PLAYLIST: November 2022

The Get In Her Ears team have put together another eclectic mix of indie tunes, guitar anthems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Big Joanie – ‘Sainted’
HUGE congratulations to GIHE faves Big Joanie on their nomination for Best Alternative Music Act at this year’s MOBO Awards! This groundbreaking new category also features our faves Nova Twins, who wrote an open letter to the MOBO Awards back in 2020, asking the panel to include an alternative category. This is a massive and hard won achievement, respect and solidarity to all those who engineered this much needed change! To celebrate, we’ll be playing this spooky Big Joanie tune, lifted from their superb new album Back Home, on repeat. (Kate Crudgington)

Currls – ‘Nerve’
Taken from their brand new debut EP Hello My Name Is, Currls’ latest single ‘Nerve’ is a perfect slice of gritty, scuzz-filled garage-rock. Propelled by the band’s trademark empowering energy and soulful allure, it leaves you longing to catch them live and dance along in joyous unity with fellow fans. And it just so happens that this is something you can do next Thursday 1st December at Shacklewell Arms! We’re hosting Currls’ London EP launch, with support from Collars and Hypsoline – tickets on Dice now. (Mari Lane)

Bad Sidekick – ‘I Ain’t Sick’
You may have noticed that in December we’re hosting not one, but two, gigs! The second sees brooding Bristol band Bad Sidekick headlining for us on 9th December. They’ve recently released an epic debut album Daily Lottery, but I couldn’t resist including this track from their 2018 EP – I just love its raging energy, frenzied, reverb strewn riffs and Cooper’s fiercely powerful vocals. Bad Sidekick will be headlining the Shacklewell Arms on 9th December with support from Alien Chicks and Cosmic Ninja – tickets on Dice now. (ML)

The Pearl Harts – ‘More’
Loving this new single from London-based duo The Pearl Harts! It sounded great list night at their sold out gig at Blondies too. The track is lifted from their upcoming album, Love, Chaos, which is set for release in early 2023. (KC)

Django Jones and The Mystery Men – ‘Bad For You’
Described as “music written for the restless”, this is the debut single from Sheffield post punk trio Django Jones and The Mystery Men. Loving the brooding intensity of this one. (KC)

Grandmas House – ‘How Does It Feel’
Unsurprisingly, we love this new tune from GIHE faves Grandmas House. It’s a bi-lingual blast of angst, pairing frontperson Yasmin Berndt’s French vocals with drummer Poppy Dodgson’s English vocals as “a call and response between two people about the feelings of confusion you go through when breaking up.” (KC)

Panic Shack – ‘Meal Deal’
This recent single from Cardiff’s Panic Shack reflects on the realities of the cost of living crisis as working people are increasingly undervalued and underpaid, whilst musically its swirling punk spirit and tongue-in-cheek lyrics uplifts and energises. A fun-filled, yet meaningful, indie-pop banger. Baby Shack, the latest EP from Panic Shack, is out now. (ML)

Human Interest – ‘Mixing Paint’
The latest single from London duo Human Interest reflects on the darkest crevices of the mind with a fizzing post-punk energy. Oozing the band’s trademark gritty allure and the sweeping power of Tyler Damara Kelly’s vocals, ‘Mixing Paint’ cements Human Interest as my favourite new band right now without a doubt. (ML)

Ideal Host – ‘The Conflict’
A sardonic cacophony that explores the antagonistic nature of the everyday routine, I love this single from Ideal Host. Led by Heather Perkins and Sean Hughes, both former members of the band Slowcoaches, the pair have returned to work together and evolve their sound under this new moniker. The band are planning to release their debut album in early 2023 and will be playing a string of live dates too. (KC)

M(h)aol – ‘Asking For It’
We’ve been following Irish post-punks M(h)aol (pronounced “male”) for a while now, and this track has always been a favourite of mine. Fueled by a palpable rage against rape culture, the band have re-released this track alongside the news of their debt album, Attachment Styles, which is due on 3rd February via TULLE Collective. Watch the poignant accompanying video directed by bassist Zoë with input from vocalist Róisín here. (KC)

New Pagans – ‘Karin Was Not A Rebel’
Following on from their stunning debut album, The Seed The Vessel The Roots and All, Belfast’s New Pagans have announced that they’ll be releasing their second LP, Making Circles of our Own, on February 17th via Big Scary Monsters. ‘Karin Was Not A Rebel’ is the first taste of what’s to come, celebrating the overlooked artist and designer Karin Bergöö Larsson, one of the foundational modern interior designers. I can’t wait to hear the band’s new record early next year! (KC)

