Interview: FemRock

Here at GIHE HQ we’re currently counting down the days to FemRock‘s DIY not-for-profit gig night in Brighton on 30th June. Kindred spirits of ours, they are all about putting girls to the front and promoting women in music. We caught up with FemRock to get the low down on what to expect this year, the meaning behind their manifesto and the artists they’re loving right now.

Hi FemRock!  Congratulations on your second annual female-fronted festival! FemRock is a PR company, so can you tell us a bit about how you began?  What inspired you to setup FemRock?
Thank you so much! So, FemRock began in February 2013 in response to a lack of women’s representation in the music scene. I’d grown up with a passion for going to live shows and eventually noticed a real lack of line ups that involved women, let alone bands that were fronted by women and especially bands fronted by women being higher on the line-up than an opening slot. I was sick and tired, and questioned why there was such a lack of diversity in these line-ups. At first I thought that maybe women weren’t as involved in music as men were, due to the sexist nature of the music industry, but soon discovered that it went deeper than that; women were involved in music but all male and male-fronted bands were prioritised. So, when I moved to Brighton I decided to create what I believed the music scene’s I had been involved in before were lacking. Thus FemRock was born!

And what kicked things off for the FemRock Fest last year?
By the time we decided to create FemRock Fest we had been running for 4 years. It was around this time that the lack of diversity in festival line-ups was in the spotlight, and I’d built up a strong team around me to run FemRock together. So rather than waiting for existing festivals to correct this problem, we decided to create our own festival with a line-up that showed just how many amazing bands had women members and frontwomen!

As part of the FemRock Manifesto you make an emphasis on being feminist, d.i.y. and unapologetically political – can you expand on these for us and what they mean to you?
Feminism runs through everything we do, as individuals and as a team running FemRock. It felt important to state that explicitly in our manifesto – not only are we creating spaces for women to make and share music, we’re also placing that within the broader world of activism and the significance of lifting up the voices of women and other oppressed groups. We invite feminist groups to display flyers and petitions at our events, and work alongside local campaigns whenever possible. At our festival we always fundraise for relevant causes and provide spaces for organisations to display their information and talk to attendees. We don’t shy away from our politics, and we work hard to ensure that an accepting and loving culture is created at FemRock for people of all identities while recognising that we are all learning and growing. We don’t tolerate hatred and harassment, and we hope that our girls to the front ethos helps to create a night where everyone feels safe, heard and can have a great time too.

Here at GIHE we have massive respect for all those D.I.Y. artists out there, so it’s great to see an organisation supporting them by putting so many of them on your line up!  A couple of our favs are on there – in particular Charmpit, Militant Girlfriend and The Baby Seals – how did you go about picking the bands for the final line up?
It was a combination of us approaching bands we’ve watched and admired from afar and inviting back bands who are FemRock favourites that we’ve worked with in the past. A festival is a great way of bringing together all those bands together to create one stellar line-up and we’re so excited to have them all on one line-up – we feel so spoiled to have them all!

How do you all feel about the general lack of female headliners at a lot of big festivals at the moment?  
I don’t think there’s any excuse for the lack of diversity or lack of adequate representation on big festival line-ups and I don’t think it’s good enough to make a promise of correcting this by 2020, as many festivals have pledged, when there are so many talented bands involving women out there right now and who have been there for a long time, and simply gone unnoticed. We have a long way to go, but hopefully we’ll get there soon.

The festival is not just about music either is it?  You’ve got 2 vegan food stalls and a feminist marketplace – can you tell us a bit more about that? 
We’re very fortunate to have Cactus Kitchen Gals and Vegasmic catering our festival! Cactus Kitchen Gals do super tasty vegan junk food which is the perfect festival-fuel! Vegasmic will be selling delicious vegan sweets and treats! Our feminist marketplace was a huge hit last year so we decided to do it all over again! The marketplace is held in the courtyard of the venue and is made up of stallholders selling artwork, illustrations and creations and community organisations and activist groups. We also have DJ sets outside throughout the day to give a real festival vibe.

Finally, as we’re a new music focused site, are there any particular new bands or artists you’d recommend we check out?
Some of our favourite bands that you’ve not already mentioned include Sit Down (YES! We LOVE them!), who are a Brighton-based garage-punk two piece whose frontwoman is also their drummer, she is a force to be reckoned with! We’re also HUGE fans of The Nyx, The Menstrual Cramps, Bloom, Jellie Rolls, The Great Malarkey and CLT DRP among SO many more. We could keep going forever…

Huge thanks to FemRock for answering our questions! 

Femrock’s second annual female-fronted festival returns to Brighton on Saturday 30th June at The Green Door Store. There’ll 10 female-fronted bands, 2 vegan food stalls, a Feminist Marketplace full of creatives and activists and outdoor DJ sets throughout the day. Ticket info here.

