Track Of The Day: Scrounge – ‘This Summer’s Been Lethal’

Having continued to impress us over the last few years with both their breathtaking live energy and the unique, genre-bending sound of their recordings, South London duo Lucy and Luke – aka Scrounge – have now announced the release of their upcoming debut album, and we couldn’t be more excited. Having received acclaim from the likes of Radio X’s John Kennedy and BBC 6Music’s Steve LaMacq, they have recently shared the first taster from the album.

Flowing with a twang of rippling hooks alongside Lucy’s gritty, raw vocals, ‘This Summer’s Been Lethal‘ builds with a bewitching tension and potent beats, creating a stark, fizzing soundscape. Oozing the duo’s trademark deep stirring allure and dark, compelling energy, an added uptempo edge propels the track, inciting a small glimmer of hope in these uncertain times. A swirling, immersive wall of sound, here Scrounge have showcased how they are consistently honing their sound; adding innovative layers to create resonant, cathartic anthems for the present day.

Of the track, the band explain:

“‘This Summer’s Been Lethal’ is a retrospective track rooted in uncertainty, desperation and disappointment despite all the excitement of summer… Recorded on the hottest day of the year, we wanted to make something dismal yet danceable. With its pulsing drum patterns and ringing guitars, this track reminds the listener to persevere through the pessimism.”

Scrounge are heading to SXSW this month, and we could not be happier for them!

Mari Lane
@marimindles

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Track Of The Day: Ailsa Tully – ‘Salt Glaze’

Following acclaim for last year’s emotive EP Holy Isle from the likes of The Line Of Best Fit and Clash, as well as support slots with esteemed bands such as Another Sky, Welsh artist and GIHE fave Ailsa Tully has now shared a tender new single.

A poignant reflection on the time that Tully and her partner spent in her late Grandmother’s house during the January lockdown last year, and the accompanying feelings of nostalgia, acceptance and love, ‘Salt Glaze‘ flows with shimmering layers of instrumentation laying the foundations for Tully’s heartfelt crystalline vocals. Rippling with lilting keys and sweeping strings, it offers a glistening moment of reflection and gratitude as its gently harmonious musicality oozes a luscious heartfelt splendour and stirring emotion. A truly immersive soundscape emanating a comforting warmth and exquisite captivating grace.

Of the track, Tully explains:

“My Grandma passed away a few years ago and the house remained unchanged, it was like a museum of salt glaze ceramics and abstract art pieces which began to absorb into my creativity. This song is about that space and how my partner and I tried to make it feel like home during that period while also knowing that it wasn’t ours. It’s ultimately a song about acceptance, balance and letting things be…” 

Watch the beautifully endearing, home-recorded new video for ‘Salt Glaze’ here:

Mari Lane
@marimindles

Photo Credit: Adam Whitmore

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Get In Her Ears Live @ The Shacklewell Arms w/ Jenny Moore’s Mystic Business, 24.02.2022

Last Thursday, we were back at The Shacklewell Arms in Dalston, and what a dream of a night it was! Overcoming cancellations and changes of line-up, and at a time when we’re all struggling with everything going on in the world, it really was the wonderful musical catharsis we all needed. Huge thanks to the three totally amazing bands who played, and to all the lovely folk who came out to support them and fill the venue… We’re still feeling all the feels, and are extremely grateful to everyone who made it such a beautiful night.

Opening the night, duo Elena and Kyle, aka all cats are beautiful (ACAB, if you will), treat us to their truly dreamy whimsical allure. Delivering their utterly unique ‘sad dance tunes’ (plus a particularly moving cover of Daniel Johnston’s ‘True Love Will Find You In The End’) with a captivating energy, they offer a perfect fusion of immersive heartfelt emotion and uplifting grace.


Next up, Sheffield band Potpourri make their London debut. Walking onto the stage to a self-recorded calming guided meditation, the colourful trio deliver their wonderfully quirky offerings with a vibrant energy and endearing wit. With a sweeping, jazz-infused groove alongside catchy bass hooks and luscious shimmering vocals, the set brings a perfectly blissful interlude to the day’s worries.


Headlining the night, Jenny Moore’s Mystic Business deliver a special, stripped-back set, due to members of the full band that had been planned sadly not being able to make it because of illness. However, despite the last minute changes to both line-up and instrumentation that Jenny had to make, what’s delivered is something truly wonderful. Accompanied by four other vocalists, and occasional violin and bass parts, she sits at the piano delivering each spellbinding anthem with a raw honesty and sparkling charisma. Combining a heartfelt emotion with some much-needed laughs, it’s the perfect musical tonic – a beautifully rousing catharsis.

Massive love and thanks to all three bands who made Thursday such a joyous night! Join us back at The Shacklewell Arms next month, on 25th March, with headliners Fightmilk, Bitch Hunt and Sassyhiya – get your tickets here.

Photos: Jon Mo / @jonmophoto
Words: Mari Lane

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Premiere: Hannah Schneider – ‘Mirror Sphere’

Having been big fans of Danish duo AyOwA for some time now, especially since they played for us at Notting Hill Arts Club a few years back, we were extremely pleased to hear that vocalist Hannah Schneider has now shared a poignant solo offering, taken from her upcoming album Ocean Letters.

A reflection on life’s beginnings and the emergence of being, ‘Mirror Sphere’ builds with a simmering emotion to a captivating soundscape. Oozing a spellbinding allure, it showcases Schneider’s rich, stirring vocals with a twinkling simplicity. Whilst more stripped back than we’ve come to expect from AyOwA, this solo venture maintains all the glistening majestic splendour and cinematic grace that we associate with Schneider, with an added immersive intimacy and delicate sense of vulnerability. A truly exquisite and enchanting hybrid of sounds.

Of the track, Schneider explains:

“’Mirror Sphere’ was written in the middle of a complete lockdown during the pandemic. It felt like it was a crucial moment in history – almost as if it was the end of it all. I came to think of the earth’s long history, and that everything happens over billions of years – all the way back from the time the amoebas decided to go ashore, to become animals and later humans. We’re just part of the long haul, and that’s kind of a consolation!

This time of isolation and complete quiet sent me back to something basic. A nearness and a simplicity. Creatively, for me it meant going back to where the music started for me – at the piano. Mirror Sphere mixes the acoustic sound of my piano and guitar with electronic and spherical elements into an ambient pop song. The production has been turned down, the vocals are done in one take, and these new songs reflect a new process for me in many ways…”

Created in collaboration with producer Nicolai Kornerup, ‘Mirror Sphere’ is out tomorrow, 25th February, via Copenhagen label Midnight Confessions.

Mari Lane
@marimindles

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