INTERVIEW: Mykki Blanco

Mykki Blanco really doesn’t need any introduction from us. We’ve been massive fans of the queer pioneer and innovative artist for many years now; they’ve been a huge inspiration to the team and have dazzled us with their live performance more than once. So, we’re super excited that they’ll be releasing a brand new EP later this month. 

Postcards From Italia is set for release on 22nd September, and offers an instantly uplifting collection of colourful, danceable anthems. Fusing together influences ranging from Euro dance beats to Country hooks, we can’t get enough of the funk-fuelled energy and effervescent spirit that runs throughout. 

Fresh from celebrating Copenhagen Pride, Mykki spoke to our Tash Walker last month about the upcoming EP, how the music industry’s changed over the last decade, their queer inspirations and more. Have a read, and make sure you tune into our next show on Soho Radio on Monday 18th September to hear some of the chat there! 

We’re massive fans of you, and it’s an honour to have you speaking to us today! We obviously have quite a few questions for you, but we’d love to focus on your upcoming new record Postcards From Italia, which feels quite different from your previous albums. So, how are you feeling about its release?

So, Postcards From Italia is an EP – it’s only 15 minutes long! But sonically, it really continues the musical journey that started with releasing Broken Hearts & Beauty Sleep in 2021, and then Stay Close To Music, which was a very, very contemplative, very melodic record, in 2022. Most of the songs for Postcards From Italia, even though they’re upbeat, were actually recorded in that same kind of time period as those other two records, so it just really continues a very stark departure into kind of what my music sounds like now, and not what my music has sounded like for roughly the last ten years. I think if a musicologist were to note any markers on my sonic journey, there’d basically be the beginning of my career up until the pandemic, and then the pandemic kind of marks a very stark difference in not only the quality of my music, but just the sonic journey. And I just think that, for me, everything that I’ve come out with since 2020, has, has been like “this is my sound” – this is the music that I make, and less and less of kind of an ever winding journey. I don’t know. I mean, I guess there’’ll always be an element of a journey. But yeah, I think what I’m now creating reflects more how I really feel.

You’ve described this as your “Italian Cowboy Era” – can you explain?

I didn’t say that actually. I think someone from Pitchfork or one of the first music journalists that got the new press release kind of put their own spin on it after listening to some songs, and they said that, and then the record label said that and now people are saying that… Which I guess I’m okay with!

I think the label of “Italian Cowboy Era” maybe came from the lead single ‘Holidays In The Sun’ – the way in which my tone and cadence, and the way in which I delivered the lyrics, is a reference to country music – country music like over Euro dance production… And there are two other songs where I give a similar country western vibe, like ‘Magic On My Back’…  Wow, I get it, that’s why they probably said that! 

You got it. You reclaim it! 

I just reclaimed it. Not joking. I had not thought about that.

You’ve mentioned it already, but ‘Holidays In The Sun’,  the current single, is such a tune. I love the ‘90s dance vibe. The first time I heard it, I think in just the first ten seconds my head and my shoulders were moving away – it’s so infectious. And then magical. And ‘Magic On My Back’ was another one – it’s so sexy. It’s got this really sexy groove to it.

Thank you! I just wanted to release something upbeat – something really fun. So, I’m actually about to start grad school. I’m moving to Switzerland to do an MFA in Fine Art, because I want to focus on Environmental Humanities in painting. I’m really interested in ecology, but kind of like post colonial ecology. So, like ecological studies through Africa and Asia and South America, rather than through a Eurocentric lens – like environmental chronology. The programme is almost two years long, so I wanted to put out something fun before I start school, because once I start, I’ll have to have my head down to study! 

I also read that you didn’t start writing until you were 25. So, it’s interesting now that you’re going into this other phase of going to grad school and looking into art and ecology. Why is that do you think? Was it a conscious decision to start writing at 25? Or was it just the right moment, just something that you were you were drawn to?

It was really my first manager that pushed me into music. As a child, I lived in two places – I lived in the Bay Area outside of San Francisco, and I also lived in North Carolina. And I was just always naturally very drawn to theatre; I loved performing in front of people, and I also loved creative writing. Then, as a teenager, that manifested into me doing more theatre and I found out about performance art. But then I went to art college – well, I went to two different art colleges and dropped out of both, but still very much thought that the trajectory of my adult life would be centred in the art world. I thought I’d figure out some way of working as a contemporary artist and writer, but I never saw myself as a person who would go on to do journalistic writing. But, about ten years ago, I published a book of poetry, and one of the things I am really invested in doing this year, in grad school, is beginning to actually really write either a novel or (very) short story. But, back to your question! I thought I was very much going to have this trajectory as a contemporary artist in the traditional sense, and it was not until I met someone named Charles Damga, who owned a record label called UNO Records in New York, that I started to think more about writing. Basically, Charlie came to a few of my performances – I was doing these performances at different parties, and I was starting to release things online and, I guess for that time, it felt very original, on the cusp of something that people had not seen before. And I just remember, Charlie and I had this conversation where he said something along the lines of “I feel like you’re making music and you don’t know that you’re making music”, but I was still very much in this art world context about everything. And he asked me if I enjoyed songwriting, and if I’d ever considered working with producers, and I was like “I don’t know what a producer is…” So, he suggested giving it a try and pairing me with someone, and I was like “Sure”, and he linked me up with about four different producers and I started to understand that I can communicate certain ideas and together we could translate the production into a song. I didn’t really know what I was doing, I was just enjoying myself, but then over a couple of years I realised that, though I didn’t know how to produce in a traditional sense, I always know sonically the cornucopia of songs or influences that I want. And it was really this exercise in, not only growing in confidence with myself, but as a songwriter, that helped me understand that I could do it, even though I’m not ‘classically trained’ in composition or anything. It was also the community of producers in the community and other musicians that helped me reocognise that I had a talent for something, even though it was undefined. 

Looking back at your career, it’s been amazing! You’ve worked with some really incredible artists, but you’ve also clearly worked really hard to get where you are today, doing lots and lots of touring. How does it feel to you looking back over the years, to where you are today?

One thing I would say is that I’m very fortunate to have come along at the time that I did, because I don’t think I would enjoy the politics of being a brand new artist right now. I feel that with every generation that crops up every five or so years, there’s some select artists who really push the envelope sonically, through their imagery and aesthetics through their message. The universe seems to equip them in ways to persevere beyond whatever challenges the music industry, or society in general, might be placing on them. But I think there are a set of challenges right now for new artists which mean it’s just become harder; I would say it’s become harder for new artist to really make a living and to have a real quality of life. Even though I’ve experienced so much transphobia and homophobia, and had certain media outlets be so rude and inhumane to me at certain parts of my career, I think at that time many paradigms around being queer and being trans were being completely blown open. I was able to explore, or maybe come to terms with, my gender, maybe a path was widening that did not exist before. A true spiritual experience. 

