Five Favourites: Breakup Haircut

Having wowed us live with their scuzzy, joyous punk-pop at our January gig at The Victoria, First Timers Fest alumni Breakup Haircut have just released their debut album – Punk Dancing For Self Defence. A collection of joyously lo-fi pop punk reflecting on themes ranging from social anxiety and break-ups to bi-erasure and existing in a Capitalist society. Propelled by a jangly, uplifting energy with gritty angst-driven undertones, the band’s colourful charisma and sparkling charm shines through each track with a striking relatable poignancy, creating an utterly necessary listen. Whether you need cheering up with some buoyant danceable anthems, or simply want to immerse yourself in the band’s raw emotion and relatable, resonant reflections on life, Punk Dancing For Self Defence will provide you with the aural comfort you need right now.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of their debut album, we caught up with members of Breakup Haircut to ask about the music that has inspired them the most. See below for their choices of their five favourite albums, and listen to latest single ‘I’d Say Yes‘ at the bottom of this feature.

Ripley:

Pat Benatar – Greatest Hits
I could pick my favourite Pat Benatar album, but I’m going to pick specifically the random ‘Greatest Hits’ album that my Dad bought off a market stall when I was a teenager and we were living in the USA. It was one of the first albums that I basically ‘permanently borrowed’ from my parents’ music collection. I fell in love with the intense and energetic ‘80s rock sound. I have always particularly loved music that generates energy and feels kinetic and I don’t think I’d heard anything that sounded so huge, epic and all big emotions before at that age (and as a teenager, I was of course relating to big emotions particularly strongly at the time). Their music had an intense energy and sincerity that I really connected with. Pat Benatar’s powerful and emotive voice; her aspirationally cool, badass attitude in her singing and lyrics, plus Neil Giraldo’s amazing guitar solos were also a big draw. Pat Benatar is probably best known for ‘Hit Me With Your Best Shot’ and ‘Love is a Battlefield’ in the UK (both awesome songs). I think their music was a lot more popular stateside than here, as a variety of their songs used to be played on rock radio there a lot. My favourites were songs like the emotional and epic ‘Promises In The Dark’ (the bridge vocal build and following emotional guitar solo is so amazing that I often end up listening to that section an extra time after finishing the whole song), and the inspirational ‘Invincible’ that makes you feel badass and ready for anything (it’s also a perfect inspirational training montage song).

Ishani:

Kimya Dawson – Remember That I Love You
I don’t get a whole lot of time to listen to new music – my partner actually spends a lot of time doing that, and makes this big playlist of releases of the year I should listen to which is hanging over my head. But a staple of my favourites in rotation is Remember That I Love You by Kimya Dawson. I found it when I was around 13 or 14, I remember seeing her at St Martin-in-the-Fields when I was 15 or so and meeting her. But I feel like that’s an album that has stayed with me through my years, because Kimya Dawson is someone that I take a lot of inspiration from, even a decade later – I think her work is so simple and poignant that it is really cutting. I love it because that allows for its hooks to be catchy without complication, something that relates down to the core. It’s pop, but it’s totally anti-pop. Everyone in the world would be better for listening to it once in a while, just to remember that the human condition is just a lot – and hearing it in such a simple way is kind of gutting.

Delphine:

Jimmy Eat World – Bleed American
I think I‘ll have to pick Bleed American by Jimmy Eat World. This album came out whilst I was in a difficult period in my life and somehow, this album enabled me to allow myself to feel. ‘The Middle’ is to this day one of my favourite songs of all time. It was a pep talk and in song form. I’ve always struggled with lack of self-esteem and being self-critical so it was a good reminder that doing your best is all you can do and it’s okay to not succeed at the first try. It also reinforced the idea that one shouldn’t listen to people being overly critical when they know nothing about you and your circumstances and that you should do what you want rather than what other people say you must want. 

