PLAYLIST: LGBTQ+ History Month 2022

To acknowledge & celebrate our amazing LGBTQIA friends and allies this LGBTQ+ History Month, we’ve spotlighted the work and efforts of GIHE Co-Founder Tash Walker, who works tirelessly to support and champion queer communities. Co-Chair of the Switchboard LGBT+ charity, Co-Founder of the groundbreaking The Log Books podcast and general all-round superhero and solid gold friend, Tash was invited on to Lauren Laverne’s Desert Island Disco on BBC 6 Music at the end of 2021 to talk about the work that they do.

Below is the playlist Tash put together for the occasion and their words about why music is so important to the LGBTQ+ community. Fellow GIHE Co-Founders Mari Lane & Kate Crudgington have also added a few tracks from some of their favourite LGBTQI+ artists to the playlist too…

Tash Walker

“At the end of 2021, I had the absolute pleasure of being on Lauren Laverne’s Desert Island Disco on BBC 6 Music talking about the work I do sharing Britain’s LGBTQI+ history. I spent several years looking through the log books, which are written records of the calls made to the charity Switchboard LGBT+ Helpline since 1974, from which I produced the  podcast called The Log Books. The Log Books foregrounds the marginalised voices and stories not usually featured in the media, or even in LGBTQI+ histories which often focus on activists. Over three seasons, the podcast has featured around 100 voices from across the UK, covering the years from 1974 to 2003.

Throughout this track listing I’ve tried to mirror the years of LGBTQI+ history that we explore with songs of empowerment and strength, from LGTBQI+ people and allies. Music has always been a core strength in the queer community, often the dance floor was the only safe place for many, moments before the clubs were raided, the sense of community from the people I have spoken to stands strong. Switchboard the charity was there to support people from the police raids and custody battles of the 70s and early 80s, to the horrors of the HIV/AIDS crisis, and the homophobic legislation of Section 28. Our most recent season moves into the 90s, as the internet began to change how LGBTQI+ people found each other, how more people created queer families, how a nail bomb ripped through the community in 1999, and how changing attitudes and a government focus on human rights led to significant improvements in the lives of many queer people.

Music is so important to me, and I think to so many people throughout the LGBTQI+ communities today. I found my queer family on the dancefloor – music is community, it’s love, it’s pain, it’s power, it’s pride – it’s the foundation of so many memories, the backdrop to so many stories and so much strength that keeps us pushing forward and surviving!

Here is my Desert Island Disco in full, which I would like to dedicate to all the LGBTQI+ people we have loved and lost, but especially to our trans siblings past and present – you make this world more beautiful, every single day.”

Tash’s Desert Island Disco Playlist

Jackie Shane – Comin’ Down 
Donna Summer – I feel Love 
Queen – Don’t Stop Me Now 
Sylvester – You Make Me Feel (Mighty Real) 
Gloria Gaynor – I Will Survive 
Diana Ross – I’m Coming Out
Bronski Beat – Smalltown Boy
George Michael – Faith
Erasure – A Little Respect 
Madonna – Vogue
Ultra Naté – Free 
Hercules & Love Affair – Blind
Robyn – Dancing On My Own
SOPHIE – BIPP Autechre MX 
Planningtorock – Gay Dreams Do Come True

Mari & Kate’s Playlist Additions

Mari Lane: This LGBTQ+ History Month, I wanted to celebrate some classic queer anthems as well as shine a light on a couple of newer favourite LGBTQIA+ artists. Electro-punk artist Bitch’s cover with Logan Lynn of Gossip’s empowering anthem ‘Standing In The Way Of Control’ fits both these categories perfectly, and I couldn’t not include pioneers of queer culture and ultimate faves Le Tigre. If you don’t know Margate queer punk duo pink suits yet, you really need to get their riotous anthems of inclusivity and politically-charged rage into your ears, whilst another duo with a more subtle, but equally powerful, message against homophobia and society’s constraints is Naz & Ella. Ezra Furman, who beautifully came out as a Trans woman last year, is also an essential for this month, and every month of the year.

Kate Crudgington: As many of our regular readers & listeners will know, at GIHE we aim to support and highlight LGBTQIA+ artists all year round via our website, radio show and our live music nights. Being an ally to such a welcoming community makes running this platform a total joy, and it’s wonderful to be able to share just some of that joy with you via our LGBTQIA+ History Month Playlist. So tuck in to my choices below: there’s the delightful electro-pop of Catherine Moan, the exquisite avant garde sounds of BISHI, an alt-pop banger from Halsey, a majestic hip hip fusion from Witch Prophet and a post-punk ode to love from Grandmas House.

Le Tigre – TKO (ML)
Pink Suits – Pink Suits Everyone (ML)
Bitch/Logan Lynn – Standing In The Way Of Control (ML)
Naz & Ella – Internalised (ML)
Ezra Furman – I Wanna Be Your Girlfriend (ML)

Catherine Moan – Fools (Depeche Mode Cover) (KC)
BISHI – Dia Ti Maria (KC)
Halsey – I Am Not A Woman, I’m A God (KC)
Grandmas House – Girl (KC)
Witch Prophet – Makda (KC)

If you need support during LGBT History Month or at anytime, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630

LISTEN: GIHE on Soho Radio with Fraulein (09.02.22)

Tash, Kate & Mari were back on the Soho Radio airwaves playing loads of new music from some of their favourite female, non-binary and LGBTQ+ artists.

London-based grunge duo Joni & Karsten aka Fraulein joined them to talk about headlining the first GIHE gig of 2022 at The Victoria in Dalston, their upcoming tour dates with The Mysterines, what initially inspired them to start playing instruments and Joni’s upcoming rhythm guitar teaching workshop for First Timers Fest.