I feel that, unless you were a musician during the last ten years involved in a certain kind of underground culture, maybe you wouldn’t understand this… But, from around 2012 to 2020, something happened where, because of the internet – things like Tumblr and Twitter, and the whole nature of social media – it really transformed and changed communities all over the world. People were able to say “Hey, listen to this indie / feminist / punk band / queer rapper”, and people were able to hear their music on the internet and book them. This created a network globally, where historically artists that would have really dwelled in the underground were able to have agency; to actually make money, to actually look forward. And that’s really important, and I don’t hear people talk about that enough. Sadly, with the pandemic, a lot of that has been diminished; and the effects of that are not completely over. There has been such a reduction in independent venues; a reduction in bookers and people who are willing to book independent underground acts. The network globally is still there, in a sense, but it has diminished. I really see now, again, the dominance of pop stars in a way that I saw it ten years ago, because pop stars are always going to be there. But in the last nine years, it seemed like music listeners were getting more invested in indie underground artists. And ok, your pop fans are always going to be your pop fans, but I’m seeing this dominance again of major label artists. And that kind of scares me, because it feels like we’ve gone back in time, and it’s such a shame because it felt like things were starting to really shift for artists at certain tiers that were not a part of the major label system. 

This comes back a bit to what you were saying about what you were experiencing within the industry – I remember I think maybe it was around, 2016, I saw the video of your days reciting the Zoe Leonard poem, ‘I Want A Dyke For President’, and it was just so perfect. It felt so powerful and apt to bring those words to life at that period of time. You’re an artist who is always pushing for people to see the world differently, I think. And I think sometimes I also think that when you’re queer, and you’re born into a world where you don’t make sense, you sort of have to break it down and build it back up in a way that you can then insert yourself into it. Which allows us, or some queer people, a chance to see the world so differently, and to think differently. And I’m really glad to have had that experience. But I wanted to ask you, who helped you to see your future when you were growing up?

Yeah, I feel like – even though it’s well intentioned – there is a very neoliberal need to commodify and kind of glamourise queerness. But I get it, because then it becomes or can lead to the celebrated education of queerness. But it sort of is like we’re only seeing the pretty people… When I look on Instagram, and I look on Twitter, I love seeing a trans male activist with 850,000 followers, and I love seeing all the trans women who are gaining accolades and I love it when I’m able to connect with other gender-nonconforming queer people who now have large platforms. But it’s still this thing where a lot of the people that shaped me are what you might consider ‘outlaw’ queer people; people that don’t necessarily live in the big cities, that may have existed through sex work, or through anarchist or more community networks. They are just being naturally gender nonconforming, and so much of society – even mainstream LGBTQ society – might find them unruly, or even unattractive. But it’s these people, my friends from these communities, that I would say have really nurtured the radical ideas that formed the foundation of my true virtues. 

When I think about specific people that you might know, there’s Brontez Purnell who I’ve known since I was 18. And I think Alli Logout from Special Interest is someone whose politics are on the money and I feel like whenever I’ve encountered them, they’re always giving me this nice, fresh perspective on something. Then there’s Ericka Hart, who I would consider an activist; she talks a lot about intersectionality, and her partner is trans. They just had a baby and so she talks a lot about this intersection of being black in America, and queerness.

 And, finally, I’d like to name one more – Munroe Bergdorf. I’ve known Munroe for a long time and she inspires and interests me. I’ve really followed her journey closely, and she does feel to me like an infiltrator, because she is able to slip into the mainstream, glamorous radar, but she knows her shit and she knows the real deal. No matter how glamorous she is, and no matter how many talk shows she goes on, I never hear her giving a palatable answer just for the sake of making the mainstream feel comfortable or better about themselves. 

Yeah, I met her about 10 years ago when she DJ-ed for this charity and LGBT helpline charity that I volunteer for, and it was just before she started to, like jump onto the platform that she’s on now. It’s been amazing to watch her, and she’s never faltered in her her views or her purpose – she is she knows who she is, and she knows what she’s going for. 

Okay, I’m conscious that I don’t want to keep you for longer than you have to! So, lastly, I see you’ve hit up a couple of dates across a number of European festivals over the last couple of months, and we’ve all seen you a bunch of times in London, at Southbank Centre and Village Underground when you played there, which was outstanding! We were left absolutely buzzing, like properly fizzing under our skin! So, has there been a particular event you’ve played that’s stood out to you over the years? 

It’s so difficult to answer this question because it’s been almost 11 years of so many different kinds of gigs… But I would say that, honestly, I can be in any room; it doesn’t have to be 1000 people, it could be just 400 or 500 people who are really engaged and watching me, singing the words back. I’ve had that big festival experience, and maybe one or twice in my career when that huge big room didn’t feel any less powerful than a smaller one. But when 400 or 500 people are just completely engaged in what you’re doing – sweating and pouring our hearts out into each other – it feels very special. I like to create a moment sonically and aesthetically, and when it all comes together cohesively, and people are engaged with what I’m doing, that feels good. Because I’ve been doing this long enough to know – I mean what is a career, but a string of continuous moments? 

Totally. I feel like that about archiving as well.  The lack of archives there have been past a certain point, and censorship and all of that sort of stuff. And so, you doing these things on an ongoing basis as an artist is so important. 

Thanks so much for taking the time to chat with me, Mykki. And, best of luck with the record!

Okay, thank you so much for having me. And big love to all of you out there!

Hugest thanks to Mykki for taking the time to chat to us! Their upcoming new EP, Postcards From Italia, is out 22nd September via Transgressive.