Jordan:

Biffy Clyro – Puzzle 
My pick is Puzzle by Biffy Clyro. I can’t remember how old I was – but it felt like a whole lifetime ago – I was at this super house party. The conversation is going great and I heard ‘Living Is A Problem Because Everything Dies’ come on. It was the first time both me and my friend had heard it and it instantly grabbed us. You’ve got the big build up and the shrill strings in the pre-chorus. I think we both dropped what we were doing to try to find the CD so we could steal it. For a good 9-15 months it was in contact rotation with other music we would listen to. We’d play ‘Now I’m Everyone’ whenever someone had a match or needed hyping up. I wasn’t really drumming at that time but when I started, this album became more important in trying to replicate the sound. The drumming on the album is especially interesting as it’s semi-technical and semi-mental. Some parts you just have to feel where the notes are, rather than learning the specific sticking. You also have songs like ‘Love Has a Diameter’ which are more soppy but still can maintain a strong groove and pace.

Band Combo Decision:

Green Day – American Idiot
With four of us in the band and five albums to choose, we decided to pick one album each and one shared choice. American Idiot was a young Ripley’s gateway album to a life-long obsession with rock and punk music, one of Ishani’s first discoveries from her brother’s speakers, the album that rekindled Delphine’s love for everything rock ‘n’ roll after a short stint into EDM.
Ripley’s favourite track: ‘Letterbomb’. An underrated high energy song from the latter end of the album. I always loved the intro build to this and the high energy mixed with nihilism vibes that this song gives off. It just sounded so huge, dramatic and intense to me when I was younger, with the driving bass and drums and sweeping guitar melodies. It’s one of those songs where it feels like it has so much energy that it has spare to hand over to you, and you can’t help but feel energised and ready to go by listening to it.
Ishani’s favourite track: ‘Homecoming’. I was always more of an early Green Day fan, like Dookie/Nimrod, but this came out at a time when I wasn’t paying that much attention to music beyond what came muffled out of my brother’s room. He played this a lot – I love the highs and lows, the harmonies, the theatricality of it – it feels like it was written for a stadium, it’s almost dadly. 
Jordan’s favourite track: ‘She’s A Rebel’. American Idiot was the first album I was excited to buy. I was taken up to central London with my grandma and we went into the Virgin Megastore in order to get a copy. It was so catchy and well produced, and it’ll always be remembered fondly. I say that I rarely ever listen back to this album now because having tracks 3 to 6 actually being eight songs has got to be the most colossally stupid fucking idea ever conceived. Why would you do that? ‘She’s A Rebel’ is my favourite and I have to sit through ‘Give Me Novacaine’ in order to get to it. Terrible. 
Delphine’s favourite track: ‘Jesus of Suburbia’. Mostly because it covers all the topics that encompass what a generation of disenchanted kids would feel strongly about. Green Day has always been engaged in their lyrics and giving the finger to the establishment. I guess, in this album, it’s that song. 

Massive thanks to Breakup Haircut for their amazing album choices for their Five Favourites! Listen to their latest single ‘I’d Say Yes’ now:

Punk Dancing For Self Defence, the debut album from Breakup Haircut, is out now via Reckless Yes. Buy on Bandcamp now.

WATCH: Brutus – ‘Liar’

Gritty vocals, powerhouse percussion and charged riffs punctuate ‘Liar’, the latest single from Belgian trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, the track is a heavy lament that criticises the lies we tell ourselves in order to keep a false and temporary sense of calm.

“When things get a bit more difficult or when relationships demand too much energy, I choose to avoid confronting things, or just lie about it for the sake of keeping the peace,” vocalist and drummer Stefanie Mannaerts explains about the context of the new single. “At that point, it just seems like the easy thing to do so that nobody gets hurt. But in the long run, those well-intentioned lies will catch up with you, and the peace you thought you’d found turns out to be an illusion.” Through her instinctive, thudding beats and primal vocals, Mannaerts shatters these illusions amidst a cacophony of riffs from guitarist Stijn Vanhoegaerden and bassist Peter Mulders.

The single is accompanied by a video, directed by Maximiliaan Dierickx and shot in the desert near Marrakech and Essaouira in Morocco. The visuals reflect the duality expressed in Mannaerts’ lyrics, and how masking your true feelings ultimately only leads to further disappointment. Dissecting the darker, more desperate parts of the emotional spectrum fuelled the creation of Brutus’ new album Unison Life. “I wanted every song to feel like the last song we’ll ever write,” Mannaerts comments about its conception. “It killed me inside because it’s almost an impossibly high standard, but that was my personal goal for this album. It was a two-year quest of trying to do better.”

