New Track: ARXX – ‘Ride Or Die’

I challenge you to listen to this new one from absolute faves ARXX without hitting repeat at least 10 times… It’s just such a totally infectious anthem. Following acclaim for recent singles ‘The Last Time’ and ‘Couldn’t Help Myself’ from the likes of NME, DIY and BBC 6Music, ‘Ride Or Die‘ premiered on Clara Amfo’s show on BBC Radio 1 last week.

All propelled by thrashing, impeccable time-keeping from Clara, ‘Ride Or Die’ showcases the gritty, emotion strewn vocals of Hanni, alongside sweeping catchy pop hooks and an empowering euphoria of unified voices singing along with the chorus. An utterly uplifting celebration of queer love and platonic friendship, it’s the perfect sing-along anthem live. Being able to share a room full of adoring fans, all joining in joyously with “I would” at The Social a few months back was a blissfully memorable experience that I hope to re-live very soon.

Of the track, the duo explain:

“To us it’s about a lot of things, primarily it speaks about the kind of commitment and dedication to something you love, that means there is no possible or conceivable way that you would give up on it. In one breath it is an unapologetic celebration of queer love, and in the next breath it expresses the unwavering determination that we both hold for our band.

Another truly impressive offering from one of the most exciting – and completely lovely – bands in the universe. ARXX continue to establish themselves as master creators of the freshest, most addictive and most empowering, indefinable euphoric anthems, and I couldn’t be happier that they exist.

Produced by Steve Ansell (Blood Red Shoes) and mastered by Katie Tavini (Arlo Parks), ‘Ride Or Die’ is out now via Submarine Cat Records. It comes ahead of the release of ARXX’s upcoming album of the same name, which is set for release on 31st March. Pre-order here.

Mari Lane
@marimindles

Photo Credit: Rosie Powell

Five Favourites: Bria

Whilst you may recognise Bria Salmena from working in Orville Peck’s world-conquering backing band, she is also an immensely innovative artist in her own right. Following the release of Cuntry Covers Vol.1 in 2021, Salmena has now collaborated with multi-instrumentalist Duncan Hay Jennings once again for Vol.2., set for release next month.

As a taster of the upcoming EP’s release, Bria has now shared her rendition of Paula Cole’s ‘Where Have All The Cowboys Gone?‘. Adding her own unique reverb-strewn scuzz and whirring danceable energy to the original, her rich, sumptuous vocals ripple alongside a soul-strewn groove, creating a dreamily immersive soundscape.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of Cuntry Covers Vol.2, we caught up with Bria to ask about the music that has inspired her the most. Rather than pick five all-time top albums, she’s selected the songs she’s listening to the most right now – read/listen below and check out Cuntry Covers Vol.1 while you await the release of Vol.2!


It’s impossible for me to pick my favourite songs or albums, I’m just not one of those people. For me, it’s constantly in flux. So I’ve decided instead to share my top five songs of January 2023. And to be clear, these are not songs released in Jan 2023 but rather what’s been on repeat in my house, car, headphones etc. This list is extremely manic, I hope you enjoy it. 

Nourished By Time – ‘Romance In Me
Nourished By Time is a new discovery – initially introduced through an NTS playlist. There’s a very obvious nostalgic quality to the track, but I really just think the vocal progression is something entirely unique. I love the production – there’s a really satisfying balance of tension between the keys and guitar, especially in the choruses. This song really builds extremely well, I feel as though I kind of get swept away in it. It’s the kind of song I find myself harmonising with vocally, however annoying that may seem. When I’m in the mood to feel heartbroken I’ll probably put this song on.

Kate Bush – ‘Pull Out The Pin’
I’m a long-time Kate Bush fan, and this song came back into my rotation this month. The intensity of this track lyrically and musically is so satisfying for me. I love Bush’s ability to tell a story, it feels like theatre. This song was written after she had seen a documentary about the Vietnam war, wherein they show Vietnamese soldiers putting little silver buddhas in their mouths as they approached the front line. I love hearing this side of Bush’s vocal range – her ability to sing-scream is so beautiful, it’s been somewhat cathartic to listen this month. I also feel as though this is an overlooked B-side of hers, so I’m urging you now to give it a listen. 

Deftones- ‘Change (In The House Of Flies)’
So technically, I started having this song on repeat in December, but there are no rules here. On Christmas day, I went to a very famous bikini bar here in Los Angeles called Jumbo’s, and one of the dancers did a very impressive pole dance to this song. I hadn’t heard it in so long and after that, I played it throughout my somewhat lonely holiday season. I think it might be the hottest song ever written – not sexiest, but hottest. The whole record is amazing, I don’t even know if I can say any more about it.

Golpe – ‘Non Piergarti’
Golpe is an Italian punk band whose first full-length record came out in 2021. Lots of Italian friends had told me to check them out and I finally did sometime last fall. ‘Non Piegarti’ might be one of my favourites of theirs – with ‘La Colpa E Solo Tua’ as a close second. I’ve spent most of January moving into a new apartment and sorting out my life here in Los Angeles, and the song title translates to “Don’t Bend Over” which has been a bit of a mantra of mine throughout a stressful month. I’m a big fan of the production of this song, and I love the vocal effect on this song and how well the guitars sit alongside. It’s heavy, but very well-balanced.

Florist – ‘Red Bird Part 2 (Morning)’
This song is extremely beautiful and EXTREMELY sad. You’ve been warned. When I’m searching for a sort of sad calm feeling, I will put this on. It’s a beautifully tragic song about the death of the singer’s mother. I’m drawn to the simplicity of the instrumentation, rooted in acoustic guitar and accompanied by a kind of dreamy ethereal electric guitar. I also am a big fan of the double unison vocals on this track – I myself love doing that, as I feel you can really round out the sound that way.


