Video Premiere: BABYTEETH – ‘Cocoon’

Following the success of previous single ‘Shame’ and receiving acclaim from the likes of Kerrang! and BBC Radio 1, London band BABYTEETH are back with a fiery new tune.

With distinct shades of nineties legends such as Garbage or Fiona Apple, ‘Cocoon’ rages with the gritty vocals of Camilla Roholm, alongside deliciously scuzzy riffs. Oozing a whirring anthemic power and nostalgic grunge-infused energy, it’s an instant earworm, set to have you singing along on first listen. Of the track the band explain:

“It’s about how we’re sometimes addicted to making bad choices because they’re the more exciting. It’s also about how powerful it can be to decide to feel gratitude for all the shitty experiences, as they’ve turned you into a stronger version of yourself. It’s about personal rebirth, and remaking.

Watch the somewhat dark, and unashamedly retro, new video for ‘Cocoon’ here:

Catch BABYTEETH live supporting none other than Adam Ant at The Roundhouse on 19th December.

Mari Lane

Video Premiere: Calista Kazuko – ‘Sweet Jailbird’

Having studied at London’s Royal Academy, and received acclaim from the likes of Sir George Martin, with tracks of hers being used by Stella McCartney as catwalk openers, singer-songwriter and multi-instrumentalist Calista Kazuko is now set to release her debut album next Spring.

Taken from the album, ‘Sweet Jailbird’ follows previous single ‘Press Stop & Rewind’ and showcases Kazuko at her most theatrical. Written in collaboration with Elliot James Frisby, the track oozes a dark aura as bluesy hooks flow, building with a cinematic grandeur to showcase the full soulful power of Calista’s vocals. With a playful spirit, she fuses together a nostalgic jazz-infused musicality with a unique, gritty edge. A truly majestic offering from this sophisticated and innovative artist.

Made with film-maker Philip Reinking, the beautifully shot and subtly haunting new video for ‘Sweet Jailbird’ is out now. Watch it here:

Calista Kazuko’s debut album Empress is out Spring 2019. Pre-order here.

Mari Lane

VIDEO PREMIERE: Medicine Boy – ‘Bottom Of The Blue’

Berlin-based duo Medicine Boy have shared new visuals for their single ‘Bottom Of The Blue’ and were delighted to be premiering it here on GIHEs. Formed of André Leo and Lucy Kruger, the pair released their latest album Lower via Fuzz Club at the beginning of October, and are currently touring the UK before moving on to play a host of EU shows.

We caught up with Lucy to talk about her ‘Five Favourites’ – five artists or albums that have influenced her songwriting technique. Check out her responses below, and make sure you watch the brand new video for ‘Bottom Of The Blue’ too!

I have never been someone who has been able to approach music/writing with a particular style or reference in mind. Things sort of fall out of me or they don’t. I like the idea that listening to something obsessively means somehow embodying it. There is a small (or not so small) shift in the way you think/feel/listen that will inevitably come through in the things you create. These are five albums that found me at certain pivotal points in my life – both musically and personally.

1. Joni Mitchell – Blue
I was sixteen the first time I heard Joni Mitchell. Or at least the first time I really listened to her. It was evening and I was lying on my bed and it felt like she was in my room with me. I was overwhelmed by the intimacy, the feeling of companionship. The kind of music that hurts you and holds you. And heals you. This record has scored most of my adult life and so every listen gets a little fuller. It is home and a constant reminder to remain honest.

2. Kate Bush – Hounds of Love
I fell in love with Kate Bush when I was very little. Her music excited me. I found her strange and intriguing. She seemed to be full of magic. As if she was an angel or a fairy or
something. She remains that presence in my life. So wild and full of feeling. She makes me want to dance and weep. She makes me feel braver about experimenting with expression.

3. Nirvana – In Utero
I suppose this was the first time music served a truly cathartic purpose for me. A vessel for deeply uncomfortable fifteen year old feelings. To be able to find and create beauty in the disconcerting and disturbing. This has always stuck with me. Music that allows you to feel seen, in all of your states. Particularly those that you are expected to keep more private.

4. Lark – Razbliuto
Lark is a South African alternative electronic band fronted by Inge Beckmann. I discovered them when I was in University and became a little obsessed. I would have done so had they not been South African but it was extremely meaningful to have something so inspiring so close to home. Their music is dark and driving and full of beauty. Melancholic, glitchy and gothic. I fell in love before seeing them live. And then I saw them live and was completely bewitched. Inge has an incredible presence. There is a force and freedom that is intoxicating. She is a punk and a poet.

5. Gillian Welch – Time (The Revelator)
This is an anchor of mine. There is a weight and a warmth in it that makes me feel safe and open and alive. It is stripped and essential and so very steady. The songs seem to fall out of Gillian and Dave and into each other. The last track is 14 minutes long and I am so grateful for all those seconds.

Medicine Boys UK Tour Dates 2018
23/11 – London (UK) – The Waiting Room
24/11 – Cardiff (UK) – The Moon
25/11 – Bristol (UK) – The Lanes

Order your copy of Lower here.
Follow Medicine Boys on Facebook for more updates.