Pre-order your copy of Brutus’ new album Unison Life here.

Watch the video for ‘Liar’ below.

Follow Brutus on bandcamp, Spotify, Twitter, Facebook & Instagram

Photo Credit: Eva Vlonk

Kate Crudgington
@KCBobCut

Track Of The Day: Miya Folick – ‘Nothing To See’

Emotional, raw and beautifully resilient, Miya Folick‘s latest single ‘Nothing To See’ is a tender ode to rediscovering yourself in the aftermath of a painful breakup. Taken from her new EP 2007, which is set for release on 9th September via Nettwerk, through her clear vocals, candid lyrics and considered instrumentation, Folick accepts that love makes fools of us all, and gracefully reclaims the time she spent changing herself to suit the needs of an unappreciative lover.

“This song is about falling in love with someone emotionally unavailable,” explains the LA based songwriter. “Someone whose feelings and desires were so obscured to me and themselves, that I had to become a detective. I studied their life for clues and tried to fit the role of the person I thought they’d like. Eventually we broke up, and I realized that I’d lost the plot on my own life. My body and personality and life were so populated by the interests of this person, that once they were gone, there was nothing left to see. But, to me, this song isn’t bleak. I think there’s power in being brave enough to say ‘I was made a fool by you.’”

Despite the single’s painful context, ‘Nothing To See’ is a merciful, cathartic offering that reminds listeners that whilst unhealthy romantic infatuation can be draining, there’s comfort in knowing you can break free from the toxic cycle and rediscover your autonomy in the aftermath. This type of personal epiphany permeates the tracks on Folick’s upcoming EP, 2007, on which she scrutinises and forgives herself for feeling things so intensely.

Watch the visualiser for ‘Nothing To See’ below.

Follow Miya Folick on Spotify, Twitter, Instagram & Facebook

Maya Folick Tour Dates 2022 (supporting Tove Lo)
29th October – Olympia Theater, Dublin, IE
1st November – SWG3 Galvanizers, Glasgow, UK
2nd November – Academy, Manchester, UK
3rd November – O2 Institute, Birmingham, UK
5th November – The Roundhouse, London, UK

Photo Credit: Jonny Marlow

Kate Crudgington
@KCBobCut

Track Of The Day: Chorusgirl – ‘Don’t Go Back to ’89’

Having announced the much-anticipated (by me in particular!) release of her third album this Autumn, Silvi Wersing – aka Chorusgirl – has now shared her first new single in a few years, and I couldn’t be happier about it. Following their self-titled debut album in 2015, and 2018’s perfectly titled follow-up Shimmer and Spin, this new offering could not be more welcome.

Flowing with a majestic, swirling grace, ‘Don’t Go Back To ’89‘ poignantly reflects on feelings of nostalgia and hopelessness. Propelled by a shimmering splendour and glistening celestial charm, it’s a beautiful slice of jangly dream-pop, sparkling with a glowing summer haze, whilst tinged with stirring undertones of darkness. With a scuzzy, whirring energy reminiscent of the lilting allure of early ’90s shoegaze/post-punk such as Cocteau Twins or Pixies, it’s a perfectly captivating immersive introspection for anyone in need of some calming aural therapy.

Of the track, Silvi explains:

Thematically, it riffs off the following idea: what if you could travel back in time in order to save a loved one? What if you’d have to do this over and over and over again, because it turns out that that person cannot be saved? What if you still can’t stop trying again and again though, and end up stuck in a never-ending loop?

I must admit, I’ve felt quite emotional hearing Silvi’s voice again, with Chorusgirl’s previous two albums having provided so much comfort to me in the past. What she’s able to create is just utterly unique; a soothing amalgamation of influences resulting in truly blissful soundscapes.

Mixing Super 8 footage of a dancer with images of Silvi with a psychedelic, kaleidoscopic allure, watch the Busby Berkeley-inspired new video for ‘Don’t Go Back To ’89’ here:

Colapso Calypso, the upcoming third album from Chorusgirl, is set for release on 14th October.

Mari Lane
@marimindles