LISTEN: BCOS RSNS – ‘Turn It Off’

The second single from their upcoming debut album, ‘Turn It Off‘ by BCOS RSNS turns the post-punk band’s attention to conspiracy theories and capitalism. The song uses scuzzy guitars and dry, deadpan wit to draw a profound parallel between the ridiculous and the real, highlighting how easy it is to begin investigating genuinely dangerous societal concerns and end up diverted into truly absurd territory by conspiracists profiting off your concern.

The early verses start off with obviously silly theories that no one really believes – that Neil Armstrong was an actor, but that the moon landing was shot on location. Then the song escalates down that all-too-slippery slope to ideas you hear parroted by otherwise sensible, intelligent people. It’s a pattern you’ll be familiar with if you paid attention to the number of smart people echoing life-threatening anti-vax logic during the height of the Covid pandemic, for example.

The chorus hammers home the crucial point at the core of the track perfectly. It starts with fairly good advice, beginning “turn off your tv”, up to “turn off your smart home” (do you really trust what privately owned energy companies are doing with your data? They’re raising prices and announcing record profits, so it really doesn’t feel all that much like they’re passing on the benefit of that information to the consumer…), and finally pivots to “turn off your kettle” and “pull down your blinds”, which (unless you have a smart kettle and blinds that channel data back to the 1%, which thankfully is yet part of a dystopian future I personally am very relieved to have not yet seen first-hand) is a foray into paranoia. But the steps that take you there aren’t that illogical. In a few relatively short (and honestly very catchy lines), the song demonstrates how easily someone could be persuaded to veer off course from sensible precautions to wild speculation.

‘Turn It Off’ culminates in the direct, straight-faced third verse, where the character is dropped and the mission statement presented clearly and unambiguously. In a song about the way mis-information snowballs into tangible harm, the directness here becomes all the more profound. The verse describes the song itself as a “distraction”, and they’re not wrong. Satisfying the frustration of life on a dying planet with the temporary catharsis of a fun song doesn’t make any difference to the situation. The track doesn’t hide how difficult it is to even envision how to turn back the death clock at this late stage of the game. The singer herself, Abi Brady, even says of the song’s thesis,  “I don’t have any answers to any of it. It’s frustrating.

But art doesn’t need to have all the answers, and with this release BCOS RSNS process the trauma of existing as a single powerless individual under the tyranny of late stage capitalism through an upbeat and playfully intelligent song, and invite you to purge your shared frustrations with them.

The eponymous debut album from BCOS RSNS is set for release on 22nd May – pre-order here. Catch the band live celebrating its release at The Cavendish Arms on 25th May.

Kirstie Summers
@ActuallyKurt

New Track: pink suits – ‘Are You Gay Yet?’

One of the first songs written for their much anticipated upcoming album Dystopian Hellscape, pink suits have released their fourth and final single release ‘Are You Gay Yet?’. Described as “a seething celebration of queerness”, it captures the duo’s distinct, definitive essence perfectly. An anthem dedicated to reclaiming your identity and sense of self, the track takes their trademark angst and channels it into a fierce salute to individuality.

The track begins with clattering, fast paced drumming that teases the riotous energy integral to pink suits’ signature sound. Fuzzy guitars begin slowly and simply, giving the vocals plenty of space to belt out the track’s central question: “Are you gay yet?” It hangs in the relative quiet of those opening lines, forcing you to confront the discomfort inherent in such an invasive and personal question, and consider the mindset of someone who thinks that’s an appropriate thing to say out loud.

Guitar, drums and vocals pick up for furious, fast paced verses that delve deeper. They depict moments that any visibly queer person will recognise, when people go out of their way to make a point of letting you know that they have noticed, in a way that evidently isn’t designed to be kind. A way that might be delivered gently, but still feels like a slap in the face.

The track alternates between the intrusive questions and the visceral emotional reaction to being asked them. The abrupt shifts between the two perspectives create a sense of whiplash that evokes the dizzy sense of disorientation that often hits when someone has caught you off-guard with such a pernicious approach to asking about your life.

‘Are You Gay Yet?’ is quintessentially pink suits. It aches with rage at the micro-aggressions that queer people are routinely expected to tolerate, yet is simultaneously infused with an infectious joy born of rejecting that expectation. With this song, pink suits are clapping back with all the frustration they are made to feel in that moment and revelling in the satisfaction of taking the power back.

Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. Catch pink suits on tour over the next couple of months, including 29th March at Manchester Punk Festival and 13th April at Cro Cro Land. Dates and tickets here.

Kirstie Summers
@ActuallyKurt

LISTEN: Daughter – ‘Arise, Daughters Of Marsha’

The debut release from transgender black metal project Daughter, ‘Arise, Daughters of Marsha’ is a battle cry summoning the global community to stand up for trans rights. The track begins with a scream that acts as Daughter’s mission statement, not just with this single but the full upcoming EP. Vocalist and songwriter “Deadname” aims to channel the trauma of the trans experience in contemporary society through the brutal, aching sound of black metal.

The lyrics are delivered in a guttural scream that feels like it has been ripped violently from her throat. Shrieking guitars and rapid drums echo the feeling in the vocals, without compromising on the absorbing quality of the beat or the melodic riffs. An almost military-sounding rhythm adds a looming sense of dread to the track, compounded by the ominous wailing stings.

