Five Favourites: pink suits

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits have now just released their second album. Inspired by the relentless over saturation of bleak news cycles, Dystopian Hellscape may be a little more self-reflective, silly and sexy than its predecessor, but loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Inspired by a newspaper article entitled The News Comes So Often, It Makes You Sick, Dystopian Hellscape explores the effects of modern society and neoliberal politics on our mental health with pinks suits’ trademark tenacious spirit and raw musicality. Reflecting on the sense of confusion and frustration that comes with the over-saturation of scandal and disaster within mainstream media, the album also discusses themes of self-care, grief, gender identity, sexuality, queer joy and – of course – coffee. From the riotous power of searing rallying cry ‘Refuse The Rules’, and the fiercely uncompromising reclamation of being confident in who you are, ‘Are You Gay Yet?’, the album showcases pink suits’ ability to channel frustration into a perfect raging catharsis. 

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of the Dystopian Hellscape, I caught up with Ray and Lennie to find out about the music that inspires them the most. Read about their five favourite albums, watch the video for recent single ‘C.O.F.F.E.E‘ and make sure you check out the full album on bandcamp now!

The Runaways – The Runaways
The Runaways’ debut album, which was released in 1976, is one of my fave albums of all time, as well as being a huge influence on the kind of music I (Ray) wanted to make when we started pink suits. I think I discovered The Runaways when I was about 14 and got completely obsessed with them. I think the fact that they were so young on this record, and when I found them I was also so young, it gave me a radical feeling of possibility. Which when you’re 14 feels pretty wild! I think I immediately assembled a band of misfits and people I thought could kick-off pretty well given the chance, which we were all extremely excited about and equally I think all knew it was never actually gonna happen. I loved the uninhibited energy they had, and I’m still waiting for my front-man moment – out from behind the drums! I wanna be front and centre, swinging the mic around and working the crowd.

** Sadly and disappointedly, it turns out Cherie Currie is a massive terf! But Joan Jett is still an icon, so we can breathe easy for that! Although this album and The Runaways will always be a big influence on us as a band we cannot support anyone with transphobic views. We have played ‘Cherry Bomb’ for the last time…

Amyl and The Sniffers – Big Attraction and Giddy Up
This album was one of the biggest references of sound for Dystopian Hellscape. Everyone went mad for Comfort To Me, which is a great album, but we think Big Attraction and Giddy Up is the most exciting LP. It is 2 EPs – Giddy Up was written and released all in a 12 hour time span, and then Big Attraction was written later that year. You can get the LP of both of these EPs together (though it has just disappeared from Spotify?). We love this LP, it feels so rough and ready. Amy is such a force as a front person and we love the energy they bring every time; you can feel it through the record just as much as you do live, which is definitely something we strive for as well. We find recording hard because of the challenge of getting the live feel and energy across. Not that many bands manage it, but we think Big Attraction and Giddy Up really feels like the live band.

Allison Russell – Outside Child
This debut album from Allison Russell came out in 2021, and is probably our most listened to album of all time. I think we listened to it a few times a day everyday for over a year – the best thing that we did during lockdown! It’s just incredible. It is a very personal and heart wrenching album about trauma, childhood, love, loss, growth, and her voice is just amazing. We have had the chance to see her live a couple times and wept throughout the whole show; honestly one of the most stunning humans to see. The content of the music is often quite heavy, but she is able to bring a joy and lightness to it. We love her so much!

https://youtube.com/watch?v=RNJgwj8d9eo%3Fsi%3DW4cXc3dZz6viy_b7

Orville Peck – Pony
As some of you probably know, when we aren’t being a punk band we are full country babes – we run a night called Queer Cuntry, and we owe a lot of that to Orville Peck. We got immediately obsessed with him as soon as we heard this debut album of his, he really brought back a sort of old country sound which is the style of country music we love. He is also just very camp and queer and theatrical, which we relate to in a lot of ways. This album and the music videos and performances we saw from him were pretty incredible; he combines a sort of cinematic storytelling with camp aesthetics in a way that just works. There’s no fighting it! He also used to be in a punk band and trained in ballet, so really we are kindred spirits in so many ways. We saw him four times in 2019, and the live shows are so much fun. Queer Cuntry has taken off in a big way for us (we are bringing it to Chaka Khan’s Meltdown Festival in June!), and Pony was the album that gave us a kick up the ass and made us start doing country.
(You can catch pink suits in their country guise supporting Dolly Parton tribute band The Dumb Blondes on 19th July at Sebright Arms – tickets are already moving quick, so don’t miss out!)