Photo Credit: Cecilia Chiaramonte

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PLAYLIST: August 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative tunes, guitar anthems, alt-pop gems and electronic sounds for your listening pleasure. Take some time to scroll through our track choices below, and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Human Interest – ‘Step On’
Following the success of previous singles ‘Mixing Paint’ and ‘Cool Cats’, and with recent acclaim from the likes of Steve LaMacq on BBC 6Music, East-London band Human Interest have now announced the release of an upcoming EP later this year. Combining a fierce post-punk drive with a fuzzy, lilting energy, lead single ‘Step On’ reflects on “appreciating the duality of yourself and your friends” and builds with an anthemic power to a swirling slice of infectious indie-pop. ‘Step On’ is out now via Nice Swan records.
(Mari Lane)

CLT DRP – ‘I See My Body Through You’
Following on from their incendiary anthems ‘New Boy‘ and ‘Nothing Clever, Just Feelings‘, this is the latest banger from Brighton feminist electro-punks CLT DRP. Taken from their upcoming second album, Nothing Clever, Just Feelings, which is set for release on 8th September via Venn Records, the track is a dynamic, corrosive rumination on objectification and how it can affect our own identity and self worth. By combining quieter verses with a blistering chorus, CLT DRP reflect the tumultuous emotions and lack of control that can come from feeling exposed and viewed through a skewed and restricting lens.
(Kate Crudgington)

Chroma – ‘Don’t Wanna Go Out’
Having just announced the release of their debut album, and with news of an exciting support slot with (my most watched band in the world) Foo Fighters next year, Welsh band Chroma are definite ones to watch right now, and so we couldn’t be more thrilled that they’ll be headlining our night at Shacklewell Arms next Friday! (8th September). To celebrate the news, they’ve shared ‘Don’t Wanna Go Out’, a fierce new single reflecting on feelings of FOMO and propelled by the band’s distinctive raw, relentless energy. An instant earworm that I can’t wait for East London to mosh along to very soon! Ask For Angela, the debut album from Chroma, is set for release on 20th October via Alcopop! Records. Nab tickets to see them live on 8th September along with wormboys and UrgentSea here. (ML)

Duvet – ‘Girlcow’
‘Girlcow’ is the latest single from Manchester post punks Duvet, who are gearing up to to release their split 7″ ‘Girlcow/Sweaty Dog’ on 29th September via Fear of Missing Out Records. I love their sleazy, chaotic sound on this track, which the band say is “a bit of fictional story telling about a confident cowboy pursuing a play girl bunny type character,” explored from both perspectives. (KC)

Gender Chores – ‘Dysphurious’
A reflection on coming out as non-binary – a subject that’s very close to Northern Irish punks Gender Chores’ hearts – ‘Dysphurious’ offers a truly uplifting dose of punk-pop, oozing a fierce colourful spirit. Filled with scuzzy hooks and a refreshingly honest lyricism, it’s an empowering ode to freeing yourself from the constrictions of conventional gender ‘norms’; an energising boost of confidence to be your true self in the face of adversity. (ML)

Femegades – ‘Depleted’
Following their debut EP Pornsick and last year’s ironically entitled Not All Men, punk-rockers Femegades are back with a gloriously riotous new single. Reflecting on society’s expectation on women to be – and want to be – perfect, happy mothers, ‘Depleted’ rages with a snarling energy and fierce, raw power. (ML)

ALT BLK ERA – ‘Misfits: SOLAR’
Combining jagged electronics and racing beats with their raging lyrics, genre-defying sister duo ALT BLK ERA have created another alternative statement of self autonomy on ‘Misfits: SOLAR’. Taken from their upcoming EP, Freak Show, which is set for release on 1st September, the track is a frenzied anthem fuelled by their antagonistic, youthful spirit. (KC)

The Dead Zoo – ‘Hoover Damned’
Having recently wowed us live at our last gig at Shacklewell Arms in July, London-based The Dead Zoo have now shared an uplifting new single. Propelled by a scuzzy energy reminiscent of brit-pop bands of the ‘90s, ‘Hoover Damned’ oozes catchy hooks and swirling harmonies, accompanying the sultry allure of front woman Kaoru’s gritty vocals. Of the track, Kaoru explains: “I wanted to write about a world where women are as free to make mistakes and walk away as men traditionally have…” Produced by James Aparicio, ‘Hoover Damned’ is out now via Rock Noir Recordings. Watch the new video here. (ML)

Deerhoof – ‘My Lovely Cat!’
Following the release of their 19th album earlier this year, I was lucky enough to experience the utter magic of legendary avant-garde sound creators Deerhoof last week. And when I say ‘magic’, I’m not exaggerating… The pure immense cacophonies they’re able to create are a spectacle to behold; their frenzied colourful energy like nothing I’ve ever seen. ‘My Lovely Cat!’ is probably my favourite track taken from the latest album (which is sung entirely in Satomi’s native Japanese), not only because of its cute, relatable title, but I just love its swirling sonic brilliance and joyous drive. Miracle Level, the latest album from Deerhoof, is out now via Joyful Noise. (ML)

HAVVK – ‘Expiry’
The new single from Irish based trio, and GIHE faves, HAVVK, ‘Expiry’ channels a seething raging energy, ‘Expiry’ reflects on society’s expectations of women to ‘age gracefully’, whilst giving a middle finger to these restrictions on how you should dress or behave. I just love how its fierce sense of urgency is propelled by the raw power of lead singer Julie’s distinctive celestial vocals. (ML)

Shaene – ‘june’
This melancholy song from Leeds-based songwriter shaene is lifted from her self-produced debut album, time lost / time regained, which is set for release on 1st September. The track is a reflection on her fluctuating relationship with their Dad, which she is reminded of on Father’s Day each year during June. As with her previous single ‘sad’, shaene filters these conflicting feelings through a soft, shoegazey lens, which makes for sad-yet-sweet listening. (KC)

GENN – ‘Calypso’
GIHE favourites GENN are gearing up to release their debut album, unum, on the 6th October, and this track ‘Calypso’ is lifted from it. The track showcases the truly versatile sound of the Brighton-via-Malta art-punk quartet, who totally blew us away with their live performances at The Great Escape Festival earlier this year. (KC)

Ideal Host – ‘The Resolution’
A tender, synth-led rumination that showcases the evolving nature of their sound, this is the third single from Ideal Host. Led by Heather Perkins and Sean Hughes – who are both former members of the band Slowcoaches – Ideal Host are dedicated to making music on their own terms. ‘The Resolution’ acts as a bookend to the band’s previous single ‘The Conflict‘, exploring the softer side of their brooding, intuitive songwriting. Ideal Host are currently writing and recording their full length album, which they plan to release and tour next year. (KC)

O Hell – ‘hard times’
The chorus to this O Hell track hit me right in sternum. Her direct lyrics, clear vocals and evocative electronics make for captivating listening. Speaking about ‘hard times’, O Hell explains: “What I wanted to say in the chorus is: get back to what love really is, ‘cus it’s way bigger and better than the bullshit possessiveness we’re told it needs to centre around. It might change state, it might morph between romantic and platonic, or everything in between – but fuck all the drama off, if you love someone, let that love take its course. It was always bigger than the first label you smacked on it anyway.” (KC)

