Introducing Interview: Alice Mary

Following her last single ‘Too Much’, London based artist Alice Mary has now shared the second of four singles to be released this year. Reflecting on the mix of feelings that can overwhelm the mind after a break-up, ‘Mystery‘ offers a jangly slice of swirling indie-pop. With shades of the uptempo danceability of the likes of Blondie, it showcases Alice’s sweeping vocals alongside funk-tinged hooks and a scuzzy energy.

We caught up with Alice to find out more… !

Hi Alice, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! I’m a singer-songwriter, producer and guitarist and I make indie pop music which combines my love of classic pop from the ’80s and ’90s with modern production and introspective lyrics.

What initially inspired you to start creating music?
I started having guitar lessons when I was eleven – I would bring along tapes and CDs of songs I wanted to learn and my teacher would work them out by ear and teach me how to play them. It sort of forced me to develop a music taste because I had to bring something every week to learn and luckily I lived in a house with three older siblings whose record collections I could raid! Then, after I’d been learning for about a year, my teacher said “I think you should start writing your own music now”. I wasn’t very good and I thought you had to be good at playing music before you were allowed to write it, but he just gave me the permission to go ahead and start. After that I never really stopped writing music!

You’ve just released your twinkling new single ‘Mystery’, can you tell us a bit about this? Is it focused on any particular themes?
The lyrics are about this back and forth I do in my head where I can be a bit all or nothing. It’s looking back on a break up and thinking – “I have to completely forgive this person and be their best friend”, or “I have to hate them and we’ll never speak again”, or “am I still in love with them?”. I could get stuck in this black and white thinking and struggle to make decisions, but I am a bit better at seeing the nuance and the in-between solutions now! After all the back and forth in the verse and pre chorus the clarity comes in the chorus: “I don’t really like you, you’re just what I’m used to / I’m happy that we’re done, I just miss having someone.”

We love your shimmering, heartfelt dream-pop sounds, but who would you say are your main musical influences?
Hmmm, so many! For these latest songs probably St Vincent, Prince, Radiohead and Joni Mitchell.

You’ve previously charmed us with your beautiful live set at The Amersham Arms a few years ago – but can you tell those who may not have had the pleasure of seeing you what to expect from your live shows?
I have two different kind of live shows – one with a bassist and drummer where I play electric guitar and sing and have some electronic sounds I playback on an iPad, and one where I play and sing solo with special arrangements on the acoustic guitar.

And, although we are still far from ‘normality’ at the moment, do you have any plans to gig in the near future? And if so, where/when?
I feel like I’m not supposed to say this but: I haven’t missed playing live that much! I’m wondering if when I start to do it again that’s when all the pain of missing out on it this last year will hit me, but I don’t know. I find playing live very stressful and although I enjoy it once I’m up there, all of the organising and psyching myself up beforehand is quite hard. All of that is to say I don’t have any gigs booked and I’m quite ok with it! If I get offered anything good (and safe!) I’ll go with it, but I’m not making any effort to book anything right now.

How have you been connecting with your audience and other musicians during the pandemic?
Instagram! I’ve been lucky to be quite creative during the last year and have enjoyed sharing my experimentation via videos on my instagram stories. I also joined a Facebook group for women and gender minorities working in music production called ‘2% Rising’, which has been great for learning and sharing ideas.

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times?
I started having Zoom piano lessons a year ago and I’m still learning now – I love it and I’m so surprised! Not being able to play the piano was always a secret shame of mine, but now I can and it’s given me so much confidence in myself.

How do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
The music industry is still a complete mystery to me, and I think that’s by design. There are amazing people who aren’t getting noticed and not very good people who have managers and agents. It’s a business, so they play it safe because they don’t want to lose money. So in answer to your question: yes, it is hard to get noticed by gatekeepers in the industry, but do we even need them anymore when you can reach fans directly through social media? That’s its own kettle of fish – it seems almost completely random to me what gains success online, but in a weird way that has helped me because I feel free to just try anything. There isn’t one way to find success, so you may as well just try things out and see who connects with it – if no one does, then try something else!

As we’re a new music focused site, are there any other upcoming artists that you’d recommend we check out?
I always want to shout out my friends, so I have to say: Hayley Ross, Semi Precious and James Chapman And The Blue Moon.

