Five Favourites: Jess Ribeiro

Having shared stages with the likes of Angel Olsen and Nick Cave, Australian artist Jess Ribeiro is now set to release her new album, Summer Of Love, next month. Written during a time of instability and reflecting on themes of isolation and loss, the emotion rich splendour of her vocals shine throughout, offering a glimmer of hope during uncertain times. As her poignant lyricism ripples alongside a glistening yet gritty musicality, the album showcases Ribero’s ability to create stirring heartfelt anthems with a captivating grace.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the upcoming release of the new album, I caught up with Jess to find out about the music that inspires her the most. Read about her five favourite albums and watch the video for recent single ‘Everything Is Now‘ below!

George Rrurrambu and Birdwave – Baru
I first heard this record in the Northern Territory when I lived in Darwin, and spent lot of time touring remote and outback locations. My bass player at the time started this group with his brother as well as with the legend George Rrurrambu, a famous Indigenous musician who performed in the Warmupi Band in the ’70s/’80s. George was known for his rock music, singing in Yolngu Mate (his mother tongue), as well as English, but in this outfit it’s more reggae with his trance like singing in Yolngu Mate. I love when artists are open to experimenting with different genres and, as a songwriter, I really like writing songs in all styles. Sometimes it doesn’t work, but this combination works for sure. I hold this album in my heart as one of the greatest Australian albums of all time. It’s very hard to get a physical copy of it, but look it up on YouTube. 

PJ Harvey – Dry
When I was 13 I bought a black and white tv for $5.00 from a second hand store. I set it up in my bedroom and invited a friend over for a sleep over so we could watch RAGE, the weekend music program that started at midnight. Led Zeppelin came on which was cool, but then the music clip for the song ‘Dress’ by PJ Harvey came on and changed my world. The song blew my mind. It made me feel crazy. The strings at the end were a revelation as I was a very lazy learner (of the violin), and the song gave me hope that maybe I didn’t have to read the music and play nicely. There is a sexy guitar line in the instrumental section and still to this day I want to listen to that song on repeat. I lived in a small town where it was hard to access music, but I somehow managed to borrow Dry from an older girl at school and I taped it onto cassette. A friend’s older sister showed me how to play some chords on the guitar and eventually I taught myself how to play the song ‘Joe’. Soon after, I gave up violin and moved to writing songs and playing guitar.

Kate Bush – Hounds Of Love
I listened to a lot of my dad’s records growing up and was particularly drawn to his Kate Bush collection. An art teacher discovered I was a fan and gave me lots of videos, CDs and books on Kate Bush and Wilhelm Reich to study and read. Kate Bush wrote a song about Reich called ‘Cloudbusting’. The cloudbusting machine was created by Reich, who believed he could release orgasmic energy into the air which would dissolve pollution and stop war. He was jailed by the American government and his son wrote a book about it called ‘A Book of Dreams’. That’s what the song Cloudbusting is about. Each track on this record is a story condensed into a song; Kate Bush is a very good storyteller,songwriter, dancer and actor. I’d love to get better at bringing these elements into my writing.

Patti Smith – Horses
I was sitting in a circle with some girlfriends getting stoned one day after school, and someone put on the album Horses. I started tripping out to the lyrics; it made me feel rebellious and made me want to be a poet. The album was produced by John Cale, whose music I now deeply love, he is also part of the Lou Reed, Velvet Underground lineage. This album influenced me to be who I am and work with what I have, which is a short attention span and not much interest in premeditating production. I love vibing music with a group and being open to spontaneity in the studio. Patti  improvised the lyrics to the song ‘Birdland’ in the studio – they come from ‘A Book of Dreams’ by Peter Reich (she too wrote a song about Reich who made the cloud busting machine!). When I went to university I studied classical music and singing. In my final exam, the teachers told me I was a performance poet more than a technical musician – I took this as a compliment, as I never had any desire to become an opera singer or a classical musician.

Nirvana – MTV Unplugged In New York
I saw this on tv at about 2am in the morning and it became my favourite Nirvana record. Every song is fucking fabulous, including the cover songs by Bowie, Leadbelly, The Meat Puppets and more. I love it when rock artists present stripped back versions of their songs. The harmonies in this live recording are beautiful and there is a cello in there too! This album made me realise a good song is a good song, and I aspire to make a good song that can be performed with a whole band or solo.

