Track Of The Day: Human Interest – ‘Mixing Paint’

Having received wide-spread acclaim for their debut EP, Desire Paths, earlier this year, and wowing crowds at shows supporting legends like Self Esteem and Dave Rowntree, London duo Human Interest have now shared an infectious new single.

Reflecting on the darkest crevices of the mind with a fizzing post-punk energy, ‘Mixing Paint‘ oozes the band’s trademark gritty allure as the sweeping power of Tyler Damara Kelly’s vocals ripple alongside atmospheric bass hooks, building with driving beats into a fiercely immersive anthem. Another single (following the utterly addictive ‘Cool Cats’) cementing Human Interest as my favourite new band right now without a doubt.

Of the track, the band explain:

What started off as a string of 1AM ramblings on my Notes app became the processing of deeply personal experience which happened late 2021. The whole ethos of the song is about analysing the dark crevices of the mind and turning it into something light-hearted, almost bigger than yourself… We wanted it to sound like being in a smoky underground cabaret when all of a sudden the roof is torn off to reveal Armageddon.

Mari Lane
@marimindles

Photo Credit: Dougie Chalmers

LIVE: Deer Shed Festival 2022 (Day 2: 30.07.22)

It’s been a while since I attended a festival… Obviously, there were so many cancellations throughout the last couple of years due the pandemic, and I missed out on 2019 as I was busy hosting my own (well, my wedding which I aimed to be as festival-like as possible). So, this year I was desperate to find one that was as lovely as possible and suited my needs of being perhaps a little older than the average festival-goer without missing out on any of the best new music. Sadly, the last festival I went to in 2018, and my favourite ever festival experience – Indie Tracks – did not survive Covid, and so I was looking for a replacement; something equally as inclusive, chilled-out, family friendly, and of course hosting plenty of amazing female and non-binary bands and artists. And then I came across Deer Shed… And it was just what I was after! Highlighting a real family-friendly focus, whilst hosting an incredible range of exciting new artists, the North Yorkshire based Deer Shed perfectly filled the festival-shaped-void I’d been feeling for the last few years.

Although the second day of Deer Shed got off to a rather damp start, this wasn’t going to dampen our spirits, with a day of such lush live music ahead of us. Kicking things off at the In The Dock stage, it’s a new discovery for me: the dreamy, ethereal scuzz of trio Honeyglaze. Delivering shimmering shoegaze-tinged soundscapes that build with a raw emotion, they leave me captivated and eager to hear more.

Our first outing to the Lodge Stage sees us treated to the majestic grace of Marianne Parish – aka Maja Lena. With her beautifully sweeping alt-folk musings propelled by resplendent vocals and exquisite layers of intricate instrumentation, her set offers a perfectly comforting shelter from the pouring rain outside.

Having enjoyed the joyous energy of London African collective Balimaya Project earlier today, we return to the main stage for Irish pop artist CMAT – one of the performances I’ve been most looking forward to this weekend, and she doesn’t disappoint. Taking to the stage to the sound of Shania Twain’s ‘Man, I Feel Like A Woman’ (just like ARXX at our gig last week!), she gleefully introduces herself – “Hi, it’s me – Shania Twain!” – as she’s welcomed by excited yelps from a front row of adoring young fans. And I feel a rush of comforting warmth come over me – seeing the pure elation in these young girls’ faces, just being in the presence of their heroine, brings me a lot of joy; the fact that they have a pop icon (though she labels herself a “country singer”) to look up to with as much humour, humility and empowering energy as CMAT – the unified warmth of Deer Shed and its family-friendly focus making it possible for these experiences to happen. And, as the set continues – complete with impromptu romantic dances between CMAT and her keyboardist, and Beyonce-inspired “pop show” manoeuvres – I find myself pretty much falling head over heels with the all the fun-filled charisma and joyous energy emanating from the stage, whilst singing along to tongue-in-cheek anthems such as ‘I Wanna Be a Cowboy’ and ‘Peter Bogdanovich’.

After some delicious ‘Phat Thai’ from vegan food stand ‘Earthworm Kitchen’, I’m ready for another Irish highlight of the weekend – Denise Chaila. Accompanied by two other rappers and a DJ on stage, Chaila immediately has the crowd fully immersed and singing along with her immense, gritty anthems. Propelled a swirling drive, she combines a tongue-in-cheek wit with poignant cultural references, whilst charming the crowd between songs – and even teaching us a bit of Irish Gaelic (and I realise I’ve been saying ‘Anseo’ wrong all this time…). Oozing a beautifully compelling energy as the unashamed confidence of her lyrics flows with ease, she creates a joyous atmosphere, which is only heightened when one of her crew launches (with care) into the crowd, much to the delight of the buoyant youngsters in the front rows who dance around him with glee. A truly memorable set that leaves me feeling elated and inspired.