The Empty Page – ‘Dry Ice’
Reflecting on pre-lockdown nightlife, this new single from Manchester’s The Empty Page soars with a dark energy and gritty allure, evoking feelings of nostalgia for that woozy joy of nights soaked in a smokey, sweaty haze. And it’s impossible not get utterly immersed in Kel’s sweeping vocals as they swoon with a haunting power alongside a riotous grunge-tinged musicality. (ML)

ARXX – ‘The Last Time’
The latest single from absolute long-term faves ARXX, ‘The Last Time’ reflects on feelings of heartbreak whilst referencing queer TV show Euphoria. An uplifting yet emotion strewn fizzing pop anthem, it oozes a shimmering synth-soaked musicality and catchy driving energy whilst maintaining the duo’s gritty, colossal power. It was absolutely wonderful to catch ARXX in all their empowering, endearing charm at The Social this Wednesday! ARXX’s long awaited debut album Ride Or Die is set for release very soon – pre-order here. (ML)

Collars – ‘Rainbows’
Providing main support at the Currls EP launch at Shacklewell Arms next Thursday, Collars are fast becoming a new favourite with their energy filled, fuzz-strewn catchy indie-punk offerings. Delivering rich impassioned vocals alongside jangling hooks and driving beats, I cannot wait to see this duo live! (ML)

Ailbhe Reddy – ‘Shitshow’
We’re big fans of Irish songwriter Ailbhe Reddy here at GIHE, so we’re thrilled to hear that her new album, Endless Affair, is due early next year on 17th March. “’Shitshow’ came from a lyric I played with for a few months which was ‘my god, look at the state of me, this is so embarrassing'” Ailbhe explains about this latest single. “It’s about looking back on a night out with regret while also addressing and apologising to an ex-partner about my antics. The first verse is to myself and the second verse is to someone else. It’s kind of a tongue in cheek examination of a bad hangover.” Hard relate to that one. Check out the excellent accompanying video for ‘Shitshow’ here. (KC)

Kierst – ‘How To Be’
This poetic rumination on a past relationship features on Brooklyn-based songwriter Kierst’s debut EP, Thud. Inspired by her memories of moving between people and places, the record is a heartfelt reflection on “how bizarre a thing a relationship really is.” (KC)

Dayydream – ‘Wasn’t’
A tender reflection on the transient nature of emotions and our attachments to other people, this track is lifted from Glasgow-based songwriter Chloe Trappes aka Dayydream’s debut EP, Bittersweet. Filled with delicate guitar strokes, dreamy vocals and affecting lyrics, Trappes ruminates on distance and desire across the record and the way these things can shift our perspective towards ourselves, and to others over time. I really recommend giving it a listen. (KC)

Queen Colobus – ‘5/9’
South London based indie-jazz collective Queen Colobus’ latest single is taken from their recent EP Think Fast, and I just can’t get enough of its blissful hooks, luscious swooning vocals and glistening laid-back beats. A wonderfully woozy euphoric soundscape. (ML)

Σtella – ‘Nomad’
Athenian Σtella has released ‘Nomad’ taken from her album Up and Away, which was released earlier this year in June. I’ve only just come across her now for the first time, but her music is beautiful, described as “vintage-flecked pop to the pangs and raptures of love.” This track is simply beautiful, and as with many of the tracks on the album, uses traditional Greek instruments (bouzouki and kanun). Be prepared to be swept away to the Greek seas. (Tash Walker)

Prima Queen – ‘Butter Knife’
Produced by The Big Moon, this bittersweet offering from London-based duo Prima Queen is a reflection on the cruel nature of Alzheimer’s disease. Blending spoken-word verses and softly sung choruses with gentle guitars and percussion, the track is poignant and personal lament to slowly losing a loved one. (KC)

Blonde Maze – ‘When You Move’
Another utterly euphoric creation from my most played artist over the last few years, ‘When You Move’ comes from a collection of equally dreamy tracks that the New York based artist has released recently. Oozing an immersive, shimmering splendour, it offers a comforting embrace in audio form, as rippling waves of electro hooks sparkle with an exquisite majesty alongside heartfelt vocals. Blonde Maze never fails to soothe and uplift with her blissful creations. (ML)

