Track Of The Day: Bugeye – ‘Don’t Stop’

London based four-piece Bugeye create forward-thinking, danceable punk. Their new single ‘Don’t Stop’ comes alongside the news that the band will be releasing their debut album later this year on independent record label, Reckless Yes.  

Angela Martin’s Sleater Kinney-esque vocals and driving guitar team up with Grace Healy’s ’90s style synth lines in perfect harmony. ‘Don’t Stop’ is a riotously catchy number that will certainly make you want to dance, even if it is centred around the perils of drinking to excess.

Of the single, the band have explained: “’Don’t Stop’ is about alcohol abuse and the cyclical state that goes hand in hand with this. It’s a downward spiral of fuck ups and promises that tomorrow will be different. It’s about the denial of even having a problem in the first place and the pressure that society and the media put on us to ‘Don’t Stop’”

Having originally formed in the late ’90s, news of Bugeye’s debut album is a welcome development for fans and we certainly can’t wait to hear where their sound is headed. A steady stream of solid singles in recent years have already cemented their position as key players in the Riot Grrrl scene and we’re sure that this is a reputation that’s set to grow. Watch this space.

And watch the new video for ‘Don’t Stop’ here:

Produced by Paul Tipler, Bugeye’s debut album is set for release later this year.

Ellie Ball


PREMIERE: Lewin – ‘Sorrow’

Ahead of the release of her upcoming debut album, songwriter and musician Jara Holdert, aka Lewin, has now shared her poignant new single.

Written while she was still in a relationship with her muse and producer Aaron Ahrends, ‘Sorrow’ imagines how her love might leave her. Filled with shimmering melodies and the impassioned rich tone of Holdert’s soaring vocals, it oozes a heartfelt delicate emotion, resulting in a truly stirring and thought-provoking slice of melancholic alt-folk, with shades of the blissful allure of Laura Marling.

Adding an immense poignancy, ironically a year after writing the song, the song’s prophecy seemed to come true; Ahrends moved away to Berlin without warning, thus ending their relationship and leaving Holdert heartbroken.

Releasing ‘Sorrow’, Lewin has shared a live rendition capturing the raw energy of her performance, ironically recorded by Ahrends who stopped filming before the end of the song, and so the video then switches to moving footage of the landscape seen on a train journey to Berlin.

Watch the beautifully heart-rending video here:

‘Sorrow’ is out tomorrow, 21st February.

Mari Lane

Track Of The Day: Girl Ray – ‘Friend Like That’

Following the recent release of their second album Girl, and having charmed us on more than one occasion with their joy-filled live show, North London’s Girl Ray have now shared a new video for album track ‘Friend Like That’.

An ode to friendship, ‘Friend Like That’ flows with the trio’s colourful energy as jangly syncopated beats flow alongside the distinctive soothing allure of Poppy Hankin’s vocals and funk-filled pop-inspired hooks. Filled with a vibrant calypso-tinged zest, it’s a dreamily uplifting offering showcasing the band’s shimmering, sunny charm and their inspired matured sound. Of the track, the band explain:

“This is a friendship anthem. Reminds us of a really smashing high five with great contact. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.”

Filmed in their old school in Muswell Hill, the accompanying video depicts an ’80s themed/Carrie-inspired tale of female friendship in the face of the mean popular kids, and showcases the band’s endearing wit (and significant acting skills!).

Girl, the latest album from Girl Ray, is out now via Moshi Moshi. Catch them live at the following dates:

18th February – Birmingham, Hare & Hounds
19th February – Leeds, Belgrave Music Hall
20th February – Glasgow, Stereo
21st February – Manchester, YES – SOLD OUT
22nd February – Nottingham, Bodega
23rd February – Cardiff, Clwb Ifor Bach
25th February – Bristol, The Fleece – SOLD OUT
26th February – London, Electric Ballroom
27th February – Brighton, The Haunt

Mari Lane

Photo Credit: Mathew Parri Thomas

Video Premiere: Johanna Glaza – ‘Exile’

Following 2017’s Wind Sculptures, Lithuanian artist – and former guest on the GIHE radio show – Johanna Glaza – has now announced a brand new album.

Taken from the album, she has now shared poignant lead track ‘Exile’. Showcasing the spellbinding sweeping power of Glaza’s exquisite unique vocals, it flows with an ethereal majesty as an immense soaring musicality flows, with shades of the twinkling splendour of Kate Bush. A truly enchanting listen.

Watch the beautiful new video for ‘Exile’ now:

Exile, the upcoming new album from Johanna Glaza, is out 28th February.

Mari Lane

Photo Credit: Kat Bumbul

Track Of The Day: Sink Ya Teeth – ‘Somewhere Else’

With acclaim from the likes of BBC 6 Music and headline gigs at legendary venues such as The Lexington and Green Door Store, we’ve been massive fans of Maria Uzor and Gemma Cullingford  – aka Sink Ya Teeth – for a few years now, and so are super excited that they will be releasing their second album later this month.

Taken from the album, ‘Somewhere Else’ is propelled by Gemma’s propulsive basslines, as Maria’s infectious synth-driven glitchy hooks and distinctive vocals shine through with a soaring majesty and shimmering charisma. A truly immense and instantly infectious driving dance anthem, proving just how incredible and deserving of success this Norwich duo are. 

Listen to ‘Somewhere Else’ on Spotify now, and watch the poignant and artfully created new video here (shot and directed by Joseph Hayes):

Two, the upcoming second album from Sink Ya Teeth, is out 28th February via Hey Buffalo. We cannot wait to hear and see more from Sink Ya Teeth this year!

