Five Favourites: Ci Majr

Having just released her debut EP Side Effects, upcoming Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems. A specially curated five track project, the EP sparkles with a heartfelt sense of hope alongside a scintillating energy and twinkling hooks.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Ci Majr to ask about her “Five Favourites” – five albums that have shaped her as a musician. Check out her choices below and scroll down to watch the recent video for ‘Guillotine’ at the end of the feature.

Daft Punk – Discovery
Discovery was such an important album in my evolution as a music lover and also as a future singer/songwriter/producer. This was one of six CDs in my dad’s car that I’d get to choose from on my morning rides to middle school. There was something incredibly infectious about this album from the beginning. At the root of it, it just felt so new and fresh. I hadn’t heard anything so purely “electronic”. Usually, I’d be able to pick out a multitude of instruments but with Daft Punk it was like a symphony of synths and my young brain was just infatuated. Plus, even reflecting now, the songwriting is so simple in a way but also so catchy, and now as a songwriter myself I can really appreciate how much harder it is to make a simple song that gets your point across. ‘Something About Us’ is a perfect example of that. A lot of repetition, very simple vocabulary, and it’s just so moving and catchy. It is something I aspire towards.


Yanni – Yanni Live At The Acropolis
Yanni is a Greek-American instrumental composer. I actually know this “album” as a live concert DVD (yay DVDs are old school now lol) that my parents had. I grew up playing classical music, so (as a kid) I only saw instrumental/orchestral music as being quite boring and old-fashioned. Yanni, on the other hand, was conducting an orchestra, while playing the bongos, piano and more, and the music was just so lively and contemporary. It was like listening to the soundtrack of a movie but the music is so good you don’t even need or want to see the movie. You can just imagine your own storylines. It was so filled with emotion and passion, and his charisma is just so palpable. I remember going through a phase where I was creating/producing incredibly intricate instrumental arrangements because of my obsession with this performance. Additionally, I loved this album/performance so much that when I was a gymnast as a child I made one of the songs ‘Nostalgia’ my floor routine music.


Christine and the Queens – La Vita Nuova
If you know anything about me, you should know that I’m a bit obsessed with Christine and the Queens. She’s like the queer pop queen I’ve needed for so long. This latest EP La Vita Nuova absolutely blew my mind and what makes it even better is the visual that goes along with it. I watch the visual for it at least monthly and it’s just as good each time. Christine is an artist across the board: musically, visually, her abilities as a dancer. She’s an icon aesthetically and in practice. She’s such an inspiration to me that when she used different configurations of colourful rhinestones on her face in the visual album, it was the inspiration for my use of colourful rhinestones in my music video for Guillotine.


Justin Timberlake – The 20/20 Experience
So even before this album, I was a huge fan of Justin Timberlake, but what makes this album special for me is that it really feels like such an incredibly cohesive and intentional body of work. First off, each of the songs are between 4.5-8 minutes, which is unheard of for a pop album. So many of the songs start with the “radio edit” and then have an outro of sorts, and I was just so easily hooked to each of these songs despite the length. It was similar to hearing Discovery where I felt like the “style” that was captured in this album just felt so new and fresh that I was addicted to this album. I think what I loved most about this album is that it felt to me that Justin and everyone else involved weren’t trying to sound like anyone, it was just like whatever he created, whatever came out, he just went with it and that’s how I’d like to conduct myself as a creative. Not using others as guidelines but just trusting the art that emerges authentically.


Kanye – Life Of Pablo
What I love most about this album is that I wasn’t super into Kanye before this album (like I knew his popular stuff but probably never listened to an album from front to back). Kanye is a rapper but this album is so much more than a rap/hip hop album. It’s similar to The 20/20 Experience where you can just tell that there were just no creative guide-rails and the authenticity becomes the star of the show. It’s just a work of art.

Massive thanks to Ci Majr for sharing her Five Favourites!

Side Effects, the debut EP from Ci Majr, is out now. Watch the recent video for ‘Guillotine’ here:

Introducing Interview: The Bug Club

Following support from the likes of BBC 6 Music’s Marc Riley for debut single ‘We Don’t Need Room For Lovin’, Welsh trio The Bug Club have now shared recent single ‘Check Mate’ ahead of the release of their debut EP Launching Moondream One later this month.

Delivering their uniquely uplifting, frenetic brand of garage rock, The Bug Club provide the perfect soundtrack to these increasingly sun-filled days. Propelled by a vibrant, driving energy, ‘Check Mate’ oozes a playful sense of euphoria as gloriously scuzzy hooks race alongside blissful harmonies.

We caught up with bassist and vocalist Tilly to find out more…

Hi The Bug Club, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
Hi, thanks for having us! We’re a three piece based in Caldicot, South Wales. Dan is actually from Kidderminster but the rest of the band is based in Caldicot so we just say that. I (Tilly) play bass and vocals, Sam plays guitar and vocals and Dan plays drums. My favourite colours are orange and green, Sam likes orange too and Dan likes yellow and blue. Our special skills are: I’m good at losing things, Sam’s good at guessing the time and Dans good at getting his car stuck in the mud. 

How did you initially decide to start creating music together?
Me and Sam weren’t enjoying Uni so we decided to pack it in and start a band. we have been playing on and off since school but our shit time at Uni really gave us a kick up the arse to start doing something we actually wanted to do. Sam and Dan attended the same Uni so that’s how we drafted him in.