Completing my run of epic pop icons, it’s time for Self Esteem on the main stage – a moment I’ve been looking forward to ever since becoming addicted to her Mercury Award nominated album Prioritise Pleasure last year. Welcomed by a sea of whoops from the adoring crowd as she takes to the stage accompanied by her entourage of fantastic dancers (one of whom is GIHE fave Seraphina Simone) and musicians, she immediately radiates a shimmering, vibrant charisma as she delivers a truly empowering set with a fierce emotion. Between moments of finding tears rolling down my cheeks whilst singing along to inspiring anthems such as ‘I Do This All The Time’, and grinning from cheek to cheek as she dedicates the set to her friend’s young daughter (who happens to be on the shoulders of her parents next to us), I’m utterly mesmerised by the magnificent performance. Not only is Self Esteem an incredible and thought-provoking songwriter, but her exquisitely choreographed set and glistening stage presence mark her out as a completely unique modern pop star.

Ending the day’s musical delights, we return to the Lodge Stage for the lilting Americana-tinged folk of Samantha Crain. Delivering her beautifully strummed melodies with a stirring warmth, the impassioned subtle power of her rich vocals flows with a captivating raw emotion. As Crain’s immersive lyrical storytelling emanates alongside twinkling hooks and a rustic charm, each offering graces the heartstrings with a comforting allure.

Thanks to Deer Shed for another wonderful day of live music! Stay tuned for our review of the third and final day of the festival!

Words: Mari Lane / @marimindles
Photos: Paul Dawes / @paullikesrobots

INTERVIEW: Megan Evans of Deer Shed Festival

It’s been a while since I attended a festival… Obviously, there were so many cancellations throughout the last couple of years due the pandemic, and I missed out on 2019 as I was busy hosting my own (well, my wedding which I aimed to be as festival-like as possible). So, this year I was desperate to find one that was as lovely as possible and suited my needs of being perhaps a little older than the average festival-goer without missing out on any of the best new music. Sadly, the last festival I went to in 2018, and my favourite ever festival experience – Indie Tracks – did not survive Covid, and so I was looking for a replacement; something equally as inclusive, chilled-out, family friendly, and of course hosting plenty of amazing female and non-binary bands and artists. And then I came across Deer Shed… And I cannot wait to attend for the first time next month!

A festival with a real family-friendly focus, whilst hosting an incredible range of exciting new artists – as well as an array of comedy, spoken word, literary and theatrical shows – it seems like the perfect fit.

We caught up with festival organiser Megan Evans to talk more about Deer Shed’s roots, its ethos and inclusive line-up, some of the most special Deer Shed moments of years gone by, and more… Have a read below, and have a listen to our special Deer Shed 2022 playlist , featuring some of our personal faves who’ll be playing at the festival, at the bottom of this feature!

Hi Megan! 2022 will be Deer Shed’s 12th year – congrats! Can you tell us a bit about what Deer Shed is all about, and how it all started out?
Thanks! Deer Shed was started by our founders Kate & Oliver after they struggled to find a festival environment that was right for their kids but that didn’t compromise on cool and interesting music and culture programming for them. So, thats very much the goal of the festival – to create a festival environment that is accessible and exciting for all ages and groups, whether that’s families with kids of any ages or groups of adults with no kids in tow. Our family friendly festival content doesn’t look down on or condescend  and our music line up (we like to think!) is about as current and exciting as it can be. We’ve found it really works though it can lead to some funny situations, especially challenging our comedians to deliver PG sets to families who are unafraid of some audience interaction…

What strikes me about Deer Shed and makes it stand out against other festivals at the moment is the good gender balance of the line up – was there an intentional and specific decision to do this, or does it just naturally pan out that way?
We’ve strived for a 50/50 gender line up for years now which, while we’re mindful about achieving that, we also feel has happened very naturally and organically. Our focus is becoming more about looking at our line ups from a point of view of how inclusive, diverse & neurodivergent our performers are, both across the music line up and the arts and comedy. Gender parity of booking is something we have to be aware of, but it naturally also happens as our wish list each year always has more female and non-binary artists than male. Like everyone, we can always do better though and we still have work to do to making sure the line up across the board is as inclusive as possible. It’s something the whole festival industry has to be aware of and do better at. It’s no good saying that there aren’t enough female headliners or that its hard to find female headliners, that’s just lazy booking in my opinion. As festivals we have the ability to put our faith in artists and make them headliners – we’re not powerless in this situation.

Over the last 11 years, you’ve hosted some amazing bands and artists including Anna Calvi, Adult Mom, Sunflower Bean, Big Joanie, Ezra Furman, The Go Team! and Honeyblood, but has there been a particular set that stands out for you as a personal highlight over the years? 
There are so many! So if I’m allowed a few…
Kae Tempest headlining Saturday night as the rain started to come down was incredible, it was so atmospheric and beautiful… like it was meant to happen. School of Seven Bells is another highlight. We always say Deer Shed is a great place to discover new bands and I was just in my infancy of working for Deer Shed back then, this band just nailed it and I remained a loyal fan ever since. Their final and last album Ghostory was stunning. Anna Clavi headlining in 2019 with that album was amazing – the lighting and sound is one of the best gigs I’ve ever been to and god the guitar playing is mesmerising. Ibibio Sound Machine, when we did a massive flash mob with the audience to ‘Give Me Reason’, was one of my highlights of the last ten years; audiences young and old had learnt this dance routine for this specific time in front of the main stage. Joan As Policewoman – I love her! When she came to Deer Shed and headlined the Lodge Stage I was completely star struck. Honourable mentions also for Lone Lady and She Drew the Gun.

