ALBUM: Anteros – ‘When We Land’

After putting it off for many years, I’ve finally learned to drive, and as every 27 (or 17) year old knows; a perfect driving album is key to any good road trip. Enter When We Land, the debut album from Anteros released via Distiller Records. It’s the perfect dream-pop companion to hit the open road with.

Since forming in 2014, the band have been making the rounds touring the UK with groups such as Two Door Cinema Club, Blaenavon, and White Lies. They hit up Glastonbury and Reading along the way, honing their disco-pumping rock. I love a band that waits a little while to put out their debut album, and just like driving, this album is well worth the wait.

Standout Tracks include ‘Honey’ – an absolute thumping ear-worm with a lovely, sticky, fuzzy-bee of a bass tone. If ‘Honey’ is the call, then ‘Afterglow’ is the superb melancholic response. This banger would sound at home on the Atomic Blonde soundtrack. It sounds like you’re trying to dance your troubles away in a Berlin club and don’t want to find the exit.

‘Drive On’, the lead single from the album, keeps this record steaming on, and I particularly love the exposed fragility of Laura Hayden’s vocal in the bridge. ‘Ordinary Girl’ is a slowed down power ballad to gesticulate to, the best part of which being the drop before the gargantuan chorus kicks in. If the rest of the album is a night out, then this is the crippling, reflective hangover. Actually, this track is the reason for the night out in the first place; there’s an underpin of heartbreak to this album, and ‘Ordinary Girl’ finally gives the listener some answers as to where this heartbreak came from.

If you’re a fan of Black Honey, Dream Wife or Goldfrapp; you’re definitely going to be interested in Anteros’ album. It’s a great debut from a hard-working new band and it’ll take them to all the right places. Grab your copy here.

Anteros UK Live Dates 2019
26/03 Banquet Records in-store, London
27/03 Rough Trade in-store, Bristol
28/03 Rough Trade in-store, Nottingham
07/04 The Waterfront, Norwich
08/04 The Joiners, Southampton
09/04 Scala, London
11/04 Mama Roux’s, Birmingham
12/04 Dryden Street Social, Leicester
13/04 Arts Club, Liverpool
15/04 Stereo, Glasgow
16/04 The Cluny, Newcastle
17/04 The Gorilla, Manchester
19/04 Bodega Social Club, Nottingham
20/04 The Key Club, Leeds

Mark Docherty

Track Of The Day: The Franklys – ‘Not Guilty’

‘Not Guilty’, taken from The Franklys’ upcoming new EP, is pure rock ‘n’ roll. The opening riffs hook you in and by the time the big, shout-along choruses and pure-pop harmonies hit, you’re having a full-on shimmy in your seat. Or at least I was.

Much like The Donnas or Joan Jett and The Runaways, ‘Not Guilty’ feels effortlessly cool and stupid amount of fun. It’s empowering, exciting and threatens to get stuck in your brain until the end of time.

The Franklys say they formed when Swedish Jen Ahlkvist and Fanny Broberg came to London “intent on carving out a vital new sound”. And if ‘Not Guilty’ is representative of the rest of their material, it feels like they’re doing just that. They’re really putting their own spin on macho garage rock, and I love it.

Framed, the upcoming EP from The Franklys, is out 5th April.

Victoria Conway

LIVE: Madison McFerrin @ Jazz Cafe, 08.03.19

With just a loop pedal and a small tablet, hidden behind the flowers looped around her mic stand, Madison McFerrin has got more stage presence than most four-piece bands. She’s got a gift for putting an audience totally at ease, switching up the pace between songs with chatty anecdotes about her school days and occasional self-deprecating humour.

Typically at the start of a gig, there’s a shift in the atmosphere of a room as the artist begins their set and the audience decides whether or not they’re on their side: this audience are instantly on Madison’s. Her songs develop seemingly from scratch, using the loop pedal to build increasingly complex vocal harmonies that, despite their soulful pop melodies, have a jazzy undercurrent of progression and improvisation.

She’s supported by new London artist Rahaven and R&B duo S4U, in an all-female line-up curated by gal-dem for International Women’s Day. Jazz Café usually does a great job of booking a diverse range of acts (as I recently grumbled about on Twitter, they were at the time of writing the only London venue to have booked a non-male act for Piano Day), and this collaboration with gal-dem is a master stroke. Hats off to them, and here’s hoping for more Jazz Café takeovers in the year ahead.

