LIVE: Mesadorm – St Pancras Old Church, 14.05.18

Mesadorm‘s loyal congregation formed in St Pancras Old Church last night to witness the band’s captivating performance of songs from their debut album, Heterogaster. Formed in Bristol in 2015, the collective have dedicated themselves to the task of creating beautiful “left-field electronica” which kept their fans spellbound from start to finish.

All adorned in fluorescent blue eye make-up, the band were bathed in atmospheric light for the duration of their performance. Front-woman Blythe Pepino (formerly of Vaults) stood tall in her smart blue suit, her soulful voice ringing out with strength and grace.

Blythe explained the album’s title-song ‘Heterogaster’ was taken from the name of a species of spider whose appearance resembles the petals of an orchid. With this image in mind, the band channelled their music in to exploring themes of deception and illusion, both internally and externally. She happily explained the meaning behind tracks like ‘Colour and Sound’ and ‘Alice’, and clearly took pride in revealing that ‘Easy’ had been recommended by BBC Radio 6’s Lauren Laverne earlier in the day.

The set flowed in an assured, patient manner. The tentative ‘Tell Me’ and ‘Drink You’  contrasted beautifully next to the chaotic and brilliant single ‘Yours and Not Yours’. The jagged synths, dreamy interlude and cathartic outro were complimented by the stunning use of strobes and heavily-coloured light, making this track the highlight of their performance.

Whether they’re performing intricate electronic ballads, or stunning their fans with singles like ‘Yours and Not Yours’, one thing about Mesadorm and their debut album is is clear: their musical skills are anything but deceptive.

Support came from Dear Robot

Follow Mesadorm on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: Dish Pit – ‘1000 Ways To Die’

Forget your bucket list, Montreal punk trio DISH PIT have shared ‘1000 Ways To Die’, a track which riotously explores the many reasons why millennials might be down in the dumps. The release precedes the band’s May UK tour dates, which include a slot at The Great Escape Festival this week.

Having met in the dish pit, washing dishes and wiping away greasy leftovers; Nora, Jack and Brianna came together as a band and moved into an apartment together in Montreal. Wedged between a porn studio and a music studio, it’s no surprise that their sound is as chaotic, unpredictable and as filthy as their surroundings.

“This track is meant to be an exploration into why everyone my age is seemingly depressed,” explains vocalist Nora. “’Is it the hormones in our milk or video games?’ is implying that it could be a chemical, or lifestyle thing.” Whatever the reason, Dish Pit’s new single is a riotous remedy for millennial angst.

Listen to ‘1000 Ways To Die’ below and follow the band on Facebook for more updates.

Dish Pit UK Tour Dates
15/05/18 Thomas Street Manchester
17/05/18 The Ferret Preston
18/05/18 East Street Tap The Great Escape Brighton
24/05/18 The Amersham Arms New Cross London
25/05/18 The Exchange Gin Festival Bedford
29/05/18 The Salty Dog Northwich

Kate Crudgington
@KCBobCut

Introducing Interview: Meduse MagiQ

Meduse MagiQ is an innovative arts collective and music label based in Amsterdam. It serves as a community focused on sound that supports locals bands and artists to explore music through collaboration, art, performance and exhibition.

We spoke to its founders to find out more…

Welcome to Get In Her Ears!  Can you tell us a bit about Meduse MagiQ and how it all started?
Meduse MagiQ is a sound and art collective driven by our love for music. We are a record label, a radio station and a recording studio that are located in the centre of Amsterdam in a building with a theatre, a venue and a vegetarian restaurant called ‘Plantage Dok’. We share our headquarters with 50 creatives consisting of artists, ngo’s, food waste collectives, tattoo artists and experimental composers. We started the Meduse MagiQ collective a couple of years ago when we decided it was time for a community that was about sound and only sound. We wanted to support our local bands, artists and our creative network and bring back the focus to art and music. I can see at Meduse MagiQ you are focused on giving musicians their own voice and space to explore music through collaboration, art, performance and exhibition.

