PLAYLIST: April 2025

The Get In Her Ears team have put together an eclectic mix of indie musings, dream-pop tunes, electronic soundscapes, alt-pop gems and alternative anthems and for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

This month, we’d also like to give a special shout out to the eclectic community of trans artists that we support at GIHE. At a time when things are so uncertain, we would like to reiterate that we stand by our trans siblings today and every day. We promise to do all we can to continue advocating for them and uplifting their voices.

It’s important to act in other ways too. We will continue to help create safe inclusive spaces, challenge transphobia whenever encountered, attend protests, write to our MPs, share facts and resources to counter misinformation, as well as consistently listen to what the trans people in our lives have to say.

There are also a number of fundraisers currently available to donate to, including The Good Law Project and Trans Legal Clinic, as well as organisations that consistently support the community like Gendered Intelligence and Not A Phase.

STRAIGHT GIRL – ‘God’
Mari hosted the final London show for “grave-rave electronic” artist STRAIGHT GIRL at The Divine in East London last week and I’m still thinking about how brilliant it was. STRAIGHT GIRL (who does not identify as either a girl, or as straight) is such a force of nature on stage. They gave a formidable final performance that included getting the crowd to hold hands and skip in a circle, a stage massive stage invasion and an iconic impersonation of Charli XCX. Not only that, they passionately advocated for the queer and trans community throughout their set. They dedicated this track ‘God’ to all of the “queer villains” in their lives – a sentiment that we love.
(Kate Crudgington – Features Editor)

Liv Wynter – ‘Violence’
DIY artist and activist Liv Wynter captivated us with their tenacious performance supporting STRAIGHT GIRL last week. Mari and I have been long-time admirers of the work that Liv does for the DIY and queer communities both on and off stage, so to see them live and hear them advocating for change so fiercely in the flesh was really inspiring. This track ‘Violence’ is taken from Liv’s EP of the same name, which they released back in 2023. (KC)

KABEAUSHÉ – ‘These Dishes Ain’t Gonna Do Themselves’
I’ve only just discovered KABEAUSHÉ whilst trawling through The Great Escape playlist, but I’m already a huge fan of the Kenyan multi-instrumentalist, singer and producer. I love how their music gives a voice to their alter-ego, the Shé; expressing a colourful, joyous celebration of being yourself with an infectious sparkling energy. I don’t know much about them yet, but I love this bio on their Bandcamp page: “Kabeaushé isn’t interested in playing the clout game, they’re making a statement: they’re here, they’re doing it on their own, and they’re gonna be as extravagant and as cute as they want.” I was hoping to catch them live at The Great Escape, but their set actually clashes with ours… Fingers crossed I get to witness what I’m sure is a euphoric live experience one day!
(Mari Lane – Managing Editor)

Wet Leg – ‘catch these fists’
Wet Leg are back! They’ve shared their first new track in 3 years and it’s as infectious and catchy as all of their previous efforts. ‘catch these fists’ is taken from the band’s upcoming second album, moisturizer, set for release on 11th July. The track is accompanied by another distinctively Wet Leg video, which you can watch here. (KC)

Scrounge – ‘Melt’
Mari, Paul and I caught South London duo and long term GIHE faves Scrounge live at their sold out headline show at The Lexington last week, and we’ve been talking about how great they were ever since. They’ve just released their stellar new album, Almost Like You Could, and we are beyond excited to have them headline our showcase on The Beach Stage at The Great Escape Festival on Saturday 17th May! Comic Sans, Rubie, Maria Uzor and afromerm will also be joining them. We can’t wait! Grab your tickets for the festival here. (KC)

Penelope Trappes – ‘A Requiem’
Congratulations to Brighton-based Australian multi-instrumentalist and GIHE fave Penelope Trappes on her exquisite new album, A Requiem. Released via One Little Independent Records, the album is inspired by grief, generational trauma and the power of dreams and nightmares. Trappes’ ruminations on these experiences have resulted in a beautiful collection of experimental, shadowy sounds. A Requiem is also an ode to finding the light in the darkness too, which Trappes seems to achieve effortlessly too. (KC)

Dose – ‘After This’
**Trigger Warning: Mention of sexual assault**
Following on from their previous single ‘Parallelogram’, Dublin-based four-piece Dose have returned with this poignant new track. Written by Lizzie Fitzpatrick, ‘After This’ explores the narrative of a woman who is suffering from agoraphobia and isolation after surviving abuse by a man known to her community. “I wanted to explore the quiet judgment and whispers that can surround survivors,” Lizzie explains. “She’s seen almost like a clown figure, someone people talk about in hushed tones instead of supporting — ‘ah you know what she’s like, sure she’s stuck to the bed.’ The story isn’t hers alone; it’s told from the outside, by the people around her.” The band’s treatment of such an important subject is deeply impressive, leaving the track ringing in our ears long after it’s finished playing. (KC)

Otta – ‘Bump’
This is the latest release from Otta, taken from their album With Love From Everywhere released at the beginning of April – which I am loving. Give it a listen! (TW)

Stella Bridie – ‘Organ Donor’
This is the latest release from Australian musician Stella Bridie, who writes for the long walk home from the party where mind games dance. If you liked the sound of ‘Organ Donor’, she’s playing at the Waiting Room on the 9th May. She’s also playing at The Great Escape Festival in Brighton, where I will be hoping to catch her live. (TW)

peach|melba – ‘Worst Trimester’
peach|melba are an L.A./UK indie punk duo who record and mix everything themselves. They “swear on your mother’s life to release a new song every six weeks until world peace has been fully achieved” and that has culminated in this single ‘Worst Trimester’ – such a vibe! (TW)

HAAi – ‘Shapeshift’
Exploring the “duality of being both the person you are onstage and the person you are at home, in the normal world” – I love this latest release from electronic artist and producer HAAi. (TW)

Rubie – ‘To Change’
Having completely captivated us with her truly spellbinding, resonant performance headlining for us at The Divine last year, we’re super excited to have exquisite songstress Rubie playing our showcase at The Great Escape this year (along with other faves Scrounge, Comic Sans, Maria Uzor and Afromerm)! Flowing with a swirling majestic allure, last year’s Seek Sisters album was one of my favourites, interweaving her quirky jazz-tinged melodies with a soaring, heartfelt joy throughout. Opening track ‘To Change’ seems particularly poignant right now, its empowering refrain “I’ve got sisters of every gender and shape” offering a beautiful ode to female solidarity and trans sisterhood. (ML)

Jasmine.4.t – ‘Woman’
It’s been so wonderful to see the acclaim and success that total fave Jasmine.4.t has been receiving over the last few months. In addition to being one of my own Ones To Watch, she’s not only featured regularly on the BBC 6 Music ‘A List’ and been reviewed by the likes of Pitchfork, but has also supported Lucy Dacus on tour in the US. This track, taken from last year’s debut album, You Are The Morning, offers a beautiful reflection on her experiences as a woman, glistening with a stirring emotion as she shares this deeply personal affirmation as a statement of solidarity with her trans siblings. (ML)

Ezra Furman – ‘Power Of The Moon’
Taken from her upcoming new album, this new single from Ezra Furman offers a reflection on her religious beliefs with a recognition of the seemingly illogical nature of them: “I love a diffuse God, one who is everywhere, underlying everything, and who absolutely does not fit into my little consciousness with all its rational rules. My God makes no sense. That’s one thing I love about her. That’s how I know she’s much bigger than anything we could have invented.” Taking Furman five years to write, ‘Power Of The Moon’ showcases her distinctive compelling vocals with a gorgeously fuzzy psych-rock musicality. (ML)

Kat Five – ‘Switch’
The first in a string of new releases from Kat Five, who you may know from electro-punk duo Feral Five, ‘Switch’ offers an empowering ode to self-love in all its forms. Propelled by glitchy beats and an immersive energy, Kat’s soaring raw lyricism glistens with an ethereal splendour, as the track builds with a fierce sense of hope to create an enticing soundscape. ‘Switch’ is produced by fellow GIHE fave Rookes and mastered by Izzy McPhee at Weird Jungle. (ML)

Roller Derby – ‘Lights Out’
We’re such huge fans of Hamburg duo Roller Derby’s exquisite atmospheric dream-pop and cannot wait to host two headline shows for them, with support from electro-indie duo Catbear, at The Lexington on 9th May and down in Brighton at The Rossi Bar on 10th May. They delivered a beautifully immersive set for us when they sold out the Shacklewell Arms last year, and we’re so excited to witness their glistening heartfelt splendour again next week. Don’t miss out – nab tickets here now! (ML)

Nouria Bah – ‘Sawtooth Ruler’
With roots in Senegal/Guinea and having grown up in the US, the now London based artist Nouria Bah has now shared a shimmering new single, following the release of her innovative debut EP Don B4 last year. Inspired by the idea of fighting a fictitious supervillain, ‘Sawtooth Ruler’ fuses together a jazz-tinged soundscape with ethereal vocal layers, creating an immersive glistening cacophony. (ML)

Lein Sangster – ‘Library Fines’
East London-via-Liverpool artist Lein Sangster is no stranger to the music scene, having previously featured in ‘80s band KIT and created music under the moniker Bad Anorak 104. Now, set to release their debut solo album in June, they have shared a soulful new single. Reflecting on frustration and the need for recognition, ‘Library Fines’ combines jazz-tinged hooks with mariachi-inspired rhythms as Sangster’s gritty lyrical storytelling shines through. In Spite Of Everything, The Stars, the upcoming debut album from Lein Sangster, is set for release on 6th June. (ML)

The New Eves – ‘Highway Man’
Recently signing to Transgressive Records, Brighton’s The New Eves have now a fierce new single. A driving slice of raw post-punk, ‘Highway Man’ oozes the swirling gritty power of Patti Smith as a unique captivating energy and visceral sense of urgency seethes throughout. A musical retelling of the 1906 Alfred Noyes poem, this rendition centres the female character – “In the original version it’s this dude, who’s being the dude, and the girl doesn’t do anything and then dies,” says Nina from the band, “…so I was like, ‘We can’t have that.” (ML)

Squirrel Flower – ‘intheskatepark’
Continuing to be a firm favourite of mine, especially since seeing their stunning live performance at The Lexington last year, Squirrel Flower now features on a fantastic new compilation to raise money for the (sadly) much needed Trans Youth Emergency Project – an organisation helping families to navigate all the confusing legislations that are currently being put in place in the US, and offering financial and logistical support to them. True Names: A Benefit For Trans Youth also features songs from the likes of Remember Sports and Trash Girl and will be released this Friday 2nd May via Worry Bead Records. (ML)

Folk Bitch Trio – ‘The Actor’
Having been making a name for themselves over the last few years, playing SXSW and supporting the likes of Courtney Barnett and Julia Jacklin, wonderfully named Aussie band Folk Bitch Trio have now shared a twinkling new single. Documenting the highs and lows of a romantic relationship, ‘The Actor’ flows with a lilting folk-strewn musicality and delicate harmonies, alongside a gritty raw emotion. Catch Folk Bitch Trio at St Pancras Old Church on 14th May, and then at The Great Escape in Brighton on 16th May. (ML)

Strange New Places – ‘Coraline’
Following the fizzing pop-punk of last single ‘YATPYFL’, Belfast queer punks have now shared a life-affirming new single. A heartfelt ode to friendship and being there for each other when you’re struggling, ‘Coraline’ is inspired by its namesake; a friend who’s been there for songwriter Ash through the thick and thin, sharing and empathising with the bigotry they both face as trans women. Released the same week as the devastating and terrifying Supreme Court Ruling, with ‘Coraline’ Strange New Places offer a reassuring voice of solidarity and unity. (ML)

Sister Wives – ‘YnCanu’
I’ve been following Welsh band Sister Wives since being blown away by their live set at Deer Shed Festival a couple of years back, and so was excited to hear they’ve released a new single. An evocative retelling of the story of Rosina, a ghost who’s said to haunt the Wylfa Power Station, ‘YnCanu’ (translated as ‘Is Singing’) offers a spellbinding anthem that builds with an immersive, impassioned energy. Of the track, the band explain: “we wanted to capture ttwo parts of the tale: the tension between the relentless power of the nuclear station and the tranquil beauty of the surrounding landscape, mirroring the delicate balance between life and death”. (ML)

Kaput – ‘Sucker’
I’m loving this fierce new single from Chicago duo Kaput. A seething reflection on the pressures of other people’s expectations, ‘Sucker’ rages with pummelling beats and scuzzy hooks, as a ferocious driving energy propels its message into your ears. ‘Sucker’ is taken from Kaput’s recently released album, One. (ML)

Laura Reznek – ‘Yacht Rock’
Following the release of her acclaimed debut and cross-disciplinary stage show Agrimony, Canadian artist Laura Reznek has just released her new album, The Sewing Room. Taken from the album, new single ‘Yacht Rock’ reflects on the damage men can do to us in a patriarchal society as glistening folk-tinged melodies and delicate rich vocals build with a stirring sense of urgency. Of the track, Reznek explains that it’s “… a song that began in a place of fury at powerful men, but ended up mapping the quieter, more personal toll that power imbalances can take.” (ML)

Get In Her EarsLeave a comment

PLAYLIST: March 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Cowboy Hunters – ‘Mating Calls’
Having been building a reputation in the Glasgow scene for their memorable live shows, Scottish punks Cowboy Hunters create immense riotous anthems. Latest single ‘Mating Calls’ showcases the band’s scathing dry humour with a ferocious seething energy and frenzied raw power. Summing up its message, the band say: “We’re all animals and it’s all awful but it’s fun to shout about it. Basically a diss track to creeps in smoking areas everywhere.” Cowboy Hunters are currently on tour, catch them at one of our fave venues – New River Studios – on 18th April.
(Mari Lane – Managing Editor)

Slung – ‘Thinking About It’
I’ve been such a big fan of everything that Brigton rockers Slung have released over the past few months, and this new single is no exception. Taken from their debut album, In Ways, which is set for release on 2nd May via Fat Dracula, ‘Thinking About It’ is inspired by vocalist Katie Oldham’s desire to express herself in a way that feels authentic to her. She explains in more detail: “Bringing references to queerness in our songs is important to me, because myself and the majority of my friends identify as queer, despite mostly presenting femme and straight-passing. I don’t feel the need to draw attention to it specifically, and don’t feel it appropriate to represent myself as a ‘queer voice’, but I still want to create a little space in whatever I do to honour it, as it’s an important part of who I am. The theme is also pretty representative of bisexual panic, meeting a girl and realising you’re thinking about it, and wondering if she’s thinking about it too. It’s such a goofy song that hopefully offers some light-hearted relief to some of the heavier vibes of the record.”
(Kate Crudgington – Features Editor)

Witch Fever – ‘Dead To Me!’
I still remember the formidable live performance Manchester rockers Witch Fever delivered when they headlined our GIHE gig at The Finsbury Pub back in 2018 (pics here). The band have lost none of their potency or momentum since then, something which their latest single ‘Dead To Me!’ fiercely proves. This track is inspired by vocalist Amy Walpole’s traumatic experiences growing up in the Charismatic Church, confidently unleashing her anger and defying the heavily gendered social norms of remaining quiet and compliant. (KC)

Cwfen – ‘Wolfsbane’
Glasgow’s Cwfen (pronounced ‘Coven’) are a new discovery for me, but I love the heavy, shadowy sound of this single, lifted from the band’s upcoming debut album, Sorrows, which is set for release on 30th May via New Heavy Sounds. Vocalist & guitarist Agnes Alder explains more about the context of the track: “on the surface, it’s about poison. At its heart, it’s an ode to the untamed female rage that comes when the world tries to carve us into something smaller.” I can’t wait to catch the band playing live at The Black Heart in Camden supporting Faetooth on 17th June. Tickets are available here. (KC)

Blackwater Holylight – ‘Wandering Lost’
LA -based band Blackwater Holylight are new to me (despite having already released three records), but I love the way they blend heavier, doom-laden riffs with drifting, evocative vocals. This track is taken from their upcoming EP, If You Only Knew, which is set for release on 18th April via Suicide Squeeze Records. Vocalist, guitarist & bassist Sunny Faris explains that ‘Wandering Lost’ is about “feeling community in sorrow and remembering that everyone hurts, everyone changes, and that no one knows what’s next.” (KC)

Hot Wife – ‘Queen’
Described as “an anthem about empowering yourself by breaking free from toxic influence,” this is the second single from South London DIY four-piece Hot Wife. Inspired by a “cheating scumbag,” ‘Queen’ rumbles with the unrest of a ’90s grunge anthem, reminding listeners that living well is the best form of revenge. (KC)

Gender Chores – ‘Roy’
Following last single ‘January Blues’, Belfast band Gender Chores have now shared a scathing attack on those who punch down instead of looking up to see who is pulling the strings. Oozing a seething dark energy, the track builds with an impassioned raw emotion and searing sense of urgency. Reflecting on the track, Sam from the band explains: “Right now the world feels like it’s going backwards in so many ways, with bigots and fascists being platformed and marginalised voices silenced. We want to fight back against that however we can, and combat the narrative of hate and fear that got us into this place.” (ML)

NEXT TO NADA – ‘K.F.M’
Another belter of a tune from London-based fuzz-punk four piece NEXT TO NADA here! The band decribeS ‘K.F.M’ as “a scream of frustration at all the pointless, menial tasks we’re forced to waste our time on whilst working.” The track sarcastically tackles why we let “the unfeeling monster of modern employment” take over the best years of our lives, fuelled by the band’s raw and relatable punk energy. (KC)

Bridget. – ‘Hairspray’
Fuelled by her trademark angst-ridden energy, ‘Hairspray’ is the latest single from Essex grunge-rocker Bridget. She’ll be releasing a video to accompany the track on 3rd April, and she’ll be playing her biggest London headline show to date at Signature Brew in Haggerston on 24th April, with support from GIHE faves Lilith AI and Comic Sans. Grab your tickets here. (KC)

Maria Iskariot – ‘Leugenaar’
Translating as ‘Liar’, ‘Leugenaar’ is the seething new single from Dutch punks Maria Iskariot. Propelled by a fierce raw emotion and ferocious energy, its stipped-back hooks and thrashing beats build with a searing sense of urgency as the gritty power of Helena Cazaerck’s rages throughout. The band comment: “Leugenaar is an absolution, a pelvis under the chin of a drooling monster waiting to be freed from a rotten tooth. Anyone expecting further explanation can go to hell.” (ML)

