LIVE (Photos): Deer Shed Festival, 2025 (Day 1, 25.07.2025)

Having fallen in love with Deer Shed when I attended for the first time back in 2022, and then going on to ensure I didn’t miss it every year since, I was very glad I got to have another dreamy time there last weekend. Highlighting a real family focus, whilst hosting a range of exciting new artists, it oozes the warmest of vibes and – being smaller in size than most other festivals – creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages. Whilst providing a child-friendly environment, this does not take away from the quality and array of performances on offer for everyone to enjoy. Although I’d say I’m in the minority of attendees who does not have children (or isn’t a child themselves!), I in no way feel this to be hindrance – there’s still plenty of adult fun to be had, just in perhaps a slightly less intense, and more safe, environment than most other festivals. Which is no bad thing.

Amongst those performing, a fantastic amount of female, non binary and queer performers are represented, and. I was lucky enough to catch lots of these over the weekend – a good balance of artists I already knew and loved, and those who I had not had the chance to see before.

After an eight hour journey from London, we finally arrive at the haven of Deer Shed late in the afternoon. Although I was sad to be missing The Pill‘s set on the Main Stage, I could hear the playful charisma of the duo’s ‘Woman Driver’ flowing across the field to where we were unpacking the car and being welcomed by a super helpful and friendly person called Eden at the Tangerine Fields camp site. Once settled, with a pint of Brasscastle’s finest in hand, we headed to the main stage to catch Nottingham’s Divorce. As they mention, they last played the festival back in 2022, first thing on a Sunday morning at the In The Dock stage, so it’s a nice step up to be out on the main stage on a Friday night. Treating us to a range of songs, including old favourites as well as newer offerings from their recently released album, Drive To Goldenhammer, their scuzzy offerings seamlessly fuse together a dreamy romanticism and lush folk-inspired harmonies alongside a subtle, gritty energy. A perfectly uplifting way to get the festival started.

Next, in the shelter of the In The Dock stage, it’s time for The None. Having been desperate to catch this experimental supergroup for some time now, I’m excited to finally witness their abrasive punk cacophonies live for the first time. And they don’t disappoint – as front person Kaila White immerses the all-ages crowd with a captivatingly fierce, raw energy, the band deliver their immense, raging anthems with a swirling, tenacious spirit. In contrast to the metal-infused musical intensity, White’s between-song chat offers an endearing charm as she appeals to the younger members of the audience – “I hope you appreciate you have cool guardians that take you to festivals…” – and encourages an “under 5s mosh“. A suggestion which isn’t quite taken up by the crowd, but welcomed with cheers all the same. As always, at Deer Shed, it is pretty heartwarming to see kids who would not otherwise have the opportunity to engage with live music, especially of the heavier genres, be able to rage and sing along too.

After an extremely delicious vegan burger from one of the many ethical and locally sourced food stalls, I head back to the In The Dock stage; swapping my usual position of spectator to ‘artist’… If you can call DJing that. Although lurking in the shadows without being noticed is generally more my vibe, having had such a fantastic time DJing a little Silent Disco set at the festival last year, I was excited to do it again. Despite my nerves (and being on at the same time as the glorious Wunderhorse), playing tunes to a huge tent that ended up being full of people provided a much-needed hit of dopamine. And watching the people of all ages, families and friends alike, enjoying the music – making up dances, and getting excited by certain songs (particularly Chappell Roan and Le Tigre!) – was a pretty euphoric experience. I’m mega grateful to have had the opportunity to do it; huge thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd once again!

Stay tuned for photos of, and words about, of Days 2 & 3 at Deer Shed this year!

Words: Mari Lane / @mari_getinherears
Photos: Paul Dawes / @paullikesrobots

LIVE (Photos): Deer Shed Festival, 2024 (Day 1, 26.07.2024)

Having fallen in love with Deer Shed when I attended for the first time back in 2022, and then going on to have another dreamy weekend at the North Yorkshire festival last year, I was very glad I got to go again this year. Highlighting a real family focus, whilst hosting a range of exciting new artists, it oozes the warmest of vibes and – being smaller in size than most other festivals – creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages. Whilst providing a child-friendly environment, this does not take away from the quality and array of performances on offer for everyone to enjoy. Although I’d say I’m in the minority of attendees who does not have children (or isn’t a child themselves!), I in no way feel this to be hindrance – there’s still plenty of adult fun to be had, just in perhaps a slightly less intense, and more safe, environment than most other festivals. Which is no bad thing, in my opinion! 

Amongst those performing, a fantastic number of female, non binary and queer performers are represented, and I was lucky enough to catch lots of these over the weekend – a good balance of artists I already knew and loved, and those who I had not had the chance to see before.

After our seven and a half hour journey, and settling into our pre-pitched tent (a revelation saving so much time and energy that I will be doing it at every festival going forwards!), we make it to the main stage just in time to catch Liz Lawrence. A GIHE favourite and one of the first ever guests on our radio show, she combines a twinkling emotion with deep funk-fuelled hooks as her distinctive syrupy vocals narrate each reflective offering. From songs such as 2019’s ‘USP’ and ‘None Of My Friends’ to recent single ‘Strut’ (at the request of “the lad that said ‘can you play Strut for my mum?’”), and everything in between, a gritty splendour flows throughout, as the sun shines upon our first taste of live music of the weekend.

Next up, we head to the In The Dock state to witness the fierce power of OneDa. Declaring that “pussy power is a way of life”, she launches into a set of immense hip-hop infused drum ‘n’ bass anthems, all delivered with a ferocious swirling energy and seething passion. 

Following some tasty vegan gyoza, we wander over to The Lodge stage to catch some of the colourful “digital voodoo” of Nana Benz Du Togo. Emanating a majestic grace, as their voices and unique instruments combine to create uplifting anthems like ‘Liberty’ and ‘To Be Free’, their message remains clear throughout: as lyrics like “I wanna make my own decisions” resonate with a stirring poignancy, a deep empowering spirit oozes from the stage. Declaring that “women should be free to be what they want to be”, and describing their aim as being to “recover the place that our mothers lost to the patriarchal society”, Nana Benz deliver a wonderfully invigorating set; uniting the buoyant crowd in a resolute drive for change with a glistening joyous energy. 

To end the night, I swap from my usual position of spectator to ‘artist’… If you can call DJing that. Either way, I was on the In The Dock stage, playing tunes to a tent that ended up being full of people for the Silent Disco. Lurking in the shadows without being noticed is generally more my vibe, so needless to say I was quite nervous about it. But, despite the cursor key on my laptop deciding to stop working at just the wrong time, causing a few clunky ‘mixes’(and with most of my set clashing with Liverpool legends The Coral on the main stage), it was really lovely to see so many people dancing and singing along to the music I was playing. Noticing the number of young people who seemed to be enjoying it – making up dances with their friends and getting excited by certain songs – was particularly heartwarming, and I’m really grateful to have had the opportunity to do it. So, massive thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd (and hopefully my laptop cursor won’t break next time!).

Stay tuned for photos of, and words about, of Days 2 & 3 at Deer Shed – including some special thoughts about the kids’ activities from next generation GIHE gal Orla….

Words: Mari Lane / @marimindles
Photos: Paul Dawes / @GRNDglass