WATCH: Maria Uzor – ‘Sometimes They Look At You’

Following recent spellbinding singles such as ‘Ventolin’ and ‘Over This‘, Norwich artist Maria Uzor has now announced the release of her upcoming debut solo album, Soft Cuts, due out next month. Having wowed us with the sparkling energy of her live show numerous times, and with acclaim from radio pioneers such as Amy Lame on BBC 6Music and John Kennedy on Radio X, as well as collaborations with the likes of Rozi Plain, Chk Chk Chk and Acid Klaus, we could not be more excited about this… !

A taste of what’s to come, latest single ‘Sometimes They Look At You‘ reflects on crossed wires and clashing perspectives with a sizzling driving energy. Propelled by glitchy hooks and a swirling funk-fuelled groove, it builds with searing electronic beats as Uzor’s fierce majestic allure soars throughout. Interspersing somewhat eerie sounding samples with twinkling interludes, it showcases this innovative artist’s ability to create truly unique soundscapes; ‘Sometimes They Look At You’ offers a fusion of vast layers of sound to create an immersive, invigorating cacophony.

Of the track, Uzor explains:

“I came away from a conversation with someone and wondered why we always seemed to have crossed wires. It was like nothing each of us said ever landed with the other… I realised it was because I was talking from a place of possibilities and they were talking from a place of absolutes. Two very different languages…’Sometimes They Look At You’ is about that… about recognising that language and communication is so much more than the words that come out of your mouth.”

‘Sometimes They Look At You’ is accompanied by a captivating new video, filmed by Andi Sapey and edited by Uzor herself. Watch here:

Soft Cuts, the upcoming debut album from Maria Uzor, is set for release on 13th October via Castles In Space. And catch Maria live at a number of live dates to accompany the release, including The Windmill in Brixton on 18th October – see you there!

Mari Lane
@marimindles

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Five Favourites: The Vanity Project

London-based self described “queer-freak-pop” Flora Jackson and Rob Paterson, aka The Vanity Project, pride themselves on creating swirling chaotic soundscapes, interweaving multiple genres and techniques. Having received acclaim from the likes of Marc Riley on BBC 6Music and Everything Everything’s Jonathan Higgins, they have now announced the release of their debut album, We Should Never Have Come Here, set for release on 29th September. Latest single ‘Eureka!‘ offers a perfect taste of what’s to come; reflecting on the daily grind of the 9 to 5, and the dangers of capitalism, it’s wonderfully wacky cacophony of empowering riotous energy and sparkling musicality.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of We Should Never Have Come Here, we caught up with The Vanity Project to ask about the music that has inspired them the most recently. So, read about their five favourite albums and watch the eccentric new video for ‘Eureka!‘ below!

Guerilla Toss – Famously Alive
If you want to know what the record sounds like, but can’t be bothered to listen to any of the songs, you could just look at the album cover: we’re talking gloopy synths, colourful hooks, squelchy bass. Everyone seems to prefer their earlier janglier stuff, but this record appeals to our desire to make music that’s wonky, bizarrely pretty and always incredibly catchy.


Left at London – t.i.a.p.f.y.h 
Let’s shoot the elephant in the room: yes, it’s the girl who said “haha, I do that” on Vine. But we’re delighted she forwent a career in professional memery because it turns out she had one of the best records in the decade in her. It covers all bases really – full of emotional gut punches juxtaposed with joyous moments, often within seconds of each other.


Black Dresses – Peaceful as Hell 
Rob has much more affinity to noise and chaos and this record scratches that itch better than any other. In places it’s borderline pop-punk but you’re never more than thirty seconds away from grinding industrial breakdowns. Unfortunately, Black Dresses broke up after this album, now only reuniting to drop yearly releases under the same name in the same genre.