In this song, Deadname allows herself to cast aside the composure with which she, as a trans woman, is expected to carry herself with at all times in public; to act as a representative of her community against the vitriol of transphobic commentators. Instead, this track is raw and honest and seethes with the pain and rage that come as an extremely understandable reaction to the treatment of trans people right now, as news stories of transphobic attacks are increasingly, tragically frequent.

Savage riffs and blasting beats ramp up to a churning storm of music, until it ends by sampling some massively poignant lines from Sylvia Rivera’s ‘Y’all Better Quiet Down‘ speech from 1973, in which she exposes the hypocrisy of trans-exclusionary queer people. She reminds the world how much abuse trans women have historically faced when standing up for queer liberation only to be shunned by other members of their own community. “You all treat me this way? What the fuck’s wrong with you all?” The fact that these words are still so powerfully relevant more than fifty years later, with “charities” claiming to support the queer community but explicitly and unashamedly excluding trans people, gives this track a sucker-punch finish that leaves you unable to ignore the importance of the conversation Daughter generates with this poignant and necessary debut.

Kirstie Summers
@ActuallyKurt

LIVE (Photos): Cherym @ Paper Dress Vintage, 24.02.2024

Having just released their debut album, Take It Or Leave It, last month via Alcopop! Records, Northern Irish trio Cherym have been big faves of ours since I first fell in love with them playing Paper Dress Vintage back in 2021. And I was lucky enough to re-live this experience last Saturday as they returned to the venue, delivering an even more wonderful set to an even bigger and adoring crowd. Fizzing with all the colourful punk-pop energy we’ve come to know and love, whilst offering fierce reflections on gender inequality and violence against women, as well as their own lived experiences as Gen Z queer folk, both the album and their live set continue to cement Cherym as one of the most exciting bands around at the moment. And I fully expect to be seeing and hearing lots more of them throughout 2024 – find out more here.

As well as immersing ourselves in their captivating raging joy at the gig last week, we were lucky enough to have a quick chat with Hannah and Alannah from the band about the tour and the new album. See our photos of the night, including excellent support from new faves Brutalligators and Hamburg’s Get Jealous, and snippets from the interview below…

Hannah: “The tour has been really, really good – we sold out our first ever Manchester headline show which was really exciting, and we also sold out our London show which is incredible. For me, it just sort of confirmed there has been a growth for the band and that more people are starting to hear our music which is amazing, and it’s a really exciting thing that’s starting to happen. We’re currently just back from the Netherlands which was really cool, there were loads of people we got to see that we haven’t met before that we’ve seen online and stuff. It was just really exciting.”

Hannah: “We wanted this album to be our truth. We wanted to be unapologetically ourselves, and I feel like that’s what we stuck by. People always used to label us as being a political band based primarily off the fact that we were all femme presenting people. We were all women and non-binary people within the band, and we were all also queer, but we never outwardly said we were a political band, we just got labelled as such. So I think with this record we were like, ‘you know what, we’ll give you political’. We have songs like ‘Alpha Beta Sigma‘ that’s very reflective of everything that’s been happening, like the atrocities of the church back home, and songs like ‘The Thing About Them’ which is about Nyree’s experience as a non-binary person, and we just wanted to speak our truth on a lot of issues.”

Alannah: “The fans have been really supportive. The new fans especially have really grasped onto the album and it’s been really lovely to see that we’ve connected with so many people. The fans that have stuck by us for a really long time have really resonated with it as well. A lot of our fans tend to be one of two people – old punk rockers who feel nostalgic about the new punk scene, and then the other side is younger fans who can relate to the lyricism and style of music that we play. When we were teenagers we really had nobody to look up to, or if there were they would be hidden between all the mainstream artists who were white men. It’s kind of nice that we’ve been able to showcase queer punk because we all come from different backgrounds, and it’s nice to see younger fans identify with that.”

Alannah: “I think our festival season is going to be really interesting this year with the new album out in the world. We’re hoping to go abroad this time again when it comes to festivals, some bigger and better things — climbing up that ladder -, which we’re really excited for. There may be some announcements coming soon too…

Hannah: “Yeah new adventures in new territories! Next for us is the Enter Shikari shows in Ireland, so we’ve got two shows in Dublin and we’ve got a show in Belfast as well, which is just insane because we’ve all been fans of this band from when we were teenagers, so to be selected to be one of the support acts for this tour is incredible. And we’re playing with Meryl Streek as well, which is going to be amazing – we love Meryl and we love his music and everything he stands for, so it’s going to be really cool.”

Alannah: “We also have something exciting in the bag that we recently announced… Our cover of Doja Cat’s ‘Boss Bitch’ which is coming out on International Women’s Day, so we’re really excited to see the reception for that! We’re also doing German dates with Get Jealous and we’re also playing again in Germany later this year with The Undertones – I think that’s all we can say without getting in trouble for now!”

Get Jealous:

Brutalligators:

Massive thanks to Hannah and Alannah from Cherym for chatting to us, and putting on such a wonderful show at Paper Dress Vintage last weekend! Take It Or Leave It, the new debut album from Cherym, is out now via Alcopop! Records – order here.

Photo Credit: Paul Dawes / @GRNDglass