PLAYLIST: January 2020

We’re two weeks in to 2020, and whether you’re keeping up with ‘Dry January’, venturing into ‘Veganuary’ or simply demolishing the leftover Christmas snacks; we’ve put together a list of brand new music to help with all of the above. Take some time to scroll through our track choices below, and make sure you hit play on the Spotify playlist at the end of the page.

 

Shopping – ‘Initiative’
Referencing governments who shirk responsibilities whilst placing blame on individuals; international trio Shopping’s new single ‘Initiative’ oozes a racing sense of urgency and gritty energy, whilst funk-fuelled beats and jangly, whirring hooks flow. Taken from the band’s upcoming new album, it’s a vibrant anthem encouraging us to stay motivated and keep going against the grain. All Or Nothing, the new album from Shopping, is out 7th February via FatCat Records. (Mari Lane)

Dream Nails – ‘Text Me Back (Chirpse Degree Burns)’
With their distinctive, raucous punk-pop energy; our favourite London Punk Witches Dream Nails address the anxious hell-scape that is 21st century dating on ‘Text Me Back’, and the excruciating pain of being left on “read”. With stomping beats, pounding bass-lines and immense riffs accompanying the fun-filled lyrics, it’s an instant smile-inducing anthem. Of the track, Janey from the band explains: “For those born beyond the M25, “chirpse” is London slang for flirting, and “chirpse degree burns” is our personal slang for the injuries borne from romantic misadventure. The song is a tribute to the gut-wrenching feeling of checking your phone every 5 minutes to see if your crush has replied.” ‘Text Me Back’ is taken from Dream Nails’ eponymous debut album, out 3rd April via Alcopop Records. (ML)

Party Fears – ‘Money’
I’m thrilled to announce I am now a contributor to The Irish Jam for their #NewMusicSunday slot, which airs on Riverside Radio on Sunday evenings 7-9pm. They focus on new music from Irish artists, so I played Party Fears’ latest single ‘Money’, as they’re formed of Northern Irish native Maggie Devlin, and Aussie Eilish Frawley. Their single ‘Money’ is a reflection on power, and how it isn’t always used for the greater good. It’s raw, it’s shouty, and it’s catchy as hell. (Kate Crudgington)

draag – ‘Ghost Leak’
A hazy ode to feeling inconsequential; L.A, shoegaze outfit draag have crafted a strung out, dreamy soundscape on their latest single ‘Ghost Leak’. The track is lifted from their upcoming EP Clara Luz, which is set for release on 21st February. (KC)

Post Louis – ‘Descender’
The new single from London art-rockers Post Louis, ‘Descender’ juxtaposes a dreamy, swirling musicality with soaring impassioned vocals. Oozing a heartfelt raw emotion, it’s a truly captivating slice of stirring alt-folk. Descender, the debut album from Post Louis, is out 28th February. (ML)

Xylo Aria – ‘Ignorance’
‘Ignorance’ is the eponymous track from London-based producer Xylo Aria’s latest EP; a collection of songs informed by the current environmental crisis, mental health issues, and the societal pressure she feels to conform. Aria also runs Music Production For Women, which is a fantastic initiative encouraging women to get involved in the production of their own music. Listen to the Ignorance EP in full here. (KC)

Madeleine Smyth – ‘Palmers Green’
Released by independent record label Scratched, London-based artist Madeleine Smyth’s recent EP Covert is a beguiling blend of soft vocals, ambient sounds, orchestral elements, and trip-hop inspired beats. ‘Palmers Green’ is one of four tracks showcasing Smyth’s ability to blend all of these influences seamlessly. (KC)

Aisha Badru – ‘Soil’s Daughter’
The new single from New York artist Aisha Badru, ‘Soil’s Daughter’ reflects on the need to protect our environment. Radiating a sparkling majesty and subtle, soulful power, it’s a truly beautiful ballad; a moving and sincere offering at a time when our world is literally burning, and things feel like they’re falling apart. Of the track, Badru expands: “This is me reflecting on the world, and this huge disconnect between us as a people, and us with the planet.” Transcendence, the upcoming EP from Aisha Badru, is out 7th February via Nettwerk. (ML)