Finally, what does the rest of 2021 have in store for Alice Mary?
I have a re-release of an old song coming out for Bandcamp Friday in September. Then two more singles coming out in the autumn, and some recording this summer which I’m excited about. I’m also hoping to produce and mix some other artists.

Massive thanks to Alice for answering our questions!

Listen to Alice Mary’s new single, ‘Mystery’, here:

Photo Credit: Ben Peter Catchpole

Track Of The Day: Ailsa Tully – ‘Sheets’

Following acclaim for previous singles ‘Greedy’ and ‘Parasite’ from the likes of The Line Of Best Fit and Clash Magazine, Welsh artist and GIHE fave Ailsa Tully has announced the release of her upcoming EP next month. Taken from the EP, she has now shared a brand new poignant offering.

Flowing with a shimmering, stripped back musicality, ‘Sheets‘ insightfully reflects on those first moments of waking, as your senses gradually start to stir whilst limbs stretch amid the crisp white linen. Combining lilting melodies with Tully’s crystalline, honey-sweet vocals, it oozes an immersive, delicate emotion and sparkling grace. There is something uniquely captivating about the juxtaposition of the vocals and the rippling instrumentation; the gentle build up and crescendo evoking images of waves delicately crashing against swathes of sand. Of the track, Tully explains:

 “’Sheets’ is about restlessness and trying to let yourself be still. It’s about waking up and feeling the anxious urge to be productive, to wash your clothes, to make your bed, but forcing yourself to slow down in order to share a moment with someone.”

With a heartfelt splendour, ‘Sheets’ offers an exquisite slice of folk-strewn indie, resonating with a glistening allure and subtle, yet stirring, sentiment. A simply beautiful creation that tugs at the heartstrings, leaving us eager to hear Tully’s upcoming EP in full.

 Holy Isle, the upcoming EP from Ailsa Tully, is set for release 20th August via Dalliance Recordings.

Mari Lane
@marimindles

Track Of The Day: Gemma Cullingford – ‘I Like You’

Following acclaim for her debut solo single ‘Wide Boys’ from the likes of John Kennedy, Amy Lamé and Steve LaMacq earlier this year, Gemma Cullingford (also one half of GIHE faves Sink Ya Teeth) has now shared an uplifting follow-up track, ahead of the release of her new album later this month.

Reflecting on the theme of unrequited love, ‘I Like You‘ is propelled by immense funk-fuelled beats and an ’80s-inspired danceable groove as it builds with a majestic, swirling allure. As glitchy hooks races alongside a soaring bewitching splendour, it oozes an utterly infectious, driving energy, creating a scuzzily stimulating slice of electro-tinged disco-pop. An eerily enthralling, instantly enlivening, and utterly unique sonic cacophony.

Of the track, Cullingford expands:

“… it’s a song about unrequited love with a slightly sinister edge. I didn’t realise it at the time, but both the lyrics ‘I’ll make you love me’ and the jagged discordant guitar give it a slightly stalker-esque feel. So, you shouldn’t feel sad for the narrator of this love song!

Watch the new home-made, stop-motion video for ‘I Like You’ here:

Let Me Speak, the upcoming album from Gemma Cullingford, is set for release 30th July via Outre.

Mari Lane
@marimindles

LISTEN: Billie Flynn – ‘Hey Stranger’

Debut single ‘Hey Stranger‘ by Cornish artist Billie Flynn is an emotive and ethereal summer treat. Gentle as the winds, crashing as the waves – a track you can almost feel on the surface of your skin. 

Recorded between her home studio and remotely during lockdown – with beautifully pitched production by JMAC – this song  bends time as it conjures thoughts of past relationships. Flynn’s unique vocal style is delicate – breathy, floaty and melodic – but simultaneously packing its own punch. There’s command in her tone as she sings up with refreshingly direct lyrics about that standard scenario we all wonder about: in her own words “It’s about seeing someone again that isn’t in your life anymore and hoping that they’re proud of who you are now.” Deliciously relatable – “Well…are you proud?”, I ask myself before getting swept up in the melody again. 

This is a track which undulates and surprises over and over again as it confidently takes on many instrumental turns and changes in pace, culminating in a textured, echoing climax before being neatly stripped all the way back down again for a final glorious flourish of Flynn’s uniquely elemental voice. An absolute journey of a track, which summons much excitement for future EPs.

‘Hey Stranger’ is out now via Never Fade Records.

Tutku Barbaros
@tutkubarbaros