Introducing Interview: East Of My Youth

Creating captivating twinkling electronica, Icelandic duo East Of My Youth formed back in 2015, and since then have received praise from the likes of i-D and The Line Of Best Fit, and have charmed crowds at SXSW Festival.

Now, returning to grace our ears with majestic new single ‘Go Home’, we caught up with East Of My Youth to find out more.

Hi East of My Youth, welcome to Get In Her Ears! Can you tell us a bit about the band?
EOMY is Herdis and Thelma. Herdis works as a freelance composer and producer in Berlin and Thelma is a visual artist and actress living in L.A. So, currently the band is having a long distance relationship!

How did you initially get together and start creating music?
We started playing the piano and singing together then it developed into an electronic project. I (Herdis) was taking my first steps in production and EOMY’s ‘Lemonstars’ was the first song I produced. The idea of the band originally came in a bar in Berlin where we were both living at the time.

Your new single ‘Go Home’ is out now – can you tell us what it’s all about?
We rented a studio in Berlin for two months in 2016 and sat at two desks trying to be creative. We can say that most of that time was really difficult and unproductive, but then one day Herdís called me over and had this melody basically ready made and then we added the lyrics with the help of an existing poem and really got into the depths of the song’s psyche. It’s not really about a particular happening, but rather a pool of emotions being narrated into a fairytale-like story.

You’ve been compared to the likes of Vallis Alps and Anna of the North, but who would you say are your main musical influences?
This question is always a bit tricky. We’re of course happy when people find resemblance with talented musicians/bands and that our production value shines through, but we’ve never really consciously taken inspiration from anyone. Although if you’d listen to the music that we were listening to at the time of composing certain songs you might find resemblance to some elements. Artists that come to mind that might have influenced individual songs are Lorde, Grimes, FKA Twigs, London Grammar and more.

How is your local music scene? Do you go to see lots of live music?
Herdis: I’m trying to do more of that, hehe.
Thelma: Likewise! Since I moved to LA in September, I’ve only been to two concerts but I have a huge line up in the new year that I’m wanting to see.

And what can fans expect from your live shows?
Our live shows have been pretty intimate but playful, and that is definitely something we’ve tried to hold onto in every live show.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
It’s really funny that lately I’ve actually been listening to David Lynch. Who knew he was also making music? There is one song in particular that I’ve been overplaying recently and it’s the best work mode song ever called ‘Good Day Today’. But regarding some up and coming acts I’d recommend Ayia, IDK IDA, Mr. Silla and Vök for example. They’re all Icelandic or based in Iceland.

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
Yes and no. I think if you really put all your effort into both making quality music and putting it out by all means possible I think there is a chance. You just have to believe in yourself and do it!

Finally, what does 2018 have in store for East of My Youth?
We’ll be going through what has been done this year and tie ends to what needs to be left in order to move forward. So I guess there is an all in all cleanse going on that is creating new grounds to grow in. I think 2018 is going to be amazing. Of course it’s gonna bite you from time to time, like life always does, but I have an overall feeling of something good and great being born.

Huge thanks to East Of My Youth for answering our questions! 

‘Go Home’ is out now via West Of My Future Ltd.

Track Of The Day: Girl As Wave – ‘Houdini’

Dark, ghostly soundscapes coalesce with smokey electronica in the latest offering from Girl As Wave. Throughout ‘Houdini’, her sophisticated and laid back vocal style is calming yet off-setting; the voodoo-tinged indie of the track spellbinding and mesmeric.

A sultry opening hook bleeds into a tangibly soft vocal, ‘Houdini’ floating somwehere in-between languished and ambitiously cavernous. It’s a song that could fit anywhere between a US ghost town and a London bar, with shades of the earthy mysticism of Alexandra Savior and Pumarosa.

Hailing from New York, Girl As Wave combines a folky, lyric-driven approach to songwriting with a love of indie and electronic music. An email collaboration with LA-based producer Jimmy Deer resulted in the completion of her debut EP, Poison Vines and Nectar, set for release in early 2018.


Erin Bashford

Highlights Of The Year 2017

As we near the end of the year, we wanted to reflect on some of our highlights of 2017; to draw attention to the times when, despite all the shit going on in the world, women in music have inspired us, motivated us, and shown themselves to be positively awesome. So, though we don’t know what 2018 might bring, let’s celebrate these incredible women in all their patriarchy-smashing glory! 