And this year you’ve got some GIHE faves playing – Self Esteem, Nadine Shah, Denise Chaila, Billy Nomates, The Lovely Eggs and CMAT… Curating such awesome line ups must be a lot of work – how do you normally go about it? Is it all based on bands/artists that have got in touch with you over the year? 
We always have a wish list each year and we try to see as much as we can live. We’ll often head down to Leeds to the Brudenell or head to over other festivals or city based new music events like Great Escape to check out some of the artists we’re keen to bring to the festival. We keep a very close eye on new music being released and like to think we’ve developed good relationships and reputations with booking agencies whose rosters we rate. Really though, it always comes to what an act is like live, that’s where you can find some of the real gems. 

And for any upcoming bands/artists looking to apply for festivals next year, do you have any tips? 
More generally I would say spend your time reaching out to the right people in the right way rather than blanket emailing everyone in the world – find the festivals where artists you love are playing, work on a pitch and keep going! Festivals get a huge amount of unsolicited submissions, don’t take it personally if you don’t hear back!
Specifically for Deer Shed I would say email us (after July!!!) –  we can’t always reply to emails, but we are planning to launch an emerging artist comp for our 2023 event, so keep you eyes peeled. 

There seems to be a definite focus on making the festival as family-friendly as possible – what inspired the idea to do this, and stand out from other festivals in this way? 
We have always said that the festival should have the cross-generational appeal of a Pixar film, so we would say we are more of a festival for everyone, but especially if you’re a music fan and have children. The festival is for music fans but there’s so much other programming to get involved in and watch which is specially curated for families, everyone should have a great weekend! 

Do you feel much has changed over the last few years in the music industry’s treatment of new artists, particularly female and non-binary artists? 
Yes and no. It’s good that this has been identified, and organisations such as Key Change are in place to make noise and create positive changes in the way people of marginalised genders have been treated. Though the industry itself has a long way to go, agents along with promoters and festivals have to work together to make sure there is a connection and progression of acts across these areas. We all have a responsibility for this – there’s no excuses to not address these issues and create a more equitable and representative space for our artists. 

Finally, as we’re a new music focused site, are there any particular new bands or artists you’d recommend we check out?
For artists playing at Deer Shed this year, I would say: Kobi Onyame, Brooke Combe, Mickey Callisto, Balimaya Project, CMAT, The Bug Club, Cortney Dixon, Beija Flo, Bess Atwell, CVC…  Outside of that, more generally, I’m really loving Lynks, Kills Birds, Taahliah, Bicurious, GUSTAF, English teacher & Dreya MAC at the moment! 

Massive thanks to Megan for answering our questions – we can’t wait to have the most wonderful time at Deer Shed festival next month! Deer Shed this year runs from 29th – 31st July in Baldersby Park North Yorkshire. Find out more information and get tickets at their website.

Listen to our special Deer Shed playlist here:

LISTEN: SOFT LAD – ‘2 Know U Betta’

A playful musing on what could happen if your crush just spared the time to text you back, multi-instrumentalist SOFT LAD has shared her latest single ‘2 Know U Betta’. Taken from her debut EP MAXIMUM FEELS, which is set for release on 1st April, the track is an earnest reflection on what could have been, underscored by buoyant guitars and smooth vocals.

Sophie Gaplin aka SOFT LAD has spent the past fourteen years playing alongside the likes of Tom Grennan, The Breeders, James Vincent McMorrow, Jessie Ware, SOAK and SELF ESTEEM. Now, she’s stepping into the spotlight to share her brand of honest pop, with her second offering ‘2 Know U Betta’ exploring that all-to-familiar feeling of being ghosted by a crush.

“I had a spark with someone and wanted to get to know them more, in a casual way,” Galpin explains about the track. “I was like, ‘I’m not looking for anything serious and there’s literally no pressure here, but we could be having a really nice, fun time if you ever texted me back!’ I knew there was a vibe there and I thought it would be a shame to let it go, but in the end I had to accept that she had her own thing going on, which is totally fair!” Galpin puts this missed romantic opportunity into context via her conversational lyrics and breezy melodies.

Inspired by the sounds of Years & Years, MUNA and Shura, as well as her own experiences of queer love and relationships, SOFT LAD’s debut EP looks set to be a joyful, tongue-in-cheek listen, with singles ‘Singapore’ and ‘2 Know U Betta’ providing the first dose of her pop-infused wit.

Listen to ‘2 Know U Betta’ below.

Follow SOFT LAD on Spotify, Twitter & Instagram

Photo Credit: Lou Pye

Kate Crudgington
@KCBobCut