Massive thanks to Jess Ribeiro for sharing her Five Favourites! Watch the video for her beautiful single ‘Everything Is Now’ here:

Summer Of Love, the new album from Jess Ribeiro, is set for release on 12th April via Labelman, pre-order here. And she’s coming over to the UK in May – info here.

Photo Credit: Nick Mckk

LIVE (Photos): Grace Petrie – Islington Assembly Hall, 14.03.24

Having last seen Grace Petrie live at local venue Stanley Arts back in 2021, and spoken to her earlier that year, it was great to get the opportunity to see her again – this time with a full live band at Islington Assembly Hall, and oozing even more understated, yet strident, empowering charm than ever before. A truly wonderful and unifying evening, celebrating the release of her new album, Build Something Better (and in anticipation of its exciting top 30 chart position the following day), it was a real pleasure to experience her poignant, politically-charged anthems amongst a filled venue of like-minded individuals. With her lilting folk-strewn musicality elevated and energised with the addition of Robin Gatt on lead guitar, Francesca Knowles on drums, Jasmine Kennedy on bass and Amy Thatcher on accordion, as well as her constant comrade Ben Moss on fiddle, it felt like a particularly special evening; whilst not holding back with addressing issues of urgency with a fierce spirit, Petrie was able to create an atmosphere of joyous warmth and solidarity. Resonant, necessary messages delivered with an infectious energy, inciting us to unite and fight against the forces that seek to oppress us. 

As well as being lucky enough to immerse ourselves in Grace’s live set, we were able to have a quick chat about the new album and tour, see our photos from the night, and snippets from the interview below.

“Build Something Better is probably my most political record for a long while. It was inspired by the general sense of dissatisfaction in modern day Britain, especially the nationalistic undertones that the government are utilising to try and distract from the many ways that people are increasingly unhappy and dissatisfied with living standards here. And that just kind of inspired a lot of angry, political songs.”

“Writing the album, I was very inspired by different folk-rock albums, like Bruce Springsteen’s Wrecking Ball, The Decemberists, and an Australian band called The Maes that I’ve been listening to a lot recently.”

“I’ve been having an amazing time touring it, this is my first time playing with this line-up, and it’s just been absolutely amazing. I couldn’t ask for a better band to lift these songs to an amazing new live level that I’ve never been able to access before. I’ve just been having a really great time!”

GIHE alumni Gabi Garbutt also delivered a really beautiful set as support, before Molly Naylor treated us to her witty and relatable poetry.

Build Something Better, the new album from Grace Petrie, is out now via The Robot Needs Home Collective. And Grace will be heading out to Australia this week for a couple of live dates, before heading back there in May for the Guilty Feminist tour. More info here.

Photo Credit: Paul Dawes / @GRNDglass

LIVE (Photos): Cherym @ Paper Dress Vintage, 24.02.2024

Having just released their debut album, Take It Or Leave It, last month via Alcopop! Records, Northern Irish trio Cherym have been big faves of ours since I first fell in love with them playing Paper Dress Vintage back in 2021. And I was lucky enough to re-live this experience last Saturday as they returned to the venue, delivering an even more wonderful set to an even bigger and adoring crowd. Fizzing with all the colourful punk-pop energy we’ve come to know and love, whilst offering fierce reflections on gender inequality and violence against women, as well as their own lived experiences as Gen Z queer folk, both the album and their live set continue to cement Cherym as one of the most exciting bands around at the moment. And I fully expect to be seeing and hearing lots more of them throughout 2024 – find out more here.

As well as immersing ourselves in their captivating raging joy at the gig last week, we were lucky enough to have a quick chat with Hannah and Alannah from the band about the tour and the new album. See our photos of the night, including excellent support from new faves Brutalligators and Hamburg’s Get Jealous, and snippets from the interview below…

Hannah: “The tour has been really, really good – we sold out our first ever Manchester headline show which was really exciting, and we also sold out our London show which is incredible. For me, it just sort of confirmed there has been a growth for the band and that more people are starting to hear our music which is amazing, and it’s a really exciting thing that’s starting to happen. We’re currently just back from the Netherlands which was really cool, there were loads of people we got to see that we haven’t met before that we’ve seen online and stuff. It was just really exciting.”