Panic Shack – ‘Gok Wan’
Bursting with all the tongue-in-cheek wit and fierce energy that we’ve come to know and love, Panic Shack’s new single ‘Gok Wan’ offers a sneering reflection on the toxic culture of body ‘improvement’ that dominated the airwaves when they were growing up. A riotous post-punk anthem, showcasing the Cardiff band’s ability to critique the damaging patriarchal society that we live in with a swirling tenacity and danceable hooks. Watch the accompanying video for ‘Gok Wan’ here. (ML)

Grandmas House – ‘Haunt Me’
This new single from Bristol punks Grandmas House is a surprisingly tender offering. Taken from the band’s upcoming EP, Anything For You, set for release on 11th April via Berlin based label Duchess Box Records, ‘Haunt Me’ is a potent reflection on grief and the desire to be followed by a loved one who’s been lost. It’s a melancholy musing, but it feels just as cathartic as their previous raw punk-inspired efforts. (KC)

Scrounge – ‘Buzz/Cut’
“This song is about pleasure, self acceptance and having a good time,” explains Scrounge’s vocalist & guitarist Lucy. ‘Buzz/Cut’ is the South London duo’s most melodic offering to date and it features on their upcoming second album, Almost Like You Could, which is set for release on 18th April via Ba Da Bing! Records. The pair want listeners to experience the same cathartic release they feel when they’re playing live and that’s something that shines through instantly on this latest offering. Grab a ticket to see Scrounge headline The Lexington on 23rd April. (KC)

Dogviolet – ‘Dandelion’
The second single from ones to watch, London based band Dogviolet, ‘Dandelion’ offers an empowering ode to resilience and resistance, to the power of community – likening people to the flower, under-valued but vital to the ecosystem. Oozing a gritty immersive power and rich captivating energy, the track builds with a swirling allure as the refrain “to exist is to resist” repeats throughout with a glistening poignancy; an understated and unifying protest against capitalism. Dogviolet will be playing Cro Cro Land this Sunday, 6th April – just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more, and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Fake Dad – ‘Machinery’
With their recently released new EP, Holly Wholesome and the Slut Machine, LA based band Fake Dad have created a collection of tracks reflecting on the different characters that musical artists, or “rock music posers” often play. Propelled by scuzzy ‘90s-inspired hooks and a gritty impassioned energy, the EP chronicles fictitious characters and their worlds whilst subtly reflecting on the band’s own identities and experiences. (ML)

tall child – ‘Stupid Body’
“I wanted this song to feel like you are inside my head during my lowest of lows,” tall child explains about their latest single ‘Stupid Body’. Inspired by the South East London artist’s own experiences having issues with body image and being dismissed by doctors, this track is tall child’s way of taking ownership of an uncomfortable situation, and they hope it will help listeners through them in future too. (KC)

Tamara & The Dreams – ‘Successful Bisexual’
I couldn’t really not include a track called ‘Successful Bisexual’, an energy I’m forever trying to channel. This new single from Australian artist Tamara & The Dreams glistens with a lilting jangly energy and a catchy uplifting charm, offering a heartfelt ode to self-discovery and embracing who you truly are as you get older. (ML)

Twat Union – ‘Singer Of The Band’
Having recently signed to Alcopop! Records, London ‘theatre punks’ Twat Union have now shared their wonderfully energy-filled new single ‘Singer Of The Band’. A not-so-subtle take down of the sexism they’ve encountered in the music industry and those men we’ve all come across at gigs who undermine and patronise the women in the bands that they come to watch, it’s an angst-driven yet uplifting pop-punk anthem. Having already been featured as ‘Ones To Watch’ in The Guardian, Twat Union are set to release their debut EP, Don’t Look It In The Eye, this Friday 4th April. (ML)

Strange New Places – ‘YATPYFL’
The latest single from Belfast band Strange New Places, ‘YATPYFL’ (you are the person your friends love) offers a gloriously uplifting ode to self-love. Urging the listener to trust their friends’ opinions more than their own self-deprecating feelings of anxiety, it’s a perfect slice of fizzing pop-punk celebrating queerness and neurodivergence with a catchy joyous energy. ‘YATPYFL’ is accompanied by a video featuring Belfast punk scene legend Belfast punk scene legend Dolores Vischer and the band blasting into green-screen outer space. (ML)

Annie Dressner – ‘For The Thrill Of It’
Accompanied by a video filled with loads of awesome women from the music industry, including faves like The Baby Seals and Emma from Mammoth Penguins, the new single from New York via Cambridge artist Annie Dressner shares a poignant message. Flowing with lilting folk-strewn melodies and Dressner’s honey-sweet vocals, ‘For The Thrill Of It’ reflects on the rife misogyny within the music industry, juxtaposing an underlying rage with its twinkling musicality. Speaking about the track, Dressner explains: “The message in the lyrics addresses the pervasive issue of misogyny in the music industry, where inappropriate behaviour too often goes unaddressed or overlooked.The song aims to inspire positive change in attitudes toward women in music and encourage women to feel safe in speaking out.” (ML)

Wife Patrol – ‘We Who Are About To’
Full of harmonious dual vocals and melodic riffs, this is the latest single from Indianapolis alt-rock trio Wife Patrol. The track is taken from the band’s upcoming EP, NOPLACE, which is set for release on 2nd May. They describe their new offering as “the product of three misfits maneuvering the ugliness, the uncertainty, and the joy of modern life together” – something that many listeners will be able to relate to! You can pre-order Wife Patrol’s EP from bandcamp here. (KC)

Um, Jennifer? – ‘Delancey’
I really enjoy the juxtaposition of playful melodies and anxious lyricism on this latest single from New York trans duo Um, Jennifer? ‘Delancey’ is taken from their upcoming album, Um Comma Jennifer Question Mark, which is set for release on 25th April via Final Girl Records. Speaking about the track, band member Elijah Scarpati explains: “’Delancey’ is written from two perspectives at once – your own disappointment with the one you love, and from the fear that they’re disappointed in you too. It’s speaking aloud the anxious spiral that unrequited love creates. Musically, it’s a surprisingly upbeat song. Maybe because it’s funny to be in love and to be scared about it. Or maybe it’s because if we don’t laugh about it all, we’ll cry.” (KC)