Drea & The Marilyns – ‘Everything to Me’ (Lips Cover)
Loving this cover of Lips’ ‘Everything to Me’ by Drea & The Marilyns! I mean, I loved the original but I’m really enjoying this remake from the Seattle-based artist. Mix anything up with some electro-synths, and I’m yours. (Tash Walker)

Captain Handsome – ‘Halloween’
The second single taken from Lily from Fightmilk’s solo project Captain Handsome, the rather unseasonably entitled ‘Halloween’ flows with silky-smooth vocals and a twinkling, stripped-back musicality. With its delicate lo-fi scuzz and tongue-in-cheek relatable lyricism – “It was Halloween, I was 24, I had a bad time on the bathroom floor” – it’s a sensitive, yet not sentimental effervescent slice of indie-pop. I Am Not An Animal, the debut EP from Captain Handsome, is out 31st January via Reckless Yes. You can catch them live for us at The Finsbury on 14th February, along with Piney Gir, Grawl!x and I Am Her. (ML)

Fenne Lily – ‘On Hold’ 
I’ve been following Bristol-based songwriter Fenne Lily for a while now, and was lucky enough to have a chat with her for a recent feature on The Line Of Best Fit. This is the title track from her 2018 debut album, and I melt a little bit each time I hear it. She’s playing a (sold out) show at The Lexington on 16th Jan, and I’m looking forward to hearing some of the new material that will make up her second album, which is set for release later this year. (KC)

Ethereal UK – ‘Strange World Normal Girl’
This track literally landed in my inbox just before the winter break and I immediately added it to the playlist for the radio show. Just beautiful. (TW)

Asha Gold – ‘Too Good’
Asha Gold who champions self-confidence in R&B influenced electro-pop. Released at the end of last year, ‘Too Good’ is the West London artist’s current single, and it flows with catchy melodies, beats and an infectious chorus. Keep it up Asha. (TW)

Mavi Phoenix – ‘Boys Toys’
I’ve always been a fan of Mavi Phoenix, and had the opportunity to interview them a couple of years back now. I remember how they spoke so eloquently about equality and the importance of queer music in the world. Phoenix has found a home in their new sound and also in the pronoun “he”. This is all about Phoenix being reborn, which is what happens in the accompanying music video to this track ‘Boys Toys’, directed by Elizaveta Porodina, ‘Boys Toys’ is as important as an exploration for Mavi Phoenix’s gender identity, as it is for his artistic work. And on top of all that, it’s an absolute tune. Enjoy. Watch the video for ‘Boys Toys’ here. (TW)

tAngerinecAt – ‘I don’t want to be a white master’
tAngerinecAt are a non-binary duo originally from Ukraine, and now based in London. What an amazing track – the vocals, the heavy electronic based instrumentation, pedals, their self-defined “hurdy-gurdy” loops and those beats! I am so happy I know about this band, and I cannot wait to indoctrinate myself further into their sound. (TW)

Last Eden – ‘Fallen’
If you’re into 8 minute long pieces of obscure electronic drone music (why wouldn’t you be?), then multidisciplinary Irish artist Aileen Wallace – aka Last Eden – is worth a listen. She experiments and improvises with elements of industrial and ambient music to create unusual, captivating soundscapes. Working as both a producer and a sound artist, Wallace uses bespoke DIY microphones, cassette recorders, synthesizers, and an array of equipment from both the analog and digital worlds. Her recent EP Elysian Plain explores the mythology and the journey surrounding death. It’s intense, but definitely intriguing. Listen to the record here. (KC)

Track Of The Day: Dream Nails – ‘Text Me Back (Chirpse Degree Burns)’

Having been treating us to their riotous, empowering offerings for some time now, GIHE faves, Dream Nails, have now announced the release of their long-awaited debut album.