Hannah: “We wanted this album to be our truth. We wanted to be unapologetically ourselves, and I feel like that’s what we stuck by. People always used to label us as being a political band based primarily off the fact that we were all femme presenting people. We were all women and non-binary people within the band, and we were all also queer, but we never outwardly said we were a political band, we just got labelled as such. So I think with this record we were like, ‘you know what, we’ll give you political’. We have songs like ‘Alpha Beta Sigma‘ that’s very reflective of everything that’s been happening, like the atrocities of the church back home, and songs like ‘The Thing About Them’ which is about Nyree’s experience as a non-binary person, and we just wanted to speak our truth on a lot of issues.”

Alannah: “The fans have been really supportive. The new fans especially have really grasped onto the album and it’s been really lovely to see that we’ve connected with so many people. The fans that have stuck by us for a really long time have really resonated with it as well. A lot of our fans tend to be one of two people – old punk rockers who feel nostalgic about the new punk scene, and then the other side is younger fans who can relate to the lyricism and style of music that we play. When we were teenagers we really had nobody to look up to, or if there were they would be hidden between all the mainstream artists who were white men. It’s kind of nice that we’ve been able to showcase queer punk because we all come from different backgrounds, and it’s nice to see younger fans identify with that.”

Alannah: “I think our festival season is going to be really interesting this year with the new album out in the world. We’re hoping to go abroad this time again when it comes to festivals, some bigger and better things — climbing up that ladder -, which we’re really excited for. There may be some announcements coming soon too…

Hannah: “Yeah new adventures in new territories! Next for us is the Enter Shikari shows in Ireland, so we’ve got two shows in Dublin and we’ve got a show in Belfast as well, which is just insane because we’ve all been fans of this band from when we were teenagers, so to be selected to be one of the support acts for this tour is incredible. And we’re playing with Meryl Streek as well, which is going to be amazing – we love Meryl and we love his music and everything he stands for, so it’s going to be really cool.”

Alannah: “We also have something exciting in the bag that we recently announced… Our cover of Doja Cat’s ‘Boss Bitch’ which is coming out on International Women’s Day, so we’re really excited to see the reception for that! We’re also doing German dates with Get Jealous and we’re also playing again in Germany later this year with The Undertones – I think that’s all we can say without getting in trouble for now!”

Get Jealous:

Brutalligators:

Massive thanks to Hannah and Alannah from Cherym for chatting to us, and putting on such a wonderful show at Paper Dress Vintage last weekend! Take It Or Leave It, the new debut album from Cherym, is out now via Alcopop! Records – order here.

Photo Credit: Paul Dawes / @GRNDglass

Interview: Lail Arad (The Songs Of Joni Mitchell)

As someone who has felt inspired and in awe of Joni Mitchell for the last thirty years, counting Ladies Of The Canyon as one of my most played records, I was extremely excited to see that there is going to be a whole event dedicated to her and her incredible songwriting this April. Featuring wonderful musicians such as Emile Sande, Jesca Hoop, Kate Stables (This Is The Kit), Sam Amidon, Vashti Bunyan and Eska, The Songs Of Joni Mitchell will take place at the Roundhouse in Camden on 18th April, and has all been lovingly curated by musician and songwriter, Lail Arad.

We spoke to Lail about her inspirations for putting on the event, what to expect and how Joni’s legacy continues to live on and inspire musicians today. Have a read, and hopefully we’ll see you at the Roundhouse for what promises to be a magical evening!

For those who don’t know Lail Arad, are you able to tell us a bit about yourself and what you do? 
I guess my official day job is a singer-songwriter. I’ve been writing, recording, releasing and performing music for a many years now, and have a new record coming up soon… Meanwhile the touring hiatus started by the pandemic (and extended by having a baby) has led to some tangential music and writing projects… One of which we’re about to discuss! 

You’ve curated a very special event at The Roundhouse dedicated to Joni Mitchell, which is taking place in April. When I saw this was happening, I was incredibly excited as she’s one of my all-time favourites – such a completely inspiring songwriter and vocalist. So, thank you for putting it together! Are you able to tell us a bit about the event and what initially inspired you to do this? 
Perhaps unsurprisingly she is one of my all-time favourites too! Last year I was reading about her comeback appearances and noticed she was 79… I looked up when she’s turning 80 and realised it was the same month I was turning 40. So I thought great, I can celebrate her birthday instead of mine! The idea rolled on very organically from there – snowballed I should say – largely because everyone I talked to was so enthusiastic and wanted to be involved. So I approached the Roundhouse, who were equally excited about it, and from there we worked very closely together – are still working very closely together – to produce the show. It’s going to be the opening night of their annual In The Round festival. For me that’s just perfect because we’ll get the magnificence of the Roundhouse building, but with the intimacy and focus of the festival’s seated, in-the-round set-up. I always envisioned a very stripped-back affair, with Joni’s songs right at the centre; no big house band, just each artist sharing their own magical interpretations.