What have you been most proud of so far at Meduse MagiQ?
We are dreamers. The most proud we are of daring to dream and the materialization of those dreams. All projects, collaboration and tours came from an open and curious mind. Blue Crime driving 9500km trough Canada, Spill Gold going trough Switzerland and filming in the snowy mountains, making new records in China, the Moon Festival, our research in the Sahara desert and our summer festival in a small french Village in the south are all examples and started with a simple conversation in our studio. We never say no to the possibility of a sonic adventure.

So you’re both in bands – Blue Crime and Spill Gold – can you tell me about about them?
Our bands and musical collectives are a creative group of people where everyone is equally important, whatever it is that they do in the band. We go for unity. Spill Gold is a psychedelic three-piece that unwinds vivid, spiralling stories with their eerie yet persistent songs and brings listeners into a trance-like state. They saw the sirens– and just like that, as they were sitting in the rain, daydreaming on a foggy mountain trip with Japhy Ryder, witnessed the rising of an unusual new moon. A revelation that would not be contained, an unrelenting vision that demanded to be shared. Blue Crime’s stars have a gloomy shine, inspired by myths and dreams and parallel universes. Earth felt too low; space is the place. They started out as a glowworm in a dark atom shelter, and emerged as eerie moonpop, growing grittier in time. Call it moonpsych, noisefolk, call it earthquakes with guitars and vocal eclipses. Or just feel it, and call it nothing at all. Be it love or hate, dark or light… Blue Crime shows no mercy for the sober and cold-hearted.

What are your thoughts about female representation in the music industry? 
We love females in the music industry. We love guys in the music industry too. We love genderless. It is true that at the moment the balance between men and women is rather disturbed, like in many parts of society and the world. This is why we like to support women creators and we choose to program them. We don’t think it is important to explicitly focus on gender. A musician is a musician,  whether they are man, woman, both or none. We do think it is important to bring back balance. We should all support each other and create equal chances and conditions. It’s everyone’s job to protect diversity in the music industry. The more diversity there is the more interesting it gets. Music is about free expression and that means that every musician is free to be whatever they are. We think it’s important to focus on the artists’ music instead of their appearance or gender.

If someone wanted to get involved with Meduse MagiQ, would they be able to? If so, how?
Yes they would. Come visit our headquarters. Everyone is welcome to write us if they want to get involved in any way. Mail or letter, sonically or images, feel free to connect. You can find all information on www.medusemagiq.com

Finally, as we’re a new music focused site, are there any new/upcoming bands or artists you’d suggest we check out?
Ada Gadass is our newest project. It consists of a continuous sound wave inspired by the Desert. Spill Gold just has an EP out on our label, called Mercury that they will tour in Canada and Blue Crime is off to China to record ‘Xinshi’, their new art project with a Chinese poet and tour. Soon we’ll start our new program called ‘Melting Universe’ which consists of 5 dialogues between female experimental composers such as Jessica Moss and Baby Alien Collective.

Huge thanks to Meduse MagiQ for answering our questions! 

Spill Gold play MOTH Club on May 27th – tix here

INTERVIEW: Queen Zee

“I could do a Morrissey…” threatens Queen Zee, as we sit outside of Hackney’s Sebright Arms chatting before the band’s headline gig at the venue that evening (April 26th). Zee’s referring to The Smiths’ front-man’s recent controversial interview in which he makes more of his weird and divisive statements for seemingly no reason. I know it’s an idle threat, but Zee’s dry wit puts me at ease. I begin by asking Zee about what they’re expecting from the show that evening.