Taken from the album, new single ‘Text Me Back (Chirpse Degree Burns)’ oozes the band’s distinctive raucous, punk-pop energy, as they address the anxious hellscape that is 21st century dating and the excruciating pain of being left on read; that modern-day dilemma of seeing those two blue ticks and being ghosted by your crush. 

With stomping beats, pounding bass-lines and immense riffage accompanying the fun-filled lyricism, ‘Text Me Back’ is an instantly smile-inducing anthem from the sparkling, formidable force of these London Punk Witches. Of the track, Janey from the band explains:

“For those born beyond the M25, ‘chirpse’ is London slang for flirting and ‘chirpse degree burns’ is our personal slang for the injuries borne from romantic misadventure. The song is a tribute to the gut-wrenching feeling of checking your phone every 5 minutes to see if your crush has replied.”

Guitarist Anya adds:

“God only knows how rational, sensible, competent people can be reduced to quivering beasts in moments like this – yet no punk witch is safe. If you’ve ever been ghosted, allow yourself to manically wallow.” 

 
‘Text Me Back’ is taken from Dream Nails’ eponymous debut album out 3rd April via Alcopop Records. Dream Nails are currently supporting Anti-Flag on their European tour, and you can catch them live for their album lunch at Oslo, London on 23rd April. 

Mari Lane
@marimindles

Photo Credit: Chloe Hashemi and Emily Barker

Track Of The Day: Post Louis – ‘Descender’

With a wry yet curious instrumental progression, London Art-Rockers Post Louis shuffle their way into groovy ears with their new single ‘Descender’. Teaming dreamy folk guitar riffs with elusive vocals and a sense of reflection,the band host a dejavu-like experience with the title track of their upcoming album. 

“Hold tight to anyone…”, Stephanie Davin’s spiralling vocals echo across a trail of rummaging instruments. It is here where the desperation of ‘Descender’ begins to paint its melancolic display. The story of someone’s emotional survival dances across the entire track, taking shape in lyrics and a floating choir of string instruments.

Midway through the song’s duration, whispy strings, fading vocals and glossy guitar cultivate together resulting in a captivating whirlwind of emotions. The sensitive tension of the mix becomes its own ‘Descender’ and concludes the piece’s inward questions and audacious alt-folk sounds.

Ending in a fluttering dreamscape, ‘Descender’ tucks its listeners into bed with its soft runoff of strings and lullaby whispers.

‘Descender’ is a lively, transformative adventure that showcases the versatility and profoundness of Post Louisapproach to songwriting. And I’m sure the band have a brilliant new experience for their listeners in their anticipated debut album of the same name.

 

Descender, the debut album from Post Louis, is out 28th February.

Jillian Goyeau
@jillybxxn

Track Of The Day: Aisha Badru – ‘Soil’s Daughter’

Following captivating tracks such as ‘Bridges’ and ‘Splintered’, and 2018’s debut album Pendulum, New York’s Aisha Badru has now announced a brand new EP along with a poignant new single.

Reflecting on the need to protect our environment and looking back to our collective roots, ‘Soil’s Daughter’ is filled with an ethereal charm as Badru’s luscious, celestial vocals ooze a stirring, thought-provoking lyricism. Radiating a sparkling majesty and subtle, soulful power, it’s a truly beautiful ballad; a moving and sincere offering at a time when our world is literally burning, and things feel like they’re falling apart. Of the track, Badru expands:

This is me reflecting on the world, and this huge disconnect between us as a people and us with the planet…

Witness the exquisite sound of ‘Soil’s Daughter’ here:

Transcendence, the upcoming new EP from Aisha Badru, is out 7th February via Nettwerk.