Hinako Omori – ‘cyanotype memories’
A mood-lifting soundscape that offers listeners a moment of respite in an uncertain world, I love this single from London-based artist and composer Hinako Omori. Taken from her upcoming album, stillness, softness…, which is set for release via Houndstooth on 27th October, the track is an ode to surrendering yourself to the unknown and finding peace within that process. (KC)

Mint Field – ‘El Suspiro Cambia Todo’
Having just announced the release of their upcoming new album, Mexican psych duo Mint Field have now shared a dreamy new single. Flowing with a whirring, hypnotic grace, ‘El Suspiro Cambia Todo’ (The Sigh Changes Everything) offers a spellbinding soundscape, enchanting the ears with its glistening splendour. Of the track, the band explain: “Sighing is the desire for melancholy. It denotes that something is happening. Sometimes we just need to sigh to let go. Sighing is something we do unconsciously but it says a lot about what is going on inside our mind.” Aprender a Ser, the upcoming new album from Mint Field, is set for release on 27th October via felte. (ML)

Amaroun – ‘Dopamine’
Taken from her upcoming EP of the same name, which is set for release on 29th September, ‘Dopamine’ is the latest single from ‘GIHE favourite Amaroun. Inspired by “the minuscule euphoric moments that keep her ADHD brain hooked throughout the day,” this track oozes with Amroun’s trademark alt-pop style. (KC)

CHIKA ft. Charlie Wilson – ‘Can’t Explain It’
I’m a bit late to the party, but recently loved watching ‘Ladies First’, a short (not long enough!) docu-series on Netflix about and by women in hip-hop. As well as featuring a number of artists I already know and love – such as the legendary Queen Latifah and contemporary rappers Rapsody and Tierrra Whack – it also introduced me to a few that I’d not come across before. One of these was Alabama-born MC/rapper CHIKA, who spoke at length about her position as a queer woman in the industry. I just love her driving energy, gritty allure and refreshingly honest lyricism, and urge you to check out this celebration of queer black love, as well as her epic recent album Samson. (ML)

Mykki Blanco – ‘Holidays In The Sun’
I can’t get enough of the funk-fuelled energy and infectious uplifting spirit of the new single from pioneering artist Mykki Blanco. “A feel good summer anthem about lazy summer days swimming in the sea, hopping from one music festival to the next, feeling good about life and living la dolce vita soaking up the sun.”, its only negative is that it does make me quite desperate for a holiday in the sun myself… Mykki Blanco’s upcoming new album, Postcards from Italia, is set for release on 22nd September via Transgressive, and keep your eyes peeled for an exclusive interview with them on our website very soon! (ML)

Aderyn – ‘Distraction’
Reflecting on the restlessness one can feel during the summer break, ‘Distraction’ is the latest single from South Wales artist Aderyn. Propelled by shimmering hooks and a driving punk-pop energy, it showcases Aderyn’s honey-sweet vocals and ability to create instantly catchy, emotion-rich singalong anthems. Aderyn’s debut EP, Sea Glass, is set for release on 14th September. (ML)

Catherine Moan – ‘Jawbreaker’
Angel Jefferson aka Catherine Moan is back with this new single which marks a “new era” of her electro-pop project. ‘Jawbreaker’ is written from the point of view of “someone who feels replaceable, hard to love, and ultimately feels damaged by another’s actions” – all underscored by buoyant 80s-inspired synths and Catherine’s bittersweet vocal. (KC)

SOFT LAD – ‘The Human Condition’
“This song came as a result of the worst hangover of my life!” explains Sophie Galpin aka SOFT LAD about this single – respect to her for telling it like it is! The multi-instrumentalist, who also plays in Self Esteem’s band, encourages her listeners to treat those closest to us with kindness; all underscored by her buoyant beats, melodic riffs and clear vocals. (KC)

Cutty – ‘Overdrive’
This is the latest single from Hull-based duo Cutty, who formed after meeting at their local dive bar. Amy and Kev explain that ‘Overdrive’ is a crowd-pleasing favourite when they play it live at local gigs, so it made sense to record it and share it for everyone else to hear too. (KC)

Sirene – ‘Don’t Let Me Fall (Out Your Mind)’
With acclaim from the likes of Deb Grant on BBC 6Music, Yorkshire-born, London-based artist Sirene released her debut album last year, and has now shared a poignant new single. Reflecting on the desire to consistently do your best for the ones you love, ‘Don’t Let Me Fall (Out Your Mind)’ is a beautifully stirring ballad, showcasing Sirene’s distinctive rich vocals and an exquisite twinkling emotion. (ML)

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PLAYLIST: July 2023

The Get In Her Ears team have put together another eclectic mix of indie & alternative anthems, grungy guitar riffs, alt-pop gems, avant garde sounds and electronic tunes for your listening pleasure. There’s also a small tribute to Irish musician & activist Sinéad O’Connor/Shuhada’ Sadaqat.

Take some time to scroll through our track choices below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

 

Maria Uzor – ‘Ventolin’
Having just announced the release of her debut solo album in October, GIHE fave Maria Uzor recently shared this enticing taster. Propelled by a driving fierce energy and glitchy hooks, ‘Ventolin’ swirls with the sparkling allure of her sweeping hypnotic vocals. The PR says it “could well be the first ever electro banger aimed at asthmatics” and, asthmatic or not, I’m sure it’ll have you up and dancing to its majestic groove. We’re super excited about Uzor’s debut solo album, Soft Cuts, which is set for release on 13th October via Castles In Space.
(Mari Lane)

Coolgirl – ‘Silverlight’
GIHE fans will recognise Dublin-based artist Lizzie Fitzpatrick aka Coolgirl as the front person of grunge trio Bitch Falcon, but under her new moniker she uses electronics and synths to create vivid, sometimes ambient, sometimes upbeat sounds. After releasing a handful of singles over the past few years, she is now preparing to share a new EP via VETA Records, with this single ‘Silverlight’ being the first hint of what’s to come. It’s a synth-soaked exploration of the intense, transitory nature of infatuation, and a mesmeric blend of whirring synth textures, glitchy beats and a subtle, jagged vocal.
(Kate Crudgington)