Maria BC – ‘ROF’ (Rachika Nayar remix)
Ohio-born songwriter Maria BC has shared a remix EP of their beautiful debut album Hyaline, and it’s just as dreamy and poetic as their original record. Featuring No Home, Rachika Nayar, Nina Keith, Lucy Liyou, and Ragana, the altruistic ambient-folk sounds are a perfect distraction from life’s more stressful moments. (KC)

paun – ‘Earth Timeline’
Berlin-based paun released this eclectic ambient track earlier this year in addition to being featured in the first Éclat Various Artists compilation. It’s been in my ears for most of this month, so definitely check out the rest of paun’s work on bandcamp if you’re into this. (KC)

Babyfather, Tirzah – ‘1471’
‘1471’ is the second collab between Dean Blunt under his alias Babyfather and Tirzah, the first being her track ‘Recipe’ off of her album, Colourgrade. Always thirsty for more Tirzah content me! (TW)

HOLDA SEK – ‘At Twenty’
This is the debut single from the London based HOLDA SEK, made with producer Caezar. I can’t stop listening to this song, very catchy beats which drill down through your ears into your brain. (TW)

Tempers – ‘Unfamiliar’
New York City duo Tempers specialise in a sleek strain of low-lit poetic synth pop, I got to see them in London at studio 9240 and they were fantastic. This is their lead single from their album New Meaning, which was released earlier this year via Dais Records. (TW)

Twin Rains – ‘Nothing in my Purse’ (Secret Sign Remix)
Inspired by the concept of death and possession, I’m a big fan of this shadowy remix of Toronto-based duo Twin Rains track ‘Nothing In My Purse’. Re-worked by Secret Sign’s Phil Baljeu, a Toronto video artist & longtime friend and collaborator of Twin Rains, the track is an industrial-shoegaze tinted gem. (KC)

DOUBLE HELIX – ‘Rat Rave’
I first heard this track at the hand of Kate, so I’m going to dedicate this one to you mate. Double Helix were another of the bands that I saw at Studio 9294, alongside the likes of Tempers and Curses. A pretty epic live performance, some serious shoulder shuffling from me. (TW)

LibraLibra – ‘Frenemies’
The new single from total faves LibraLibra, ‘Frenemies’ reflects on the comfort we may find in fake or damaging ‘friendships’. Lulling us into a false sense of security with a sweeping orchestral intro, it builds with a colossal magnificence as front woman Beth’s vocals simmer with a sultry allure, before exploding into a riotous anthem seething with dark undertones. And LibraLibra were absolutely spectacular, as always, supporting other faves ARXX at The Social this Wednesday. (ML)

 

PLAYLIST: October 2022

The Get In Her Ears team have put together another eclectic mix of guitar anthems, electronic sounds & alternative tunes for your listening pleasure this month. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

CLT DRP – ‘Aftermath’
The latest single from Brighton trio CLT DRP, ‘Aftermath’ is a compelling exploration of the way we process generational trauma following sexual assault, and the internalised guilt and grief that blurs our reactions in its aftermath. It’s a heavy but important listen, that sees vocalist Annie pushing through uncomfortable truths, finding new ways to relate to and process this generational trauma. It’s a powerful listen, and one that will resonate with many GIHE followers. The band have released the single on a 7” vinyl, with the B-side featuring a cover of the track by friends of the band The Big Moon. Order your copy here. (Kate Crudgington)

Miss Grit – ‘Like You’
Released to coincide with the news that they’ve signed to Mute Records, ‘Like You’ is the latest single from Korean-American, non-binary musician Margaret Sohn aka Miss Grit. The track is a magnetic musing, inspired by the film Ex Machina, exploring the conflicting nature of our inner voices. Miss Grit will be playing shows across Europe in October, and they will be playing in London at Amazing Grace on 1st November. (KC)

O Hell – ‘I Watch The Women’
The follow up to their previous releases ‘Down’ and ‘Untangle’, this new track from Brighton-based Lucy Sheehan aka O Hell is underscored by a quiet agitation, exploring the personal confines of imposed femininity. I’ve been repeatedly listening to it for the last month, consistently impressed by Sheehan’s steady vocal and their twitchy, mesmeric sounds. (KC)

Maria Uzor – ‘Solitaire’
We’re super excited to hear that Norwich based vocalist and producer Maria Uzor (also half of faves Sink Ya Teeth) will be releasing her upcoming new EP in December. And now, ahead of the EP release, she has shared this captivating new single ‘Solitaire’. Flowing with a luscious, swirling groove and gnarly beats, it builds with a shimmering, pulsating majesty to a gritty slice of euphoric electro-pop. Oozing her distinctive, spellbinding sweeping vocals, it’s a gloriously uplifting synth-soaked soundscape. (Mari Lane)