Massive thanks to Bria for sharing her five ‘favourites’ with us! Listen to new single ‘Where Have All The Cowboys Gone?’ now:

Cuntry Covers Vol.2, the upcoming EP from Bria, is set for release on 24th February via Sub Pop.

Photo Credit: Justin Aranha

New Track: Death Valley Girls – ‘Sunday’

Having been big fans of LA’s Death Valley Girls for a few years now, I’m super excited to hear that they will be announcing their new album at the end of next month. Our second taster from the upcoming release (following 2021’s ‘It’s All Really Kind Of Amazing’) comes in the form of truly dreamy new single, ‘Sunday‘.

Oozing a glistening, ethereal splendour, ‘Sunday’ offers a sweeping slice of anthemic, soul-strewn psych-rock. Building with a fizzing energy, it harks back to the psychedelic sounds of the ’70s California scene, whilst showcasing the bands’ ability to create something that is utterly unique. Reflecting on the process of addressing your pain and being honest with yourself, it’s a beautifully immersive trip into the cosmic world of Death Valley Girls; stepping away from some of their previous scuzz-filled post-punk offerings, but no less stirring. So, bathe in ‘Sunday’s blissful haze as Bonnie Bloomgarden’s distinctive impassioned vocals ripple throughout this uplifting shimmering soundscape.

Of the track, Bloomgarden expands:

Recently I realized I have been numbing, medicating, intellectualizing, and avoiding my pain and feelings for most of my life. Over the past few years I learned you have to feel and move through your feelings or they get stuck, and then you become a vessel or container for all the feelings you are trying to avoid! If you acknowledge, feel, and process them, you get to release and move them out of you! This song is to honor that process! Feel your feelings, be so sad you wanna cry forever, and then move on, you gotta keep moving!”

‘Sunday’ is accompanied by a wonderfully trippy, animated, Alice-In-Wonderland-inspired video, directed by Arturo Baston. Watch here:

Islands In The Sky, the upcoming new album from Death Valley Girls, is set for release on 24th February via Suicide Squeeze Records – pre-order here. And catch Death Valley Girls live when they’re over in the UK next month – more info here.

Mari Lane
@marimindles

Photo Credit: Neto Velasco

Introducing Interview: Badliana

Having received acclaim from the likes of Clash magazine and BBC Radio 1XTRA’s Jamz Supernova for her 2021 debut EP Diary Of A Loner, and having wowed crowds at Glastonbury last year, Bristol based artist Badliana is a definite one to watch on the UK R&B and grime scene. Propelled by immersive trippy beats as glistening, soulful vocals soar, recent single ‘Mayday‘ showcases Badliana’s ability to create fierce soundscapes with a raw emotion.

We caught up with Badliana to find out more…

Hi Badliana! Welcome to Get In Her Ears! Can you tell us a bit about yourself? 
Hey I’m Badliana, I’m a singer, songwriter & rapper based in Bristol. I also love dancing, playing cards and putting hot chocolate in my coffee…

Are you able to tell us a bit about how and why you initially started creating music? 
It’s my way of expressing myself and I’ve always felt like it’s something I’ve needed to do. I was always singing and making up songs when I was younger, and I’ve just continued to do that and develop and grow into my sound.

We love your trippy electronic sounds, but who would you say are your main musical influences?
My musical influences differ & my playlists are a complete mixture of genres to be honest, ranging from artists like Busta Rhymes to Beabadoobee. I’m currently really loving Audrey Nuna – she’s so cool. For more electronic vibes, I would definitely recommend checking out Tlya X An’s recent release with Yard Woman – ‘Steps’, it’s such a banger. 

You recently released your single ‘Mayday’. Are you able to tell us a bit about it?
‘Mayday’ is produced by Mussi, who I frequently work with. We’ve been sitting on it for quite a while and finally felt ready to release it. I love this track because I love the energy in it and it’s really fun to play live and dance around.

Being based in Bristol, do you get to see lots of live music? Would you say it’s recovered since the pandemic?
Yeah there’s always stuff going on – Strange Brew is a really cool venue that I’ve been to a few times recently & I saw a sick DJ at The Jam Jar a few weeks back too, but sadly I don’t know what they were called & I’m gutted I didn’t find out! My friend is running a wicked event at the Love Inn on Friday too, so I’ll likely be heading to that! It’s good to see the city thriving again, that’s for sure.

And what can fans expect from your live shows?  
Lot’s of energy and sass, I love a bit of sass! I just want to enjoy myself and have fun, and I want people watching to do the same. Let loose and let go!

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+  artists? 
I mean, it’s ever changing and there’s so many routes you can go down now to try and get heard, but as long as you’re doing it because you’re enjoying what you do, then you’re winning really. I love to see the inclusivity and I also think Bristol is a great city for that – it’s very welcoming and accepting. I did a show with FUZE back in June last year, where I debuted ‘Mayday’ and danced with my own backing dancers – proper Britney moment for me, it was lit. They’re a non-profit charity organisation who raise money for a lot of current issues within this generation – LGBTQ+ and Transgender issues included. They’re ALL about expressing yourself, whoever you are, and are such an amazing group of people, I’ll be playing with them again in June this year and I seriously can’t wait. 

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
You should check out Baby Pink, her new single ‘Unbothered’ is so smooth. Alamay is another amazing artist, she has the voice of an angel. Nat Oaks is absolutely popping off right now too, & I’m a big fan of LEMFRECK as well, the list goes on and on…

What does the rest of the year have in store for you? 
I’ve got a couple of videos on the way and you can catch me gigging, I’ll post all my updates on my socials and I’m working on my next few releases too!

Massive thanks to Badliana for answering our questions, watch her lyric video for ‘Mayday’ below: