Track Of The Day: daze – ‘yourself’

According to daze, the writing of ‘yourself’ only began towards the end of last year. Mind you, even by the standards of most DIY artists, their recent output verges on the prolific, with this single following two self-released EPs and a single, all since July 2020. Having met in college in 2017, their later releases reflect a second stage for the pair; a shift into dreamy indie-pop, and away from singer-songwriter fare. It’s possible that this recent prolific spree is due in part to lockdown, which probably suits the creative process of a self-described “bedroom pop” act, and daze – who are comprised of duo Daisy and Scott – seem to have mastered the sub-genre even by this early stage of their career.

For starters, ‘yourself’ comes packaged in what, judging by their Bandcamp, is something of a signature style for the duo, with its kawaii-leanings in coloured pencil evoking ’90s tech and kids’ cartoons. That return into youth typifies the best of indie-pop, right back to the Sarah Records days, although the piano loop that whirls through ‘yourself’ arguably has more in common with a house record. Between the piano and the drum machine hits, there’s a little of the pop-dance that dominated the charts some fifteen years ago in the track, but intermixed here is dream-pop guitar that shimmers in layers and layers, gently building with emotion amidst flecks of picked out notes, and echoing around Daisy’s impressively honeyed voice.

With a neat line in richly emotional lyrics, ‘yourself’ tells the story of a friend of Daisy’s, and their struggles with their mental health. “Do you know what I’m on about?”, Daisy sings, “I haven’t seen your colour lately” – a neat nod to the near dayglo imagery of the single’s cover sleeve, with the percussive nature of each line dangled delicately around the lilt of the track’s melody. Loosely structured, the song’s lyrics repeat whilst building with subtle changes, drawing the listener in, before, at the song’s close, they drape over each other and then fade out.

Featuring the pair running in slo-mo towards the camera, in a colour-saturated version of the woods, the self-directed video is oddly reminiscent of Pixies’ ‘Velouria’, although with a somewhat less demented bent and slightly more vintage sportswear. That said, the video shows a couple of people who are creatively in-sync, and happy to deal in an aesthetic that prizes honesty and expression over cool, sleek production values.  And the truth is, that what the band lack in budget, they more than make up for in musical ability. ‘yourself’ belies both the duo’s age, and their origin story, and suggests that while they might soon make it out of the bedroom, staying in has helped them show their colours.

‘yourself’ is out now. Download via bandcamp and listen on Spotify.

John McGovern
@etinsuburbiaego

Track Of The Day: Riotmiloo – ‘Vile Butterflies’

Abrasive beats, pulverizing electronics and seething vocals mesh together on ‘Vile Butterflies’, the latest single from London-based industrial riot grrrl Riotmiloo. Released as part of Chaos Theory’s fundraising compilation album 11 Years Of Chaos, the track bristles with intense unease, mimicking the nervous twitches of the wings of the titular insect.

“The idea behind this song is to not to let negative thoughts suppress your potential. Don’t listen to your vile butterflies,” Riotmiloo explains. Due to the on-going Covid-19 pandemic, Riotmiloo and London-based music promoters Chaos Theory have been unable to perform live shows at one of their favourite venues, The Black Heart in Camden, for over a year. ‘Vile Butterflies’ is one of twenty-six tracks on 11 Years Of Chaos, a compilation album that aims to raise much-needed funds for the venue, as well as promoting many of the artists Chaos Theory have worked with too.

Currently available on bandcamp, 10% of the profits made before 22nd March will be donated to the #SaveTheBlackHeart campaign, with other profits being shared fairly between artists and Chaos Theory so they can invest in more livestreaming equipment. The alternative, genre-defying collection features tracks from heavy rockers Vodun, a beguiling Cocteau Twins cover by Maud The Moth, as well as contributions from Brigitte Handley, Kate Arnold, Prisa Mata, Årabrot, Black Orchids and more.

The album is a fierce, cathartic soundtrack for escapism, but it’s also a heartening reminder that the DIY music community provides a crucial support network for artists, venues and promoters during this unpredictable and difficult time.

Listen to Riotmiloo’s ‘Vile Butterflies’ below.

Download your copy of 11 Years Of Chaos from bandcamp.

 

Follow Riotmiloo on bandcamp, Spotify, Twitter, Facebook & Instagram

Follow Chaos Theory on bandcampTwitter, Facebook & Instagram

Kate Crudgington
@KCBobCut

Track Of The Day: deep tan – ‘camelot’

Following the bewitching sounds of last year’s poignant ‘deep fake’ and with acclaim from the likes of So Young, NME, The Quietus and BBC 6Music, Hackney-based trio deep tan have now announced the release of their debut EP.

Taken from the EP, the band have now shared new single ‘camelot’. Propelled by the majestic whirr of sparse hooks and throbbing beats, it builds with a quirky hypnotic splendour and fizzing tension, with shades of the playful jangle-fuzz of the likes of Stereo Total. Conjuring memories of heavy nights out in dingy music venues that we’re all missing so much right now, as swooning vocals glide across the angular soundscape, ‘camelot’ creates an eerily infectious offering; another truly captivating sonic cacophony from the post-punk trio that will leave you longing for more of their exquisite stirring allure.

Of the track, the band explain:

‘camelot’ is an unashamed tribute to ‘the sesh’. a group of people have just been evicted with only 48hrs notice, leading them to have one last rager in order to forget about the stress of not finding a new home with such short notice. coming in at less than two minutes, the frenetic energy of the track sets the scene for total obliteration…

‘camelot’ is accompanied by a home-made video – a ‘visualisation of 21st June’ featuring footage from parties, weddings and raves. Watch now!

‘camelot’ is out now, listen on Spotify. And deep tan’s debut EP, creeping speedwells, is set for release on 4th June.

Mari Lane 
@marimindles

Photo Credit: Chino Moya

Track Of The Day: HighSchool – ‘De facto’

A yo-yoing, infectious synth tune that dwells on the darker side of love, Melbourne trio HighSchool have shared their latest single ‘De facto’. Released via Dalliance Recordings, the track traces the highs and lows of falling into a romantic relationship via its racing beats, brooding bass lines and catchy electronics.

Formed of Lilli Trobbianni, Luke Scott and Rory Trobbiani, HighSchool are inspired by the sounds of New Order, LCD Soundsystem and Future Islands. Through their pulsing beats, catchy synths and Rory’s meandering vocals, the band focus their song-writing lens on the shadowy space between euphoria and melancholy, with new single ‘De facto’ shining a light on the complexities of romance.

“We created ‘De facto’ to shed a mortal light on love,” the band explain. “It presents relationships as being temporary and expected.” This unease around the illusions and fallacies of the sought after emotion are reflected in the track’s accompanying video. Self-directed by the trio, the visuals contrast footage of the band performing with flashes of pagan-like rituals and other paraphernalia associated with love and death, exposing the romanticism and the ridiculousness of it all.

HighSchool are currently putting the final touches to their debut EP which should be melting our ear drums by the summer. Watch the video for ‘De facto’ below.

Follow HighSchool on bandcamp, Spotify, Instagram & Facebook

Photo Credit: Hannah Mckimmie

Kate Crudgington
@KCBobCut