AGAAMA – ‘Blackbox Oracle’
The latest single from Birmingham-based artist, composer, vocalist & producer AGAAMA, ‘Blackbox Oracle’ is an intoxicating blend of enigmatic vocals, heady electronic beats and jazz-inspired instrumentation. Taken from her recent EP Wandering Worlds, the track explores our complex relationship with Artificial Intelligence, questioning whether we can live in harmony with the machines we have created. (KC)

Helen Ganya – ‘young girls never die’
Taken from her upcoming album polish the machine, which is set for release on 18th November via Bella Union, this single from Brighton-based artist Helen Ganya is super catchy. Inspired by her reaction to a graph that showed how a male celebrity continued to age, but his girlfriends stayed the same age, Ganya has taken this unsettling concept and dismantled it over glitchy beats, crystalline vocals and altruistic electronics. (KC)

Maury Blu, Peaches – ‘Vashti Part One’
Maury Blu sort of says it all on her Instagram profile: “Recording artist, Prophetess of God & Bad Bitch in General,” LOVE IT! Then throw some Peaches into the mix…absolute gold. (Tash Walker)

Big Joanie – ‘Confident Man’
I’ve said this before, but is it even a GIHE playlist if we don’t include a Big Joanie track? The black feminist punk trio have shared this buzzy new offering ahead of the release of their second album, Back Home, on 4th November, which vocalist & guitarist Steph says is inspired by an essay in Jia Tolentino’s book Trick Mirror, which is about “scam culture and how everyone’s obsessed with con men and their stories.” Steph, Chardine & Estella kindly joined us for a chat about their new music on our most recent Soho Radio show, which you can listen back to here. (KC)

Zahra Haji Fath Ali Tehrani – ‘Waiting’
Whilst you may have come to know her under the moniker of Despicable Zee, Oxford artist Zahra Haji Fath Ali Tehrani has now decided to use her own name for her innovative solo creations. Taken from her upcoming new EP, latest single ‘Waiting‘ showcases Tehrani’s ability to create sweeping, ethereal soundscapes with a shimmering raw emotion. As unique swirling layers of instrumentation are interwoven with crystalline vocals, it’s a beautifully stirring percussion-driven ballad. (ML)

Amaroun – ‘Brown Skin Beauty’
October is Black History Month in the UK, with the theme this year of ‘sharing journeys’. This amazing song, a favourite of mine for so long now, is all about her experience of being Black and queer, and it is now the soundtrack to a podcast I’ve been working on with the wonderful Marc Thompson. He created an Instagram photo archive called Black and Gay, Back in the Day, which we’ve turned into a podcast of intergenerational conversations between younger and older Black Queer people all about the photos from the archive. Check out more wherever you get your podcasts, and the Instagram account Black and Gay, Back in the Day to see the amazing photos the series centres around. (TW)

Perera Elsewhere – ‘Who I Am’
Perera Elsewhere’s latest single, taken from her recent album Home, released via Friends of Friends. Of the song she says, “We are many people inside one person…our ancestors, present and future and a whole bunch of brainwashing, marketing, conformity, institutionalised religion and an almost branded rebellion against those things.” Perera continues: “The internet is a catalyst and a centrifuge. Thus the ongoing question of ‘Who I Am’ remains: a journey to get to the core of yourself even if your self is a construction in itself. This journey straddles individuality, identity and the simulation of spirituality and authenticity, all ideas/things that the post-materialist societies are obsessed with…” and what a beat on this track too. (TW)

Connie Constance – ‘Mood Hoover’
I cannot get enough of Connie Constance’s voice on her latest single! ‘Mood Hoover’ is such an on point way to describe someone too. (TW)

Coco – ‘Rough Water’
Formed in 2019, Coco is a collaborative project consisting of Maia Friedman (The Dirty Projectors), Dan Molad (Lucius), and Oliver Hill (Pavo Pavo). The first single since the release of their self titled debut album last year, ‘Rough Water’ fizzes with whirring hooks and an anthemic energy as luscious harmonies flow. An instantly catchy offering, propelled by a colourful groove reminiscent of uptempo ‘70s psych-pop hits. (ML)

