Introducing Interview: Claire Pitt Wigmore

Having received acclaim from the likes of BBC Introducing for previous singles, ‘Dreaming (Where Did You Go?)’ and ‘Words’, Margate-based multi-instrumentalist Claire Pitt Wigmore has charmed our ears with her soulful, impassioned energy and sparkling, blues-infused musicality.

Having recently released gritty, yet instantly catchy, riff-filled single ‘Shades Of Green‘, we caught up with Claire to talk about what inspires her, her experience as a female artist in the music industry, and more. Have a read!

Hi Claire! Welcome to Get In Her Ears! Can you tell us a bit about yourself? 
Hi Mari! Thanks so much for interviewing me. I certainly can! I’m a multi-instrumentalist from Margate, Kent. I predominately perform with my electric guitar, loop pedal and vocals. I create music ranging from indie, trip-hop and blues but that’s my own interpretation. I’ve always been a huge lead guitar blues fan. 

Are you able to tell us a bit about how and why you initially started creating music? 
I always wanted to play the guitar. Electric guitar to be exact. I became fascinated by “shreddy” guitar solos from an early age and thought “if they can do that, why can’t I?” It was around about the time ‘Sk8er Boi’ by Avril Lavigne became a hit that I became inspired, but I didn’t start learning the guitar until I was about ten, which was six or seven years after this musical awakening. I played in a wide range of cover bands and original bands before venturing off as a solo artist. I played in indie bands, rap-rock bands, acoustic duos. All of which stood me in good stead as a performer. But it wasn’t until I started creating my own music that my musical abilities really started coming to life. I bought myself a loop pedal. It was only to track chord progressions and practise my improvisation skills, but I soon started creating original instrumental pieces with it. From there, I managed to create a unique blend of soulful chord progressions and bluesy guitar solos that would later become fully composed pieces of mine. 

I love your impassioned, shimmering sounds, but who would you say are your main musical influences?
Thank you! That’s very kind of you! I’ve been influenced by a number of genres and sounds over the years. It’s difficult to pinpoint a specific influence but I’ve definitely honed in on the genre of blues, regarding my guitar playing. David Gilmour from Pink Floyd has been a big influence of mine – that warm, psychedelic tone of his has always been a favourite of mine. I’ve also been influenced by guitarists such as Stevie Ray Vaughan, Carlos Santana and Jimi Hendrix. But speaking from a general musical point of view, I’ve gravitated towards artists like Massive Attack, Air, Portishead, Tash Sultana, Deftones. The list could go on really!

You’ve recently released your latest single ‘Shades Of Green’. Are you able to tell us a bit about the single? Are there any particular themes running throughout it?
‘Shades of Green’ seems to be everyone’s new favourite at the moment. I think because I’ve branched out as an artist and started exploring different writing styles and genres, and it’s a little more upbeat than my previous releases. The track talks about the image that’s on the single artwork actually: it’s a photograph of me aged three wearing a lilac/mauve party dress and I just remember thinking “I hate this dress”. Which is also really sad because my mum must have thought it looked really sweet and pretty! I probably just wanted to wear something a little more “tomboyish” and I guess there was a mixture of emotions running riot at the time. It’s probably one of the first songs I’ve written where I’ve opened up about childhood emotions; I’ve tended to write in a rather cryptic way in the past to avoid people actually knowing what was going on in my head.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+  artists
It’s interesting you should ask this question actually because I recently wrote a blog, that was published by a local music charity, about my experiences as a female instrumentalist. I hadn’t really spoken up about the injustices I’d faced in a male dominated industry before, but I’m so glad I did. Especially being a “female guitarist”, which isn’t as common as a “male guitarist”, I felt like an outsider and unfortunately encountered a number of sexist and dismissive remarks. I do feel like things are changing though which is really positive. There are a number of queer/LGBTQ+ artists and bands on the scene at the moment and that’s also something that’s been embraced in my local music scene. 

