Get In Her Ears Live @ The Victoria w/ Jemma Freeman and the Cosmic Something, 14.10.22

Following September’s gig at The Shacklewell Arms with the driving ethereal soundscapes of Gemma Cullingford, our October installment of GIHE live saw us return to The Victoria in Dalston for what felt like a super special night filled with the best music, best people and best vibes. Massive thanks to Jemma Freeman and the Cosmic Something, KIN and Trouble Wanted, and to everyone who came down to pack out the venue and helped make it a night to remember.

Here, Mandy Bang writes a few words about the night to accompany Jon Mo’s fantastic pics…

It’s Friday night and The Victoria is packed – a glass smashes on the dancefloor and is carefully kicked aside by revellers determined to have a good time. Tonight’s opening band conjure a murky dive bar on the wrong side of the tracks: the saloon doors unexpectedly swing open, everyone turns to look up at the new arrivals, jaws drop, gasps are audible… there’s a new stranger in town – Trouble Wanted.

The London-based five-piece have just one song available on their Bandcamp page, but, when it’s the “sexy, queer exchange between Lonely Cowgirl and a mysterious dyke trucker”, it’s one hell of a special treat. Live, Trouble Wanted blend menacing basslines, dreamy guitar touches, dancing drums, sexy synths and the occasional burst of alluring saxophone with semi-spoken vocals. Lucy sings of unrequited lust and dysfunctional mother/child relationships and pistol-whips songs with loaded humour. By the end of their set they have encouraged the whole room to shake off their inhibitions as we all sing “I want you in my bed” with wild abandon!

Tonight is Ritu Arya’s last gig with KIN, who played their second ever show for GIHE back in 2019. The band dedicate the drummer’s favourite song to her and later in their set proceed to initiate their first crowd sing-along during a cover of Wheatus’ ‘Teenage Dirtbag’.

The release of the trio’s new single, ‘Soapdish’, coincides with tonight’s gig and is a melancholy ramble through a relationship that is better to be left behind, as singer/keyboardist Grace asserts, “I’m not going to change my mind”. In amongst KIN’s atmospheric indie pop, there are sparse guitar echoes which momentarily bring to mind unexpected eerie Bauhaus vibes. Meanwhile, their 2020 single, ‘L.O.V.E.’, possesses the kind of upbeat energy that demands to drive us to sunny days spent dancing on a beach somewhere far out of reach.

Our final act of the night is Jemma Freeman and The Cosmic Something and Jemma’s party look this evening is demonic jester with a touch of Jaz Coleman of Killing Joke fame. The trio put on a frantic display of musicianship with psychedelic and garage rock leanings, skipping from one catchy song into the next which throws the audience into an array of shapes.

“I don’t know what I’m supposed to know”, declares Jemma before shredding so enthusiastically a guitar string breaks. Jemma conducts the quickest string change ever carried out by a musician mid-set, whilst the bassist and drummer keep an impressive backbeat flowing. One gets the impression that this rhythm section could quite happily lay down a two-hour instrumental jam as if performing at a ’70s music festival. Jemma, seemingly impressed by said bandmates’ calm professionalism, exclaims, “I don’t really need to be here“.

Jemma’s in-between song banter hints at a vulnerable front person with an awkward confidence. Lyrics are laced with self-deprecating humour and a composition from the band’s upcoming new album, ‘Miffed’, is a tale of a bad Tinder date that involved getting locked in a park – “Sounds exciting, but it’s not good”, they assure us before dedicating ‘Lump’ to “weird and petty gay people – like me!”.

Rather than the rallying ‘girls to the front’ mantra, Jemma encourages each audience member to look behind them and to move aside if those behind are struggling to see the band bathed in orange, green and blue lighting. I’ve only ever been at one other gig where the band has been this wonderfully thoughtful (namely Dream Wife) and Jemma half-jokes that it took ten years of therapy to ascertain: “I’m five-foot two-inches tall and I’m going to take up space and be unafraid“. A sentiment that gets a huge cheer from this crowd.

Big thanks to all three of the incredibly fantastic bands on Friday night! As for us, our next gig will be at the Sebright Arms next month with a lush line-up of Breakup Haircut, Piney Gir and BCOS RSNS on 17th November. Tickets can be nabbed over on Dice and we’ll see you down the front!