Bob Vylan – We Live Here
This is another album that we absolutely rinsed when it came out. As soon as we heard the title track we were obsessed, and then we got the whole album and every song is fucking killer. This was such an inspiring album as we were putting together our debut album political child and were thinking about how aggressively violent and political it was; we were not worried about saying what we wanted to say, but we were curious how it would land as we were not hearing that much new music that was so full of rage. Then we heard We Live Here and we were like YES! Let’s fucking go with this angry and violent protest album! I used to go running and listen to political child straight into We Live Here to see if our album stood up next to the Bobbys… We think it does, and we got to support Bob Vylan in Ramsgate a year later, and the live show is just so so good! These guys give it absolutely everything and deserve all the success they are having.

We just realised we have a kink for debut albums! I guess that makes sense, it is so exciting to see how a new artist chooses to burst into the world. All of the subsequent material from these artists is amazing too, but clearly we love that first fresh taste. 

Massive thanks to pink suits for sharing their Five Favourites with us! Make sure you check out their full new album, Dystopian Hellscape, now. And catch them live across the country over the next few months, including at Cro Cro Land in South London this Saturday, 13th April.



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New Track: pink suits – ‘Are You Gay Yet?’

One of the first songs written for their much anticipated upcoming album Dystopian Hellscape, pink suits have released their fourth and final single release ‘Are You Gay Yet?’. Described as “a seething celebration of queerness”, it captures the duo’s distinct, definitive essence perfectly. An anthem dedicated to reclaiming your identity and sense of self, the track takes their trademark angst and channels it into a fierce salute to individuality.

The track begins with clattering, fast paced drumming that teases the riotous energy integral to pink suits’ signature sound. Fuzzy guitars begin slowly and simply, giving the vocals plenty of space to belt out the track’s central question: “Are you gay yet?” It hangs in the relative quiet of those opening lines, forcing you to confront the discomfort inherent in such an invasive and personal question, and consider the mindset of someone who thinks that’s an appropriate thing to say out loud.

Guitar, drums and vocals pick up for furious, fast paced verses that delve deeper. They depict moments that any visibly queer person will recognise, when people go out of their way to make a point of letting you know that they have noticed, in a way that evidently isn’t designed to be kind. A way that might be delivered gently, but still feels like a slap in the face.

The track alternates between the intrusive questions and the visceral emotional reaction to being asked them. The abrupt shifts between the two perspectives create a sense of whiplash that evokes the dizzy sense of disorientation that often hits when someone has caught you off-guard with such a pernicious approach to asking about your life.

‘Are You Gay Yet?’ is quintessentially pink suits. It aches with rage at the micro-aggressions that queer people are routinely expected to tolerate, yet is simultaneously infused with an infectious joy born of rejecting that expectation. With this song, pink suits are clapping back with all the frustration they are made to feel in that moment and revelling in the satisfaction of taking the power back.

Dystopian Hellscape, the upcoming second album from pink suits, is set for release on 1st April. Catch pink suits on tour over the next couple of months, including 29th March at Manchester Punk Festival and 13th April at Cro Cro Land. Dates and tickets here.

Kirstie Summers
@ActuallyKurt

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WATCH: pink suits – ‘A Comprehensive Breakdown of How Trickle-Down Economics Works’

Ahead of the release of their upcoming second album, Dystopian Hellscape, on 1st April, Margate duo pink suits have shared a compelling new single. The ambitiously titled ‘A Comprehensive Breakdown Of How Trickle-down Economics Works‘ promises to condense a volatile debate that economists have examined at great length into the (impressively, impossibly brief length) of a single track.

Trickle-down economics is the idea that it is beneficial to all of society to offer tax breaks to the wealthiest individuals and businesses in the world, allowing them to keep more money in their own accounts rather than the government re-distributing it to meet the needs of wider society. The logic behind this is that the hyper-rich will use that wealth of their own volition to stimulate the economy through their own purchases as well as developing businesses that provide jobs to working class people, as well as supporting social causes out of the goodness of their own hearts.