You’re based in Margate – how is the music scene there? Do you feel that the live music community there has fully recovered since the pandemic? 
Margate really is the place to be now, isn’t it? I remember growing up, Margate was just another seaside ghost town but in the last five to ten years there’s been a huge change, especially in the creative scene. New and exciting venues such as Elsewhere have really turned things around and regenerated the music scene by not only putting on up and coming artists but welcoming local talent to its stage. Since the pandemic, I’ve actually been able to perform as a solo artist more than before. I think people were in desperate need of a music scene after nearly eighteen months of nothing. You never really appreciate what you’ve got until it’s gone, I think is a very fitting phrase!

And what can fans expect from a Claire Pitt Wigmore live show? 
A lot of bluesy, psychedelic guitar solos, ambient vocals and an incredible amount of loop pedal use. The Boss RC-30 loop pedal has become a staple for every show.

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
Good question! I supported a Northampton based band at Ramsgate Music Hall, back in July 2021, called Sarpa Salpa. Think ’80s disco/funk, mixed in with pop and a bit of alternative rock. I was very impressed. 

What does the rest of the year have in store for you?
This is an interesting one because I’ve been quite unwell recently and have been diagnosed with a lymphoma that I’ll be starting treatment for very soon. A dark ending to this interview, but it is treatable! I’m still writing and releasing music and gigging as much as I can. I haven’t been able to gig as much as I hoped this year, but I’m doing as much as I can. I’m in the process of writing my second EP, that should be out later this year. It discusses my bout of ill health and the end of my relationship, that happened not long after I became ill at the beginning of the year. I’ve put my heart and soul into this body of work, so expect to get a real insight into my life.

Massive thanks to Claire for answering our questions!

‘Shades Of Green’, the latest single from Claire Pitt Wigmore, is out now:

Photo Credit: Nigel Martin Photography

VIDEO PREMIERE: LibraLibra – ‘Fancy Car’

Having released their epic second EP, Modern Millennial, earlier this year, and fresh from wowing crowds at TGE and receiving acclaim from the likes of Jack Saunders at BBC Radio 1, GIHE total faves LibraLibra have now shared a brand new video for album track ‘Fancy Car‘.

With the vibrancy of the retro, Grease-inspired hand-crafted visuals matching the colourful charisma and frenzied energy of the track perfectly, ‘Fancy Car’ is propelled forwards with a sizzling, empowering spirit. Fizzing with a swirling, psych-infused chaos, it oozes a fierce, immense power as the raging magnificence of front woman Beth’s colossal vocals are interwoven into the track’s gritty, anthemic musicality.

With the visual and lyrical narrative so wonderfully aligned, we’re fully immersed into the story of ‘Fancy Car’ – the highs and lows of intense young love, and the rollercoaster of feelings that can accompany it. Fluctuating between a riotous angst-driven force and glistening soulful majesty, the glorious dynamic splendour of Beth’s vocals lends itself perfectly to the vivid cinematic allure of the animated illustrations.

The video for ‘Fancy Car’ was created by Holly Deanna from previous GIHE headliners and faves CURRLS – and I think you’ll agree that she has encapsulated the fiery essence of LibraLibra perfectly! See more of her art at @heavenlystudio_ .

Watch the new video, for the first time, here:

Mari Lane
@marimindles

LIVE: Lunar Vacation @ Moth Club, 11.05.2022

Having been completely addicted to last year’s debut album from Lunar Vacation – listening to it pretty much non-stop for the last six months – I was excited to finally see the Atlanta-based band live at Moth Club last Wednesday.

The night opens with the shimmering, uplifting grace of German band Roller Derby, and – as they treat the crowd to a mesmerising cover from their “favourite UK band”, I shimmy along to ‘Friday, I’m In Love’, and come to the realisation that I may have just discovered my new favourite band.

After introducing themselves – explaining that they had to get the ‘Chunnel’ to come over to the UK – Lunar Vacation begin their set with the blissful tones of ‘Peddler’, instantly captivating the crowd of adoring fans, as an endearing sense of excitement and joy radiates throughout the sparkling interior of Moth Club. Following the jangly musicality and swirling surf-pop energy of ‘The Basement’, Lunar Vacation ask “someone they met earlier today” to join them on stage – and so we’re introduced to Ella, a mega fan who seems to have learnt ‘Unlucky’ note-for-note and seems completely at ease joining the band on guitar for the entirety of the track’s twinkling romanticism.