Ghost Car (Dream Wife Remix) – ‘Basta’
Featuring remixes from the likes of Shamir, Du Blonde and The Dead Zoo, Ghost Car’s new remix EP of last year’s debut album, Truly Trash, Truly Trashed, sees the band recruit an array of artists to create unique renditions of their tracks. All funds raised will be donated to Mermaids, a charity doing vital work to support trans, non binary and gender diverse youth. Of this latest rendition of ‘Basta’, Dream Wife’s Alice Gough says: “With this remix, it was about taking a guitar band sound and flipping it over to a dirty, dancey, banger. I rebuilt the drums with deep sub beats, while the original vocals carry the mix through. Also, shoutout to Cher with ‘Believe’ for being the first mainstream POP track that used auto-tune. Her legendry vibe is present in this mix.” Buy and download the EP here. (ML)

Fever Ray – ‘What They Call Us’ (Nifra Remix)
I am so excited for this year’s Field Day festival in Victoria Park in East London, and not only is it down the road from me, the line up is on fire! With the likes of Arca, Art School Girlfriend, Anastasia Kristensen, Bibi Seck, Desire, Effy, Jayda G, Kelela, Sudan Archives…the list goes on and on. To add to the delightfulness of it all, Mary Ann Hobbs has curated the 6 Music Stage with an All Queen Special too. I’m particularly pumped to be seeing Fever Ray. The last time I saw them was in a heightened state of serotonin induced heaven, and they were incredible – not only is their music so boundary pushing, their performances are too.
(Tash Walker)

TSHA ft. Ell Murphy – ‘Bloom’
TUNE TUNE TUNE! I can’t wait to see TSHA live at Field Day. I will lose my mind, I guarantee it. 19th August 2023, see you there! (TW)

Thylacine – ‘Versailles’ (Ah! Kosmos Rework)
I’ve been a fan of Istanbul-via-Berlin artist and producer Ah! Kosmos for a few years now, so I was thrilled to see her rework of this track drop into my inbox. French producer Thylacine invited four musicians to remix songs from his 2022 album, 9 Pieces, a collection of tracks that were influenced by the different places he visited. This ‘Versailles’ rework is the result of his collaboration with Ah! Kosmos and it’s a relaxed, summery tune to soundtrack the season ahead. (KC)

Mary Lovett – ‘Drive’
This track from DIY artist Mary Lovett is a homage to 80s pop and the teen angst she felt throughout those years. I love this track, which is truly transporting. (TW)

Circe – ‘My Boy Aphrodite’
I’m such a big fan of London-based dark pop sensation Circe, so I was thrilled to have her as a guest on our Soho Radio show earlier this month. She spoke so openly and passionately about her new EP, Drawing Wings From The Light, and the inspiration behind this track. ‘My Boy Aphrodite’ is a playful exploration of desire and experimentation with gender boundaries, underscored by her seraphic vocals, dazzling electronics and lyrics that ring out with a deeply relatable sense of longing for love and acceptance. The whole EP is a rapturous collection of slickly produced tracks, on which she willingly shares personal epiphanies, unfiltered heartbreaks, precious teenage secrets and cell-shaping theatrical experiences with her listeners. I can’t wait to see her live again at The Windmill in Brixton on 21st September. (KC)

Lauren Auder – ‘The Ripple’
Lifted from her highly anticipated debut album, the infinite spine, which she shared earlier this month, ‘the ripple’ is a tenacious alt-pop gem that showcases London-based, French-born musician Lauren Auder’s distinctive artistic talent. Auder’s album is a potent, pop-drenched exploration and celebration of discovering your true self, and what it’s like being a trans woman in a world that increasingly tries to deny trans women the right to exist on their own terms. Described as “the monkey’s paw of having your voice heard,” ‘the ripple’ is Auder’s rallying cry “to accept, to be duped / to not grimace at the absolute”, a message that she fully delivers via racing, distorted electronics and cathartic screams that permeate the track’s chorus. I can’t get enough of it. (KC)

Jock – ‘Spoilsport’
I love this driving, potent punk anthem from Belfast-based queer band Jock – new GIHE favourites for sure! Orla from the band explains: “’Spoilsport’ is a punk song written in reaction to the ‘culture of silence’ surrounding sexual assault cases in Belfast” – we’re all about protest songs here at GIHE so we fully support Jock’s message. I’m looking forward to hearing more from them in the near future. (KC)

Slow Pulp – ‘Doubt’
Chicago-based four-piece Slow Pulp have shared this new anthem, lifted from their upcoming debut album, Yard, which is set for release on 29th September via ANTI-. The track is a hazy, relatable guitar tune that questions our need for validation from other people. Vocalist Emily Massey uses the song to explore these feelings, and how it can often feel safer to stay within a familiar negative space than to question and move forward in a new way. (KC)

congratulations – ‘Zeitgeist’
Lifted from their upcoming EP, Woo Hoo, which is set for release on 8th September via Bella Union, this is the latest banger from Brighton DIY band congratulations. I’ve reviewed one of their singles before on GIHE, but they were recommended to me by grunge trio HotWax when I interviewed them at The Lexington a few months ago. (KC)

Cherym – ‘Taking Up Sports’
Having fallen in love with Cherym over the last couple of years, and being lucky enough to see them live at Paper Dress Vintage as well as in Belfast as part of the Women’s Work Showcase last year, I’ve been very much enjoying the Derry band’s latest single. Coinciding nicely with the start of the FIFA Women’s World Cup, ‘Taking Up Sports’ exudes the band’s buoyant punk-pop energy and honey-sweet vocals with a sunny, uplifting energy. Of the track, vocalist & guitarist Hannah explains: “It’s an ode to the self-proclaimed stragglers who used to get their friends to forge notes for them so they could get out of double P.E, but it’s also a little nod to the WLW community and a reminder of the ridiculous lengths we’ll go to sometimes for the person we think is worth it.” Watch the video for ‘Taking Up Sports’ – in which the band take on Derry FC – here. (ML)

SEPARATR – ‘Directionless’
We featured SEPARATR on our radio show back in 2021, and the band have just put out a new EP, QUEEN ACE. This song is a flagship declaration of their contradictions, a song that started out as a piano ballad, but is now very much a pop punk anthem. (TW)

Queen Cult – ‘Blackhole’
Having blown us away with their immersive blistering energy live when playing for us at the Shacklewell Arms last year, Macclesfield band Queen Cult have now shared fierce new single ‘Black Hole’. Described by front person Maisie as “a song to myself… about the post break up slump. When you feel like the world is swallowing you up and there is nothing to hold onto because you’ve lost all sense of self. ” Oozing a roaring, cathartic rage, it’s an empowering anthem of self-love. (ML)