Birds of Hell – Birds of Hell
This a record of weird stories, character pieces, rambles – the stuff we love. There’s a clear straight line between ‘Los Yarmouth’, a song about exploring the underwater ruins of a fading resort, to our song ‘Craters’, about aliens holidaying in a post apocalyptic Manchester. We periodically say the phrase “fizzy hummus, woof woof” in day to day life; fair warning, if you listen to the album, you will too.

Daphne and Celeste – Daphne and Celeste Save the World 
Famously, these two got pelted with piss at Reading Festival. Years later it was reported that upon hearing this perfect slice of spiky, glistening Max Tundra-helmed art-pop, every single one of those piss pelters went back to Reading, took all the piss bottles back, and donated them to a piss bank. And you can see why.

Massive thanks to Flora and Rob for talking to us about their Five Favourites! Watch the new video for ‘Eureka!’ here:

We Should Never Have Come Here, the debut album from The Vanity Project, is set for release on 29th September. And you can catch them live that night at The Cavendish Arms in Stockwell to celebrate – tickets here.

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LIVE: All Points East, Victoria Park, 25.08.2023

Arriving at Victoria Park to the sound of Le Tigre blasting from the sound system by Goddess, I have a feeling it’s going to be a good day… And I’m not wrong! 

Ensuring we arrive with plenty of time to nab a beer from one of the (very well staffed and efficiently run) bars before Hastings ones to watch HotWax take to the stage, I’m ready for a day of good vibes and fantastic music from predominantly female artists in the East London park. 

Starting bang on time at 3.35pm on the West stage, GIHE faves HotWax kick off their set with the sultry, seething tones of ‘Barbie (Not Yours)’. Looking out at an ever increasing crowd, seemingly consisting of both a large devoted existing fan-base and festival-goers coming across them for the first time, the young trio deliver each immense offering with a truly immersive stage presence – their sparkling, driving energy emanating throughout. As the rich, gravelly vocals of Tallulah flow effortlessly, bassist Lola darts across the stage with a fierce charisma, and drummer Alfie’s pummelling beats pound consistently, and I’m instantly captivated by their visceral power; I can certainly see why they’ve been garnering so much hype over the last few months. Treating us to songs from this year’s EP A Thousand Times, as well as newer songs such as latest single ‘Drop’, HotWax ripple with excitement whilst losing none of their polished-yet-gritty grunge-fuelled sound. “It’s such an honour to be on this stage with so many amazing artists”, Lola gushes at one point, and I can’t help but share their sense of excitement and pride at their recent success – it’s clearly so well-deserved, and I have every confidence that they’ll continuing wowing us with their blistering offerings for a long while yet. Whilst clearly not taking any of it for granted, they ooze a quiet sense of confidence and self assurance that makes it hard not to become utterly engrossed in all they’re creating. Even when they’re told they only have two minutes left, they make every second count; delivering a ferocious rendition of fan-favourite ‘Rip It Out’ to close the set. So, thank you HotWax for kicking off All Points East in style, and thank you to my GIHE team mate Kate for introducing me to this exciting new band… I can’t wait to see and hear more from them very soon!

After a little break with some cajun fries in the sunshine, we make our way to the East stage in time for Nashville’s Be Your Own Pet. Part of their first UK tour in over ten years (and their first time on a festival stage in fifteen), they prove themselves to have lost none of their immense punk-rock energy as front woman Jemima Pearl instantly immerses the crowd in her magnetising charisma, emanating a raw empowering presence throughout. Declaring it a good day – “Trump got arrested and our new album came out” – Pearl leads the way in delivering a gloriously raucous set filled with both classics like ‘Becky‘ and ‘Bicycle, Bicycle‘ and new, but no less exciting, offerings from said album (Mommy). A pretty magnificent return to form from a noughties favourite.