Mari Lane

Photo Credit: Andi Sapey & Susie Lloyd

Introducing Interview: SUN

Following their visceral single ‘Higher Fire’, Franco-German brutal-pop outfit SUN have now announced the release of their debut EP.

With an intense, brooding sound that is uniquely theirs, SUN is the embodiment of founder and sole member Karoline Rose’s brutal pop aesthetic, creating utterly captivating, atmospheric soundscapes.

We caught up with Karoline to find out more…

Hi Karoline, welcome to Get In Her Ears! Can you tell us a bit about SUN?
Hi Get In Her Ears! SUN is my music project. Live we play as a two-piece (I’m on guitar/bass and vocals and I have a mysterious drummer with me). Since I was a teenage metalhead in Germany I wanted to blend Pop and Metal with just a hint of Riot Grrrl. I came up with the term Brutal Pop. For years I was chasing after that Brutal Pop sound. I went from Church Choir to Death metal bands, then did Contemporary Theatre and Musicals as a performer. All in order to gain the skills to create the Sound and the Live show I had in mind since my childhood. SUN was born two years ago and SUN’s first EP Brutal Pop just came out in December. I feel so relieved that I finally have my very own musical language together and out in the world! 

How did you initially start creating music?
I would imitate my mom (who is a French chanson singer) as a toddler and go through some classical training on the piano as a child. When I was twelve I discovered Courtney Love and Tairrie B and from then on I knew I had to make heavy music. My American aunt would send me cool CD’s from oversees and I would analyse the song structure and the lyrics and create my own. I had my first band at 12 (they were between 18-25) and it all started then.

Your latest single ‘I Killed My Man’ is out now – can you tell us what it’s all about? Are there any themes running throughout the track?
‘I Killed My Man’ is a goodbye to a toxic relationship/ toxic relationships in general. Sometimes we mistake admiration for love and lose ourselves in the process. It can make us accept the unacceptable and it is very hard to get out of that kind of situation without casualties. I wanted to say goodbye to that relationship but also to all the toxicity in my life. I also wanted to say goodbye to someone I lost a long time ago.

You’ve been compared to the likes of Chelsea Wolfe all the way to Pink, but who would you say are your main musical influences?
I think my top 3 would be Michael Jackson, Hole and Devin Townsend! It’s really representative of the mix I wanted to hear for so long: Groovy Pop, Indie Grunge (life through this era) and powerful yet original Metal.

How is your local music scene? Do you go to see lots of live music?
In Paris we have some really cool spots and cool bands. Local promoters like Hypergéante or Morsure organise great gigs at Olympic Café,  Espace B  or the amazing Bus Palladium. In my second hometown Karlsruhe (Germany) we have an amazing club called Substage. In both cases the local scene is very small and especially in France promoters and festivals prefer to welcome foreign bands than giving the locals a shot. That’s why I try to support locals as much as I can.

And what can fans expect from your live shows?
Our live performances are a Brutal Pop show. My background in Contemporary Theatre and Musicals helped us to make our shows more 360 degrees, not only – foot on wedge – rock n roll (even if there’s nothing wrong with that!). I wanted to be able to create a space in which I can let loose, run, jump, come from different angles without cables and surround my drummer like a wild lion playing with his prey. I would say that our live performances are pop shows but we headbang… a lot! 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
I recommend my Parisien friends Toybloid (female fronted riot grrrl) as well as one of the craziest french bands ever, Igorrr!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
It is difficult to get past the algorithm. if you don’t want to force your music on an audience that you’ve targeted and paid for you have less chances to be heard. . Things are chaotic right now and no one really knows what to do (labels, press etc) no one can be certain of any strategy, but maybe that is a good thing! Great music might take root in chaos and take off out of nowhere.

Finally, what does 2020 have in store for you?
SUN’s first EP Brutal Pop just came out in December 2019 and the second EP is already finished. It will come out in April 2020. In the meanwhile we will be touring Europe from January until April in a theatre play (‘Nous l’Europe’) in which I am an actress and SUN is the play’s music (for real! We play ‘Higher Fire’ and ‘I killed My Man’ amongst others). We will then go back to touring normally, and get our debut album ready!

Massive thanks to Karoline for answering our questions!

Brutal Pop, the debut EP from SUN is out now. Watch the new video for ‘I Killed My Man’ here:


Track Of The Day: Peaness – ‘Kaizen’

Following last year’s ‘Breakfast’, and support from the likes of Huw Stephens, John Kennedy and BBC 6Music’s Marc Riley, Manchester/Chester based trio Peaness have now returned to our ears with their new single ‘Kaizen’.

An instantly catchy blast of hope, it’s propelled by jangly hooks and an uptempo energy, as sugar sweet vocals and twinkling harmonies flow. A reflective and honest dose of ‘Pea-Positivity’, ‘Kaizen’ is the perfect antidote to these grim January days. Of the track, the band explain:

“It’s a song to remind myself that with every act of kindness and every crime, we affect the future, and that those choices go on to shape others, and our beautiful planet, long after we’re gone. The word ‘Kaizen’ is a Japanese word that literally translates to ‘change for the good’, and that’s what we’re hoping for.

Watch the Japanese pop culture-inspired new video for ‘Kaizen’ here:

Peaness are about to embark on their biggest UK tour to date. Catch them live:

27th January – Leicester, Firebug
28th January – Birmingham, The Hare and Hounds
29th January – Guildford, The Boileroom
30th January – Brighton, The Prince Albert
31st January – Southampton, Heartbreakers
1st February – Oxford, The Wheatsheaf
7th February – Manchester, Soup Kitchen
8th February – Leeds, The Lending Room
28th February – Bristol, Ritual Union (w/ Marika Hackman + more)
6th May – London, The Lexington


Mari Lane