Whilst it’s easy (and natural) to agonise about the harassment and adversity that female musicians face in the industry, it’s even more important to organise and shout back against the injustice of it all: and that’s exactly what Slowcoaches bassist & vocalist Heather Perkins did on ‘Complex’. She wrote the song as a response to the sexual assault allegations against artists in the press at the time. Singing about a male lead singer who “really needs a hand, one’s in the other, and the other’s in his pants”, Heather sounds confident in her assertion that his story “holds no weight”, and the rage and distrust in her lyrics resonated with Mari & I profoundly. (Kate Crudgington)

“Don’t let the bastards get you down, don’t let the arseholes wear you out.”
Wise words from Kesha. A woman who’s provided much inspiration for us this year in her determination in the ongoing legal battle against producer Dr. Luke, amid accusations that he “sexually, physically, verbally and emotionally” abused her for years.

After everything she’s been through this year and with the release of her latest album Rainbow – a collection of powerful and motivating anthems – Kesha’s shown herself to be a super strong inspiration of a woman. If songs like ‘Woman’ and ‘Bastards’ don’t make you want to get up, feel empowered and give a whopping middle finger up to the patriarchy, I’m not sure what will.

And, though the battle is far from over for Kesha, let’s give her credit for having the strength to speak out publicly against abusive men, giving us all a bit of inspiration to fight and not let those bastards get us down. (Mari Lane)

Since the release of their single ‘Somebody’ earlier this year, Dream Wife‘s live shows now feel twice as liberating. ‘Somebody’ is an anthem about recovery and reclaiming your body, but the trauma that lurks behind the sexual assault which sparked the song still puts a lump in my throat. Having said that, it was a sheer joy to watch Rakel, Alice & Bella perform the song to their sold out crowd at Scala in October, who echoed back Rakel’s life-affirming lyric “I am not my body, I’m somebody”. If you haven’t seem Dream Wife live yet, I urge you to come to their show at Heaven in 2018. You won’t regret it. (KC)

Having played on the Rising Stage for the last four years, it was a joy to see all-female collective Deep Throat Choir get a turn on the main Mountain Stage at Green Man Festival this year. Since I last saw them two years ago, the group had grown in both size and power. Dressed in matching vibrant oranges and pinks, they succeed in brightening a rather grey last day of the festival, treating us to a mix of covers and originals from their wonderful debut album Be OK. With everyone singing along to personal favourite ‘Baby’ being a pretty emotional highlight, it was a simply euphoric experience watching these wonderful women create such perfect, intense harmonies and sweeping vocal melodies. Epitomising the exceptional power of women coming together to create, Deep Throat Choir unite their voices to summon a force that is truly awe-inspiring. (ML)

When Wolf Alice effortlessly performed ‘Don’t Delete The Kisses’ under the sparkling mirror-ball lights at their Alexandra Palace headline gig in November; I swooned so hard I thought I might drown in my own heart-shaped tears. Their perfectly executed set was laced with tracks from debut record My Love Is Cool (‘Lisbon’, ‘Bros’, You’re A Germ’ & ‘Silk’) as well as a healthy dose of new material from second album Visions Of a Life, (‘Heavenward’, ‘Formidable Cool’ & vicious lead single ‘Yuk Foo’). I’ve seen them live many times before, but I left Ally Pally feeling confident I’d witnessed something special, and I’ll definitely be catching them again in 2018.(KC)

Whilst the #MeToo campaign this year has signalled the start of a change for the better – bringing the issue of violence against women into the public eye, with perpetrators (finally) beginning to see some consequences to their actions – domestic violence against women and children continues to occur every minute of every day. And, with the government continuing to make life-threatening cuts to vital services, charities like Feminist direct action group Sisters Uncut are more necessary now than ever. 

Gaptooth‘s latest single ‘They Cut We Bleed’ celebrates the work of Sisters Uncut; featuring powerful footage from their protests, it rages against the government with a frenzied, impassioned energy and powerful force. With shades of the likes of Le Tigre or MEN, it’s the perfect call to arms that we need now more than ever. Drawing our attention to the issue with the raw honesty of horrific facts and figures (“In the UK on average two women a week are murdered by a partner or ex-partner…”), accompanied by catchy, whirring beats, Gaptooth offers an empowering voice for all we should be saying right now; inspiring us to get up, unite and take action to create the positive change that so urgently needs to happen. (ML)

It feels odd to call this a ‘highlight’, but I want to include it here because I remember reading the statement and thinking “YES! GOOD FOR HER!”. High profile women like Kesha, Alice Glass & Taylor Swift publicly called out the men who had abused or sexually harassed them this year, and it paved the way for female musicians in smaller bands to do the same.

