Track Of The Day: Ailsa Tully – ‘Salt Glaze’

Following acclaim for last year’s emotive EP Holy Isle from the likes of The Line Of Best Fit and Clash, as well as support slots with esteemed bands such as Another Sky, Welsh artist and GIHE fave Ailsa Tully has now shared a tender new single.

A poignant reflection on the time that Tully and her partner spent in her late Grandmother’s house during the January lockdown last year, and the accompanying feelings of nostalgia, acceptance and love, ‘Salt Glaze‘ flows with shimmering layers of instrumentation laying the foundations for Tully’s heartfelt crystalline vocals. Rippling with lilting keys and sweeping strings, it offers a glistening moment of reflection and gratitude as its gently harmonious musicality oozes a luscious heartfelt splendour and stirring emotion. A truly immersive soundscape emanating a comforting warmth and exquisite captivating grace.

Of the track, Tully explains:

“My Grandma passed away a few years ago and the house remained unchanged, it was like a museum of salt glaze ceramics and abstract art pieces which began to absorb into my creativity. This song is about that space and how my partner and I tried to make it feel like home during that period while also knowing that it wasn’t ours. It’s ultimately a song about acceptance, balance and letting things be…” 

Watch the beautifully endearing, home-recorded new video for ‘Salt Glaze’ here:

Mari Lane
@marimindles

Photo Credit: Adam Whitmore

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Get In Her Ears Live @ The Shacklewell Arms w/ Jenny Moore’s Mystic Business, 24.02.2022

Last Thursday, we were back at The Shacklewell Arms in Dalston, and what a dream of a night it was! Overcoming cancellations and changes of line-up, and at a time when we’re all struggling with everything going on in the world, it really was the wonderful musical catharsis we all needed. Huge thanks to the three totally amazing bands who played, and to all the lovely folk who came out to support them and fill the venue… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a beautiful night.

Opening the night, duo Elena and Kyle, aka all cats are beautiful (ACAB, if you will), treat us to their truly dreamy whimsical allure. Delivering their utterly unique ‘sad dance tunes’ (plus a particularly moving cover of Daniel Johnston’s ‘True Love Will Find You In The End’) with a captivating energy, they offer a perfect fusion of immersive heartfelt emotion and uplifting grace.


Next up, Sheffield band Potpourri make their London debut. Walking onto the stage to a self-recorded calming guided meditation, the colourful trio deliver their wonderfully quirky offerings with a vibrant energy and endearing wit. With a sweeping, jazz-infused groove alongside catchy bass hooks and luscious shimmering vocals, the set brings a perfectly blissful interlude to the day’s worries.


Headlining the night, Jenny Moore’s Mystic Business deliver a special, stripped-back set, due to members of the full band that had been planned sadly not being able to make it because of illness. However, despite the last minute changes to both line-up and instrumentation that Jenny had to make, what’s delivered is something truly wonderful. Accompanied by four other vocalists, and occasional violin and bass parts, she sits at the piano delivering each spellbinding anthem with a raw honesty and sparkling charisma. Combining a heartfelt emotion with some much-needed laughs, it’s the perfect musical tonic – a beautifully rousing catharsis.

Massive love and thanks to all three bands who made Thursday such a joyous night! Join us back at The Shacklewell Arms next month, on 25th March, with headliners Fightmilk, Bitch Hunt and Sassyhiya – get your tickets here.

Photos: Jon Mo / @jonmophoto
Words: Mari Lane

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Premiere: Hannah Schneider – ‘Mirror Sphere’

Having been big fans of Danish duo AyOwA for some time now, especially since they played for us at Notting Hill Arts Club a few years back, we were extremely pleased to hear that vocalist Hannah Schneider has now shared a poignant solo offering, taken from her upcoming album Ocean Letters.

A reflection on life’s beginnings and the emergence of being, ‘Mirror Sphere’ builds with a simmering emotion to a captivating soundscape. Oozing a spellbinding allure, it showcases Schneider’s rich, stirring vocals with a twinkling simplicity. Whilst more stripped back than we’ve come to expect from AyOwA, this solo venture maintains all the glistening majestic splendour and cinematic grace that we associate with Schneider, with an added immersive intimacy and delicate sense of vulnerability. A truly exquisite and enchanting hybrid of sounds.

Of the track, Schneider explains:

“’Mirror Sphere’ was written in the middle of a complete lockdown during the pandemic. It felt like it was a crucial moment in history – almost as if it was the end of it all. I came to think of the earth’s long history, and that everything happens over billions of years – all the way back from the time the amoebas decided to go ashore, to become animals and later humans. We’re just part of the long haul, and that’s kind of a consolation!

This time of isolation and complete quiet sent me back to something basic. A nearness and a simplicity. Creatively, for me it meant going back to where the music started for me – at the piano. Mirror Sphere mixes the acoustic sound of my piano and guitar with electronic and spherical elements into an ambient pop song. The production has been turned down, the vocals are done in one take, and these new songs reflect a new process for me in many ways…”

Created in collaboration with producer Nicolai Kornerup, ‘Mirror Sphere’ is out tomorrow, 25th February, via Copenhagen label Midnight Confessions.

