Track Of The Day: adults – ‘all we’ve got // all we need’

Following the release of their debut EP The Weekend Was Always Almost Over back in 2018, and last year’s split Space Armadillo EP with fellow GIHE faves Bitch Hunt in 2020, South London band adults have now announced that their debut album will be released later this year via Fika Recordings. To celebrate the news, they’ve shared a shiny brand new single.

Reflecting on the importance of coming together within your community to resist social injustice, ‘all we’ve got // all we need‘ is a perfectly lovely ode to looking out for one another during hard times. With relatable lyrics about having a breakdown on the Megabus, it flows with a quirky, jangly energy as fuzzy hooks whirr alongside candied harmonies. Simultaneously oozing a sense of joyous unity whilst shades of despair at the state of the world remain evident, ‘all we’ve got // all we need’ glistens with all the dreamy, indie-pop feels and honey-sweet heartfelt emotion I could ever desire.

for everything, always, the upcoming debut album from adults, is set for release later this year via Fika Recordings. And you can catch adults live this Friday 8th July at The Sebright Arms, supporting Charmpit’s last London gig, along with Bitch Hunt – get tickets while you still can via DICE!

Mari Lane
@marimindles

INTERVIEW: Ghum

Having been firm favourites here at GIHE for a number of years, wowing us with their immersive live performances and captivating post-punk musicality, London band GHUM have now released their much-awaited debut album, Bitter. Oozing a gritty, swirling energy as front person Laura’s vocals soar throughout, each track carries the band’s trademark ethereal allure and dark, hypnotic splendour, showcasing their ability to consistently hone their sound and bewitch listeners worldwide.

To celebrate the release of the album, we caught up with Laura, Jojo, Marina and Vicki to find out more about Bitter; what inspires them; their thoughts on the industry today; their plans for the year, and more. Have a read below and make sure you immerse your ears in the new album as soon as possible!

Hey Ghum! For those who aren’t familiar, can you tell us a bit about yourselves and how you all got together to start creating music as Ghum? 
We met because Marina, our bassist, put an ad online looking for female musicians to form a band because she thought playing with other women would be more fun. She knew Laura from a previous jam with other people and asked if she was still looking for a band. “I loved her voice and vibe so much, and was really happy she said yes.” Jojo responded to the ad saying she loved The Cure and Warpaint and I said: “You’re in, bitch”. Vicki came along soon after that and boom: Ghum was formed. 

We’re huge fans of your swirling, ethereal allure and post-punk energy, but who would you say are your main musical influences? 
Bit of Cure, bit of Pixies, bit of Joy Division and Warpaint…

You’ve just released your debut album, Bitter, which is super exciting! Are you able to tell us a bit about it? Are there any particular themes running throughout it?
Bitter is our debut album and we wanted to establish and cement our sound with this record. This time we knew what we were looking for when songwriting, and searched for it. The themes vary but the songs are about people and conversations that have maybe a bitter end – reflections on people that left a mark, and just a release of feelings that needed an escape.

And how would you say this album differs or moves on from your previous releases? 
We have consolidated our sound (for now) after The Coldest Fire EP we released in 2019, we found something that really agreed with all of us – we wanted to explore this sound and make it punchier. It feels like the culmination of an era, what we wanted to reach until now. This is us.

You’ve been wowing crowds with your immersive live shows for some time now, including support slots with the likes of Dream Wife and L.A Witch (and headlining for us at the Finsbury!), but is there a particular gig you’ve played that stands out as a highlight for you? 
We have just finished a supporting tour with Choir Boy and Soft Kill. We played in Paris at the Petit Bain and we really enjoyed that one. The French crowd was awesome and the venue was a dream – it was in the middle of our first European tour, so it was quite special to play to such a different crowd and get such a good response.

I’ve always loved seeing you live, and seem to become hypnotised by your majestic splendour! But how would you describe the Ghum live experience to those who’ve not had the pleasure yet? 
Thank you! We live our shows in our skin, we try to transmit the emotions in the songs and give a performance where we tell a story. We are loud and quiet, and we love low lights and smoke machines. We love a good mosh pit and dance party too.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+ artists?
The industry is changing slowly and improving with this, but there is still a lot to improve on. Lack of representation and sexism is still a massive problem in this industry; on and off stage. For example a lack of female, non-binary, trans and queer/LGBTQ+ tour managers or drivers, or sound engineers, or gig promoters, or lighting designers. Fortunately, there are collectives such as 3T which is a training course for underrepresented gender/ethnic groups in touring and live music – something we want to see more of! At any given point, we try to always work with women across the board for our shows or tours, and to give opportunities to women to work in a safe working environment is also important. It’s still very much a “boys club” or “man’s world” in the music industry, especially when you step outside of the DIY scene – which we’re very fortunate to have started from. But it’s evident there’s still a great deal of improvement that could be done and we hope we can help with this, along with many other artists, fighting for more change.