Estrons vocalist Tali Källström used the band’s Facebook page to inform fans that Paul Draper had sent her inappropriate messages prior to their dates supporting his band, and consequently she’d decided to cancel the shows. She wrote: “I have experienced sexism, misogyny and prejudice, but this time, enough is enough. I will not pander because I want success. I was asked to sweep this under the carpet, but I can’t. I want to play alongside musicians that respect me and like me for my music and personality, not because they are sexually interested in me.” Tali is a fierce front-woman who’s not afraid to ask for more, and I hope her words have inspired other women in the industry to speak out against similar types of behaviour. (KC)

We’ve been big fans of Julie Hawk for a while now – writing songs with her band HAWK that draw attention to reproductive rights and the mistreatment of women in her Irish homeland. However, this year – in addition to continuing to create powerfully enchanting music – she started a new creative venture, ‘Female Fronted, Drawn Together’. 

Putting together a playlist of wonderful female artists, new and old, who have inspired her in some way, she created a unique illustration to accompany each song. Including some of our favourites – Bitch Falcon, Dream Nails, Skinny Girl Diet, PINS and The Julie Ruin – it’s provided the perfect, empowering soundtrack to 2017. Julie has now started the next instalment of ‘Female Fronted Drawn Together’, and we urge you to check out all her wonderful illustrations on her Instagram page.(ML) 

Listen to our Get In Her Ears Highlights Of 2017 playlist, including our Tracks Of The Year and songs from our favourite Albums Of The Year.


Mari Lane / @marimindles 
Kate Crudgington / @kcbobcut

Get In Her Ears wih The Nyx

ate and Tash were on air for the final show of 2017! They started with Black Christmas by Poly Styrene and ended on The Pogues – Fairytale of New York with all the best new music jammed in betwee. Highlights from Sacred Paws, H1987 and Pool Cosby. Becky from The Nyx joined them in the studio for the radio exclusive of their new track Only One released 2nd January 2018.

See you all in the new year!


LISTEN: Gold Baby – ‘Duppy’

We fell in love with new favourites East London’s Gold Baby (featuring members of Long Teeth, Three Girl Rhumba, Siân Alex) last month upon hearing their sunny debut single ‘Feed It!’, and now they’re back to charm our ears with a brand new track.

More mellow and down-tempo in sound than ‘Feed It!’, ‘Duppy’ is a delicate, emotion-strewn offering with shades of early noughties alt-rock. Flowing with lush, swooping vocals and catchy, jangly hooks, it showcases Gold Baby’s ability to create twinkling slices of utterly infectious indie-pop.

Another solid gold effort from this new band that once again leaves our ears desperate for more.


Mari Lane

The Social Announce Creatures And Bad Parents For New Years Eve Event

Last year The Parrots and Yassassin saw off 2016 in style at The Social. So, the Soho venue has decided that they’d like do it all again this year; put on bands they love and get back the Rough Trade DJs upstairs well into the early hours of 2018.

This year, The Social is over the moon to announce that CREATURES will be headlining their New Years Eve party on Little Portland St.

“Picture a band dreamt up by Wes Anderson. A band of 70s looking cowboys straight out of Westworld armed with psychedelic guitar riffs and all the hair” – Northern Exposure

They’ll be joined by South London duo BAD PARENTS, aka Misty Miller and Tom Shelton.

With bands starting from 8pm, there’ll also DJs from Rough Trade and Heavenly Jukebox playing well into the dawn!

If this sounds like the perfect way to see in the new year, tickets are £10 and available here. More info on the Facebook event page.

Albums Of The Year 2017

Although some might say we now live in an age dominated by single tracks – as streaming services like Spotify and Soundcloud take over our listening habits – here at Get In Her Ears we still enjoy losing ourselves in a flowing collection of songs by the same artist. There’s nothing quite like the excitement of discovering your new favourite album or EP.  

2017 has seen us spoilt for choice for great albums by great people; from St Vincent’s incredible comeback with ‘Masseduction’ to the enchanting, spine-tingling splendour of Aldous Harding’s ‘Party’; from the haunting magic of the legendary Bjork’s ‘Utopia’ to the twinkling, introspective grace of Adult Mom’s ‘Soft Spots’. There’s been some crackers.

However, as promoters of new music, we’ve decided to pick our favourite albums/EPs of the year from some of the most deserving, most amazing upcoming/DIY artists we know.

Sacred Paws – ‘Strike A Match’
I think it’s fair to say 2017 hasn’t been the best of years, but just one listen of London-Glasgow duo Sacred Paws’ Strike A Match will uplift in an instant, making everything seem just a little brighter. Fronted by the sunny charisma of Rachel Aggs, Sacred Paws have not only provided a soundtrack to our year, but have also left us grinning from cheek-to-cheek and full of joy upon seeing them live at Visions Festival in the summer.