Full FemRock line-up:

The Baby Seals
Sit Down
Militant Girlfriend
Bitch Theme
Hussy
Charmpit
Hexmaze
Suburban Death Twitch
Gullsband
Quim Smashers

 

LIVE: Hilary Woods – St Pancras Old Church, London 11.06.18

Bitter sweet and deeply affecting, Irish multi-instrumentalist Hilary Woods‘ performance at St. Pancras Old Church provided a startling insight into her darkly ethereal debut album Colt, released via Sacred Bones on 8th June.

Stood behind her keyboard, Woods performed solo for most of her set with only projected visuals and a violinist to accompany her on a handful of tracks. Her achingly pure voice floated gently across the heads of her congregation, who sat listening in attentive, respectful silence.

Woods’ solo work is far removed from the alternative 90s sounds she helped to create as a member of JJ72. She’s clearly invested a painstaking amount of time and energy in assembling her new album, and the two EPs – Night (2014) and Heartbox (2016) – that preceded it. Perhaps that’s why she was so nervous performing, something she didn’t admit until the penultimate track, but she had no legitimate grounds to be on edge. Her recent singles ‘Inhaler’, ‘Prodigal Dog’ and ‘Black Rainbow’ were all mesmerising, even in their stripped back states.

Footage from her recent videos played out across the back wall of the Church, as Woods performed beautiful renditions of ‘Take Him In’, ‘Kith’ and ‘Limbs’, the latter standing out due to Woods’ clear, measured vocal delivery. Switching between keys and guitar with eas, Woods’ performance style was quiet and introspective, but its impact was one of powerful, all encompassing melancholy.

Whilst Colt is an album about grief, loss and abandonment, we left St Pancras Old Church awash with raw and unexpected emotion, feeling like we’d gained rather than lost something from Woods’ performance.

Photo Credit: Joshua Wright

Kate Crudgington
@KCBobCut

Get In Her Ears Live @ The Finsbury w/ The Menstrual Cramps, 08.06.18

Following a host of super amazing bands playing for us recently – including LIINES, Witch Fever, The Magnettes, H.Grimace, Ghum and Dream Nails  – we were back at The Finsbury on Friday for another jam-packed night of the best new music.

Kicking off the night, Bad Sidekick kindly stepped in to fill the shoes of Salvation Jayne who sadly had to pull out. But what a way to start the night: the trio absolutely blow us away. As charismatic front-woman Cooper Rose oozes her seething, Northern twang over immense, thrashing beats and raging riffs, I’m reminded of early Arctic Monkeys with a unique, gritty edge. New favourite band alert!

Next up Brixton’s Coltana bring their visceral energy to the stage, delivering their riotous punk-rock anthems. Propelled by frenzied, whirring hooks and the magnetic charm of Cat’s impassioned spoken word vocals, it’s a set filled with wit and infectious energy as the band treat us to their wonderfully ferocious offerings.

Penultimate band of the night, Weekend Recovery, draw in a loyal army of fans with their contagious energy and endearing warmth. Racing with uplifting hooks and the angst-driven power of front-woman Lori’s vocals, each track is an instantly catchy, perfect slice of punk-pop at its finest.

I’ve been waiting a long time to see headliners The Menstrual Cramps. and – on finally having the honour – they don’t disappoint. From the topical, tongue-in-cheek wit of tracks such as ‘Hashtag Sad Penis’ and the empowering, feel-good vibes of ‘Make Girls Feel Good’, to the immense, politically-charged force of ‘Frack Off’ and ‘Cull The Tories’, their fantastic, fist-clenching force never ceases. As Emilia leads the band with her uncensored, genuine, seething passion, The Menstrual Cramps give a welcome voice to the anger we’re all feeling about the way society’s headed. An intense outpouring of emotion, The Menstrual Cramps’ set combines activism with musical prowess, reminding us all why we need bands like this now more than ever.

Huge thanks to the four AMAZING bands who played for us on Friday. And catch us next month at The Finsbury on 13th July, when we’ll be joined by The Empty Page, MeMe Detroit, Jemma Freeman and The Cosmic Something and Jetstream Pony!

Words: Mari Lane / @marimindles
Photos: Em Burfitt / @fenderqueer

Track Of The Day: Noga Erez – ‘Bad Habits’

Tel Aviv renegade Noga Erez has 2018’s shortcomings in her interrogative spotlight in the video for brand new track ‘Bad Habits’. It’s a snarling tirade of anger spoken through gritted teeth, and it marks an exciting change in style since her 2017 debut album Off The Radar, released via City Slang.

“‘Bad Habits’ is written from a place where one feels they’ve lost all direction and meaning”, Erez explains. “2018, so far, feels to me like living in a place that continues to go down a sloppy road that leads to the loss of any core values that we have grown up with.” Erez exhibits an intense defiance in both her lyrics and her music. “I’m no-one / but who the fuck are you? / Huh?” she repeats, as the beats of her partner and co-writer Ori Rousso mutate into a gritty, truth-seeking anthem – culminating in Erez’s vicious “Fuck you!” at the close of the song.

Noga Erez is set to play an extensive amount of European Festivals this summer, so we recommend following her on Facebook to keep updated on dates and tickets.

Listen to ‘Bad Habits’ below.

Kate Crudgington
@KCBobCut