Teri Gender Bender – ‘The Get Up’
I saw Mexican-born artist Teri Gender Bender live at Moth Club when they were fronting Le Butcherettes a few years ago, and I was dazzled by their natural stage presence. I’m new to their solo work, but it brims with Teri’s eccentricity and warmth, whilst remaining a little obscure – the dream combination. ‘The Get Up’ is taken from Teri’s upcoming EP, SATURN SEX, which is set for release on 21st October via Clouds Hill. (KC)

Ghost Car – ‘Selfish, Spoiled’
The latest single from London-based international band Ghost Car, ‘Selfish, Spoiled’ is a reflection on how hard the music industry can be for people from working class backgrounds. Propelled by a fuzzy allure, it oozes all the quirky charisma and swirling, synth-driven sounds we’ve come to know and love from the band. Juxtaposing the distinctive honey-sweet with a gritty, haunting aura, it’s a glorious slice of whimsical post-punk. Truly Trash, the debut album from Ghost Car, is out 28th October via One Little Independent Records (ML)

Jemma Freeman & The Cosmic Something – ‘Easy Peeler’
Ahead of the release of their second album next month, GIHE fave Jemma Freeman and the Cosmic Something has shared an earth-shattering new single. Propelled by a frantic energy, ‘Easy Peeler’ blasts into the ears with a soaring, raw power. Oozing a frenzied, psychedelic fury as it rages against the horrors of this patriarchal society, it’s a sparkling slice of majestic glam-rock. Miffed, the upcoming album from Jemma Freeman and the Cosmic Something, is out on 25th November via Trapped Animal Records. And make sure you catch them live playing for us at The Victoria on 14th October with support from KIN and Trouble Wanted – tickets here. (ML)

Grandmas House – ‘Body’
Full of candid vocals, cathartic lyrics and boisterous riffs, I love this track from GIHE faves Grandmas House. Speaking about the track, the Bristol trio explain ‘Body’ is “an anthem for anyone that’s ever felt uncomfortable in their own skin,” which I’m sure will resonate with many of our followers & listeners. (KC)

Brutus – ‘Victoria’
A cathartic reflection on teenage angst, growing up, and the solidarity that comes from facing up to these inevitable parts of life together, I love this single from Belgian heavy trio Brutus. Lifted from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, I’ve been listening to it on repeat in anticipation of their headline show at The Garage in November. (KC)

A VOID – ‘Newspapers’
Two parts French, one part English, London-based A Void have recently released their new album, Dissociation. Taken from the album, latest single ‘Newspapers’ builds with the gritty scuzz of jangly guitars alongside rich, soulful vocals, as thrashing beats race with a fierce energy reminiscent of early Garbage. (ML)

Bikini Kill – ‘Double Dare Ya’
The Get In Her Ears website turns FIVE this month! I thought I’d celebrate by adding a Bikini Kill classic to our October playlist, because they’re a band who inspired us to create the Get In Her Ears radio show back in 2015, and then to grow the platform into a full website and live night too. It’s a privilege and a pleasure to work with two of my best friends Mari and Tash, and to share the work of so many talented musicians on this website. Thanks to everyone who has engaged with our corner of the internet so far. We’re always open to expanding our writing team, so if you’d like to get involved – even if you have no previous writing experience – please drop us a line. Contact details here. (KC)

New Pagans – ‘Better People’
Far removed from the righteous fury of the songs that formed their debut album, The Seed, The Vessel, The Roots and All, but still brimming with a strong social conscience, ‘Better People’ is Belfast-based band New Pagans’ ode to pushing through collective doubt, and veering towards hope instead of despair. (KC)

The Hyena Kill – ‘Cauterised’
I caught The Hyena Kill supporting Holy Fawn at 229 recently, and their set reminded me why you should always turn up early to see the other acts that are on the bill. Their heavy, bruising sounds thundered through the venue, commanded by drummer Lorna Blundell’s knockout percussion. Definitely catch them next time they’re in town. (KC)

Softcult – ‘One Of a Million’
I’m so glad that Canadian twin sibling duo Softcult are back with this lush, swirling new anthem. Urging listeners to recognise that “we are all more the same than different”, ‘One Of a Million’ is another atmospheric, bittersweet offering from the pair that’s perfect listening for the darker Autumn nights ahead. (KC)

th’sheridans – ‘Luka’
The latest single from indie-pop duo th’sheridans, ‘Luka’ is a cover of Suzanne Vega’s 1987 poignant country-pop classic. Whilst maintaining all the heartfelt twinkling emotion of the original as it tackles the song’s affecting theme of child abuse, it also oozes a unique fuzzy musicality and a beautiful lillting grace. (ML)