You’re about to release your debut EP Launching Moondream One at the end of this month – are there any particular themes running throughout it? 
We decided to name the EP after the last song on it. Ben’s (Mr Ben and The Bens) art is really cool so we thought it would be good to give him free rein and let him do whatever came to mind when he heard the words Launching Moondream One. I guess the theme stemmed from there and became quite spacey. 

We love your jangly, uplifting garage-rock sounds, but who would you say are your main musical influences?
Ideal band/musical scenario at the moment is Patti Smith and Jonathan Richman on lead vocals, Peter Paul and Mary on backing vocals, Mike Bloomfield on lead guitar, rhythm section from the Violent Femmes and they only ever play ‘It’s Only Life’ by The Feelies.

You’re from a small town in Wales – in ‘normal’ times, how is the music scene down there? Do you get the chance to see much live music? 
There’s a bunch of good bands but it’s too small for any venues so we all just go to Newport, Cardiff and Bristol. We’re sandwiched between all those places so we get to see a load of bands when we’re not skint.

How have you been connecting with your audience and other musicians during the pandemic?
We’ve been laying pretty low and luckily managed to record between lockdowns to get this EP done. The connecting will hopefully start happening now the world is feeling better. Marc Riley has been really great to us though and has showed some strangers our songs which we are eternally grateful for!

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
We have quite enjoyed being able to write a bunch of stuff with no real reason or aim of doing anything with it. There is only so many times a walk to the old windmill stays fun though so.. Beans on Toast, the hit live Saturday morning TV show is our new favourite thing. It’s made by a bunch of the people involved with Bingo Records and has no business being that good and funny. Go find it on YouTube!! 

How do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I like to think that if you try and make stuff that you think is good, be nice and when you’re ready try and reach out to people that you would genuinely like to work with, then things will probably work out alright. If you want to get noticed that is. I think being in a band feels mostly the same at whatever level you’re doing it at. You’re playing the same songs with the same people so don’t put too much time into the other bit. But who the heck am I!?

As we’re a new music focused site, are there any other upcoming bands that you’d recommend we check out?
There’s so many we love at the moment I can’t think on one we wouldn’t recommend! Also with the lack of gigs lately I’d happily watch any person make any noise for about £6 at the moment. Melin Melyn, HMS Morris, Potpourri, Twin Stranger and Sub Cultures will all blow your dick off though. 

Finally, what does the rest of 2021 have in store for The Bug Club? 
Well we’re hoping to retire off the earnings from this small EP and live expensively in Devon perhaps. But Plan B is to release another something later in the year and play live as much as possible until then! Our biggest dream is to go to Margate and play a big gig with everyone at Bingo Records, that would be heaven. We can only dream.

Massive thanks to Tilly for answering our questions!

Mastered by Eddie Al-Shakarchi, Launching Moondream One, the upcoming debut EP from The Bug Club, is out 30th April via Bingo Records. It will be released on a 7” orange vinyl and comes with the added extras of a comic book, a packet of ‘moon dust’ and secret bonus downloads that differ with each copy.

Track Of The Day: deep tan – ‘hollow scene’

Following their uplifting last single ‘camelot‘, and with acclaim from the likes of NME, So Young and BBC 6Music, Hackney-based trio deep tan have now shared another stirring taste of what’s to come from their upcoming debut EP.

Propelled by glitchy beats and whirring, twinkling hooks, ‘hollow scene’ captivates the ears with the vocals’ compelling seductive allure. Flowing with fuzzed-out shades of ’90s trip-hop, whilst maintaining its own unique sparkling edge and gently haunting majesty, it’s another truly spellbinding offering from the trio, oozing an exquisite rousing splendour. Of the track, the band explain:

“‘hollow scene’ is about the feeling of having to move through life with a certain level of detachment in order to function. Gatekeeping empathy for the sake of an easy life, if you will. It’s a pretty draining business, though, and can make any real search for meaning feel futile. Meursault was wrong and he was right. Robert Smith, however, is always right.

 
‘hollow scene’ is out now, and is taken from deep tan’s upcoming EP, Creeping Speedwells, set for release on 4th June via Practise Music.

Mari Lane
@marimindles

Photo Credit: Timothy Casten

Track Of The Day: Queens & Kings – ‘Going Through Hell’

Ahead of the release of their upcoming debut EP, Toronto-based, instrument-swapping garage rock duo Alissa King and Brendan Albert – aka Queens & Kings (a name to purposefully provoke thought about sexist language patterns) – have recently shared their impactful latest single.

Propelled by a fuzzed-out visceral energy and gentle blues-rock twang, ‘Going Through Hell’ reflects on the duo’s 10+ year relationship and the struggles they have gone through both personally and as a band. As Alissa’s gritty swooning vocals flow with a stirring, soulful drive alongside scuzzy hooks, it oozes a soaring, impassioned splendour. With shades of the likes of The Kills or Alabama Shakes, it’s a powerful Americana-tinged slice of garage-rock brimming full of anthemic emotion. A sizzling, poignant ode to learning to let go and move forwards in life.

Watch the new video for ‘Going Through Hell’, featuring footage of the duo from over the last 10 years, here:


Going Through Hell‘ is taken from Queens & Kings’ upcoming debut EP, set for release later this year. The EP has been made and mastered with the likes of Vic Florencia and Bill Skibbe from Third Man Records, as well as four time Grammy nominee, Howie Weinberg.

Mari Lane
@marimindles