax, why not go to a park and grab your hair and spin round in some leaves.

3. Skunk Anansie – ‘Secretly’
What’s more filmic than loads of jabby, dramatic strings straight from the top?! Who cares if what they play has nothing to do with the song? By the time you’ve realised, the bass tones have already kicked in; rippling across your headphones, anchoring the Bond-like guitar. Then there’s Skin’s vocal. I remember being so impressed that she sang in her own accent. She clips tightly through the verses before opening things up on the pre-chorus. Then the chorus launches, strings and guitar chimes and long vocal notes drawn agonised but perfect: “You wanna do someone else, so you should be by yourself.” And then there’s that bridge and the hanging note… Ooft! For this song, consider wearing a very long black coat and synthesise some spooky green light with a nice LED colour-changing bulb (by remote control so you can still look cool). It is very important that you powerfully grab the air when lip-syncing to the chorus. Shoulder movements will also be very important here.

4. Placebo – ‘Pure Morning’
Okay, so in order to fully appreciate this one, you will unfortunately have to commit a crime of some kind, but fear not! The fabric of society is quickly coming apart and it’s unlikely that if you commit a little heist for the sake of living out your OST dreams, there’ll even be a police force to catch you! From the awkward, stabbing guitar at the very top to the tinny, relentless drums and Brian Molko’s nasal whining, this song is excellent for walking somewhere with enormous purpose. If you can arrange for a glint of sunlight to cut across the air in front of you, maybe even a little gust of wind blowing your hair/coat/scarf back, this is even better. When we reach the refrain, ‘Pure morning’ it’s time to take that briefcase you’ve stolen and just throw it over a bridge. Make sure you achieve a wide arc or it will not have the same effect. Job done? Now it’s time to walk into the city and bump shoulders with pathetic normies who don’t know how dangerous and cool you are.

5. Brenda Fassie – ‘Vuli Ndlela’
This is easily one of my favourite songs. Themed on her son getting married, Vuli Ndlela opens with churchy organs and Brenda Fassie’s confident and gorgeously clear vocal. When the arpeggiator starts, we know the song is going to be a joyful, summery banger. Building and building with brushy drums and a warm bass line, the main melody repeats, the song getting richer and richer all the while, whether with further instrumentation (those backing vocals) or Fassie’s modulation. This is the song where you and your gang (adorned with lots of flowing, colourful things) dance off your previous cares, but not before you exchange a meaningful glance with your bestie over the top of those opening organ notes though. The door to the dance hall bangs open and light spills through. You all race outside, run down a grassy little hill and jump in a lake! Now you’re wet and laughing and someone is wearing a silly hat. There’s that villainous person from before, but it’s okay now; they’ve changed and they are dancing too. It’s okay! Everything is okay! There is no virus and Emma Thompson is president!

Follow Party Fears on Facebook & Spotify for more updates.

Photo Credit: Marlene Thissen

Video Premiere: Bitch Hunt – ‘Spaceman’

Since first meeting at Roller Derby, London based all queer/non-binary band Bitch Hunt formed at First Timers Fest, and have been going from strength to strength ever since; last October impressing us at GIHE us with their immense live set at The Finsbury. Now, ahead of the release of a split cassette with fellow GIHE faves adults, the band have shared a brand new video.

Filled with catchy, scuzzy hooks, a subtle tongue-in-cheek wit and the gritty deadpan vocals of front person Sian, ‘Spaceman’ is an observational and relatable slice of punk-pop. With Bitch Hunt’s trademark impassioned energy and swirling harmonies, it’s a spot-on reflection on the sickening arrogance of all those cis male ‘splainers and ‘spreaders we so often have to endure in our day to day lives. An uplifting raging anthem inspiring us all to take those men down a peg (or four).

Watch the fantastic new DIY video for ‘Spaceman’ here:

The adults / Bitch Hunt split cassette is out now via For The Sake Of Tapes. Order from Bandcamp.

Mari Lane
@marimindles