Five Favourites: Ghost Car

Having released their epic debut album, Truly Trash, towards the end of last year, London band Ghost Car have previously received acclaim from the likes of Skunk Anansie’s Skin and DIY Magazine, as well as sharing stages with legends such as Beth Ditto and Amyl and The Sniffers. Showcasing their quirky, retro energy and trademark whirring soundscapes and honey-sweet vocals, the album is a pure post-punk delight; a whimsical, yet gritty, insight into the world of Ghost Car.

Originally due to be released by Burger Records, the band then pulled out of the planned album release as accounts of sexual assault and exploitation of women by associates of the label came to light. As activists for feminism and members of the LGBTQ+ community, Ghost Car practice what they preach, and aim to spread their mantra of inclusivity and equal rights as loud as possible.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of Truly Trash, we caught up with Ghost Car to ask about the music that has inspired them the most. See below for their choice of five favourite albums!

Sweeping Promises – Hunger For A Way Out

Cece: This masterpiece came out during lockdown and I immediately became obsessed with it. I always thought that a good lo-fi sound can cut through you way better than overly produced music and this album is proof of it. I haven’t heard something so genuine, direct, and beautiful in a long time. It has all been recorded live, using the “single-mic” technique which creates a perfectly unique and nostalgic sound. Lira’s vocals are incredible and a big inspiration for me, I always keep her style as a reference when I need to push my singing to something less obvious and it’s a good reminder to not detach myself and sing with the heart, not just using my voice.


Du Blonde – Homecoming

Clara: We’ve been asked to play with Du Blonde and we didn’t know much about her. When we checked out one of her video clips to check the vibes, I got super excited, and what an album this is! I could feel that same crazy excitement as when you were in your teens and you got a new record. She’s fun, she’s so talented, she’s so sincere! And she wrote, recorded, produced and released this album herself – how amazing. Loving the ‘90s vibes, but also the romantic chords of ‘Take Me Away’ sending me back to a love song from the ‘50s.


Stiff Little Fingers – Inflammable Material

Maeve: This is one of the greatest albums ever written in my opinion. I got a lot of my musical understanding from my mum – she was in her 20s during the troubles and told me stories of going to see SLF in Belfast and having punk music as a release for all the political chaos happening around them. The start of ‘Johnny Was’ gives me chills and there’s nothing better than screaming ‘Suspect Device’ with my mum really loud.


Deerhoof – The Magic

Laura: I’ve been a fan of this band for a long time, but only bought this album quite recently at the independent label fair – tempted by the white vinyl and the fact it’s released on Upset! The rhythm… It’s brilliant! I really enjoy how it switches tempo and mood often, and you can see the band’s many influences worn on their sleeves! Recorded in 2015, it’s raw and full of experiments – I love the way it takes your hand and leads you through their world. Plus, Satomi’s voice is iconic.


X – Los Angeles

Maeve: I only found out about this album from Cece recently when she said “you need to listen to this album, you’re gonna love it” and she was right. One of the great things about Ghost Car is that we all have such varying different music tastes – we know each other so well, and are constantly discovering new music together. I love the intensity and grit of this album and it got me really excited to write some new bangers with the girls.

Cece: X was a late discovery for me too and I knew it would quickly escalate to my top 10 after listening to ‘Your Phone’s Off the Hook, But You’re Not’ – a brilliant song where you can see a great example of perfect harmony between male and female vocals. I was also quite amazed to find out that was produced by ex-Doors keyboardist Ray Manzarek. X had a huge impact on the ‘80s punk scene and without them we wouldn’t have loads of the great bands that we have today. For example, would Kathy Valentine ever have joined The Go-Go’s if she hadn’t met Charlotte Caffey at the X gig at the Whisky at Go Go in 1980…?