Mari Lane
@marimindles

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Introducing Interview: King Hannah

Having been massive fans of Liverpool duo Hannah Merrick and Craig Whittle – aka King Hannah – for a couple of years now, we’re extremely excited to hear about the release of their debut album, I’m Not Sorry I Was Just Being Me, later this month. And, with acclaim from the likes of The Guardian, Stereogum and Brooklyn Vegan already under their belts, it seems as though this year is going to see big things for them.And, with their knack for creating a beautifully atmospheric musicality, paired with Merrick’s trademark rich, sultry vocals and a spellbinding, iridescent splendour, the album promises to be a truly compelling listen.

We caught up with Hannah and Craig to find out more about the album, what inspires them and what’s next… Have a read!

Hi King Hannah, welcome to Get Inn Her Ears! Are you able to tell us a bit about how you initially started creating music together?
Craig: We met when working in a bar together, but I had seen Hannah performing at a university band night a few years before and she had blown me away with how good she was. So, we quite quickly got to talking about music and got along really well, then eventually we would meet up before night shifts and play music together. It was a very slow, natural process for us – getting to know each other, figuring out what we liked in music and how we wanted to sound.

I’ve been a big fan of your exquisite, spellbinding sounds for some time, but who would you say are your main musical influences?
Thank you so much! And thank you for being so supportive for so long, longer than anyone else! You were one of the first sites and radio shows to shout about ‘Creme Brulee’, back when we self-released it!! Our influences change a lot from month to month, but our biggest influences at the minute are artists like Bill Callahan, Mazzy Star, Courtney Barnett, PJ Harvey, Silver Jews… People who make honest, real music.

You’ve just announced the release of your debut album I’m Not Sorry I Was Just Being Me – which is so exciting! Are you able to tell us a bit about it? Are there any particular themes running throughout the album?
Yeah, we are super excited! And nervous, but mostly excited. We wrote, recorded, mixed and mastered the record in about eight months, which is really quick for us. It was full on. There are no intentional themes; we didn’t set out to write about anything in particular, but there is a definite feeling of nostalgia and sentiment on the album, and quite a few of the songs tend to be about childhood and memories and the warmth that they bring to us.

Do you have a favourite track on the album? And if so, why?
C: I have a few! I’m really liking one called ‘Go-Kart Kid (HELL NO!)’ at the minute. I remember Hannah showing me this song on her acoustic and being blown away, I felt like I was right there with her during her childhood, her writing is so vivid and personal. I just love it. And then it also has this grungy, sludgy, 90s end that is really loud and aggressive. It has a bit of everything that we like in music.
Hannah: I’m big into that one too but also really like ‘The Moods That I Get In’ and ‘A Well-Made Woman’. When touring the UK last October, we experimented a little with a few of the songs live, ‘The Moods That I Get In’ being one of them and it completely grew into this body of work that no one expected. And I just love ‘A Well-Made Woman’ as it’s so dark and sounds like it’s from the 90s… well it does to me at least! Plus Craig’s guitar work is phenomenal, as always.

How have you found recording and promoting an album during these strange times?
Well, we have nothing to compare it to really! The recording process was probably helped by the fact the world wasn’t fully open – it gave us more time to devote to the writing and making of the album, and we used that as much as we could.

How is the music scene in Liverpool at the moment? Would you say live music has made a full recovery after the last couple of years?
We have weirdly never really felt a big part of the Liverpool music scene. We’ve always just quietly done our own thing, building towards this. I don’t think the music scene has fully recovered – some people are still rightly apprehensive about being in crowded spaces, and gigs can be cancelled at such short notice if cases rise or someone tests positive. We think that uncertainty and apprehension will be lingering for a long time over live music, unfortunately.

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
C: I don’t know what the cut-off for ‘new’ music is, but I’m in love with a band called Babehoven at the minute, and their album Nastavi, Calliope. I think they’re based in Portland, and they make this beautiful, lo-fi, intimate music. Their latest single ‘Fugazi’ is on repeat in my bedroom right now.
H: I’m absolutely shocking for discovering new artists… It’s something I really need to get better at!! When I ‘discover’ an artist, I later discover that they’ve been around since the ’90s!

In addition to the album release, what does the rest of the year have in store for King Hannah?
C: We have our first ever EU tour and our first ever US tour coming up! Which is so surreal, it still hasn’t sunk in that we will be playing in all these wonderful places.
H: Totally!! We often get asked how all of this feels, but honestly, it’s all happening so fast that we very rarely actually sit down and chat the whole thing through! It’s a whirlwind and we’re so incredibly grateful. Thank you so much for having us and again, for your continued support!! You guys are the best!!

Massive thanks to Hannah and Craig for answering our questions!

King Hannah’s debut album I’m Not Sorry I Was Just Being Me is out this Friday, 25th February via City Slang. And, for a taster, watch their latest video for spellbinding single ‘All Being Fine’ here:

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