Words: Mandy Bang / @mandybang
Photos: Jon Mo / @jonmophotography

Introducing Interview: Red Ribbon

Following the release of last year’s album Planet X, and 2018’s Dark Party, LA based artist Red Ribbon is now heading over to our shores for her first ever UK tour. With a London date planned at The Victoria a week today on 19th October with support from GIHE fave, Ailsa Tully, we can’t wait to witness her captivating sounds live. If gritty, ethereal soundscapes and sweeping celestial vocals, interwoven with a twinkling folk-strewn musicality, are your thing then you should definitely join us there!

Prior to her setting out on tour, we caught up with Red Ribbon to find out about what inspires her, the influences behind her latest album, the power of fear and more… Have a read!

Hi Red Ribbon! Welcome to Get In Her Ears! Can you tell us a bit about yourself? 
Thank you so much! I am currently based out of Los Angeles. I’m originally from the Pacific Northwest, but had a bit of a transient upbringing and moved around the United States growing up.  That has given me a dual perspective of both knowing how to get along with all kinds of people, yet always sort of feeling like an outsider everywhere. I always have a soft spot for underdogs.

Are you able to tell us a bit about how and why you initially started creating music? 
I was in the grade school choir and band as a little kid.  There was also an acoustic guitar and a piano in my home growing up, so I’d play around on those when I was small. Nothing exceptional, just kid stuff. I don’t think anybody really saw musical potential in me or anything, but I was always drawn to it. What really got me going was when I studied classical violin when I was about eighteen.  I began busking alone in San Francisco, and that is when I realized I loved to perform as a musician, and that I could do it as a job. Sort of in conjunction with that, I began messing around on the electric guitar to write songs, and yeah, I was hooked.

We love your beautifully twinkling sounds , but who would you say are your main musical influences?
Elliott Smith, The Velvet Underground, The Pacific Northwest’s underground DIY music scene…

You released your Planet X album last year. Are you able to tell us a bit about what inspired it and the themes running throughout it?
I recorded the album mostly in Brooklyn January of 2020, right before things really shut down. A few tracks were also recorded in Tornillo Texas (along the Mexican border) and in Seattle Washington, where I was living at the time. I was very influenced by touring my first studio record, Dark Party. Me and my band had the chance to do some lengthy touring in 2019. There was a knowing that we all had going into recording – the American political climate was reaching a fever pitch of horror. I think we knew perhaps something was going to break – though I don’t think any of us imagined how it would play out exactly. I built the visual world of that record as an escape from the disasters of 2020 and 2021. It was my place to go to, colourful and strange.

You’re coming over to the UK this month for a little tour (including a London date with GIHE fave Ailsa Tully), which is super exciting! What can fans expect from your live shows?
I am so excited! This is my first solo tour and my first UK tour. Really I’m looking at this as a tour surrounding the album I’m working on now. I am taking some of the songs from this tour into the studio when I get back to Los Angeles.  I will also be playing some of my favourite songs from my previous albums of course!

And have there been any gigs you’ve played in the past that stand out as particular highlights for you?
I love playing in unusual places, under a freeway with a generator for example! But I think these upcoming shows will be some of my favourite ever, because I am afraid of them, haha. I know that sounds funny, but there is power in becoming the fear! You know, I am travelling very far, and alone. It is fairly dangerous. Sometimes that is exactly what music needs. It’s really about the ‘X Factor’ – the unexplainable magic vibe – that makes a show killer. A little danger is good.

How do you feel the industry is for new artists at the moment? And do you feel much has changed over the last few years in its treatment of female and queer/LGBTQ+  artists? 
There is a song by Gillian Welch called ‘Everything is Free’ that I think sums up things better than I can.

As we’re a new music focused site, are there any other upcoming artists you’re loving right now that you’d recommend we check out?
Absolutely!  I’ve been really loving the tracks that Cold Mega has been putting out – ‘Swinging the Dog’ is so good. Also some of my most favourite musicians and collaborators, Sheridan Riley and Abbey Blackwell have formed the new rhythm section for the Canadian band Alvvays, and the new record they put out is honestly a triumph. I am so proud of them. My former label mates Momma are also absolutely crushing it right now, they have been hitting the road hard the past few months and I think the world is noticing.

Aside from the tour, what does the rest of the year have in store for Red Ribbon? 
I am close to finishing my next record in Los Angeles. I have been working on it since March of this year. This is a different approach for me.  More of a long-game approach versus you know, seven days in a row at the studio or whatever. Though admittedly musicians always are most excited by their current work, in my opinion it is the best stuff I have ever done. I can’t wait to share these songs with you! The world is opening up again. I didn’t get to tour my last album Planet X much, since it was released during the pandemic. Personally, I didn’t have the desire to be the first back out on the road. But with this tour, and with this new record, I am finally ready. I am relentless in my drive to just keep going.

