Darlington Music Collective Tracks Presents: Noisy Daughters Event

Following on from their successful Womenfolk event in October 2017, Darlington music collective Tracks have organised a FREE workshop & panel discussion on 3rd March – followed by a ticketed gig! – to celebrate females in music. The event aims to teach and inspire the next generation of girls and lead the way to equality in music. The showcase will take place at the new Theatre Hullabaloo space that’s recently opened in Darlington.

Tracks are a non-profit organisation and any money raised from ticket sales will go back into funding future Noisy Daughters events. The workshop is open to females only, but all are welcome at either the panel or the gig.

The free songwriting workshop for women runs from 1-3pm, and will be delivered by Liz Corney (The Cornshed Sisters, Field Music). Participants are encouraged to bring their instruments and are offered guidance in all things musical composition (places are limited; so booking is advised). This will be followed by a panel discussion from 3.30pm-4.30pm, which will centre around the issues facing women in the music industry today, and what can be done to change them.

Panelists include Rianne Thompson from BBC Tees, Hannah Van Thompson of The Van Ts, Claire Dupree from Narc Magazine, and Liz Corney of The Cornshed Sisters/Field Music. Sarah Wilson from Tracks/BIG Little Gigs will be chairing, and there will be an opportunity for the audience to ask questions at the end.

The day will conclude with a headline gig from The Van Ts, with support coming from the likes of BBC 6 Radio play-listed singer-songwriter Eve Conway, the much hyped hip-hop act Leddie MC, and energetic electro-pop pioneers Twist Helix.

(Pic: The Van Ts)

Sarah Wilson from Tracks said: “It’s vital to give women in music credible, female-led music events nationally, and it’s brilliant that we can do this in our hometown of Darlington. We’re hoping to inspire the next generation of female musicians, whilst giving a platform to the current batch of female artists that are leading the way”.

BBC statistics showed that last year, 84% of headliners at music festivals were men. Ents24.com demonstrated that this trend occurs not only at festivals but takes place on a daily basis at regular shows. On a randomly selected day(12th October 2017), they found that out of the 370 gigs listed on their website, 69% of the acts (255) were made up entirely of men, while just 9% (33) were female-only (half of these being solo artists).

Outside of the performance arena, a recent study by Georgina Born and Kyle Devine – titled ‘Music Technology, Gender, and Class: Digitization, Educational and Social Change in Britain’ – highlighted the “highly (male) gendered digital music field” in which approximately 90% of music technology students are currently white males. The outcome is that the creative field becomes dominated by male practitioners, male lecturers and male authors.

With all these negative headlines and a male dominated industry it’s easy to see why women are underrepresented in the world of modern music. Thankfully, organisations like Tracks are tackling the issue head on with their brilliant Noisy Daughters event.

Tickets for the gig are available online here. Physical tickets can be purchased from The Pennyweight in Darlington.

FYI – this is a 12 + event (under 16s must be accompanied by an adult).

RSVP to the free song-writing workshop & panel here.

Follow Tracks on Facebook and check out their website for updates & future events.

Kate Crudgington
@KCBobCut

Introducing Interview: The Violet Kind

Having met in Edinburgh back in 2015, The Violet Kind have received acclaim from the likes of PRS Magazine, The National and Tenement TV. Now, tackling heavy subject matter with their poignant new concept EP OXTR, we caught up with the Katya from the band to find out more.

Hi The Violet Kind, welcome to Get In Her Ears! Can you tell us a bit about the band?
Hey! Thanks for the kind welcome! We are The Violet Kind, and we love creating music which is melodically pretty but also stylistically clever and carefully crafted. We love bringing all our different influences together to develop a sound which is unique!

How did you initially all get together and start creating music?
Katya started out performing acoustically as part of a trio and played at a festival run by Hard Rock Cafe in Edinburgh. The drummer brought in Liam to play bass after this and within a few weeks, The Violet Kind started playing gigs! A year later, Kyle joined us and we played the o2 ABC in Glasgow which was a really fun show to start off with!