Listen back below:

 

Tracklist
Ronnie Spector – She Talks To Rainbows
Dropper – Ok Ok Ok
Brimheim – can’t hate myself into a different shape
SASAMI – Say It
LOBSTERBOMB – Sense
SPRINTS – Little Fix
Kim Gordon – Murdered Out
Moon Panda – Falling
LEYA ft. Julie Byrne – Glass Jaw
Novaa – The World’s Thing
SEA CHANGE – Is There Anybody There
Pearly – Silver Of The Mirror
Fraulein – Belly
**Fraulein Interview**
Bachelor – Back Of My Hand
Charlotte Adigéry & Bolis Pupil – Ceci n’est pas un cliché
Celine Love – Good Girl
MARIA BC – The Only Thing
Gazelle Twin – Hole In My Heart
Mitsune – Maru
Proper. – Milk & Honey
Double Helix – Rat Rave
Bluebook – Shake Shake
t l k – Frame of Ted
Bas Jan – Sex Cult
Queen Cult – Calm
Tits Up – Macho Bullshit
Sassyhiya – I Had A Thought
Nova Twins – Bullet

ALBUM: Cate Le Bon – ‘Pompeii’

You awake, eyes wild, dreams of Pompeii still flashing through your mind. It’s dark outside, what time is it? A rhythm shuffles over the horizon, an unidentified pulse of percussion and a shambling couple of wind instruments. Pompeii, Cate Le Bon’s sixth album, has begun, with ‘Dirt on the Bed’.

Yet again, she has created a remarkable, singular work. Pompeii is continuously rewarding, an album to return to again and again until it swallows you into its world. Like its artwork, a version of the Tim Presley painting that served as the central inspiration for the entire project, it possesses an aged, grainy feel in spite of its fresh originality. The sound is science fiction. As if from a parallel 80s, it is drenched in synths while evading the worn conventions of synth pop, instead assimilating those sounds into the Cate Le Bon style.

The brilliant ‘French Boys’ is punctuated by a beautiful steel pan hook that is mechanical and melancholy, creaking with the sad nostalgia of an abandoned oil rig in some post-apocalyptic landscape. Later tunes like the momentous ‘Cry Me Old Trouble’ develop walls of synths that provide epic and strange backdrops to the lyrics, complementing their tone perfectly.

Le Bon’s writing builds on the vocabulary of the ancient and the spiritual which she introduced to her work on her previous album, Reward. It constitutes perhaps the best example to date of her ability to create affecting lyrics out of abstract emotive language. Lines like “cry me old trouble”, “my heart broke a century”, “raise a glass in a season of ash and pour it over me”, they have that Symbolist combination of familiarity and mystery. Like a dream, her writing makes some unconscious sense even when individual elements evade comprehension.

Recent Cate Le Bon albums have felt terrestrial in their experimentation, each album conveying a kind of landscape. Crab Day was shingly, coastal, Reward was mountainous and sublime. By comparison, this album feels like it takes place on a swampy exoplanet, with thicker air and a slightly stronger gravitational force. In other words, Cate Le Bon has broken loose from Earth and is operating from a world of her own, free from any obvious external reference point and working according only to her original logic.

The closer, ‘Wheel’, provides a cyclical end to the album, an approximate reprise of ‘Dirt on the Bed’ with a palette expanded on the basis of all that we’ve gained through the 9-song track list. Only Le Bon can bound this sound-world, can make sense of it and condense it into an ordered and beautiful album. She is yet to make a bad record, and this might well be her finest work yet.

Order your copy of Cate Le Bon’s new album Pompeii here (released 4th February)

Follow Cate Le Bon on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Cate Le Bon

Lloyd Bolton
@franklloydwleft
@lloyd_bolton

ALBUM: Los Bitchos – ‘Let the Festivities Begin!’

The first week of February. The deepest depths of winter. The coldest time of the year. A couple of weeks on from ‘Blue Monday,’ supposedly the most depressing day of the year. What better time to release an album full of summer party bangers? Enter Los Bitchos, wielding their debut record Let the Festivities Begin!, a bumper pack of the pan-continental band’s signature swashbuckling, psych-swirling instrumentals – the sound of the festival you are already impatiently looking forward to.

This is an album dedicated to joy. It is full of irresistible grooves and winding guitar lines and occasionally punctuated by yells of triumph overheard at the end of takes. The guitar line on ‘Pista (Great Start)’ is almost physically tangible, reaching out of the speaker to tickle your spine. Other tunes, particularly ‘Tropico’, move with the synth pulse and go-ahead danceability of a Tom Tom Club record. Half the song names sound like the captions of polaroids from a summer holiday – especially ‘Lindsay Goes to Mykonos’ and ‘Try the Circle!’ – a feeling heightened by the sunny flange guitars that lead most tunes. The group seem to stand for escape to faraway climes, from their pseudo-Spanish name through to the evident inspiration they’ve drawn from the music of warmer countries, from Turkish and Australian psych to Argentinian cumbia.

With Let the Festivities Begin!, Los Bitchos herald the arrival of summer with an album to thaw your soul. It’s playful and modestly epic, encapsulating the infectious spirit that has led the group to be one of the best loved acts on the scene.

Los Bitchos’ new album Let The Festivities Begin! will be released on 4th February.

Follow Los Bitchos on bandcampSpotifyTwitterInstagram Facebook

Photo Credit: Tom Mitchell

Lloyd Bolton
@lloyd_bolton