Get In Her Ears Live @ The Finsbury w/ Grawl!x, 14.02.20

Following a host of amazing bands playing for us throughout 2019, including Screaming Toenail, Salad, GENN, Chorusgirl and Witching Waves, and Personal Best kicking off 2020 in empowering style, we were back at The Finsbury on Friday for our second gig of the year, with a rather dreamy line-up for Valentine’s Day.

Kicking off the night are post-punk duo I Am HER. Captivating the crowd with the soaring majesty of her gritty vocals, front woman Julie Riley delivers their dark, stirring anthems with a raw emotion.

Second band of the night, Captain Handsome, treat us to their twinkling indie-folk gems with a refreshing wit and sparky charm. With an infectious lo-fi scuzz alongside shimmering violin melodies and Lily’s perfectly relatable lyricism, their effervescent, catchy offerings tug at the heartstrings in all the right ways – providing the perfect Valentine’s/Anti-Valentine’s soundtrack.

Having initially been set to headline, but swapping set times due to travel issues, Piney Gir take to the stage with all their colour-coordinated sparkling charm. Oozing an infectious joy, Piney and her band deliver their fitting honey-sweet romanticism and shimmering catchy melodies. As an endearing, vibrant energy flows throughout, they treat us to a truly uplifting half hour of the most dreamy tunes.

New headliners, Derby-based Grawl!x, bring the night to a captivating close with their euphoric cinematic soundscapes. With a brand new album out today, they deliver their twinkling electronic hooks and spellbinding harmonies as Maria’s distinctive impassioned vocals soar. A truly enchanting set oozing a poignant stirring emotion.

Massive thanks to the four wonderful bands who played for us on Friday! Make sure you catch our next night at The Finsbury on 13th March when we’ll be hosting super exciting headliners Ghost Car, with support from The Other Ones, Gaptooth and Minimals.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

 

Get In Her Ears Live @ The Finsbury w/ Personal Best, 10.01.20

Following a host of amazing bands playing for us throughout 2019, including Screaming Toenail, Salad, GENN, Chorusgirl, Witching Waves and CLT DRP, we were back at The Finsbury on Friday for our first gig of the year, with another dream of a line-up, for a jam-packed night of the best live music.

Kicking things off is the dreamily delightful ‘heartland rock’ of newly formed Athabaska. Alternating between the impassioned, crystalline vocals of Faith Taylor (Suggested Friends) and the delicate emotion of those of bassist Roxy, they treat us to a heart-warming shimmering folk-strewn musicality and luscious sweeping harmonies.

Next up Nun Habit deliver their fuzzy, infectious garage pop with a unique, quirky energy. With shades of the jangly synth-driven soul of the likes of Young Fathers, whether guitarist Gregory or bassist Kate is leading the vocals, they ooze a vibrant spirit and immersive, sparkling charisma.

One of my ‘Ones To Watch’ for 2020, London trio Hurtling are third band of the night. With their sun-drenched whirring hooks and the swirling subtle power of Jen Macro’s (My Bloody Valentine) distinctive effervescent vocals, they deliver their fuzz-filled noise-pop anthems with a captivating, psychedelic haze.

I’ve been keen to see headliners Personal Best for a while now, and they definitely don’t disappoint. With a joyous punk-rock energy, their “classic rock for tragic lesbians” fills the venue with adoring fans as immense, frenetic riffs are blasted out alongside pure pop harmonies and a sparkling energy. Drawing the night to a memorable close, front person Katie Gatt dedicates their set closer to the queer community. As a sea of buoyant voices joins in with “I wanna kiss you in the street, where everyone can see… ’cause this is what we look like”, the poignancy of the lyrics in these uncertain times is overwhelming, and an empowering sense of unity takes hold as the crowd heaves with bodies dancing and singing in solidarity. A really special end to what’s been a night filled with the most life-affirming vibes.

Massive thanks to the four incredible bands who played for us on Friday, and to all who came down and completely packed out the venue! Be sure to join us next month on 14th February, with Piney Gir, Grawl!x, Captain Handsome and I Am Her.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

 

Get In Her Ears Live @ The Finsbury w/ Screaming Toenail, 13.12.19

On what was a pretty devastating and terrifying day for most of us, on Friday 13th December – the day it was announced that we have to live under a Tory government for another five years – many of us ventured out, despite feeling emotionally drained by it all, for a night of live music. And what a special night it was; like-minded people coming together to share music, rage and love at a time when we need it the most.

Kicking things off, Foxcunt deliver their immense punk spirit and catchy tunes. Rallying against the patriarchy, ACAB and the home office, their energy-fuelled anti-establishment anthems are just what we need right now.

Next up, Manchester’s Dollie Demi lift our spirits with their sassy, vibrant spirit. As front woman Demi wows us all with her sparkling confidence, incredible classic-rock inspired riffs and driving beats are delivered with a swirling, fun-filled energy.

