Track Of The Day: LibraLibra – ‘Frenemies’

Following the release of their second EP, Modern Millenial, GIHE faves LibraLibra return with their utterly unique fusion of pop, electro and punk with an immense new single.

Lulling us into a false sense of security with a sweeping orchestral intro, ‘Frenemies‘ soon builds with a haunting majesty into an epic frenzied cacophony. Reflecting on the comfort we may find in fake or damaging ‘friendships’, the track fizzes with a chaotic energy that’ll blast into the ears with a fierce sense of urgency. As it rages with a colossal magnificence, front woman Beth’s vocals simmer with a sultry allure before exploding into a riotous anthem seething with dark undertones. Of the track, Beth explains:

“‘Frenemies’ is for all the fake friendships out there. Those friendships bound together through getting f**ked up, losing yourselves, your keys, your phone, blacking out and ending up a shell of your former self in a random kitchen at 4am with no way to get home. Your frenemy is your ride or die, you both should and could be each other’s saviors, but instead the chaos is calling and annihilation feels really good.“

‘Frenemies’ is accompanied by a brand new video. Directed by kink photographer Sorry Jonny Died, it offers an eerie insight into the wonderfully sordid underbelly of LibraLibra’s world.

LibraLibra are heading out on a UK tour in March 2023 (you do not want to miss them live!) – details here. And if you can’t wait that long, they’ll be supporting other GIHE faves ARXX at The Social on 23rd November – tickets here.

Mari Lane
@marimindles

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Five Favourites: Hannah Schneider

Having been big fans of Danish artist Hannah Schneider (also of duo AyOwA) for some time now, we were super excited to welcome the release of her latest album (her first solo release in seven years), Ocean Letters. A collection of immersive, celestial soundscapes, it perfectly showcases Schneider’s ability to bathe your ears in a euphoric, soothing grace as her rich, crystalline vocals ripple with a dreamy ethereal haze. A blissful sonic accompaniment to calm the senses as the temperatures drop and the darkness draws in.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Ocean Letters, we caught up with Hannah Schneider to ask about the music that has inspired her the most. See below for her choice of her five favourite albums.

Beach House – Teen Dream
As a surprise to no-one, Beach House is a huge inspiration for me, and this is one of my favourite albums ever. The songwriting is off the charts amazing – wild, advanced and still it seems you can hum along to every one of the tunes. Many of the texts and titles have such a suspense in them, and they each create a scene or a story that catches your attention. And then of course, the sound. I have always been extremely inspired by their hazy dream pop sound with significant guitar lines, drum machines and beautiful vocals, and on my album Ocean Letters in particular I go all the way on a few songs in my Beach House tribute. The demo for ‘The World’s Gone Still Now’ from my album was even called “beach house vibes” before it got its real title after my friend and magic guitar player Anna had come and laid down the guitar parts on it! 

Hania Rani – Esja
For me, Hania Rani is a fairly new acquaintance, but I have been very inspired by her in my work with this album. From the sound of the piano, to the simple and yet complex compositions, and the sparse layers that still create such a full sound and beautiful cinematic scenes. This music gives such space for imagination, and that’s what I have been trying to create with my album as well. 

Portishead – Portishead 
I don’t think there’s a time in my life where I haven’t listened to Portishead. It’s a constant source of inspiration, how they make such intense music without shouting at the listener. Such slow paces, such minimalist productions, simple chord structures, and yet the melody and Beth Gibbons’ voice is so wild – complex and completely vulnerable, and unnerving, at the same time. I am forever inspired by their way of orchestrating music and making suspense and drama, and the way they dare to combine musical genres in their music has been a big inspiration for my album as well.

Emilie Nicholas- Tranquille Emile
Norway is the country with the most happening right now music wise in Scandinavia I think. One of the first in this new wave of interesting artists is Emile Nicholas, and I love her way of creating new R’n’B/soul with such a distinct Nordic flavour. Interesting melodies, beautiful instrumentation and Emilie’s million dollar vocals on top – wow, how she can create lines that amazes! I just gave in to this album, and have enjoyed it very much while creating my own album. I think I have also let myself be inspired by the gospel-ish chord changes in some of her songs, and in my song ‘It’s The Season’ I have let myself dive in to the slow more soulful chords and musical phrasings.

Agnes Obel – Myopia
This album is a true masterpiece of orchestration and melodies – such beautiful compositions, and Agnes Obel’s magical voice on top. There is such a cinematic quality to all her albums, and this has been a great inspiration to my album, Ocean Letters. Her albums also seem very conceptual thematically and sound wise, and this is something I have also approached in my work with Ocean Letters.


Massive thanks to Hannah Schneider for sharing her Five Favourites with us!

Ocean Letters, the new album from Hannah Schneider, is out now via Midnight Confessions.

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Video Premiere: Feral Five – ‘Silver Sky’

Having been big fans of innovative duo Kat and Drew – aka Feral Five – ‘s unique brand of captivating electro-pop for a number of years now, we’re excited to hear that they’ve now announced the release of a new album, due out in February 2023 via lovely independent label Reckless Yes.