Your new EP OXTR is out very soon – can you tell us what it’s all about? Are there any themes running throughout the EP?
OXTR is a concept EP so there are heaps of themes running throughout it; some which are intentionally obvious and others which add to the depth of how it was written – much like the idea of a speakeasy bar, I wanted to keep some ideas hidden. The overall theme is sexual violence. Understandably, this was a difficult subject matter to write about but I feel like more than ever, people want to have this conversation; to stand up and say enough is enough. OXTR is about giving a voice back to the survivor. The EP is split in to two halves; the first concentrates on the villain whilst the second is focused on the hero. Influenced by film music, there is a motif present in every song. In ‘Speakeasy’, a long descending motif represents the perpetrator. A section of this riff appears in ‘Good Behaviour’ to highlight the damage that is done to a survivor when people blame her. This song is re-harmonized, and an ascending motif then represents those who believe and support survivors; organisations such as Rape Crisis Scotland and Women’s Aid. This riff is reformed rhythmically to create the final song, ‘Science’, which acts as a song of self-care. Hopefully, by learning about the way the female brain reacts to trauma, one can find some sort of relief from the pain of the experience. Throughout the EP there are lyrical ideas which are repeated and reformed, as well as the same rhythm which is repeated in every song – sometimes on guitar, on vocal lines or on the bass and drums. We wanted to make a really strong coherent piece and we’re really pleased with how it turned out.

You’ve been compared to the likes of Paramore and Sløtface, but who would you say are your main musical influences?
You have no idea how pleased I am to be compared to Paramore! They’ve definitely been a massive influence on my musical career and I think having the likes of Hayley Williams appear on music television when I was a teenager made me realise that the music industry wasn’t just a place for guys – that women could do it too. I do also love the likes of Death Cab for Cutie, Now Now, and also Alt J and Foals. I love pretty sounding melodies against a backdrop of a strong rhythm section, and I feel like that’s the sound we go for as The Violet Kind!


How is your local music scene? Do you go to see lots of live music?

It’s great! I’ve just moved from Edinburgh to Glasgow! Unfortunately, Edinburgh has seen a lot of it’s venues close down even within the past year so it’s really nice to be part of the music scene in a really vibrant, artistic city! I’m lucky enough to work in a music venue so I get to see a lot of great bands coming through the doors and have the chance to meet lots of musicians! I think it is so vital to support each other.

And what can fans expect from your live shows?
We love connecting with each other on stage and with our audience – people always tell us how much we obviously love to play together. I think our shows are captivating, honest and emotional! Those moments where people will be talking and then, all of a sudden everyone is just standing there in silence listening to you – that’s really special.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
I can’t stop raving about Eliza Shaddad! We got to support her when she toured her EP, Run, and it was just the most fun gig ever! She’s just been in the studio so I’m really looking forward to hearing what she’s been up to! Threads by Now Now too – they’re also releasing new music so I’m excited for that too!

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think there are lots of opportunities at the moment but also think you have to be active about getting out there, meeting musicians and playing lots of gigs. There seems to be a real rise in supporting women in music; I felt really honoured to be invited to attend an event called Girls I Rate at PRS in London last year which was run by Carla-Marie Williams in association with Island Records. I think the music industry can see that they need to open more doors for women and it was really encouraging to see so many female artists doing so many different, great things! It can feel difficult to get noticed sometimes but I believe it’s important to stay true to your voice, develop your craft, make goals and then work towards them – then eventually, people do notice you!

Finally, what does the rest of 2018 have in store for The Violet Kind?
We’re really excited for 2018! We’ve made a music video which will be out next month and we’re recording a live session in an old converted church! We’re in the studio too so there will be lots of new music and we can’t wait to share it with you! Keep in touch with us on social media for tour dates, which will be announced very soon!

Thanks for your time, Get in Her Ears! What you’re doing is really cool!

Huge thanks to The Violet Kind for answering our questions! 

OXTR, the upcoming EP from The Violet Kind, is out 16th March via Kindness Records.