Third band of the night, Brighton’s LibraLibra, completely blow me away. Delivering their immense dance-punk creations, it’s utterly impossible not to become completely captivated by front woman Beth’s incredible dazzling magnetism as the full-force of her impassioned vocals blasts out alongside tribal beats and whirring hooks. A colossal cacophony that empowers and enlivens.

Headliners Screaming Toenail bring the night to a poignant end. Despite letting us know that they’re feeling emotionally drained by the awful revelations of the day, front person Jacob leads the band in uniting us in love and rage with their resonant, cathartic creations. Whether we’re being encouraged to scream ‘No’ in the face of any racism/homophobia/ableism we encounter, share names of powerful women we love, or simply acknowledge how cute we all are, Screaming Toenail ooze a a frenzied, raw emotion and vibrant spirit. And, with powerful – and all too resounding – offerings such as ‘Swarm’ and ‘Sever’, they soothe some of the day’s pain, filling the venue with a comforting sense of unity, as like-minded people come together to dance and sing in solidarity against the forces seeking to crush our spirit.

Massive thanks and love to the four incredible bands who powered through devastating times to come and play for us on Friday, and made it such a special night. We’ll be back at The Finsbury on 10th January 2020, with headliners Personal Best.

 

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Get In Her Ears Live @ The Finsbury w/ Witching Waves, 12.07.19

Following a host of amazing bands playing for us lately, including CLT DRP, Crumbs, Mammoth Penguins, ARXX and Wolf Girl, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music.

The immense, soaring power of Hubert’s Friend gets the night off to an energy-filled start. With frenzied riffs and the seething emotion of front woman Elly’s vocals, songs about everything from depression and false economies, to rabbits of doom, are blasted out with an impassioned force.

Next up, Finish (“not as in the country”, we’re reminded by the band) Flag charm us all with their dreamy lo-fi indie pop. Flowing with twinkling hooks and luscious harmonies, their angst-driven offerings – interspersed with welcome Love Island banter – cement them as new firm favourites.

I can’t help but fall a little bit in love with Milk Crimes‘ catchy scuzz. Propelled by driving beats and whirring jangly hooks, each offering is delivered with a sunny, uplifting energy, marking them out as definite ones to watch (and listen to, at every opportunity!).

Having been a fan for a couple of years now, it’s a real honour to have Witching Waves headline for us. Propelled by Emma’s frenetic racing beats, their energy-fuelled post-punk packs out the venue and lifts our spirits. With an infectious, visceral power, each offering showcases perfectly in-sync musical layers, as Estella’s driving bass and Mark’s metallic melodies accompany propulsive rhythms, and raw impassioned vocals.

Massive thanks to all four fantastic bands who played for us on Friday, making the night so special. We’re actually taken a break next month (who knew weddings took up lots of time?!), but will return to The Finsbury on 13th September when faves Chorusgirl will be headlining.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Get In Her Ears Live @ The Finsbury w/ CLT DRP, 14.06.19

Following a host of amazing bands playing for us lately, including Crumbs, Mammoth Penguins, ARXX, Wolf Girl and Fightmilk, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music from awesome womxn.

Kicking off the night is the sparkling, ‘mummycore’ riotpop of I, Doris. Treating us to an equal balance of tongue-in-cheek lyricism and groove-filled hooks, their catchy offerings ooze an infectious joy.

Next up, Lemondaze captivate with their soaring, shoegaze sounds. A relatively new band, their scuzzy dream-like haze is utterly immersive, as their deliver each hypnotic offering with a swirling, impassioned energy, marking them out as truly impressive; definite ones to watch worthy of every success.

Penultimate band of the night, Cryptic Street, blast into our ears and eyes with their ferocious energy and magnetising charisma. As front woman Leona bounds across the stage like a feisty whirlwind, the band deliver impressive riffs, enrapturing the crowd with their buoyant spirit (and even getting one super fan up on stage with them to join in the fun). Getting crowd-pleasing down to a fine art, Cryptic Street are a true force to be reckoned with.

Headliners, Brighton’s CLT DRP, succeed in completely blowing my mind. Delivering their immense, thrashing beats, fuzz-filled whirring hooks and soaring, gritty vocals with an empowered energy, each incredible raging cacophony leaves me utterly speechless. With stand-out lyrics such as “Read my mouth, you don’t own me”, CLT DRP’s breathtaking power lies not only in their unique electro-punk sound, but in the poignant, pertinent message they convey.

HUGE thanks to the four amazing bands who made Friday night so special! We really appreciate you coming to play for us. Don’t miss our next night at The Finsbury on 12th July with incredible headliners Witching Waves! RSVP here.

Photos: Em Burfitt / @fenderqueer
Words: Mari Lane / @marimindles

Get In Her Ears Live @ The Finsbury w/ Crumbs, 10.05.19

Following a host of amazing bands playing for us lately, including Mammoth Penguins, ARXX, Wolf Girl, Sit Down and Fightmilk, we were back at The Finsbury on Friday with another dream of a line-up, for a jam-packed night of the best new music from awesome womxn.