Apropos of not much, I’ll also mention here that it’s apparently one of the few venues in London where it’s still possible to vape indoors (a fact I’ve learned from my boss, Sam, an enthusiastic vaper): the DJ backing one of the support acts, keen to keep things casual, had a quick vape on stage in the middle of a song.

In my old age, I’m increasingly grumpy about weeknight gigs where the headliner doesn’t come on stage til after 9.30: it’s not very punk-rock of me I know, but I love an early bedtime. Madison McFerrin’s jazzy a cappella and witty banter are worth getting the last train home for, and that’s saying something.

Frances Salter
@goodcanarymusic

WATCH: Shana Cleveland – ‘Don’t Let Me Sleep’

For me, Shana Cleveland’s new single is something from another time in an alternate universe. ‘Don’t Let Me Sleep’, from her upcoming album, has shimmering guitar licks reminiscent of a desert wanderer. Layer that over Cleveland’s effervescent vocals and it’s a sterling performance of futurist folklore; a psychedelic vision explored in the music video that accompanies the track’s release.

With the vast palm-scattered soundscapes of her other project La Luz to influence her sound, Cleveland’s ‘Don’t Let Me Sleep’ is a sonic homage to the great guitar-wielding crooners of days gone by, with distinct shades of the likes of ‘Moon River’ and ‘Wichita Lineman’.

With this exquisite track as our first taste, it seems that Shana Cleveland’s first foray into a full-length LP is less of a dipping of toes into new waters, and more of a full body submersion into a warm oasis pool, the waves rippling into an infinite sea of ethereal sound and peaceful refrains. Night of the Worm Moon is already looking to be a serene reverie, and with influences rooted in the Afro-futurism of Sun Ra and cosmic consciousness, it may be the perfect score for a midnight journey through starlit desert.

Night Of The Worm Moon, the upcoming album from Shana Cleveland, is out 5th April via Hardly Art.

Luke Janke
@jankeleg

Photo Credit: Eleanor Petry

Track Of The Day: HAVVK – ‘If I Don’t Tell You’

Starting with a naggingly hypnotic but spiky guitar riff, ‘If I Don’t Tell You’ from London/Ireland/Berlin grunge three piece HAVVK is a perfectly taut, tension-fuelled track, which signals just how far the band have travelled in the past couple of years. With a post punk energy and urgency that is reminiscent of the likes of Charlotte Hatherley and Ex Hex at their immaculate best, this latest offering also echoes the likes of power pop bands such as The Go-Go’s.

The track dangles the potential of the live show at the listener like a promise, and is definitely one you can jump around your bedroom to. In terms of their forthcoming debut album, Cause and Effect, it promises great things, and if you are tempted to see the band live, they will be touring the UK throughout May so do check them out.

 

Cause And Effect, the debut album from HAVVK, is out 22nd November. Catch HAVVK live at the following dates:

2nd May – Oh yeah Music Centre, Belfast
3rd May – The Cumberland Arms, Newcastle
4th May – HATCH, Sheffield
8th May – Sneaky Pete’s, Edinburgh
9th May – Broadcast, Glasgow
11th May – Castle and Falcon, Birmingham
12th May – Magic Teapot, Leicester
16th May – Paper Dress Vintage, London
17th May – Zed Ally, Bristol
18th May – The Den, Bath

Cazz Blase
@CazzBlase

Track Of The Day: Ida Wenøe – ‘Another Kind Of Love’

‘Another Kind of Love’ is the new single by Danish Music Award nominee Ida Wenøe. She is a singer-songwriter blending spectral folk sounds with Nordic Noir, conjuring up a surreal landscape where the inner ghosts sing haunting tales of love and loss.  

The song has a simple arrangement with finger-plucked guitar, subtle harmonies and percussion. Its magic is in Wenøe’s clear cut voice, as sharp as a diamond, which to my ears is an instrument in itself, carrying the music with it. The harmonies and dreamy guitar pick up pace as she sings, complementing the song but not overpowering it.

“I have given all I had just to fall” – the loneliness is articulated and resolved as the song unfolds and the memories are left behind. Wenøe’s voice soars with emotion at the turning point, as echoing vocals reverberate on the contrast between hate and love; “I hate to hate, I’d rather wait on love.

Which will we choose…? Trust me, this captivating song will have you in tears by the end. Tears of love, tears of joy; tears at the sheer beauty of it. 

The Things We Don’t Know Yet, the upcoming album from Ida Wenøe, is out 12th April via Integrity Records. 

Fi Ni Aicead
@gotnomoniker