Massive thanks to Red Ribbon for answering our questions!

If you’re London based, catch her live at The Victoria in Dalston on 19th October – tickets here.

Get In Her Ears Live @ The Cavendish Arms, 20.08.22

For the second of our August gigs this year, we were at The Cavendish Arms in Stockwell for the first time to host immense Aussie duo Mannequin Death Squad, with support slots from two exciting new bands Maya Lakhani and Dogviolet. And what a lovely night it was at this cosy venue south of the river… Thanks so much to the three incredible bands, and to everyone who made it down to join us for this pretty special night!

Kicking things off, it’s the debut gig for brand new ‘supergroup’, Dogviolet. Formed of members of GIHE faves Naz & Ella, as well as The Dead Zoo and Suggested Friends, they deliver a stirring set to an adoring crowd. As swirling shoegaze-tinged melodies and a gritty grunge-infused energy flows, front person’s Naz’s raw, heartfelt vocals ooze an immersive shimmering emotion.

Next up, it’s another first gig for Maya Lakhani and her newly formed band. With a sparkling energy, their impassioned alt-rock blasts out as ferocious riffs swirl alongside her rich, compelling vocals. Reflecting on poignant themes such as violence against women, and including a spellbinding cover of the Kate Bush classic ‘Running Up That Hill’, it’s a truly impressive first outing for this exciting new project.

Closing the night, it’s a true honour to be hosting the London leg of immense Aussie duo Mannequin Death Squad‘s UK tour. Propelled by a gritty, angst-fuelled drive as riotous riffs and relentless thrashing beats rage with intensity, they deliver a truly exciting set. As Elly and Dan swap between drums and guitar every few songs, they treat us to their seething grunge-rock offerings with a fiercely captivating energy.

Biggest thanks to the three incredible bands who played for us last night, to everyone who came out to support them, and to The Cavendish Arms for being such a welcoming and lovely venue. Make sure you don’t miss our next gig on 10th September at The Shacklewell Arms with a joint headline set from Gemma Cullingford and Alice Hubble, plus support from Yay Maria – get your tickets on DICE now!

Words: Mari Lane / @marimindles
Photos: Paul Dawes / @paullikesrobots

Get In Her Ears Live @ The Victoria w/ Nikki & The Waves, 12.08.22

Following a heartwarmingly fantastic July in which we were able to raise £500 for Abortion Support Network from our sold out gigs with Charmpit and ARXX, we returned to The Victoria for the first of our August live events. Hosting Manchester based Nikki & The Waves with support from Birmingham duo First Frontier and GIHE faves Panic Pocket, it may have been a hot night, but it was full of all the coolest vibes with these three wonderful bands and the lovely folk who came out to support them!

Kicking things off in the refreshingly air-conned venue, duo Sophie Peacock and Natalie Healey – aka Panic Pocket – deliver their uplifting, synth-driven indie-pop with all the twinkling charm and tongue-in-cheek wit we’ve come to know and love. With subjects ranging from gatecrashing boyfriends to the anxious British need to apologise, each shimmering offering lilts with sugar-sweet harmonies and the duo’s infectious charm, and – being treated to some new numbers that I’d not yet heard – it’s a perfectly smile-inducing way to start the evening.

Next up, Birmingham based duo First Frontier deliver their fuzzed-out garage-rock with a an immense, driving energy. As Paul’s scuzzy hooks whirr alongside Helena’s fierce, thrashing beats, they’re able to create a swirling sense of optimism with each empowering offering and their vibrant charisma, and I can’t wait to hear more.

Headlining, we’re super thankful that Nikki & The Waves have made the long, very sweaty journey from Manchester to play for us tonight! With a vibrant, retro charm and joyous energy, they create unique funk-fuelled indie-pop as each of the seven band members contribute to a shimmering musical cacophony. Oozing a blissful allure – with shades of an eclectic array of influences, from early hip-hop to Lily Allen – the set comes complete with swooping trombone solos, colourful keys, sparkling harmonies and a relatable witty lyricism; perfect for shimmying along under the air-con, and showcasing all there is to love about this truly magnificent collective.

Huge thanks to three wonderful bands who played for us on Friday and to anyone who made it out to support them! We’re back at it this coming Saturday 20th August at The Cavendish Arms w/ phenomenal Australian duo Mannequin Death Squad, with support from Maya Lakhani and brand new ‘supergroup’, Dogviolet – nab tickets here!

Words: Mari Lane / @marimindles
Photos: Paul Dawes / @paullikesrobots