Mari Lane
@marimindles

Photo Credit: Jeff Trapani

 

GIHE Ones To Watch 2020

Whilst 2020 may be looking pretty grim in the grand scheme of things at the moment, the array of amazing new music to look forward to is giving us hope… 

We’ve been introduced to so many fantastic bands and artists over the last year, but here we’ve selected just a few who’ve made a particularly lasting impression. Here’s our Ones To Watch 2020. Have a read and listen to the updated playlist on Spotify

LibraLibra
Having completely blown us away at our last gig at The Finsbury this month, and with an appearance on our radio show back in 2018, we’ve been massive fans of LibraLibra for a while now. With their immense dance-punk creations, the band ooze a unique dazzling magnetism, creating the colossal cacophony and overwhelming tribal power of tracks such as ‘Loverboy’ and ‘Tongues’. They’re truly unlike any other band I’ve come across, and with new releases on the way, I predict a big 2020 for the Brighton band.
(Mari Lane: Co-Founder/Managing Editor)

Sea Change
Norwegian electronic artist Sea Change (aka Ellen Sunde), sounds like she could be the introverted distant relation of Fever Ray. Her recent album Inside, is an impressive collection of instinctive, immensely enjoyable soundscapes that could fill busy dance floors, or soundtrack private moments of introspection in a dimly lit bedroom. I’m a big fan, and I’m hoping to catch her live in 2020.
(Kate Crudgington: Co-Founder/Features Editor)

Gold Baby
With a 2019 filled with line-up changes and a new sound, Gold Baby have charmed us on numerous occasions with their beautiful live set, and treated us to acoustic renditions of some of their songs on the radio show. Now, with a confirmed sparkly new line up, front woman Siân has been busy writing new material – offering some of the most dreamy, emotion-strewn creations you’ll ever hear, all held together with spellbinding, crystalline vocals. With a new single set for release in January, I can’t wait to hear more from the London-based trio in 2020.
(ML)

King Hannah
‘Crème Brûlée’, the debut single from Liverpool-based Hannah Merrick – aka King Hannah -, completely cast me under its spell on first listen, and has been one of my most repeatedly played earworms of 2019. With a sweeping, ethereal power and longing, impassioned vocals that flow with a majestic musicality, it’s just utterly compelling; a stunning introduction to the band who I hope to hear a lot more from in 2020. Although they’re just one single down, with already over 5000 streams on Spotify and a sound as captivating and original as this, I have a feeling that they’ll be enchanting many more ears over the next year.
(ML)

ARXX
Brighton power-duo ARXX have been on the GIHE radar for a while, and each time I see them play live, I’m blown away by their raucous guitar tunes and witty on-stage observations. Their headline show at The Finsbury for GIHE on International Women’s Day this year cemented to me that Hannah & Clara are a formidable, and incredibly funny pair of musicians who deserve to be propelled into bigger spotlights in 2020.
(KC)

Jemma Freeman and The Cosmic Something
Having released their debut album Oh Really, What’s That Then? earlier this year, via Trapped Animal Records, Jemma Freeman and The Cosmic Something have previously wowed us with the charismatic energy of their live show, and are swiftly becoming one of the most exciting bands on the London circuit. With their unique, soaring vocals and swirling, twinkling hooks, they create truly infectious slices of colourful psychedelia. Already counting Radio X’s John Kennedy as a fan, I predict that the distinct, vibrant sound of JFATC will be heard and loved by many more in 2020.
(ML)

Hurtling
With the release of their debut album Future From Here in October this year, Hurtling have already received acclaim from the likes of The Guardian and Louder Than War, and – on listening to their sun-drenched whirring hooks and sparkling psychedelic haze – it’s easy to see why. Fronted by Jen Macro (also of My Bloody Valentine), the band create fuzz-filled noise-pop anthems with an understated grit and sonic majesty. I can’t wait to catch Hurtling live for us at The Finsbury on 10th January, and to see where else 2020 takes them!
(ML)

Thanks to all the bands and artists who’ve got us through 2019, we can’t wait to see what you have in store for us next year. In the meantime, have a listen to all our highlights from the last twelve months, and our Ones To Watch for 2020 in our mega playlist here:

 

Mari Lane / @marimindles
Kate Crudgington / @kcbobcut 

EP: Tape Runs Out – ‘Talking Through Walls’

In a glistening manner, indie/electronic band Tape Runs Out take listeners down a lively new exploratory path in their newborn EP, Talking Through The Walls. Like cutting a crisp corner, the wind of the EP’s overturning tone provides a sense of urgency throughout this twinkling release that allows intricacy a spotlight, and quietness its space. In Talking Through The Walls‘ opening track ‘Make It Work’, the feeling of nostalgia is set for the record that stands parallel with the smell of untouched stories. With a shoegaze-strewn, dream-like element to the sonic landscape, Tape Runs Out lay out a bed of travel where moments of swelling synth and shiny guitar can be immortal. 

The freshness of Talking Through The Walls resides in Tape Runs Out’s ability to introduce folk sounds and timbres that ever so unexpectedly fit the band’s sonic language. ‘Ice Cream Soup’, found halfway through the release, bends in ways sounding both digital and analog as synths mimic a traditional guitar slide. There is a distinct and quirky charisma embodied in what Tape Run’s Out have stumbled upon here.

Ending the EP with lullaby-like elegance, ‘My Childhood Hands’ is an emotionally enduring mural painted with background samples that sound like home. As the pulsing keys initiate the song, here there remains room for listeners to have their own moment with the piece before the tremolo begins to shift the song’s footing. As the drifting instrumentation builds, listeners shuffle along picking up tiny yet significant elements that gradually layer in the mix like a story. This tasteful font in which Tape Runs Out have written their EP so strategically in, illustrates the band’s attention to detail. Talking Through The Walls is an instrumental adventure worth the conquest. 

Talking Through Walls is out now via Kuang Grade Recordings. Listen on Spotify.

Jill Goyeau
@jillybxxn

GIHE Personal Highlights 2019

It’s that time of year again when we look back at some of our highlights of the last twelve months. And, despite coming to a pretty horrific and terrifying end, 2019 has been filled with some pretty memorable moments… 

So far, we’ve shared our favourite tracks, albums and gigs of the year, and we’ve yet to reveal our Ones To Watch for 2020, but for now, here are our personal overall highlights of the last year…


Bikini Kill Reforming
When news that Bikini Kill were reforming broke earlier this year, I didn’t quite know what to do with myself. Despite seeing The Julie Ruin twice now (the second time at KOKO probably being the most special gig I’ve ever been to), I – like many other people I know – was desperate to get tickets; seeing the Riot Grrrl pioneers back together, reunited with the original line-up (with the exception of guitarist Billy being replaced by Erica Dawn Lyle) would be a once in a lifetime opportunity. Thankfully, I succeeded. And what an experience it was. Although I started to feel anxious on the way to Brixton Academy about this event I’d built up so much, the minute Kathleen, Kathi, Tobi and Erica graced the stage (after a fantastic and career-building set from Big Joanie), all worries and negative thoughts disappeared. I was completely immersed in the empowering, inspiring force emanating from these heroes of mine. And, as those first few notes of personal favourite ‘Feels Blind’ hit, I felt my eyes fill up and my heart break just a little. A truly memorable experience, not only because of the incredible womxn in the bands, but the hoards of familiar faces of amazing womxn and allies that filled the venue – all of us seeking solace in our favourite band, and in the unity of being with each other. So, thank you Bikini Kill, for being a constant source of motivation, for so-often giving me the strength to carry on, and for giving us all the opportunity to see you live – an experience I never thought would be possible.
(Mari Lane – Co Founder/Managing Editor)