There’ll be a number of great artists performing, including Emile Sande, Kate Stables (This Is The Kit), Eska and of course yourself. How did you go about selecting who was going to perform – did artists reach out to you, or did you select people you thought would be particularly well suited to Joni’s songs? 
The main criteria really is to invite artists who are self-professed Joni fans and have been influenced by her work in some way. I hope this has led to a line-up which will reflect the many different worlds of music within her own repertoire, as well as the musical diversity she has gone on to inspire. 

And the lovely Cerys Matthews will be hosting the event. How did this come about? 
The thinking was very simple: Should we have a host? Yes, but only if it’s Cerys Matthews! Luckily she liked the idea. She’s a real Joni connoisseur, as well as a most excellent presenter. 

The Roundhouse is a pretty iconic venue, and I would think the perfect space for the songs of Joni to resonate throughout. As an artist and performer yourself, what has your experience been of different venues and their acoustics? Are there any particular qualities you generally look for when selecting places to play? 
There are certainly things I seek out when choosing venues, though I’m not sure I’m enough of an audiophile to consider acoustics first… I enjoy playing alternative spaces – galleries, bookshops, churches. And the Roundhouse is so special because it was originally built as The Great Circular Engine House – to turn around and service steam engines!

Obviously, Joni Mitchell is a huge inspiration to many vocalists and songwriters still today. How would you say she’s influenced the work you do? 
Probably so completely that I’m not even aware of it. I was brought up on her music by my hippie parents, so I’ve never not had her songs in my life. Like many songwriters I write very personal, confessional songs, and I take that freedom for granted – but I’m not sure anyone would be doing that now if Joni hadn’t dared to do it first. Also, many people probably think of her lyrics as largely, well, ‘Blue’… But I find so much humour and wit and playfulness in her writing, which I love and strive for in my own lyrics. She’s equally trailblazing in her musicianship of course – melodies, tunings, singing, piano, guitar, dulcimer, performance, production – and just the way she continued to explore and evolve. Having all that as an example, it’s like a horizon you keep walking towards, knowing you’ll never quite reach, but it urges you to keep moving forwards. 

And, I have to ask – what is your favourite Joni song (or album) and why? (I think my favourite album would have to be Ladies Of The Canyon…) 
I think I’m with you on Ladies Of The Canyon, at least nostalgically. It was the first record I really got to know, for myself. ‘Big Yellow Taxi’ is the first song I ever performed in front of an audience, aged 11! In a little yellow belly top from Gap Kids.

As well as a vast array of her own material, Joni Mitchell is also known for collaborating with a number of other artists, like James Taylor and Charles Mingus. Is there anyone in particular that you’ve always dreamed of collaborating with? 
I’d love to work with David Byrne. Or even just be one of the backing singers in Stop Making Sense, that would be enough for me. 

What do you think young artists today could learn from Joni Mitchell?
Do whatever the hell you want. And make sure it’s very, very good. 

A slightly off-Joni related question – but as we’re an organisation that promotes and supports women and the queer community in music, I just wondered what your thoughts were about the industry today, and how you feel its treatment of women has changed or improved over the time since Joni started out? 
Obviously we’ve come a long way since when Joni was basically the only woman in the room. The Grammys proved that recently! And obviously there’s still a way to go, but I do find it very encouraging how many incredible women I’m working with on this show. In the lineup, needless to say, but also: the head of music at the Roundhouse Lucy Wood, the production manager Anya Tavkar, our publicist Jodie from Stay Golden – that’s a lot of women at the helm.

We’re very much looking forward to the event! Is there anything else you’d like to add?
Ah yes, I’d like to give a mention to the Roundhouse Vocal Ensemble, made up of young people from the Roundhouse Creative Studios. They’re going to be performing on the night – rehearsals are already underway, and it’s sounding super exciting!

Massive thanks to Lail for speaking to us!
The Songs Of Joni Mitchell will be taking place on 18th April at the Roundhouse, as part of the ‘In The Round‘ festival – it’s currently sold out, but you can join the waiting list for tickets here.