Ahead of the album’s release, they’ve now shared an evocative new single. Propelled by a glitchy, soaring majesty and chiming beats, ‘Silver Sky‘ poignantly reflects on the effects of light pollution in urban areas. With a glistening whirring splendour, the track builds with a fizzing energy and rich AI vocals (trained in Berlin on Kat’s voice) to a twinkling otherworldly soundscape, oozing a spellbinding allure. Of the track, the duo explain:

“‘Silver Sky’ is … set in a feral city, it’s about a sky that never gets dark because of light pollution, something that scientists say is affecting animals and plants.“

‘Silver Sky’ is accompanied by beautifully swirling visuals depicting a futuristic cityscape – all adding to the unique, immersive experience that Feral Five are consistently able to create. Skilfully interweaving live coded sounds, strings and even creating sounds from quartz crystals, ‘Silver Sky’ is yet another example of just how innovative this duo can be. Wrap your ears and eyes around its exquisite cutting edge magnificence now!

Watch the new video for ‘Silver Sky’, for the first time, here:


Truth Is The New Gold, the upcoming album from Feral Five, is set for release on 10th February 2023 via Reckless Yes.

Mari Lane
@marimindles

Photo Credit: Keira Anee Photography

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LIVE: Alvvays @ Islington Assembly Hall, 07.10.22

A rainy Friday night in North London and what better way to soothe our dampened spirits than with some shimmering surf-pop sounds…

Thankfully, we arrive at the springy-floored Islington Assembly Hall in time to catch support act Lande Hekt. Though you may know her from her band Muncie Girls, her debut solo album, Going To Hell, was one of my favourites of last year and live, her songs are no less special. Starting off with a few captivating solo offerings, Hekt treats us to beautifully heartfelt songs covering themes ranging from the struggles of coming out, to comforting times with her cat Lola. With a lilting musicality and stirring, luscious vocals, she kicks off our evening with a collection of shimmering soundscapes, all delivered with a raw emotion.

Having been a huge fan of Canadian band Alvvays since falling in love with their self-titled debut album upon its release in 2014, I’m not quite sure why I’ve not yet seen them live, and so it’s with an apprehensive excitement that I await their arrival to the stage – that feeling of having waited so long for something, that you can’t help but worry that it won’t live up to your high expectations…

However, I’m soon to be proved wrong as Molly Rankin and co. take to the stage amidst a sea of adoring cheers filling the packed out venue (it’s the most busy I’ve ever experienced it and I’m a little miffed about being stuck behind one of the tallest people I’ve ever seen, but I’ll try not to dwell on that…). As they kick off the set with the dreamy musicality of second album Antisocialites‘ opening track ‘In Undertow’, I’m instantly immersed in the sparkling splendour of Alvvays’ trademark swirling surf-pop energy. And I feel very lucky to witness the band’s shiny new line-up (with the addition Sheridan Riley and Abbey Blackwell now forming the seamless rhythm section) first hand.

Introducing themselves, Rankin oozes an infectious sense of excitement as she tells us that today is the day of release for their brand new album, Blue Rev, and informs us that the set will consist of some newer songs from the record, as well as “some oldies – gotta include those crowd pleasers too!” before diving into one of said new tracks, ‘Very Online Guy’. With a more synth-driven sound than previous offerings, it fizzes with a whirring energy alongside Rankin’s rippling crystalline vocals.


And from new to old as the band flow smoothly into the first track from their 2014 debut, ‘Adult Diversion’. Propelled by lilting hooks and a buoyant, uplifting energy, the large crowd sway along with a joyous sense of unity to Rankin’s luscious vocal tones, as the raw power of Riley’s thrashing beats shines through. Twinkling with a whimsical allure, ‘Plimsoll Punks’ proves to be another crowd favourite before perhaps the band’s most famous song ‘Archie Marry Me’ sees each and every one of us sing along to each and every word, and I find myself getting quite emotional; the track’s dreamy grace and twinkling romanticism holding a special place in my heart (it was even featured on my wedding playlist), and – despite not being able to see the stage – live, it is every bit as beautiful as I could have hoped for.

Interspersed between the shimmering musical offerings, Rankin interacts with the crowd, oozing an endearing charm – apologising for her lack of vocal strength which is feeling strained as they come to the end of their tour, and receiving mixed reactions as she shares that she was going to wear an Arsenal jersey to the show. However, despite her apologies, her vocals glisten with a soaring majesty throughout truly captivating renditions of ‘Dreams Tonite’ and ‘Party Police’ to draw the set to a close.

After we cautiously make our way to the back of the room, Alvvays return to the stage for a very welcome encore of old favourites. After the sparkling emotion of ‘Atop A Cake’ shimmers with a scintillating allure, the band offer the final track of the night, another one from their debut album, ‘Next Of Kin’ – a perfectly euphoric way to end what has been a blissfully exquisite experience (and it seems my apprehension of being disappointed was totally unfounded).

Mari Lane
@marimindles

Photo Credit: Eleanor Petry

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