Bikini Kill Reforming
Watching Bikini Kill live at Brixton Academy earlier this year was a life-affirming event. I was stood next to my cousin, an original ’90s Riot Grrrl, and surrounded by my GIHE grrrls and allies, and I felt an overwhelming sense of belonging. Bikini Kill have given so many women the confidence to start a revolution – whether that’s personal, political or musical – and their live show proved that even after a 20 year hiatus, they’re still as riotous, raw, and committed to giving girls and women that power. Watching Big Joanie support them was also a pretty special experience, which they relayed to us when they were guests on our radio show shortly afterwards. I feel very privileged to have seen these women grace Brixton Academy’s stage.
(Kate Crudgington – Co-Founder/Features Editor)

Missy Elliot Blitzes MTV Video Music Awards
For about as long as I can remember, it feels like Missy ‘Misdemeanour’ Elliot has been a revered figure. A pop-star sure, but a rapper, writer and producer too. An uncompromisingly offbeat, yet still charismatic figure, and an unconventional individual in an industry that leans heavily towards the conventional in its pursuit of profit. She’s someone who could talk about sexuality, but not be exploited as a sexual object. An innovator who succeeds in taking her audience with her, by making deceptively simple music that doesn’t talk down to the listener. This particular performance came as part of her receipt of the 2019 MTV ‘Video Vanguard’ award at the annual awards show and reflects Elliot’s long-standing position at the intersection of pop, hip-hop and electronic music, as a woman of colour completely in control of her sound, her public persona and her image. But, in truth, I couldn’t give a toss about the VMAs themselves. Credit where it’s due – the staging of this reflected Elliot’s career, and her performances of a medley hits including ‘Pass That Dutch’ and ‘Work It’ were spot-on, whilst the show’s costume changes were satisfyingly ludicrous (camo to inflated PVC to scarecrow to day-glo tracksuit). The footage also shows latter-day pop mammoths at the side of the stage, singing and dancing like they were fans off the street. That’s the Missy effect – it lets anyone, even Taylor Swift, get their freak on. The performance is a mere seven minutes, but it showcases exactly what’s possible when artistic integrity is combined with originality and a dump-truck of talent. In a year of cynicism, this was music at its most gleeful.
(John McGovern – Contributor)

Queens Of Punk: Poly-Styrene & Jordan, The British Library, July 2019
Prior to having Celeste Bell on our radio show earlier this month, this summer I attended a very special night celebrating Queens Of Punk at The British Library. Hosted by self proclaimed ‘Professor Of Punk’, Vivien Goldman, the panel discussed the release of two books about two of the most legendary ‘queens of punk’: Defying Gravity: Jordan’s Story and Dayglo: The Poly Styrene Story, by Zoë Howe and Celeste. The whole evening was particularly poignant, especially given that now, nearly 50 years after its emergence, when we’ve witnessed a regression in politics and equal rights, the spirit of ‘punk’ – and in particular these strong female voices – is needed now more than it has been for decades. Hearing about all the pivotal steps that these women before us have taken in a quest to be heard left me feeling inspired and motivated. As Goldman said at the beginning of the evening, now is certainly the time to revive the punk spirit, to unite and overcome adversity: we need strong figures like Poly and Jordan now more than ever. Read more about the night here.
(ML)

Noga Erez Interview, November 2019
I remember replying quickly, and in caps lock, when Mari told me we had interview time with the brilliant Noga Erez. I also remember trying to stay calm, and not fan girl, when I walked into the room to meet her a few weeks later. Noga was incredibly welcoming. She patiently answered my many questions, and made me laugh when she asked if “Get In Her Ears” meant the same kind of thing as “Get In Her Pants”. Read the full interview here.
(KC)

GIHE Radio Show
I’ll be here forever if I start talking about how much fun I’ve had hosting or co-hosting our weekly radio shows this year. Here is a very brief re-cap of my favourite guests: Foxgluvv, Big Joanie, ARXX, Bengi Unsal, ESYA, Jelly Cleaver, Girls Rock London and Celeste Bell.
(KC)