Kicking things off is Birmingham born, London-based artist Rookes. Oozing a sparkling, magnetising charisma, she takes full command of the stage, delivering her electro-infused anthemic pop, as the subtle power of her shimmering vocals flows into our ears.

Next up, London duo Sophie Peacock and Natalie Healey – aka Panic Pocket – treat our ears to their twinkling indie-pop. Interspersing each uplifting ditty with charming cat-filled tales, it’s impossible not to be instantly cheered whilst singing along to their infectious, synth-filled melodies and refreshing, tongue-in-cheek wit.

Having not seen third band of the night live before, I was not prepared for just how intoxicatingly powerful Charismatic Megafauna‘s performance would be. Delivering their unique, percussion-filled electro-punk, all-the-while swapping instruments, they blast out empowering, patriarchy-smashing anthems, covering topics from sexual abuse, to diet foods and female ejaculation. Completely breathtaking.

Headliners Crumbs continue to wow the packed-out venue with their fiery post-punk. With funk-fused basslines, scuzzy hooks and impassioned vocals, they ooze a gritty, buoyant power which has the whole crowd buzzing and bouncing with enthused energy.

Massive thanks to the four bands and artists who played for us on Friday; you were all absolutely incredible. It was such a great night filled with amazing live music and the best of vibes! And make sure you don’t miss our next night at The Finsbury on 14th June with headliners CLT DRP.

 

Mari Lane
@marimindles

GUEST BLOG: Grimalkin Records

Get In Her Ears is all about supporting, collaborating, and communicating with other womxen and non-binary people in the DIY music scene. So, when Nancy Kells from the USA got in touch to tell us about her work as Facilitator of Grimalkin Records, we wanted to know more! Along with ten other members, Nancy works to support and release music by womxn from all walks of life.

Together, Nancy & Elizabeth Owens put the following blog together to explain more about their work at Grimalkin. Read what they have to say below and follow Grimalkin Records on Bandcamp to keep track of all the music they’re releasing! 

 

Grimalkin Records originally started out as Friends For Equality after the November 2016 US election and passing of Brexit in the UK. What began as a small benefit compilation project between two friends has now evolved into Grimalkin Records, a benefit label and queer artist collective. Currently, we are ten members strong, scattered between Richmond and Hampton Roads, VA, Guayanilla, Puerto Rico, Philadelphia, PA, Springfield, MO, and Baltimore, MD. All of us are queer women, trans men, non-binary, gender non-conforming, or agender folx.

Our primary mission is to support queer people—especially queer artists of color— and encourage people to get more involved in their local communities, and we aim to get there by strengthening the bridge between music and activism.

Specifically, we:

  • Release limited edition cassette tapes and lathe cuts to fundraise for various local organizations and individuals
  • Organize benefit shows and release parties
  • Create zines and merch items to spread our messages and augment our fundraising efforts
  • Support each other artistically and emotionally as individuals and friends

We are not genre-centered and all genres of music are encouraged for submissions (yay, we love music!). While most of our releases are benefit releases intended to raise money for a non-profit or community organization of the artist’s choice, releases can also support the artist/band or any other individuals who are in need of financial support. You don’t have to be a “member” of (or “signed to”) the label to release with us, either. We dig flexibility and run on an independent, case-by-case basis.

For example, last year we did a co-release with Madison Turner and her label Close by Air. We made a small batch of cassettes for her latest album, A Comprehensive Guide to Burning Out, with the full album on side A and a live recording of a Grimalkin benefit show set on side B. She chose donate all proceeds from this release to support Health Brigade, a free local clinic providing service for marginalized and oppressed folks in Virginia.

We passionately feel that music, art, and collaboration provide vital fuel in the work of healing and restoring justice. We also believe that real change happens from the ground up, and so have a strong focus on helping people on an individual level and through grassroots support of local organizations who have already been doing important (and often unseen) social justice and civil rights work.

Logistically, everyone in the collective pitches in when they can with a variety of things in whatever ways they feel they can; whether that means helping other individual members or the label as a whole, it’s all part of the same body. There’s no pressure on how much anyone does–people do what they can when they have time for it. You can learn more specifically about everyone in Grimalkin and check out their projects here.

We have big dreams, and eventually plan to be able to pay artists and musicians stipends to help with releases and shows and provide cassette packages for musicians to promote and sell on their own platforms.

We are always looking for more folks to join our family and are especially in need of people who thrive on promotional/outreach work and social media (if anyone’s interested *hint hint*)! We are also always looking for more community organizations, artists, collectives, and labels to collaborate with and are always open to new ideas.

If you think you’re a good fit for our collective or would like to put out a release with us, please email grimalkinrecords@gmail.com.

We have several exciting releases and collaborations lined up for 2019 and we hope you’ll check us out and keep coming back. The best way to stay in touch is by following us on social media and subscribing to our email list. We also have a website in progress for more general info.

Keep up to date with Grimalkin Records
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