Massive thanks to Ghost Car for sharing their Five Favourites with us! Their debut album Truly Trash is out now via One Little Independent Records. Watch the video for album track ‘Conch Pearl’ below:

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Five Favourites: Hannah Schneider

Having been big fans of Danish artist Hannah Schneider (also of duo AyOwA) for some time now, we were super excited to welcome the release of her latest album (her first solo release in seven years), Ocean Letters. A collection of immersive, celestial soundscapes, it perfectly showcases Schneider’s ability to bathe your ears in a euphoric, soothing grace as her rich, crystalline vocals ripple with a dreamy ethereal haze. A blissful sonic accompaniment to calm the senses as the temperatures drop and the darkness draws in.

We think one of the best ways to get to know an artist is by asking what music inspires them. So, to celebrate the release of Ocean Letters, we caught up with Hannah Schneider to ask about the music that has inspired her the most. See below for her choice of her five favourite albums.

Beach House – Teen Dream
As a surprise to no-one, Beach House is a huge inspiration for me, and this is one of my favourite albums ever. The songwriting is off the charts amazing – wild, advanced and still it seems you can hum along to every one of the tunes. Many of the texts and titles have such a suspense in them, and they each create a scene or a story that catches your attention. And then of course, the sound. I have always been extremely inspired by their hazy dream pop sound with significant guitar lines, drum machines and beautiful vocals, and on my album Ocean Letters in particular I go all the way on a few songs in my Beach House tribute. The demo for ‘The World’s Gone Still Now’ from my album was even called “beach house vibes” before it got its real title after my friend and magic guitar player Anna had come and laid down the guitar parts on it! 

Hania Rani – Esja
For me, Hania Rani is a fairly new acquaintance, but I have been very inspired by her in my work with this album. From the sound of the piano, to the simple and yet complex compositions, and the sparse layers that still create such a full sound and beautiful cinematic scenes. This music gives such space for imagination, and that’s what I have been trying to create with my album as well. 

Portishead – Portishead 
I don’t think there’s a time in my life where I haven’t listened to Portishead. It’s a constant source of inspiration, how they make such intense music without shouting at the listener. Such slow paces, such minimalist productions, simple chord structures, and yet the melody and Beth Gibbons’ voice is so wild – complex and completely vulnerable, and unnerving, at the same time. I am forever inspired by their way of orchestrating music and making suspense and drama, and the way they dare to combine musical genres in their music has been a big inspiration for my album as well.

Emilie Nicholas- Tranquille Emile
Norway is the country with the most happening right now music wise in Scandinavia I think. One of the first in this new wave of interesting artists is Emile Nicholas, and I love her way of creating new R’n’B/soul with such a distinct Nordic flavour. Interesting melodies, beautiful instrumentation and Emilie’s million dollar vocals on top – wow, how she can create lines that amazes! I just gave in to this album, and have enjoyed it very much while creating my own album. I think I have also let myself be inspired by the gospel-ish chord changes in some of her songs, and in my song ‘It’s The Season’ I have let myself dive in to the slow more soulful chords and musical phrasings.

Agnes Obel – Myopia
This album is a true masterpiece of orchestration and melodies – such beautiful compositions, and Agnes Obel’s magical voice on top. There is such a cinematic quality to all her albums, and this has been a great inspiration to my album, Ocean Letters. Her albums also seem very conceptual thematically and sound wise, and this is something I have also approached in my work with Ocean Letters.


Massive thanks to Hannah Schneider for sharing her Five Favourites with us!

Ocean Letters, the new album from Hannah Schneider, is out now via Midnight Confessions.

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Video Premiere: Feral Five – ‘Silver Sky’

Having been big fans of innovative duo Kat and Drew – aka Feral Five – ‘s unique brand of captivating electro-pop for a number of years now, we’re excited to hear that they’ve now announced the release of a new album, due out in February 2023 via lovely independent label Reckless Yes.