Roller Derby – ‘Only You’
Having first fallen in love with Hamburg-based indie trio Roller Derby when they supported Lunar Vacation live at Moth Club earlier this year, I was super happy to hear they had a new single out last month. Oozing a blissful allure, ‘Only You‘ flows with lilting hooks and the honey-sweet vocals of Philine Meyer as it builds with a shimmering, uplifting grace and Twin Peaks-esque eerie undertones to a truly euphoric soundscape propelled by a vibrant ’60s surf-pop energy. ‘Only You’ is out now via Practise Music. (ML)

Knife Girl – ‘Never Let Go’
A hazy, euphoric tune that meanders through early memories of a new love, this is the latest single from Finland’s Knife Girl. The track is lifted from her new album Uniform, which is described as “a mature summation of her sonic endeavours thus far.” Written when she was struggling with gender dysphoria whilst living in Japan, it’s a genre-spanding celebration, and acceptance of her new identity. (KC)

Jessica Winter – ‘Choreograph’
Jessica Winter’s gloomy girl banger ‘Sad Music’ got me through lockdown in 2020, so I’m thrilled to see she’s back with this majestic new alt-pop tune. I fully endorse dancing in the rain to it like she does in the accompanying video too, which you can watch here. (KC)

Husk – ‘Crush’
A catchy, danceable ‘tranthem’ of self-love, ‘Crush‘ is the latest single from Manchester queer artist Husk. A call to go against society’s expectations and love yourself, it’s propelled by vibrant beats and a colourful, ’80s-reminiscent groove; a glistening offering oozing all the uplifting vibes and shimmering energy needed to dance together in unity. (ML)

The Go! Team – ‘Divebomb’
Eighteen years after their debut LP, total faves The Go! Team have now announced a brand new album. Taken from the album, ‘Divebomb’ is an ode to Pro Choice activism, offering a perfect blast of colourful energy. Fizzing with frenzied layers of instrumentation and a racing drive, it’s an utterly joyous dose of sweeping euphoria. Get Up Sequences Part 2, the new album from The Go! Team, is set for release on 3rd February 2023 via Memphis Industries. (ML)

TSHA, Clementine Douglas – ‘Dancing In The Shadows’
This is song is SO GOOD, I can’t not move when I hear it! I hope it has the same impact on you too. (TW)

PREVIEW: Sounds Queer: Rehearsing Utopia – An All Night Music Queertopia

Ahead of its second event this Saturday 17th September at Rich Mix, Ellie of Sounds Queer has told us about all they stand for and what to expect from the event. Have a read, and join in the fun tomorrow!

Sounds Queer is an innovative live music showcase spanning genre, expression and identity. The event will champion diverse voices and sounds from the LGBTQIA+ community, whilst providing a safe space for audiences within it.

Despite London being a cultural hub for both music and the queer community, there are few live music nights whose priority it is to provide a platform for LGBTQIA+ artists. In addition to this, there is a lack of truly inclusive events, gigs or venues for emerging music that caters to the specific needs of the community. Run by music lovers and queer creators, we aim to provide a platform for those artists as well as a safe space for the community to discover and support them.

For our next event, we are excited to announce we have partnered with the wonderful team at Rich Mix for a show called Rehearsing Utopia – An All Night Music Queertopia, this Saturday, 17th September 2022! 

A night dedicated to the celebration of queer live music, Queertopia is about giving a much-needed space for the creation of a queer live music utopia where audiences and performers alike, from the LGBTQIA+ spectrum, can enjoy, celebrate and connect around queer music and creativity. We will be launching our new season with an all night music extravaganza with the one and only Nimmo announced to be headlining.

The evening will be hosted by London’s undeniably talented and multi-faceted drag queen Barbs, who will also be giving us an extra special solo performance ahead of Nimmo’s set. Also supporting will be Amaroun (a GIHE fave!); a triple threat multi-instrumentalist, producer and songwriter with warm silk-like vocals that make kaleidoscopic alt-r&b. Our very own co-founder Toby Corton will also be supporting; a “charismatic queer cockney creative” who describes his sound as “a modern British take on neo-soul built on a foundation of frank queer storytelling”. We will also have the unreal DJs Bestley and D’vey taking us into the early hours with their wonderfully woozy soundscapes.

We are so incredibly proud of how far we’ve come since our first event in March and we are so excited about what’s to come. Watch this queer space!

It sounds right up our street! Nab your tickets here and check out an awesome playlist featuring the artists who’ll be gracing the stage tomorrow here.