Scrounge – ‘Corner Cutting Boredom’
The GIHE team are excited that total faves Scrounge have a new single out, and it doesn’t disappoint. ‘Corner Cutting Boredom’ may start off with less of the frenzied energy of previous offerings, but it contains all the gritty allure we’ve come to know and love from the South London duo. Building with a stirring tension, it showcases the resonant raw power of Lucy’s vocals, alongside the thrashing yet articulate intensity of Luke’s beat-making. Of the track, they expand that it signals “the start of a new phase of the band – bringing in more texture, more of the industrial and electronic influences that we’ve always loved… but hopefully retaining the intensity and emotion that makes this a cathartic project to be part of.” ‘Corner Cutting Boredom’ is out now via state51 and is accompanied by a handmade zine featuring Scrounge’s friends from the South London scene, including Liv Wynter, Italia 90 and Amanda Tooke. Find out more and buy here. (ML)

English Teacher – ‘Song About Love’
I’m super excited to be heading to Deer Shed Festival this weekend and, amongst a fantastic looking line-up – including The Big Moon, The Delgados, This Is The Kit, Grove and Panic Shack – I think Leeds band English Teacher are one of the bands I’m most looking forward to seeing. ‘Song About Love’ is a total earworm, a wonderfully infectious ode to “doing the chores, instead of doing someone else.” I’m also pretty obsessed with earlier tracks like ‘R&B’ and ‘Mental Maths’. Have a read of our interview with Deer Shed’s festival director Kate Webster here. (ML)

Bleach Lab – ‘Smile For Me’
Bleach Lab’s single ‘Smile For Me’ is a shimmering, melancholic indie-pop tune inspired by the frustrations and fears around sexual harassment. Taken from the band’s upcoming debut album, Lost In A Rush of Emptiness, which is set for release on 22nd September via Nettwerk, vocalist Jenna explains the context of the single further: “Lyrically, This was one of the most empowering but challenging songs to write on the album. The theme for ‘Smile For Me’ is of my own experience of sexual harassment, as well as experiences I know far too many women suffer themselves. Something I hear so often as a woman in public is being told to ‘cheer up, love’, if I’m not immediately, positively responsive to an unknown person’s advances. It’s completely deflating, infuriating and humiliating. The lyrics are intentionally directed at the culprits and offenders, words I would be too afraid to say in the moment if not for fear of the reaction.” (KC)

Mumble Tide – ‘Kindest’
The accompanying video to this Mumble Tide track is Cute with a capital ‘C’! The Bristol-based duo say this song is about “those shady thoughts you try to lock up inside yourself, about feeling weird and scared and guilty,” and I think vocalist Gina Leonard’s clear, distinctive voice floating over Ryan Rogers’ gentle guitar twangs communicates that beautifully. (KC)

Joanna Sternberg – ‘I’ve Got Me’
I don’t think it’s an exaggeration to say that I have been completely addicted to the new album from New York artist Joanna Sternberg recently. Playing every single instrument you hear on the album, the collection showcases their ability to create rich tapestries of lilting folk-strewn sounds alongside stirring reflective lyrics, all brought together with their raw, impassioned vocals. It really is just exquisite. I’ve Got Me, is out now via Fat Possum. You can read an interview we did with Joanna on our website too. (ML)

shaene – ‘sad’
Taken from her self-produced debut album, time lost / time regained, which is set for release on 1st September, I love this bittersweet offering from Leeds-based songwriter shaene. It’s a dreamy, melancholic rumination on a dark and complicated time. shaene’s upcoming full length record is inspired by her own experiences as a trans woman, her neurodivergency and the depth of emotions that surround these aspects of her life. ‘sad’ touches on these themes and gives listeners a poignant first hint at what’s to come. (KC)

1000 Beasts ft. Zeenie Summers Sà.Rù.Mí – ‘Sun Valley Drive’
Another strong serving from 1000 Beasts, this time a bilingual track that combines both English and Yoruba featuring the vocals of Zeenie Summers SaRuMi an Irish/Norwegian artist. It’s full of sunshine – you can’t help but smile and sway to it! (TW)

Girl Ray – ‘Love Is Enough’
I just can’t get enough of the fizzing, disco-inspired energy and danceable allure of Girl Ray’s latest offerings, and I’m very excited not only for the release of their album, Prestige, on 4th August via Moshi Moshi, but to see them again live that evening at Rough Trade East! I was lucky enough to chat to Poppy, Sophie and Iris about the album, playing Ally Pally, being women in the industry and more. Have a read and pre-order their album here. (ML)

Supersaurus – ‘Electric Dreams’
Self described “non-binary fronted indie-pop girl band”, London-based Supersaurus’ influences range from MUNA to The 1975, and with acclaim from the likes of BBC Radio 1 and BBC Introducing, they’re really starting to hone their place as esteemed creators of sad-pop bangers. Reflecting on personal experiences and being part of the LGBTQ+ community, ‘Electric Dreams’ is an instantly catchy, sparkling slice of emo-tinged indie-pop, and I can’t wait to hear more of the glitchy, whirring energy of this band. (ML)

Phosphene – ‘Black Sheep’
This hazy, ethereal single from DIY Portland-based shoegazers Phosphene dropped into my inbox at the start of the month. It’s taken from their upcoming third album, Transmute, which is set for release later this year. ‘Black Sheep’ is also accompanied by a monochrome video which the band produced, edited and directed themselves. Watch it here. (KC)

1017 ALYX 9SM, Ethel Cain – ‘Famous Last Words’ (An Ode to Eaters)
One of my favourite artists Ethel Cain has written a song that’s inspired by the gorgeous film Bones And All, and unsurprisingly, I absolutely love it. A match made in heaven and peak Gloomy Girl territory for me. (KC)

And is Phi – ‘Double Pink’
And is Phi is a multidisciplinary artist from Norway and the Phillipines who now lives in South East London. ‘Double Pink’ is the title track from their debut album, which is set for release via Albert’s Favourites on 22nd September, and I cannot wait to hear it in full. (TW)

Hinako Omori – ‘foundation’
Hinako Omori was a live highlight for me at Brighton’s Great Escape Festival earlier this year, so I was thrilled to hear that she will be releasing new music soon. This track ‘foundation’ is a wonderful blend of her gentle vocals and atmospheric electronic sounds, that she describes as “a letter to ourselves on trusting our intuition and inner guidance to lead us along our unique paths.” Hinako will be sharing a more music later this year via Houndstooth and she’ll be playing live again at London’s ICA on December 2nd. (KC)