Ahead of the album’s release, they’ve now shared an evocative new single. Propelled by a glitchy, soaring majesty and chiming beats, ‘Silver Sky‘ poignantly reflects on the effects of light pollution in urban areas. With a glistening whirring splendour, the track builds with a fizzing energy and rich AI vocals (trained in Berlin on Kat’s voice) to a twinkling otherworldly soundscape, oozing a spellbinding allure. Of the track, the duo explain:

“‘Silver Sky’ is … set in a feral city, it’s about a sky that never gets dark because of light pollution, something that scientists say is affecting animals and plants.“

‘Silver Sky’ is accompanied by beautifully swirling visuals depicting a futuristic cityscape – all adding to the unique, immersive experience that Feral Five are consistently able to create. Skilfully interweaving live coded sounds, strings and even creating sounds from quartz crystals, ‘Silver Sky’ is yet another example of just how innovative this duo can be. Wrap your ears and eyes around its exquisite cutting edge magnificence now!

Watch the new video for ‘Silver Sky’, for the first time, here:


Truth Is The New Gold, the upcoming album from Feral Five, is set for release on 10th February 2023 via Reckless Yes.

Mari Lane
@marimindles

Photo Credit: Keira Anee Photography

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ALBUM: A Void – ‘Dissociation’

Since their formation, A Void – the London-via-Paris triple threat of guitarist/vocalist Camille Alexander, bassist Aaron Hartmann, and drummer/backing vocalist Marie Niemiec – have been channelling their societal frustrations into a style of unapologetic alt-noise-grunge all of their own, with a punk-as-fuck riot grrrl attitude. From their 2016 EP, Roses As Insides, to their 2018 debut LP, Awkward and Devastated, A Void exude cathartic rage through raw visceral energy.

Mixed and mastered by Jason Wilson at Stakeout Studios, A Void’s sophomore LP Dissociation is a more mature record, spanning a song-writing period of two years, but no less aggressive than their previous offerings. Opening with the one-two punch of ‘Sad Events Reoccur’ – a six-minute punk rager presented in two parts – the trio take no prisoners with a Dinosaur Jr.-esque fuzz.

Propelled by L7 inspired chaotic energy and Hartmann’s heavy-as-fuck basslines, Alexander and Niemiec’s sing/screaming vocal harmonies throughout ‘Stepping on Snails’ encourage us to break free from anxiety, and embrace life through hypnotic grunge. Alexander’s intoxicating punk guitar groove throughout ‘One of a Kind’ is relatively calm in contrast to the trashing breakdown of ‘Newspapers’ – “Instead of destroying myself, I decided to destroy everyone’s ears!” – and its doom-sounding counterpart ‘Bag of Skulls’. Whiplash is expected!

‘Sick As a Dog’ follows as a dark, cathartic track detailing the fear of abandonment; “the idea of channelling pain through several emotional states”. Mental health is a reoccurring theme in the band’s lyrics – Alexander not shying away from her emotions as she screams with a sense of hopelessness: “When all the changes make you lose the plot / and bring you into a state of dissociation.”

From the distorted guitar sludge of ‘2B Seen’ to the softer dissonant strings of ‘5102’, A Void’s bewitching sound is vampiric, demanding your energy as you headbang along to the snap of Niemiec’s rhythm, and Alexander’s emotional outbursts: “I’d rather face my fears alone than with someone like you / …toxic mermaids are swimming around you / They wanna suck all the blood that’s inside you!”

Taking inspiration from nineties punk-infused grunge, reminiscent of Hole, Silverchair and Sonic Youth, the nostalgia-inducing playfulness of ‘In Vain’ and ‘Bad Habits’ leads to the anthemic closing track ‘Sonic Untitled’ – a vitriolic attack on toxic masculinity. “Just give and give and give and give and give and get nothing! / So scared to live in the shadow of a woman…”

“When you compose an album like this, each song is a reflection of a different personality…”, the band explain. From mental health and heartbreak to womanhood, A Void confidently stage-dive into twelve cathartic tracks of justified punk rock angst; delivering a deeply personal record of riotous grunge.


Dissociation, the new album from A Void, is out now. Buy here.

Ken Wynne
@Ken_Wynne

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