Discussing the title of their album, Inside Every Fig Is A Dead Wasp, front person Grace explains that it is indeed a true fact – despite being a fruit, figs are not vegan, due to the amount of dead wasps you may accidentally come across when eating them. So, no more figs for me… Continuing to charm the crowd with both insightful knowledge and a dreamy musicality, the band ease into ‘Where Is Everyone?’ and ‘Mold’, flowing into each song with their trademark lilting hooks and stirring, sparkling emotion.

As Grace’s luscious crystalline vocals ripple alongside the cinematic instrumentation, I notice someone in the crowd literally do a little jump for joy… And it’s poignant just what a truly joyous atmosphere has been created. The front couple of rows are pretty much entirely made up of smiling femmes and queers; all swaying along, beaming, singing along to each and every word of Lunar Vacation’s glistening offerings. The kind of euphoric sense of unity I hope to create at the gigs I host for Get In Her Ears.

Following the gentle ethereal splendour of ‘No Offerings’, guitarist Maggie continues the endearing witty banter, revealing that Grace has always wished she was British, and was hoping that Alex Turner may have made an appearance tonight…

As the sweeping, mystical allure of tracks such as ‘Anna’ and ‘Gears’ floats through the venue with an exquisite heartfelt charm, I remain utterly immersed in Lunar Vacation’s knack for perfectly fusing together a beautiful, stirring melancholy with an uplifting, rapturous energy.

As the set draws to a close, the disappointment doesn’t last long as the band sneakily reappear a moment later to treat us to a little encore and – as the whimsical majesty of ‘Swimming’ glides into our ears – I’m left feeling utterly elated. Any worries or stresses I may have had on arriving at Moth Club tonight have floated away on the truly dreamy, radiant grace and heartwarming sense of unity that Lunar Vacation have created.


Mari Lane
@marimindles

LIVE: Bad Waitress @ Moth Club, 09.05.2022

I’ve been wanting to see Toronto band Bad Waitress live ever since first falling in love with the riotous power of last year’s single ‘Strawberry Milkshake’, followed by weeks of listening to epic debut album No Taste on repeat. So, it was with much excitement that I was able to catch Kali, Moon, Katelyn and Nicole opening for Brooklyn band Gustaf at Hackney’s Moth Club on Monday.

Kicking off the rather sweaty night, Bad Waitress immediately blast into the seething discordant splendour of ‘Rabbit Hole’ with an immense, gritty energy – no introduction needed. As frenzied, relentless riffs ricochet off the sparkling interior, I become instantly utterly immersed in their scuzzy, angst-driven power. As a ferocious energy propels ‘Lacerate’, Kali’s raw, impassioned vocals ring out with a fierce emotion, reminiscent of the legendary Brody Dalle. 

Continuing the set with racing, chaotic vigour, the band treat us to more hell-raisingly raucous – yet fuzzily catchy – offerings, such as wonderfully sinister punk anthem ‘Strawberry Milkshake’ and the eerily seductive allure of ‘Manners’. 

As Kali leads the band with an immense, raging drive, the rest of Bad Waitress captivate the crowd; whether it’s the quirky charisma of guitarist Katelyn as they deliver the most impressive of riffs, Moon pummelling the kit with an infectious shimmering energy, or the ethereal charm of bassist Nicole.

Nearing the end of the set, Bad Waitress treat us to one of their earliest singles ‘That Sedative’, before showcasing their versatility with the sweeping, sultry ferocity of ‘Delusions of Grandeur’ and fierce latest single ‘Spit It Out’.

After a year of being desperate to see this Toronto band live, they do not disappoint. I remain utterly spellbound by their seething, empowering cacophonies throughout. A truly epic experience.

(Kills Birds – with their colossal grunge-fuelled fuzz and immersive stage presence – were also incredible!)

Mari Lane
@marimindles