Pleaser – ‘Begging Guitars’
The riotous ‘Begging Guitars’ is the title track from Danish punks Pleaser’s new album. Set for release on 23rd May via Part Time Records, the single is an all out cacophony of crashing beats, thundering riffs and cathartic shouts, inspired by the need to “let go” and reject the need to “indulge in perfection” for yourself, or to expect it from others. (KC)

Odelia – ‘Someone I Knew’
This single from 19 year old Baltimore-born, Liverpool-based songwriter and LIPA student Odelia dropped into my inbox earlier this month and I’m so glad that it did. Her passionate vocals drift seamlessly over breezy instrumentation, as she muses about fulfilling her childhood dream of performing music and becoming the person she always wanted to be. ‘Someone I Knew’ is the second single from Odelia’s upcoming EP, I see stars I see stars why do I always see stars, a collaboration with producer notcharles which is set for release later this year. (KC)

Crystal Quartez – ‘Fall Down’
Portland-based musician and installation artist Crystal Quartez recently shared their latest album, Erospace, on which they have shifted into avant-pop territory. Crystal created the record simply because they felt that they needed a safe place exist, finding solace in their new sonic universe. Crystal blends the Caribbean beats of their childhood alongside gothic sound textures and dream pop elements to explore and celebrate the queer experimental scenes that helped them to form their sense of self. (KC)

Arooj Aftab – ‘Raat Ki Rani’ (Khruangbin remix)
Being a big fan of both Arooj Aftab and Khruangbin, I was excited to hear this new remix of ‘Raat Ki Rani’. As Aftab’s soaring rich vocals ripple with an effervescent grace alongside laid back, jazz-inspired beats, a perfectly dreamy soundscape is created. I was lucky enough to catch Arooj Aftab live at Pitchfork Music Festival at The Roundhouse last November – she delivered a truly spellbinding performance, interspersed with some refreshingly witty between-song chat! (ML)

Goddess ft. Ex:Re – ‘Shadows’
Goddess is the brand new collaborative project of drumming powerhouse Fay Milton (Savages). This first single ‘Shadows’ features vocals from Elena Tonra (Ex:Re/Daughter) and contributions from two GIHE faves – piano from Hinako Omori and bass from Ayse Hassan (Savages). Tonra’s delicate vocals and mysterious lyrics float over Milton, Omori and Hassan’s shape-shifting soundscape. I can’t wait to hear Goddess’ debut self-titled album, which is set for release on 30th May via Bella Union. (KC)

NYX – ‘Bright Tongues’
I cannot recommend listening to the NYX Drone Choir’s debut solo album enough. This track, ‘Bright Tongues’, is one of many sublime compositions that showcase the ensemble’s powerful ability to harness the beauty of the collective human voice. I had a lovely chat with NYX founder & director Sian O’Gorman all about the record, her “Tones, Bones and Drones” workshops and her altruistic approach to singing and using your voice to connect with others. Read the full interview here. (KC)

Laura Misch – ‘Alchemy’
I have afromerm to thank for introducing me to the beautiful sounds of South London-born saxophonist, songwriter and electronic producer Laura Misch. Released via One Little Independent Records, ‘Alchemy’ is a poignant reflection on the very human ability to alchemise loss into love, underscored by Laura’s tender vocals, lush saxophone sounds and and the delicate harp plucks of Marysia Osu. (KC)

WOOM – ‘Circe’
I love this tender track from South-London four-piece vocal ensemble WOOM. “‘Circe’ is a song about being lost and finding your way, echoing the Greek myth of Circe who, despite her banishment, remains a complex symbol of resilience and metamorphosis,” the group explain. Their ethereal harmonies and soft, considered instrumentation make for blissful listening. (KC)

SUMAC & Moor Mother ft. Candice Hoyes – ‘Hard Truth’
Taken from SUMAC & Moor Mother’s debut collaborative album, The Film, ‘Hard Truth’ is a captivating sonic extrapolation of displacement, land and nature. These themes permeate the new record, which is set for release on 25th April. SUMAC and Moor Mother will be performing this work live at Roadburn Festival on the 17th & 19th of April too. Grab a ticket here. (KC)

M(h)aol – ‘DM:AM’
I’m such a big fan of post punk trio M(h)aol, so I was thrilled to see that they’re back with this cutting new single. Lifted from their new album, Something Soft, which is set for release on 16th May via Merge Records, ‘DM:AM’ is a response the the inappropriate behaviour of men who DM women online, then become antagonistic or aggressive when they don’t receive what they deem to be the correct response. The band combine abrasive riffs and direct vocals to dismantle the words and actions of these men, leaving no room for sympathy in the process. I can’t wait to hear their new record in full. (KC)

Tremosphere – ‘Along The Way’
I’m a big fan of this evocative, heady track from New York darkwave, pop-drone duo Tremosphere. It’s lifted from their upcoming fourth album, saturated solace, which is set for release on 16th May via Slugg Records and only available on bandcamp. Speaking on the themes that informed the new record, vocalist and songwriter Sylvia explains: “This album is about the exhaustion of the soul, our constant struggle between darkness and light, and how to live a rich sustainable life, we have to try and find balance everyday.” (KC)

 

Tea Eater – ‘Cecelia’
Featuring members of Gustaf and Sharkmuffin, Brooklyn’s Tea Eater create wonky art-punk with a colourful energy. Taken from the band’s brand new album, latest single ‘Cecelia’ is an ode to that woman everyone loves to moan and gossip about – who without “they wouldn’t have anyone to talk about or project their own dark parts and patterns onto” -, a gloriously fuzzy, riot-grrrl tinged singalong punk anthem from definite new favourites. Watch the DIY video for ‘Cecelia here, and make sure you check out the full album, I Don’t Believe In Bad Luck, now. (ML)

Eilis Frawley – ‘Be A Lady’
Congratulations to GIHE favourite Eilis Frawley, who released her debut album, Fall Forward, earlier this month! We’re such big fans of the Australian-born, Berlin-based drummer and vocalist, so it’s wonderful to see her share an eclectic full-length piece of work on which she covers everything from personal stories, to politics, to her internal monologue. She’ll be playing live in the UK throughout May and June, including a London headline show at The Shacklewell Arms in East London on 1st June. Full tour dates & tickets here. (KC)