In a world where everyone has a fixed maximum capacity on the amount of money and assets they can have, this would make some element of sense, as they would be forced to redistribute those resources somehow anyway. However, in the real world, where the wealthy are not only allowed but actively encouraged, rewarded and honoured for hoarding more resources than they could ever possibly need, this simply isn’t the case. Studies conducted over many decades show that there is no correlation between more wealth and higher economic output and that the opposite is significantly more likely as the gap between rich and poor widens at increasingly alarming rates. When poor people have money, they have no choice but to spend it on the essentials that keep them alive and stimulate the economy. When rich people have money, they are free to let it gather dust indefinitely, rendering huge amounts of global resources with zero economic value.

In writing a song that is just four seconds long, pink Suits have refused to engage with arguments from ideologues who ignore basic facts of reality. They have refused to repeat easily accessible, readily available information. They have made a statement that if you’re not prepared to do your own homework, it’s not their job to educate you. If you want to look like a clown jabbering on about something you demonstrably know nothing about, then you are more than welcome to, but you are not entitled to their time or attention and you should consider yourself grateful that they dignified your argument with these four sweet, simple seconds.

Watch the epic accompanying video and read more about what pink suits have to say about the track below:

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Video Premiere: pink suits – ‘C.O.F.F.E.E.’

Ahead of the release of their upcoming second album, Dystopian Hellscape, in April, Margate duo pink suits have now given us another taste of what to expect from the collection. Harking back to their theatrical roots, ‘C.O.F.F.E.E.‘ mashes together a handful of vocal warmups that will be familiar to anyone who was ever part of a drama club. The tune maintains the duo’s signature pink suits punk twist, but marks a slight departure from the political rage typical of their other releases.

‘C.O.F.F.E.E.’ showcases both the skill, and the fun, that infuses every pink suits track with the raw, unfiltered emotion they are fast becoming known for. The screaming vocals, pounding drums and roaring guitars belting out playful upbeat riffs are as absorbing and addictive as anything they’ve released before. 

The track comes with a video that is as high-energy and playful as the track, and charming in its simplicity. The band run through the streets declaring their love for coffee and shot, snort and shower in it. The video makes clever use of limited resources to hammer home the pink suits brand, creating a delightfully engaging and witty visual skit.

While the subject matter on the surface may not seem as profound as the duo’s previous releases – not a biting take down of bigotry or a provocative examination of societal issues – its playfulness and silliness is meaningful in itself. Placed alongside pink suits’ riotous last single, ‘Refuse the Rules‘, although it appears to exude less protest energy as such, ‘C.O.F.F.E.E.’ subtly touches on poignant issues such as addiction and exhaustion. Of the track, the band explain:

“The song is about Coffee. Which is one of a few addictions in our life. One of the less harmful ones. And there is a real necessity to being able to scream together with frantic and childlike energy about it. To have some fun in the face of it all. A lot of our music and life is punk, protest, politics, sex, drugs and rock and roll, and – if you look closely enough – they are all hidden inside this daft little song…”

‘C.O.F.F.E.E.’ is genuinely fun, the kind of song you can enjoy, simply for the sake of enjoying it, the way you did when you were kid. It becomes a reminder of what the revolution is for – to create a world where everyone has the space, freedom and opportunity to be childlike and carefree, to create for the sake of creating and not as part of some larger movement; to appreciate art and beauty simply because it exists. It becomes a reminder to take and treasure those moments of unadulterated fun wherever you can.

In a world that is overwhelmed by issues begging for a lifetime of protest songs, ‘C.O.F.F.E.E.’ offers a break from the onslaught to pause and simply find joy where you can – whether that’s listening to a silly song, or appreciating a proper cup of coffee made in a proper copper coffee pot.

Watch the new video for ‘C.O.F.F.E.E.’ for the first time now:

pink suits’ second album, Dystopian Hellscape, is set for release on 1st April. And make sure you experience the immense energy of the duo live on their headline tour, details below. Tickets will be live soon, so keep an eye out on pink suits’ Instagram for info.

Kirstie Summers
@ActuallyKurt

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