“The great thing with Queen Zee gigs is that you never really know what’s going to happen. Sometimes we turn up and it’s absolute mayhem, and sometimes we turn up and people are ballroom dancing. You can’t predict it, and that’s what I love about it”

It’s this unpredictability that drew me to the band in the first place. I saw them support Marmozets on their 2017 UK tour at The Garage, and I was blown away by their ability to get the crowd stirred up in to a mosh pit with their songs ‘Boy’ and ‘Fly The Pink Flag’. Their combination of punk anthems and activist attitude has laid the foundations for a community of fans to unite and celebrate in style – and safety – when they attend Queen Zee gigs. I ask Zee whether fans approach them after shows about this.

“We do have some fans who prefer to message us after the gig on Twitter which is always nice, but I make a point when I’m on stage of saying ‘come and say hello’, because I love sharing and I see Queen Zee as a collective, not just as an extension of my ego or as my project. I like people getting involved. People have been customising their clothes and getting tattoos…”

I tell Zee that I saw that a fan had posted a picture of the “sass or die” tattoo that they’d had inked in honour of the band on Queen Zee’s social media accounts. But for every loyal fan, there seems to be a troll. I ask about the trolling Zee experienced on the band’s posts about International Transgender Day Of Visibility (31st March). I ask if shouting back – which Zee always does – takes its toll, or do posts like the one about the tattoo make things easier to deal with?

“Cis people will see these things online and be really shocked by that, but one of the main things for trans people is that you go through things like that every day anyway, it’s just not always online. I actually love people trolling, it’s my favourite thing. I know that I have offended them, and that my existence offends them – and I think that’s brilliant. I don’t want those people to like me, I don’t want them to come to our shows if they’re that bigoted.

Going back to the tattoo though, I absolutely love that. I think it’s bizarre that people would do that. It blows my mind. We played this huge punk show in Liverpool last year, where all the DIY punks get together as a collective and play to about 300 people. We played that and my guitar broke, so we just had to play cover songs, and after that the fan came up to me and showed me the “sass or die” tattoo – and that was the way we ended 2017: it was absolutely amazing. I loved it”.

I broach the subject of mental health too, as this is also an issue Zee speaks openly about online. I ask if they have any advice for other bands who find themselves feeling mentally drained whilst on tour.

“The big thing for me was that I was originally really anti-meds. But actually, just starting on meds has totally changed my life and I feel so much better for it. I don’t want to be ‘pro-meds’ – whatever your stance is, it’s your stance and that’s totally fine – but I would advise people to come to their own decisions, and don’t close your mind off to it. Especially if it’s something that could potentially help you.

General advice and stuff for bands is to eat well, sleep well, and look after each other. It’s dead simple. When we first started touring it was like ‘Yeah! We’re on tour, let’s go out every night!’ and you end up being destroyed by day ten. You get physically ill too.

The thing that made me really ill whilst touring though was that the band consumes your life, so it takes away your social life and even though you’re with your best friends in a band, you don’t see your family, or your other friends, or your partner. And on top of that you’re constantly tired, so it all adds up. I would advise keeping in contact with friends as much as you can. Get your friends to come to shows in the different cities that you’re touring, which is what I’ve done on this tour. A bit of life outside of the band whilst you’re all on tour is great, and it will stop you killing each other.

Our band is formed of five of the most annoying individuals ever. Our bassist is obsessed with meme songs, so on the way here we were listening to Toto – just Toto. It’s funny to start with, you’re like ‘you’ve played ‘Africa’ a few times, okay’ and then he played another Toto song, and another one, and another. He played them for the entire journey – which was an hour. He’s lucky to still be alive. So yeah, no Toto songs on tour…

After establishing a strong “No Toto” rule, I ask if Zee can remember the first time they crowd-surfed or got involved in a mosh pit at a gig, as both of these things always occur at Queen Zee shows.

“The first time I crowd-surfed was as Queen Zee. I never had the guts as a little queer kid to get down to the front and do it. I can’t remember the first time I moshed really, but I was always in to punk and thrash bands so I definitely moshed at those gigs. It was very macho though, so I didn’t feel very welcome in to any of that and there was never really any girls in the pit. So it’s great now when we play shows that I see a mix of girls and guys in the mosh.”