Tawiah – ‘Child’
I only came across innovative artist Tawiah a few weeks back when I saw them play Higher Ground Festival at The Roundhouse, alongside The Staves, The Orielles and Aoife Nessa Frances. Accompanied by six choral singers to deliver an immensely moving performance of last year’s Ertha – a concept album, chronicling our journey from birth to death – she delivered an utterly unique blend of alt-soul, gospel and R&B, emanating a sweeping majesty and deep spiritual resonance throughout, captivating the audience with a celestial splendour. (ML)

Oxbow ft. Lingua Ignota – ‘Lovely Murk’
I’m a big fan of Kristin Hayter aka Lingua Ignota, but I’m new to experimental band Oxbow, so listening to ‘Lovely Murk’ was a pleasant surprise. Created over a period of several years and inspired by Niko Wenner’s experience of losing his Mother to Alzheimer’s, it’s an emotive, eclectic composition heightened by Lingua Ignota’s powerful, choir-like vocal. This track is featured on Oxbow’s latest album, Love’s Holiday, which is out now. (KC)

Sinéad O’Connor – ‘Troy’
Tributes to Irish musician Sinéad O’Connor have been permeating our social media feeds over the past few days. What a talent, and what an unapologetically authentic artist. Lots of our followers have recommended watching Kathryn Ferguson’s 2020 documentary about her, Nothing Compares, which offers deeper insight into her activism, her spirituality, and her experiences of fame and fallout with the pop mainstream. Rest In Peace Sinéad. (GIHE team)

 

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PLAYLIST: Trans Pride 2023

Although we support and promote the queer community all year round at GIHE, we acknowledge Pride as a chance to celebrate LGBTQI+ joy and achievements, how far we’ve come, as well as a protest and the need to continue to push for acceptance. With this in mind, this year it felt more resonant than ever to highlight the Trans community. At a time when their rights are being further questioned and curtailed, we want to not only show our support and draw attention to the need for change, but to celebrate Trans Joy and creativity. Our co-founder Tash Walker expands:

We can’t ignore what is happening in the world right now when it comes to trans rights and inclusion, right the way down to our younger trans siblings. As public support for trans people feels ever questioned here in the UK, at Get In Her Ears we want to create a space that centres TRANS JOY in all its beauty, through the music we play. It can be so easy for our ears to focus on the hate and transphobia, but a moment to turn the volume up on the joy is so powerful and when you look for it, it’s everywhere. 

Only four months ago, when I was at the Brihanna Ghey vigil E J Scott a trans archivist was handing out packets of sweets, and saying “have a little bit of trans joy”. Recently I was interviewing Professor Stephen Whittle (co-founder of Press for Change who lobbied the Govt to bring about the Gender Recognition Act) – during that interview, I asked him what joy meant to him and he said “I feel trans joy, I really do” and it made us both smile so much. 

So let’s focus on and create the space to include trans voices because the global and UK negativity is so loud, but joy is always louder and lasts longer.  One of the biggest forms of ‘activism’ is to live your life as yourself (if you feel safe to do so), so we want to uplift and create a space for us to hear trans people and their joy. Hear that not only is there such a thing as trans joy but that if we all listen, as a society, push back to make that space bigger and bigger, until it becomes a part of all of our lives through acceptance and liberation, it will bring us all joy too. 

Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the transgender and gender non-conforming communities. So wherever you are, at whatever Pride you are supporting this summer, spread the word and make it known – equality is for everyone, but most importantly, trans lives matter, trans kids deserve to be trans adults. No-one is equal until we are all equal.

Our 2023 Pride playlist includes tracks by some of our favourite trans, non binary and queer artists, as well as a few songs voicing support/rage on their behalf. Read about our choices below, and then hit play for the perfect soundtrack for London Trans Pride weekend!

 

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on our GIHE radio show, included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the ’60s & ’70s, a time when being your true self was not always welcomed, or accepted. (Tash Walker)

Ma Rainey – ‘Prove It On Me Blues’
This 1928 song by Ma Rainey, who is unarguably the mother of blues, is possibly one of the first references to queer lesbian culture. Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT+ playlist. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I just love its poignant, soulful groove. (Mari Lane)

Beverly Glenn-Copeland – ‘Africa Calling‘
I have always loved Beverly’s music and I am so excited for their forthcoming album, this is the first new music we’ve had from them in 20 years. He is such an incredibly talented artist, a true icon. A Black trans electronic music pioneer! (TW)

Le Tigre – ‘Viz’
I can’t really put into words how life-affirmingly wonderful it was to see Le Tigre live at the Troxy last month, so I’ll leave my general gushing about that to another time. However, a particularly special moment of their set was JD Samson singing this – calling on queers of every kind to dance / march / rage in joyous unity to raise visibility, so that everyone can be free to live life as their true selves. (ML)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

Planningtorock – ‘Transome’
I have Tash to thank for introducing me to the sounds of Planningtorock. Watching them perform songs from their Powerhouse album at Southbank Centre back in 2019 was such a joyful and moving affair. Tash & I even joined in the stage invasion! This track ‘Transome’ is a total bop. It’s a sultry, playful celebration of what it’s like to truly be feeling yourself, and that’s what Pride is all about. (Kate Crudgington)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Mykki Blanco – ‘Free Ride’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and their music is just oh so gooooood. (TW)

HUSK – ‘Let’s Get Married’
The latest single from Manchester based trans masculine non-binary artist Husk, ‘Let’s Get Married’ offers a synth-soaked anthem, oozing a joyous groove and colourful uplifting allure. In HUSK’s own words, it’s a “sickly sweet, tongue-in-cheek tale ripped straight from a rom-com storyline of being hopelessly, head over heels in obsession after ‘all of 3 days’ of meeting your new one-true-love.” Donate to their top surgery revision fundraiser here.(ML)

Tokky Horror – ‘Toilet’
Electro punks Tokky Horror have a reputation for being a TOTAL force of nature when they perform live, and they’re dedicated to creating safe spaces to mosh for women and LGBTQ+ folks at their gigs. This track ‘Toilet’ is a blend of drum & bass beats, manic riffs and surprisingly vulnerable lyrics, inspired by producer Zee’s own experiences of finding their feet within queer activist scenes in music and further afield. (KC)

The Crystal Furs – ‘Gay Bar’
A catchy rendition of the Electric Six classic by Pacific Northwest queer indie poppers The Crystal Furs. Described by the band as a ‘sapphic tale of lust’, it’s the perfect addition to any dancefloor! (ML)