Filled with one delectable, danceable delight after another, the Scottish Album Of The Year award winner oozes a unique jangly joy throughout. With each track offering a contagious buoyant energy as vibrant calypso-inspired melodies flow seamlessly alongside lush harmonies and thrilling, racing beats, Strike A Match is the perfect antidote to 2017’s troubles. A wonderfully musically rich collection with all the reviving spirit and colourful charm you could ever need to see you into the new year. (Mari Lane)

H1987 – ‘Dreamlike’
Mysteriously named electronic artist and producer H1987 released Dreamlike earlier this year; and it’s an ambient, fluid, ethereal offering from this prolific talent.

Whilst the record is mainly instrumental, it manages to articulate emotions and states of mind that the most poetic of lyrics would fall short of explaining. It’s a soundscape for anxiety, distance, euphoria, reassurance – and equal parts cold and comforting. Like a pebble that breaks the surface of a placid lake, each track is a ripple that widens and spreads in to the next.

If film soundtracks or unusual electronic albums are your thing, then allow yourself the luxury of listening to Dreamlike in one sitting to feel the full effect. It’s the ultimate antidote for any stressful or long commute. Put your headphones in, and disappear. (Kate Crudgington)

Dream Nails – ‘Dare To Care’
As well as providing us with some of the most liberating and exciting live performances of the year – the assertion of their ‘Girls To The Front’ ethos at their gigs providing an empowering and necessary step towards creating safe spaces for women and non-binary people at music venues – Dream Nails have also released their completely fantastic debut EP.

Packing a punch with its seething force, Dare To Care is proof of why we need Dream Nails in our lives now more than ever. From ‘Joke Choke’ – a raging, discordant offering filled with a punk-fuelled fury about people who think it’s funny to make jokes about rape – and the fist-clenching power of ‘Tourist’s message against emotionally predatory men; to the uplifting, unifying sparkle of ‘Merkury’, and the ultimate, sex-positive break-up anthem ‘Lovefuck’, this EP provides a perfect and timely voice against the patriarchy.

A group willing to combine activism and music to form a unifying force against misogyny and inequality in society, Dream Nails succeed in inspiring and motivating girls everywhere to get to the front and make our voices heard. And we cannot wait to hear what our favourite Feminist Punk Witches have in store in 2018 to follow the empowering magnificence of Dare To Care. (ML)

LOUD WOMEN – ‘Volume One’
Featuring 21 tracks from a variety of DIY female musicians – with all profits going to Women’s Aid – LOUD WOMEN’s Volume One compilation album is a vital piece of energy-giving activism. With tracks from DOLLS, GUTTFULL, Bugeye and more; this eclectic mix of punk, indie, rock & alternative is perfect listening for any feminist activist – or any fan of quality DIY music.

The chorus on Madame So’s ‘Black Is Beautiful’ filled me with tearful hope the first time I listened. Petrol Girls’ ‘Touch Me Again’ has remained my angry, life-affirming, self-autonomous anthem. Deux Furieses brief but brilliant ‘Out Of My System’ is the punk remedy to any bad day. There really is something here for everyone. (KC)

H.Grimace – ‘Self Architect’
Having wowed us with their impeccable live performances at Green Man Festival and at our very own Finsbury night, this year H.Grimace followed 2015’s ‘I Am Material’ cassette and last year’s Royal Hush EP with the release of their debut album Self Architect. 

A collection of raw post-punk scuzz, the album swirls in its stirring darkness and shoegaze-inspired haze, the likes of which I haven’t been quite as addicted to since first losing myself in Sonic Youth’s Goo.

Whilst the blunt power of ‘2.1 Woman’s commentary on patriarchal society’s expectations of women to create perfect versions of themselves may be a personal highlight of the album, this record is a pure sonic delight from start to finish. From the seething, dreamy whirr of ‘Lipsyncer’, to the twinkling hum of ‘Land/Body’ and the jangly cacophony of its title track, Self Architect flows with a soaring, bewitching majesty and gritty power.

Combine these innovative musical creations with the compelling, cool swathe and raw honesty of exceptional front woman Hannah Gledhill, and you have one of the most exciting bands of 2017. (ML)

Rews – ‘Pyro’ (KC)
Like the phoenix that rises from the ashes of its own flames, REWS take the remnants of loves old and new, and turn them in to tunes that blaze with fun and furious style. Their debut album Pyro (released via Marshall Records) brims with a simultaneously dark and delightful energy, and it set our ears alight in all the right ways.

From the glittery, gritty goodness of single ‘Shine’, to the powerhouse break-up anthem ‘Miss You In The Dark’ – Pyro proves the REWS girls take everything in their stride; and they should take great pride in a debut that perfectly showcases their musical potential.(KC)