I highlight what a great achievement that is, to have created the safe space that Zee felt was initially lacking at gigs.

“That’s what it’s all about. People know at our gigs that we won’t tolerate any nonsense either. We stopped a show in Nottingham on this tour because our bassist Frankie’s Mum got punched in the face. It was the last song of the set, so I was like ‘if you want to move about, this is your chance to do it!’ and this guy thought it was a great idea to just to swing round in to me, hitting Frankie’s Mum in the face in the process.”

I point out that of all the people that could’ve happened to, what are the chances it would be the Bassist’s Mum…

“I know! I was like ‘you need to leave, now’. Luckily she was okay, she actually loved it! Mosh pits are weird though. We had a gig in Birmingham the other day, and the crowd for the support bands were quite young, maybe seventeen year olds? So they were really kicking off, and I thought I’d jump in because you know, it’s only kids – but I just got beaten up! I’m too old. I’m twenty-four this year, and I came out of that mosh bruised and feeling like a fifty year old”.

I ask Zee what new music they’ve been listening too, as GIHEs are always interested in new music recommendations from our favourite bands.

“There’s so many on this tour that we’ve played with. A band from Cardiff called CHROMA are amazing. We shared a stage with them at Reading & Leeds last year and then we’ve played with them on this tour, and they always blow me away. Their songs have a really cool Death From Above type vibes to them. There’s a band from Nottingham called Babe Punch who play Riot Grrrl-esque punk stuff, and they do a really good cover of ABBA’s ‘SOS’. Salt Bath are another Cardiff band who play really cool queer punk stuff. They’re my big three”.

Now it’s time to talk about plans for the summer. I ask what festivals Queen Zee will be playing at, and if there are any festivals Zee would like to attend just as a fan.

“I hate music…”

It takes me a moment to work out whether Zee’s joking or not…

“No seriously, when we play a gig or we’re watching support bands I’m like “Ah music is great, I love it!” but when I’m at home I never listen to music. I’m chilling the fuck out and watching Netflix, I’m not going to any festivals as a fan! After seeing the inner-workings of festivals as well, it changes your perspective on things. It’s always so stressful trying to get from point A to point B in a field, which you think would be simple but it’s the most difficult thing.

But, having said that, we’re playing quite a few festivals in May. We’re playing The Great Escape, Sound City, Live At Leeds, Neighbourhood and there’s more on the horizon too. We’ve got some time off on June & July to do some more recording though.

To make the idea of Festivals more bearable, I ask Zee what their dream Festival line-up would be.

“Dream headliner would be Me, with a support of Me and just before that it would be Me. Doing slightly different stuff though, maybe even a ‘Toto’ covers set? I dunno, I’d probably give the headline slot to someone who really deserves it.

I have really bad music taste, I love classic rock like Twisted Sister. I’m obsessed with them, and I know I shouldn’t be, and I know it’s bad. Everyone else in the band has really cool music taste like Pixies and Neutral Milk Hotel and I’m like ‘okay, does anyone like Scorpions?’ I’d like to see The B52s, I don’t even know if they’re still going?’

I mention that Cindy Wilson of the B52s is doing her own solo stuff now, so that might have to wait.

“I’d resurrect ABBA! To be honest, it’d probably just be loads of little bands in a sweat-box venue. Oh wait – I’ve got my dream headliner – Judas Priest…I’m obsessed with them.”

Little did we know at this point that the next day ABBA would announce they’re releasing new music. It’s as if Zee has a sixth sense. To end our chat, I ask Zee what three words they’d used to describe Queen Zee – aside from “sass or die”…

“Tortured Scissor Sisters…”

Fingers crossed that’s what Zee calls the band’s debut album.

Catch Queen Zee at The Great Escape at The Hope & Ruin (10:45pm -Thursday 17th May)

Photo Credit: Jon Mo

Kate Crudgington
@KCBobCut