Kate Crudgington

Video Premiere: Catgod – ‘Sleep In’

Having previously charmed crowds at Truck Festival, Cornbury Festival and many Sofar Sounds showcases, as well as receiving praise from the likes of Tom Robinson and Lauren Laverne on BBC 6 Music, Oxford band Catgod have now followed the success of last single ‘Keep My Promises’ with an utterly immersive new offering. Lead by sibling duo Catherine Marriott and Robin Christensen-Marriott, the band fuse together an eclectic array of sounds to create something simply captivating.

Inspired by the turbulent feelings of mistrust in a relationship, ‘Sleep In’ flows with the sweeping grandeur of Catherine’s folk-strewn flute melodies alongside sparkling harmonies and a completely bewitching delicate musicality. Oozing a soaring emotion-strewn splendour, it’s an utterly unique and instantly alluring fusion of sounds. Of the track, the band explain:

It’s about the turbulent feelings you have in a relationship where you don’t quite trust the other person. It’s about wanting to stay in bed with them all day but also having nightmares about them with other people.

Now, accompanied by a beautifully shot video filled with dreamy pastoral images to match the spellbinding musicality of the track, ‘Sleep In’ showcases all there is to love about this band, and marks them out as truly innovative masters of their craft.

Watch the brand new video for ‘Sleep In’ here:

‘Sleep In’ is out now via Could We Could. Stream it now on Spotify.

Video Premiere: Hilma Nikolaisen – ‘Only Me’

Following 2016’s debut Puzzler, Norwegian artist Hilma Nikolaisen has announced her upcoming new album Mjusic will be released next month, and has now graced our ears with an infectious new single.

Flowing with scuzzy hooks alongside Nikolaisen’s swooning, languid vocals, ‘Only Me’ oozes shades of the mellow alt-rock of the likes of Courtney Barnett or Pip Blom. Fuelled with impressive riffs and jangly, lo-fi melodies, it’s propelled by a paradoxical visceral energy whilst at the same time emanating all the dreamy, laid-back feels before it speeds to a final, whirring climax. Accompanied by a psychedelic new video, featuring artwork from Vanessa Baird, ‘Only Me’ is an uplifting slice of rock ‘n’ roll with a contemporary edge.

Of the video, Nikolaisen expands:

“I am a big fan of the artist Vanessa Baird. In 2016 I was fortunate to feature her work on the cover art for my debut album ‘Puzzler’. Baird’s breathtaking exhibition ‘You Are Something Else’ was really something else. I’m proud and grateful to have ‘Only Me’ and ‘You Are Something Else’ connected in this video.”

Mjusic, the upcoming new album from Hilma Nikolaisen, is out 30th November.

Mari Lane

Video Premiere: Voice Of Aiko – ‘Prescription Dream’

In collaboration with Voice Of Aiko, Arts Council England and charities REST, MIND and APRIL, Enya Belak Gupta has made a powerful film to tackle a global problem with prescription drugs. A creative collective of musicians, artists and filmmakers, Voice Of Aiko is dedicated to campaigning for change and raising awareness of important issues.

A chilling insight into the terrible impact that prescription drugs can cause, ‘Prescription Dream’ oozes a dark, unnerving energy reflecting the helplessness and confusion that addiction can often cause. As vibrant, explicit visuals are accompanied by flowing glitchy beats and soaring Beth Gibbons-esque vocals, an unnerving, warped soundscape is created, interweaving shades of trip-hop and electronica to captivating effect.

Of the video, Voice Of Aiko founder Calista explains:

“What drove us to launch this project was hearing the shocking statistics and stories about what potential harm medications prescribed by the doctor can cause and how easily this can be helped by us just talking about it more, allowing people to make informed choices. We hope that with this emotional song, Enya’s stunning video, the artistic workshops and the weekly vlog we can raise awareness on this very important subject.”

Watch the poignant video for ‘Prescription Dream’ here:

‘Prescription Dream’ is out tomorrow 17th October. Voice Of Aiko is grateful to be supported using public funding by The National Lottery through Arts Council England.


Mari Lane




Video Premiere: Guttfull – ‘The Power’

Ahead of the launch of their debut album Tits And Nails next month, queercore sax punks Guttfull have shared another fantastically riotous new single.

Inspired by the Naomi Alderman novel of the same name, ‘The Power’ looks to a dystopian near future where women rise up and create a matriarchy, asserting their power over men by using an electrical force through their bodies (or, as songwriter Cassie Fox puts it, “zapping the bad men to death – pew pew!”). Oozing all the gutsy energy we’ve come to know and love, it’s another unapologetically angry, hugely catchy offering from the band.

Combining the politics of punk with a sparkling pop-fused colour, Guttfull have once again created a resolute feminist anthem, an uplifting call to get up, celebrate your womanhood, and dance the patriarchy away. As Guttfull reassure us, we all have the power in our hands.

Watch the vibrant, 70s-inspired video for ‘The Power’ here:

Guttfull’s debut album Tits and Nails is out 10th November on Loud Women records. Catch Guttfull live:

13th October – The Loud Women 3rd Birthday Party, N7
27th October – The Railway, Southend-on-Sea with T-Bitch
9th November – DIY Space for London with Fuzzhoneys and Stef Fi
10th November – Tits and Nails album launch, Hope & Anchor, N1, with Jemma Freeman and the Cosmic Something and more.

Mari Lane