Indietracks, July 2019
Indietracks is always the highlight of my summer, hands down. So much so that I now volunteer there. This year, though, the indiepop festival, which takes place at a vintage railway station in Derbyshire, felt particularly special. While many festival line-ups remain overwhelmingly male, all three of Indietracks headliners were female-fronted bands. There was a real celebration of non-binary and queer artists too. One of the most special performances was The Spook’s School’s final Indietracks show. The band, who were Indietracks regulars, penned a special tribute song to the festival and, basically, just made everyone cry their eyes out. Oh, and there were balloons! Porridge Radio, Bis, LIINES, The Orielles, Peaness and Martha were amazing too. And while the endless rain might have soaked everything we owned, it didn’t dampen anyone’s spirits. Indietracks is such a special, cosy and inclusive festival; I’m looking forward to taking my kids again next year. There’s already a couple of exciting rumours about the line-up, and it’s got to be time we had a bit of sun, surely?! Indietracks 2020 takes place from 24th – 26th July at the Midland Railway Centre in Butterley, Derbyshire. Tickets and more information are available from https://www.indietracks.co.uk/
(Vic Conway – Contributor)

Bang Bang Romeo Interview, October 2019
It really was such an honour to interview Stars and the rest of Bang Bang Romeo prior to their sold-out gig at Omeara earlier this year. Just genuinely nice people, with an admirable enthusiasm for all they do, they discussed their love of music, working with P!NK, their upcoming releases and ‘that’ topic of being a ‘woman in the industry’ – “I wanna be on a line-up for a festival because I’m good enough, not because I’ve ticked a box. Not because there’s a space for my vagina! I don’t want to be a statistic on your fucking spreadsheet. I’m here because I’m good enough.” Stars’ assertive and vibrant nature is something that I truly admire, and wish I had more of. She’s a force to be reckoned with, an essential strong presence in today’s industry. Read the full interview here.
(ML)

Talking On Panels At Southbank Centre / Skivvy Records
Get In Her Ears have received some incredible invitations to talk about what we do as a non-profit organisation this year. Tash & I spoke on two panels at Southbank Centre. The first was for a Women In Music event, where we spoke about the representation of women & LGBTQ+ people in the music industry. The second was for Jazzworks and The London Jazz Festival, talking about issues faced by women & LGBTQ+ people in the industry as a whole. I also loved speaking alongside Mari on another panel for independent label Skivvy Records at Peckham Levels. We met so many inspiring young women, and hopefully provided them with some information about how to get past the many hurdles we ourselves have come across.

I can’t believe I’ve gone from listening to music alone in my bedroom, to talking to rooms full of women and girls about the work I do alongside Mari & Tash at Get In Her Ears. It’s something I’ll never take for granted.
(KC)

Our Wedding, August 2019
Well, we did say ‘personal’ highlights… But seriously, I couldn’t really round up this year without mentioning marrying to the best person I know. My new spouse, Paul, is a truly wonderful ally, and someone who Get In Her Ears wouldn’t exist without – not only does he create most of our artwork, and help with all the technical aspects of running a website, he inspires me every day. I pride myself on being an independent woman, but his constant support and enthusiasm for all I do is unmatched, it’s what keeps me going when I feel like giving up. He is constantly helping me come up with new ideas and strive for new dreams. Everyone who was at our wedding inspires me constantly, and it was pretty special just spending a whole day with all the people we love in one place. Aside from the obvious getting married to the best person thing, highlights of the day included: walking down the aisle to Deep Throat Choir, my family forming an epic ‘Lane Band’ and performing amazingly, Tash tearing up the dance-floor with one of my nieces, and Kate literally running for her life from the toilet when she heard ‘Rebel Girl’ was playing (never seen anyone move that fast!). Massive thanks to our Jon Mo, too, who made an exception from gig photography, to capture all the action!
(ML)

And thanks to everyone who’s been following, reading, listening and attending gigs of ours, this year – it really does mean the world, and we couldn’t do this without you.

Listen to our Best Of 2019 playlist, with added personal highlights, now:

 

Mari Lane / @marimindles
Kate Crudgington / @kcbobcut
John McGovern / @etinsuburbiaego
Vic Conway