And with you all being from different parts of the world, how would you say the music scene here differs from the places you grew up? 
It’s totally different! There are underground alternative scenes everywhere of course, but London has such an extensive circuit of venues of all sizes and a lot of respect for bands that are starting out; there is a big history of alternative music from this neck of the woods and it feels like people are more tolerant. I’ll say the alternative scene is even more alternative in places like Spain and Brazil where society is not as open minded – it’s way harder to find places to play, and the resources are more limited. But there is a lot of DIY ethos and community support.

As we’re a new music focused site, are there any other upcoming artists or bands you’re loving right now that you’d recommend we check out?
We really like NewDad, Hussy, Fraulein, Bdrmm, Montaña (Spain)…

And, finally, in addition to the album release, what does the rest of the year have in store for Ghum…?
We have lots of plans. We have a few shows and festivals coming up. We are especially excited for our upcoming show at Rough Trade East on 4th July where we are gonna be celebrating our album launch and signing some vinyls for the first time. We are finally playing in Spain (where our vocalist Laura is from) at the end of August at Canelaparty in Malaga and we are very happy about that too. We will be announcing a UK tour in autumn and we are writing new songs, so we hope to keep on releasing new material. Lots of work and lots of gigs!

Huge thanks to Ghum for answering our questions!

Bitter, the debut album from Ghum, is out now via Everything Sucks. Buy here.

Photo Credit: Paul Phung

Track Of The Day: Slagheap – ‘Destination Boyfriend’

Following the vibrant energy of last year’s single ‘Caffeine’, having supporting the likes of Billy Nomates, Wet Leg and GIHE faves Big Joanie, and with acclaim from Radio X’s John Kennedy and BBC 6Music’s Steve Lamacq, Bristol ‘do-it-for-yourself’ band Slagheap have now announced the release of their new EP, due out in August.

Taken from the EP, new single ‘Destination Boyfriend‘ is a joyously discordant yet euphoric celebration of femininity and feeling comfortable in your own skin, regardless of how far from the ‘norm’ you may stray. Reflecting on the different paths that bisexuality may take you on, it races with a scrappy, jangly energy as clashing beats sizzle alongside swirling, scuzzy hooks.

Creating a frenzied, shimmering cacophony, ‘Destination Boyfriend’ oozes a stark post-punk fuzz with the added quirky, playful spirit and tongue-in-cheek wit we’ve come to know and love from Slagheap. Of the track, the band have commented:

From our first Barbie Jeep, the GPS was programmed for heteronormativity. As we journeyed through puberty our eyes began to wander from the set path. The pre-planned girls trip is appealing… But so is the sweet fruit on the lay-by.”

Set to be a queer girl summer anthem, ‘Destination Boyfriend’ is accompanied by a nostalgia-tinged, and typically fun-filled, new video. Produced by Bristol’s Clump Collective, and featuring some of the band’s own artwork, you can watch the wonderfully wacky visual here:

Appetites, the upcoming new EP from Slagheap, is set for release on 5th August. And we’re super excited to have Slagheap headlining for us at The Victoria in Dalston this coming Friday 24th June – it promises to be a super fun evening, with support from Nervous Twitch and The Famous Daxx. Get your tickets here!

Mari Lane
@marimindles

Track Of The Day: All Cats Are Beautiful – ‘Heartbeats’

Having fallen completely in love with London duo Elena and Kyle – aka all cats are beautiful (ACAB) – upon listening to last year’s album the things we made, with this love only growing further when they delivered their ‘sad dance tunes’ for us live at The Shacklewell Arms in February, we’re super happy to hear they’ve now released a beautiful new single.

With their rendition of The Knife’s ‘Heartbeats‘, acab offer a truly enchanting dreamscape. Flowing with delicate, twinkling hooks alongside the duo’s luscious harmonies, it’s a stripped back, yet instantly immersive, version of the original, oozing a lilting, blissful energy and captivating, heartfelt emotion. Maintaining all the infectious electro scuzz of the original, whilst adding the duo’s own unique resplendent grace and spellbinding allure, it builds with a whirring splendour to a vibrant, danceable anthem shimmering with a swirling, soothing charm.

Of the decision to release the track, the duo explain:

It was conceived and recorded in just one day in January this year while we were preparing to go on tour, and is the third in our ongoing covers series (previously featuring works by Arthur Russell and Daniel Johnston). We wanted to tap in to our usual nostalgic vibe by covering a song very much more in the public consciousness, and at the same time showcase how our glitchy modern production can add a new shiny element to this beautifully written piece of pop history.” 

‘Heartbeats’ features backing vocals by actor/singer Jola Jassy. Listen here:

the things we made, the beautiful album from all cats are beautiful, is out now via Moshi Moshi Records.

Mari Lane
@marimindles