Perfume Genius – ‘Clean Heart’
Celebrating the release of his brand new album, long-time fave Perfume Genius has shared this beautiful new single. A poignant reflection on the concept of time being able to heal all wounds, ‘Clean Heart’ flows with a glistening sense of hope as an undercurrent of melancholy shimmers under the surface. With its sparkling musicality propelled by stripped back tribal beats, it builds with a stirring anthemic splendour rippling throughout with Mike Hadreas’ trademark raw emotion. Glory, the new album from Perfume Genius, is out now. (ML)

Neev – ‘I Put It In A Frame’
Having just released her exquisite sophomore album, Scottish artist Neev combines intricate lyrical storytelling with a subtle gritty energy to explore themes of tension, contrast and self-discovery. Latest single ‘I Put It In A Frame’ offers a glistening rumination on the connection between female pain and art; an anthemic slice of alt-folk tinged with an evocative vulnerability. How Things Tie In Knots, the new album from Neev, is out now via Trapped Animal Records. (ML)

Rival Queens – ‘Sun Don’t Shine’
Inspired by her favourite Smashing Pumpkins song, ‘Sun Don’t Shine’ is the second single from Sally-Anne Hickman (Maya Lakhani’s guitarist)’s new solo project Rival Queens. Flowing with scuzzy hooks and the raw emotion of Hickman’s vocals, it gently builds with a fizzing energy to a sparkling reflection on our darker days. A heartfelt rock anthem, created completely independently – Sally-Anne played every single instrument you can hear and even programmed the drums on Garage Band! Rival Queens’ debut EP, Crown and Conquer, is set for release on 27th June, and before that we’re looking forward to catching their first ever live show at Cro Cro Land this Sunday, 6th April. Rival Queens are just one of a ton of faves playing the South London festival over the weekend, including ARXX, Scrounge, Big Joanie, Berries and loads more – and I’ll also be DJing there on the Saturday, so I strongly suggest you nab your tickets now! (ML)

Jane Paknia – ‘Solace’
The latest single from innovative artist Jane Paknia, ‘Solace’ offers a dreamy electronic soundscape, fizzing with a sparkling energy. Inspired by the likes SOPHIE and Caroline Polachek, the track pulsates with glitchy beats alongside the delicate power of Paknia’s rich vocals and shimmering layers of instrumentation. Paknia explains: “I really intended for a crying in the club vibe in this one…to make something so sensitive and also pulsing felt like an accomplishment, an alchemizing of the discomfort I was experiencing.” (ML)

Samira Hills – ‘Romantasy’
The latest single from Shropshire based trans artist Samira Hills, ‘Romantasy’ offers a swirling synth-pop anthem. Combining sparkling melodies with a fierce gritty power, the track reflects on unrealistic romantic ideals with a bold energy. Of the track, Samira explains: “Realising I don’t need a lover to be happy was a euphoric and liberating experience. I want my fans to realise it too. So I wrote this song and unfortunately, we had to kill some Disney princesses in the process.” (ML)

 

Get In Her EarsLeave a comment

PLAYLIST: February 2025

The Get In Her Ears team have put together an eclectic mix of alt-pop tunes, punk bangers, immersive electronic soundscapes, grunge & shoegaze anthems, engaging instrumentals and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on their social media, sign up to their newsletters and buy their records from bandcamp if you’re able to!

 

Scrounge – ‘UTG’
We love South London duo Scrounge for their politically-charged anthems and their latest single ‘UTG’ is no exception. Despite being softer in sound, it’s just as hard-hitting when it comes to the personal nature of the lyrics, penned by vocalist and guitarist Lucy. She explains further: “As a queer person, it feels as though you never stop coming out; you’re always protective of that tiny bit of yourself that makes you ‘different’. This song is a reminder to look after and respect your queer and trans mates who are often not given the dignity and respect they deserve.” We back that all the way here at GIHE. Scrounge will be releasing their second album, Almost Like You Could, on 18th April via Ba Da Bing! Records. (Kate Crudgington – Features Editor)

Sacred Paws – ‘Turn Me Down’
The latest single from long-term faves Sacred Paws, ‘Turn Me Down’ reflects on the rawness of rejection; juxtaposing this poignant sentiment with the duo’s trademark jangly energy and colourful musicality. And, after a five year hiatus, Ray and Eidlih have now announced the release of a new album, Jump Into Life, which is due out on 28th March – and I’m very excited about it!
(Mari Lane – Managing Editor)

Dose – ‘Parallelogram’
I was thrilled when this track from Dublin four piece Dose dropped into my inbox earlier this month. The dream-pop band features ex-Bitch Falcon guitarist & vocalist/Coolgirl producer Lizzie who I’m a big fan of, as well as Merpire who I saw perform live supporting Ailbhe Reddy at East London’s Moth Club a few years ago. Dose have been playing local shows in Ireland over the past 12 months and they’ll be releasing their debut EP later this year too. ‘Parallelogram’ is the second offering from this exciting new band and I’m looking forward to hearing more from them. (KC)

Maria Somerville – ‘Garden’
A beautiful, atmospheric offering from from Galway-based NTS Radio host Maria Somerville here. ‘Garden’ is lifted from her upcoming album, Luster, which is set for release on 25th April via 4AD. Her soft vocals and lilting electronics melt into each other, providing escapism and respite for overwhelmed ears. (KC)

Anika – ‘Hearsay’
I love this shadowy new track from British-born, Berlin-based musician Anika. It’s taken from her new album, Abyss, which is set for release on 4th April via Sacred Bones (one of my favourite labels). The LP is a form of sonic rebellion for Anika, inspired by the 90s grunge scene as much as it is about the unpredictable nature of the world we currently live in. (KC)

Bonnie Trash – ‘Hellmouth’
Ontario gothic rockers Bonnie Trash release their brand new album Mourning You today (28th Feb) via Hand Drawn Dracula! Originally formed by twins Emmalia & Sarafina Bortolon-Vettor, Bonnie Trash’s sound and aesthetic has evolved into a fully fleshed band with an angst-ridden energy and edgy aesthetic to match. This track ‘Hellmouth’ is the perfect example of both. Check out the accompanying video for it here. (KC)