Touch Excellent – ‘Record’
This tenacious anthem from Touch Excellent takes aim at the failures of the healthcare system when it comes to treating women, non-binary and transgender folks. Fuelled by the Dublin-based band’s collective anger and own experiences, the track is a brief but powerful blast of attention-grabbing pop punk noise. Playfully self-describing themselves as “Ireland’s most transgender band (surely)”, Touch Excellent create raw, frenzied, politically-driven cacophonies that are designed to dismantle the systems that oppress us. (KC)

Chroma – ‘Woman To Woman’
An impassioned call to arms in support of all people of minority genders, I can’t get enough of Welsh rockers Chroma’s immense, fierce energy. Calling out those who call themselves feminists whilst actively oppressing others, it blasts out the poignant message that “Trans Women Are Women” with a searing urgency. I can’t wait for Chroma to headline for us on 8th September at Shacklewell Arms – catch them live before they hit the stadium opening for Foo Fighters next year! Tickets here. (ML)

Problem Patterns – ‘Terfs Out’
“LGB is nothing if not for the T / So show up with some real solidarity” – Belfast Riot Grrrls Problem Patterns hitting the nail on the head with this total punk banger. We love everything that the band represent and how vocal they are about supporting the LGBTQ+ community. Their most recent single ‘Letter Of Resignation‘ is all about celebrating queer joy and ally-ship, too. I can’t wait to hear both these tracks live again when Problem Patterns headline for us on Friday 17th November at the Sebright Arms. Grab a ticket here (KC)

Trap Girl – ‘Diva’s Inferno’ 
Fresh from signing to Kill Rock Stars, LA punks Trap Girl have just announced the release of their upcoming new EP, Diva’s Inferno – out on 14th July. Intent on bringing “visibility to what it is to be trans, big, brown and glamorous” (Candace Hanson, Razorcake Magazine), Trap Girl offer perfectly powerful raging anthems with an impassioned queer energy. Listen to the EP’s title track here (it’s only on Bandcamp, so we’ve included 2020 single ‘Transwomen and Chokeholds’ on our Spotify playlist). (ML)

Petrol Girls – ‘Fight For Our Lives’
Featuring inspirational activist and DIY punk Janey Starling, ‘Fight For Our Lives’ offers a resonant call to arms to reclaim control over our own bodies and unite in coming together to fight against the confines and dangers of this damaging patriarchal society and create a safer world for all marginalised groups. A raging cacophony fuelled by a riotous catharsis – as with every track on last year’s Baby album, it’s an utterly necessary listen from Petrol Girls. (ML)

Jemma Freeman & The Cosmic Something – ‘Huge’
Channelling the mindset of a child with ADHD, trying to make sense of a locked down world, ‘Huge’ is propelled by a chaotic energy, rippling with fizzing hooks as the swirling power of Jemma’s truly distinctive vocals soars. Building with a sparkling psychedelic allure to an immense, colourful cacophony, it showcases the raw emotive majesty that this innovative artist is able to create. (ML)

Ezra Furman – ‘Forever Sunset’
Taken from last year’s All Of Us In Flames album, this track exudes such a delicate grace and beautifully raw emotion that it gives me goosebumps on each listen. Coming out as a trans woman in 2021, Ezra Furman shared a picture of herself with her child, with the accompanying message: “I’m telling you I’m a mom now for a specific reason. Because one problem with being trans is that we have so few visions of what it can look like to have an adult life, to grow up and be happy and not die young. When our baby was born I had approximately zero examples that I had seen of trans women raising children. So here’s one for anyone who wants to see one. I’m a trans woman and a mom. This is possible.” (ML)

Bitch Hunt – ‘Identity Clinic’
It’s no secret that I’ve been a super fan girl of First Timers alumni Bitch Hunt for a few years now – I just can’t get enough of their gently empowering, cathartic energy and scuzzy punk-pop. This track seems particularly poignant right now, as trans youth are faced with increasingly long waiting times to access the healthcare and support that they urgently need. (ML)

Um Jennifer? – ‘Girl Class’
The brand new single from NYC duo (and fantastically named) Um Jennifer?, ‘Girl Class’ is a perfect slice of fuzzy lo-fi punk-pop. Of the track, they explain: “‘Girl Class’ was born out of craving community within trans girlhood. It’s about unbecoming and becoming; being molded by expectations of femininity. Ultimately, it’s the realisation that despite the noise, there is no one way to be a girl.” (ML)

Ethel Cain – ‘American Teenager’
This euphoric pop gem from Ethel Cain sits in contrast with her darker, more cinematic sounds, but I still love it. She’s such a sophisticated, altruistic storyteller, something which is perfectly showcased on her debut album Preacher’s Daughter. Everyone needs a bit of Ethel Cain in their lives. (KC)

Nina Keith – ‘Blow Up Yr Life (U Need To)’
A comforting, gentle reminder to let go of negativity and doubt, I love this soundscape from LA-based trans artist, producer and composer Nina Keith. Featuring the vocals of indie pop artist Barrie and composer and musician Qur’an Shaheed,  ‘Blow Up Yr Life (U Need To)’ is a considered, delicate blend of lilting electronics, fragmented voices and crisp production, all of which melt together to create an exquisite, emotive listening experience. “Lately the more I wear the turmoil of my life on my sleeve the more often I find myself in conversations with strangers and loved ones that reach a similar end,” Keith explains about the context of her track. “This song is sort of a small prayer in lieu of words I can never seem to speak in those moments. Divorce your husband, start an onlyfans, borrow friend’s hormones, take them for fun, sell your stuff, buy rare beanie babies with the money, whatever you have to do. There is only so much time left.” Love it! (KC)

Chuck SJ – ‘F2shapeless’ 
Chuck SJ and their full band The Rose Quartz Rebellion played for us supporting pink suits at The Shacklewell Arms last month, and it really was such an honour to host them. Uniting the crowd in a sense of euphoric queer joy, the set reflected on themes of Transness and finding your place in the world with a deep cathartic energy. This track stood out as particularly poignant – just listen to it for yourself and you’ll see what I mean. Truly heart achingly beautiful. (ML)

Anohni – It Must Change
‘It Must Change’, the beautiful first single from ANOHNI’s sixth studio album – a statement that we all should listen to in light of what is happening in the world, but specifically here in the UK when it comes to trans rights. Anohni has released this song under Anohni and the Johnsons, a nod to the origins of her music, the band named after LGBTQ+ rights activist and pioneer Marsha P Johnson. ‘It Must Change’ is a song with hope embedded for a better future. (TW)

Listen to our Pride Playlist below!

Follow GIHE on Spotify to hear all of our previous playlists too

 

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