Staying put at the East stage to be spellbound by the beautiful emotion-rich splendour of Angel Olsen, we then head back West to witness the raging ferocity of Amyl and The Sniffers. Having been keen to catch them live for some time now, the Aussie punks exceed expectations. As front woman Amy Taylor’s playful allure and boundless seething energy race throughout each riotous offering, I don’t even mind getting completely soaked to the skin as the heavens open and the crowd – very fittingly – mosh along to ‘Monsoon Rock’. And it doesn’t seem to bother Taylor either – “I had a feeling you’d be getting a bit wet today…”, she jests cheekily, as she continues to swirl around the stage; charming us all with her quirky, effervescent spirit.

After indulging in some tasty vegan macaroni cheese to keep me going, I’m ready to live the dream of seeing total hero Karen O in real life for the first time. And calling the experience dreamy is no exaggeration. The minute the Yeah Yeah Yeahs take to the stage, an all-encompassing majestic splendour takes hold, and I’m left completely under their spell. Whilst they remain refreshingly nostalgic (so many memories of dancing to them at The Pad in Bedford throughout the early noughties), they seem to have mastered staying relevant and truly exciting; creating a live experience like no other. From the surreal, enchanting spectacle of giant eyeballs floating through the crowd, and the band’s refreshing tongue-in-cheek wit throughout (like when O stuffs the mic down her pants), to the heartrending grace and shimmering emotion of ‘Maps’, the “Yeah Yeah Yeahs’ love song” – which O movingly dedicates to the late Sinead O’Connor – it really is the perfect set; a sparkling balance of spine-tingling rippling emotion with fierce, chaotic energy. An experience I’ve been waiting on for twenty years, and won’t be forgetting for another few decades I’m sure.

Whilst The Strokes don’t really fit with our GIHE ethos, what I will say is that I really enjoyed their set. Despite the frustration of not being able to hear everything clearly because of sound issues which were out of the band’s hands, they delivered a fantastic array of favourites, with a joyous energy and slick musicianship. 

Mari Lane
@marimindles

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New Track: CHROMA – ‘Don’t Wanna Go Out’

Having just announced the release of their debut album, out via Alcopop! next month, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band CHROMA are definite ones to watch right now. And, with acclaim from the likes of John Kennedy at Radio X and BBC Radio 1’s Alyx Holcombe, their instantly catchy new single showcases all there is to love about Pontypridd’s band on the rise.

Propelled by the band’s distinctive relentless energy, ‘Don’t Wanna Go Out‘ reflects on feelings of FOMO and the pressure to go out and socialise. Raging with seething hooks and front woman Katie Hall’s fiercely raw vocals, it offers a compelling slice of biting garage-rock; a relatable and dance-able anthem that’ll cement itself in the ears on first listen, demanding multiple plays immediately.

Currently in Korea, playing DMZ Peace Train Festival, CHROMA are excited to share their debut album with the world. Entitled Ask For Angela, it shares its name with the UK wide campaign to prevent sexual assault in the UK, and showcases the band’s knack for creating empowering, inclusive offerings covering poignant topics ranging from trans rights and violence against women, to their experiences of growing up in the Welsh countryside. Of the album, they add:

“This album takes us in a direction that we as a band feel as if it affirms the sound that we’ve always wanted to create, and with thanks to Steffan Pringle and Tom E1 Mastering and Duplication, they’ve helped bring these songs to life. ‘Ask For Angela’ is no longer just ours, but it’s yours, now and forever. We hope you find as much joy in this record as it was for us to create.”

And, on their return from Korea, they’re heading straight up to London next Friday 8th September to headline for us at Shacklewell Arms – we couldn’t be more excited. It seems to be their only London show for a while, so do come and join us in moshing along to their gritty energy in a fairly intimate venue, before they hit the stadium next year!


Ask For Angela, the debut album from CHROMA, is set for release on 20th October via Alcopop! Records. Pre-order here. And make sure you don’t miss them live at Shacklewell Arms on 8th September, with support from Leeds band wormboys and Brighton’s UrgentSea – nab tickets here!

Mari Lane
@marimindles

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