PLAYLIST: August 2022

The Get In Her Ears team have put together another eclectic mix of electronic sounds, guitar anthems and indie tunes for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Halina Rice – ‘Helix’
What do I love more than dreamy songs full of feelings? Obscure electronica! This track is a big slice of it. It comes from London-based artist Halina Rice, who has announced a new album, Elision, which is set for release on 30th September. This track ‘Helix’ fuses natural and analog sounds together in order to evoke a place that don’t exist – a parallel world. LOVE IT. (Tash Walker)

Nameless Twin – ‘My Eyes Went Black’
I’m obsessed with this debut single from industrial/electronic duo Nameless Twin, aka Alicia Rei Kim and Ryan Osterman. It’s shadowy, heavy, but delicate in places too. Osterman is also in a band called Holy Fawn, who I’m going to see live at the end of September. ‘My Eyes Went Black’ is available to download for free on bandcamp now. (Kate Crudgington)

Obli – ‘Hei’
This is my absolute favourite song at the moment, no words will do it justice! Just please kick back and bathe in its beauty. (TW)

Connie Constance – ‘Till The World’s Awake’
An indie-dance track of her dreams, I feel ya Connie! This is taken from her new album, Miss Power, which is due on 4th November. ‘English Rose’ has still got to be one of my fave songs of 2019. (TW)

adults – ‘things we achieve’
Having charmed us playing live at our sold gig at Sebright Arms last month celebrating/comiserating Charmpit’s last ever London show, South London band adults are fast becoming firm favourites. With this latest single, they reflect on the pressures of living in a capitalist society with their trademark irresistibly blissful, catchy musicality and fuzzy, frenetic drive, with shades of the joyous, danceable allure of Los Campesinos. for everything, always, the upcoming debut album from adults is out in October via Fika Recordings. (Mari Lane)

Big Joanie – ‘In My Arms’
Is it even a GIHE playlist if we don’t include a Big Joanie track? This is the latest single from the trio, taken from their upcoming second album, Back Home, which is set for release on 4th November via Daydream Library Series/Kill Rock Stars. I can’t wait to hear the record in full. (KC)

BRUTUS – ‘Liar’
The latest single from Belgian heavy trio Brutus. Taken from their upcoming third album Unison Life, which is set for release on 21st October via Hassle Records/Sargent House, ‘Liar’ is a heavy lament that criticises the lies we tell ourselves in order to keep a false sense of calm. I’ve been stomping around to this all month. (KC)

Scrounge – ‘HIT’
GIHE favourites Scrounge are back with this belter of a new single, taken from their upcoming debut mini album Sugar, Daddy, which is set for release on 9th September. We’re big fans of everything that Lucy & Luke create and I reckon Mari would book them for every GIHE gig if she could, but you can catch them playing live in East London at Dream Bags Jaguar Shoes on 7th September. Pre-order their upcoming album here. (KC)

The Dead Zoo – ‘Do Clean / Do Dirrrty’
London garage-rockers The Dead Zoo have returned with this gritty new single. Speaking about the track, the band explain: “it’s about seeking that unknown place where you can find yourself…this paints a visceral sense of hitting the road, living outside of the law.” (KC)

Deux Furieuses – ‘Know The Score’
The poignant new single from GIHE faves Deux Furieuses, ‘Know The Score’ is an immense, raging anthem confronting society’s failure to properly protect women and marginalised genders from violence. Challenging the patriarchy from the off, the track hits you with its potent, riotous energy and fierce, colossal musicality as the all-too-resonant refrain “say her name” echoes with eerie timelessness. (ML)

Electric Pets – ‘That Way’
The latest single from Electric Pets, ‘That Way’ is a perfectly scuzzy anthem of self love; a two fingers up to society’s expectations of what we should be. Showcasing Emma Buckley’s raw, impassioned vocals, it builds with a fierce emotion to a catchy slice of garage-infused rock. (ML)

Miss Kill – ‘All You Gotta Do’
The latest single from alternative duo Miss Kill, taken from their debut EP Don’t Tell Me Twice, which is set for release on September 16th via AWAL. Described as a song about “feeling completely intoxicated, vulnerable and needing someone to to care, but they are refusing to,” ‘All You Gotta Do’ is full of bittersweet vocals and heavy reverb, reflecting the clouded head space that inspired it. (KC)

A.A. Williams – ‘Golden’
Another superb single from multi-instrumentalist A.A. Williams here. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, ‘Golden’ is full of her haunting vocals and shadowy sounds. (KC)