Daffo – ‘Absence Makes The Heart Grow’
The songwriting project of Brooklyn-based, Philly-raised Gabi Gamberg, Daffo is a new fave for sure. New single ‘Absence Makes The Heart Grow’ offers a wonderfully scuzzy slice of indie-pop, searing with a raw emotion alongside its fizzing hooks. Of the meaning behind the track, Gamberg explains: “I wrote the song at the end of a relationship, and in my pain, I felt as though the cliche about distance making the heart grow fonder was a sham… It made everything harder, the waves of emotion that accompanied reuniting and separating were too intense to navigate.” Definitely one to watch for 2025, you can catch Daffo live at The George Tavern on 13th May. (ML)

Raue – ‘Escape’
Californian duo Raue (pronounced Roo-AY) are inspired by the sounds of Softcult, Wolf Alice, Fleshwater and Billie Eillish. I love their blend of swirling riffs and soft vocals on this track ‘Escape’, which features on their debut EP, too scared to explain, set for release on 9th May. (KC)

Gloin – ‘Horse Fighting’
Toronto-based post punks Gloin are totally new to me, but I love their latest single ‘Horse Fighting’. It’s taken from their excellently titled upcoming second album, All of your anger is actually shame (and I bet that makes you angry), which is set for release via Mothland on 28th March. (KC)

Grandmas House – ‘From The Gods’
Following on from their raucous love song ‘Slaughterhouse’, this new single from Bristol punks Grandmas House is visceral break-up anthem. It’s lifted from the band’s upcoming EP, Anything For You, which is set for release on 11th April via Duchess Box Records. Check out the accompanying video for the track here. (KC)

Punchlove – ‘(sublimate)’
I’m hooked on Brooklyn band Punchlove’s latest single ‘(sublimate)’. Combining shoegaze riffs with twitchy electronics, the track has an industrial edge that becomes more prevalent after repeated listens. ‘(sublimate)’ is inspired by band member Jillian Olesen’s perception-altering experiences after a self-imposed lengthy period of digital and physical isolation, exploring feelings of “entrapment and suffocation within a reality that is inextricably bound by the powerful grip of the digital world.” (KC)

Calva Louise – ‘WTF’
The ferocious new single from Calva Louise, ‘WTF’ showcases front woman Jess’ fierce vocal with an immense power. She explains that the single is “about that feeling of powerlessness that occurs when we are in situations beyond our control.” Calva Louise will be supporting Bloodywood on their European tour, and you can catch them at Kentish Town Forum on 27th March – and I strongly recommend catching them live, as you can imagine it’s a pretty colossal experience. (ML)

BACKXWASH – ‘Wake Up’
I love the the raw power behind this shape-shifting track from Zambian-Canadian rapper and producer BACKXWASH. ‘Wake Up’ is taken from her upcoming album, Only Dust Remains, which she will be releasing via her own label Ugly Hag on 28th March. This new record has been described as “leaving the ashes of BACKXWASH’S critically acclaimed trilogy of albums behind and taking a bold new direction” in sound. BACKXWASH will also be returning to the UK to play Supersonic Festival in Birmingham later this year. (KC)

Alien Chicks – ‘Donkeyhead’
Brixton trio Alien Chicks are back with this belter of a new single. Taken from their second EP, Forbidden Fruit, which is set for release on 9th May via Hideous Mink Records, it’s another raucous offering from the post-punk band, spotlighting their ability to write tongue-in-cheek anthems that fizz with frenetic energy. (KC)

Rebuilt Boys – ‘Shotgun Divorce’
This is the third single from Peterborough-based queer/trans electronic noise-rock two-piece Rebuilt Boys. Full of jagged riffs, post-punk inspired electronics and pounding beats, it’s a raw and righteous anthem of defiance. (KC)

Laura Jane Grace – ‘Your God (God’s D*ck)’
A stark reflection on religious devotion and the ever increasing limits to free speech that the far right are imposing, this raging new single from Against Me alumni Laura Jane Grace oozes all the fierce energy and tongue-in-cheek wit that I’ve come to know and love from her solo work. (ML)

Rival Queens – ‘Not Your Enemy’
You may know her as the guitarist for artist-on-the-rise Maya Lakhani, but now Sally-Anne Hickman has launched her own solo project, Rival Queens. Born out of a songwriting course by Phillipa Cookman (The Singing Guitarist) that Hickman attended, Rival Queens draws inspiration from the ‘90s grunge movement and epic guitar-driven rock, and this debut single showcases Hickman’s musical prowess as its catchy refrain “I am not your enemy” hammers home its message with a raging sense of urgency. Crown and Conquer, the debut album from Rival Queens, is set for release on 27th June. (ML)

SPELLLING – ‘Alibi’
This is such a gear change in sound from San Francisco-based artist SPELLLING and I love it! Featuring Turnstile’s Pat McCrory on guitar, ‘Alibi’ is a cathartic dose of pop punk, featured on her upcoming album Portrait Of My Heart, set for release on 28th March via Sacred Bones. (KC)

Monday’s Child – ‘Problem Girl’
This hazy new single from Belfast-based alt-rock band Monday’s Child is a reflection on insecurity and the contradictory nature of our inner voices. ‘Problem Girl’ will feature on the band’s debut EP, which is due to be released in May of this year. (KC)

Brain Leak – ‘Trying’
Brain Leak are a bit of a supergroup of sorts – the project of Tara-Gabriella Engelhardt from the band Adjustments, the band also features Sid from The Orielles, Jess from Peaness and Giulia from Working Men’s Club. Combining a glistening raw emotion with a fizzing gritty energy, debut single ‘Trying‘ is propelled by the delicate celestial power of Engelhardt’s vocals, offering a beautifully resonant reflection on attachment and the challenging emotional experiences that can accompany it. A new favourite for sure, I strongly suggest keeping an eye out for more from Brain Leak – they’ve already sold out Yes! in Manchester. To find out more, read our interview with Tara here. (ML)

Ezra Furman – ‘Grand Mal’
The latest single from innovative artist Ezra Furman, ‘Grand Mal’ is first taster of her upcoming 10th album, Goodbye Small Head, I really love its swirling cinematic layers which ripple alongside Furman’s trademark raw emotion. Describing the album, she says: “Is it dark? Yeah! Is it also wonder-struck, laced with psychedelic beauty, triumphant in its wounded way? Yeah again. And by the end of it, the whole thing flames out in a burst of good old-fashioned rock and roll.” It sounds perfect, and I can’t wait for its release on 16th May. (ML)