ALBUM: Thunder On The Left – ‘National Insecurity’

Political music may be making a comeback, after all. After the minimalist street-poetry of Sleaford Mods, and the funk-goth-jazz of Nadine Shah, comes the alt.rock/metal styles of Thunder On The Left. Based in East London, the trio of Arun (drums), Adam (bass) and Carla (guitar/vocals) keep their message as simple, and their sound as raw, as their name (inspired by Christopher Morley’s novel of dissatisfaction) would suggest.

Opener ‘Everybody Is Not Me’ is a statement of intent. A loud-quiet-loud squall of guitars, underneath Carla’s emphatic repetition, a conscious nod to Rage Against The Machine’s hip-hop metal lyrical style. Second track ‘Cliché’, with its feel of a messed-up military march and loud-hailer vocals, sounds like the product of pent-up rage, but still presents a self-aware comment on the nature popular music.  

‘Survivor’ is a bouncier number, kicking off like early noughties pop-punk. ‘Rather Be Dead Than Fake’ begins as another RATM-homage, but across the course of its four and a half minutes morphs into something more personal, with Carla’s vocals dominating and the song’s refrain sounding more and more like the band’s motto.

‘Interlude’ and ‘Vaporise The Bitch’ are two sides of the same coin: starting with near-gentle, emotionally calm lilts before bringing in the distorted bass, whilst ‘A Polite Fuck Off’ is a hair-metal thrash that moves into riff-heavy territory, with Carla’s voice coming off as both salty and sweet.

The album’s title track is the album’s standout: a robotic, hypnotic vocal, lamenting the ubiquity of “drones, clones, phones”, with a stormy rhythm section and the warning-wail of squealing guitar, as ‘Sign My Name’ is a doom-laden comment on our complacent relationship with capitalism.  Closer ‘Simply Eaten’, however, is the band’s epic take on religion and society – the title referring to the inescapable, all-consuming nature of materialist culture.

Recorded live in Wales across nine days, National Insecurity is an album that doesn’t pull any of its punches. With a sound as raucous as this, it’s no wonder the band have been developing a following for their live dates. And, with their staunch, revolutionary beliefs at odds to political orthodoxy in the US and UK, Thunder On The Left have picked the perfect storm to arrive in.

National Insecurity is out 9th February via Malevolent Records. Catch Thunder On The Left live this month:

12th February: Bristol, Rough Trade
13th February: Nottingham, Rough Trade
14th February: Sheffield, West Street Life
15th February: London, Rough Trade East (Album launch)
16th February: Oxford, The Wheatsheaf
20th February: Canterbury, Lady Luck Bar
22nd February: Leeds, Verve Bar

John McGovern
@etinsuburbiaego

Track Of The Day: Soccer Mommy – ‘Cool’

A dreamy guitar tune that questions what it means to be popular, Nashville’s Soccer Mommy (aka Sophie Allison) has shared her latest single ‘Cool’. The track is taken from her upcoming album Clean, which is set for release via Fat Possum Records on 2nd March.

“’Cool’ focuses on this other person who’s desirable and it shows how sometimes you can romanticize the idea of being different than you are,” Allison explains. “It comes from a place of insecurity and idealization, which is a feeling that hangs over a lot of the album.” Soccer Mommy has a knack for writing about anxiety and “soft anger,” exploring frustration and insecurity through her laid-back vocals and melodic guitar.

Following a series of DIY Bandcamp releases and last year’s Collection, Clean is Allison’s journey out of her bedroom and into the studio with a full band. The new album has been produced by Gabe Wax (War On Drugs, Deerhunter, Beirut) and mixed by Ali Chant (Perfume Genius, PJ Harvey), so we’re sure it’s going to be an intricate, sharply executed piece of work. Soccer Mommy will be playing a UK tour in March, taking her to venues in Leeds, Manchester, London and finishing up in Brighton. Get your tickets here.

Listen to ‘Cool’ below.

Pre-order your copy of Soccer Mommy’s Clean here.

Follow her on Facebook for more updates.

Photo Credit: Shervin Lainez

Kate Crudgington
@KCBobCut