Beckie Margaret – ‘Untitled’
I am in love with Essex songwriter Beckie Margaret’s recent EP, CIAGA, Vol. 1. Released via Cool Thing Records, it’s an intuitive, tender collection of songs that genuinely had me in tears when I was writing the review. Beckie’s voice and affecting lyrics dismantle me every time. Please, please do check her out. This track ‘Untitled’ is my favourite. (KC)

Victoria Canal – ‘Swan Song’
The latest release from Victoria Canal, a Munich born, Spanish American who is proud of her identity as a queer, disabled, mixed-heritage woman. ‘Swan Song’ is a haunting and personal piano ballad, taken from her upcoming EP Elegy, which is set for release on 16th September via Parlophone Records. Enjoy. (TW)

Gemma Laurence – ‘Lavender’
The latest single from Brooklyn-based “Sapphic folk” artist Gemma Laurence, ‘Lavender’ is an empowering anthem for the queer community. Flowing with lilting melodies and heartfelt lyrics, it showcases the raw emotion Laurence’s vocals with a stirring, shimmering grace. Lavender, the new album from Gemma Laurence, is out on 4th November via Better Company Records. (ML)

Ailbhe Reddy – ‘Shoulder Blades’
Previous guest on our Soho Radio show Ailbhe Reddy has shared this poignant new single. Her skill for capturing a moment – in this case the unique way the light defines her partner’s body – makes listening to her music such a bittersweet pleasure. (KC)

Seraphina Simone – ‘Milk Teeth’
GIHE fave Seraphina Simone – who for the beady eyed among you, may have seen her singing backing vocals and being part of Self Esteem’s dance troupe over the last year or so. This track is taken from Seraphina’s recently released EP of the same name, and of course we are huge fans. Seraphina will be joining us in the Soho Radio studio for our October show! (TW)

Hypsoline – ‘Space Babe’
I’ve only recently been introduced to Brighton band Hypsoline, but I just can’t get enough of this track’s gritty hooks and swirling, electro-tinged energy – all delivered with an immersive, scuzzy allure. And I cannot wait for Hypsoline to play live for us, supporting Currls at their London EP launch at The Shacklewell Arms on 1st December – get your tickets on DICE now! (ML)

Jadu Heart – ‘Cocoon’
The latest release from electronic duo Jadu Heart otherwise, known as Alex Headford and Diva Jeffrey. It’s been almost two years since they recorded their last record Hyper Romance. This latest single is dreamy stuff. (TW)

Jemima Coulter – ‘Dancing With Lara’
Having recently released their debut solo album, Grace After A Party, Bristol-based artist Jemima Coulter creates beautifully heartfelt folk-strewn offerings. I just love this track’s shimmering musicality and raw, heartfelt vocals; a stirring, emotion-rich dreamscape which reminds me of dancing with my wonderful flower person Lara at my wedding. (ML)

Wallis Bird – ‘I Lose Myself Completely’
Following the acclaim of 2019’s poignant Woman, Irish born/Berlin based artist Wallis Bird has now released her seventh studio album, Hands. Showcasing Bird’s unique, vibrant brand of alt-pop – combining fizzing ’80s-inspired blissful soundscapes with an empowering energy and stirring sentiment – it reflects heartfelt and resonant themes with a raw emotion, delivered through an uplifting, cinematic musicality. (ML)

Mega – ‘If Not My Heart’
Having received acclaim from the likes of BBC Radio 1, NME and The Independent, London-based artist Mega has recently released her new EP Colour Your World. Combining her influence of legends such as Amy Winehouse, Aretha Franklin and Nina Simone with inspiration from her Ugandan heritage, she creates instantly uplifting anthems oozing an exquisite heartfelt splendour. (ML)

Lande Hekt – ‘Backstreet Snow’
Though you may also know her from her band Muncie Girls, Lande Hekt’s debut solo album, Going To Hell, was one of my favourites of last year. Back with sparkling new single ‘Backstreet Snow’, she showcases her luscious vocals alongside perfectly jangly melodies and a heartfelt lyricism, creating stirring, emotion-strewn indie-folk. Lande Hekt’s second album, House Without A View, is set for release on 23rd September. (ML)

Sophie Jamieson – ‘Sink’
Sophie Jamieson, the new Bella Union signing who is set to release her album Choosing on 2nd December. ‘Sink’ is the lead single from the record, and Sophie is currently on tour across the UK check out her socials for those dates. (TW)