Freak Slug – ‘Liquorice’
After being completely obsessed with their single ‘Spells’ last year, I’m very excited to hear that Manchester’s Freak Slug will be releasing the extended version of their debut album, I Blow Out Big Candles (But With A Cherry On Top), on 7th March, following the original release last November. This latest single only features on the expanded edition and offers jangly hooks, quirky energy and sugar sweet vocals in abundance. Catch Freak Slug live on their UK tour in May, including a headline show at Moth Club on the 22nd. (ML)

Housewife – ‘Work Song’
This single from queer Canadian artist Housewife is an infectious glitchy anthem that fizzes with relatable angst. It’s taken from her upcoming EP, Girl Of The Hour, which is set for release on 7th March via Submarine Cat Records. The EP is a buoyant reflection on identity, love and gender, all underscored by Housewife’s playful alt-pop sounds. (KC)

Supersaurus – ‘Fool For You’
We’ve been big fans of “non-binary fronted indie-pop girl band” Supersaurus since being introduced to their queer sad-pop bangers back in 2023, and new single ‘Fool For You’ offers another nostalgic heartfelt anthem. Of the track, the band explain: “If life was a 90s romcom, it would be the soundtrack. Every main character deserves their own epic soundtrack and ‘Fool For You’ serves as the perfect anthem for anyone who has ever been a fool for love and surrendered to its enchanting allure.” (ML)

Blonde Maze – ‘Never Dream’
I’ve made no secret of my love of New York artist Blonde Maze over the last decade of Get In Her Ears, and so it always bring me a lot of joy when she shares a new song. ‘Never Dream’ is her third collaboration with innovative electro artist Attom and oozes all the dreamy blissful vibes and soothing heartfelt charm that I’ve come to expect from her gorgeous creations. The single comes ahead of the release of her sophomore album, Second Sight, on 23rd May – and to say I’m excited about a brand new collection of her gloriously cathartic offerings is an understatement. (ML)

Shura ft. Cassandra Jenkins – ‘Richardson’
This is the second single from British songwriter Shura’s upcoming album, I Got Too Sad For My Friends, set for release on the 30th May. Featuring New York vocalist Cassandra Jenkins, ‘Richardson’ is a song about “walking, thinking, and trying to find comfort somewhere” guided by Shura’s soft voice and gentle beats. (KC)

Deerhoof – ‘Sparrow Sparrow’
One of the new ‘double B-sides’ from innovative dance-rock collective Deerhoof, ‘Sparrow Sparrow’ showcases their quirky fizzing energy and shimmering charm perfectly. The track is released alongside ‘Overrated Species Anyhow’, and the band are donating all proceeds to The Trevor Project – a non-profit suicide prevention organisation for the LGBTQ+ community. (ML)

Selma French – ‘Little Sisters and Friends’
The latest single from Norwegian artist Selma French, ‘Little Sisters and Friends’ offers a comforting ode to the younger people in our lives, and reflects on the need to care for and support them in their life’s journey. Flowing with lilting folk-strewn melodies and the rich sparkling grace of French’s vocals, it’s a gorgeous first taste of her upcoming second album, No Sign Of Rotten Leaves, which is set for release on 25th April. (ML)

Penelope Trappes – ‘A Requiem’
This is a beautiful sonic rumination from Brighton-based Australian producer and multi-instrumentalist Penelope Trappes. ‘A Requiem’ is the title track from her upcoming album, which is set for release on 4th April via One Little Independent. I’ve found each of Trappes’ singles and accompanying videos for this project to be really thought-provoking and evocative, and despite the album’s melancholy context, I feel like she has expressed something truly pure and beautiful about the shape-shifting nature of grief on this latest effort. Watch the accompanying visual, filmed by Agnes Haus, here. (KC)

Maud The Moth – ‘Exuviae’
Another exquisitely eccentric offering from Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH here. ‘Exuviae’ is lifted from her upcoming album, The Distaff, which is set for release on 21st February. The LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore, myth and poetry” which the artist explores in her own idiosyncratic manner. (KC)

Divide & Dissolve – ‘Provenance’
Multi-instrumentalist Takiaya Reed is back with her heavy instrumental project Divide and Dissolve and this gargantuan new single ‘Provenance’. Full of her trademark eerie saxophone sounds, crushing riffs and bruising beats, the single is the first offering from Divide and Dissolve’s new album, Insatiable, which is set for release on 18th April via Bella Union. Reed will also be returning to Supersonic Festival in Birmingham this year – which I am very excited about! Watch the accompanying video for ‘Provenance’ here. (KC)

Venamoris – ‘Truth’
Eclectic American duo Venamoris – formed of Dave and Paula Lombardo – have moved into darker sonic territory on their new album, To Cross Or To Burn, released today (28th Feb). Full of cinematic electronics and impassioned vocals, this track ‘Truth’ is lifted from the record, which focuses around soul searching and the need for acceptance. (KC)

 

Get In Her EarsLeave a comment

PLAYLIST: January 2025

Welcome to our first New Music Playlist of 2025! The Get In Her Ears team have put together an eclectic mix of alternative, grunge & shoegaze anthems, alt-pop tunes, punk bangers, immersive electronic soundscapes and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their newsletters, buy their records and merch from bandcamp and attend their gigs if you’re able to!

 

THE NONE – ‘My People’
After naming THE NONE as Ones To Watch for 2025 earlier this month, it’s great to see that the Birmingham/London punk band are firing on all cylinders with their latest single. ‘My People’ is taken from their upcoming EP, CARE, which is set for release on 14th February, available exclusively on bandcamp. The four tracks that form it are a visceral statements of autonomy, shrouded in THE NONE’s trademark ear-splitting cacophonies. I can’t wait to catch them playing live again at Oslo in London on 29th March. Watch the accompanying video for ‘My People’ here.
(Kate Crudgington – Features Editor)

Scrounge – ‘Higher’
GIHE faves Scrounge are BACK! The South London duo have announced that they’ll be releasing their second album, Almost Like You Could, on 18th April via Ba Da Bing! Records. This track ‘Higher’ is the first taste of what’s to come. It’s a powerful, biting reminder that Scrounge are fuelled by the desire to create meaningful art that represents the voices of the allies and the communities that they are a vital part of when they’re offstage. We back that all the way. (KC)

The Pill – ‘Money Mullet’
I’m not quite sure how The Pill had passed me by until now, but I was lucky enough to see them at The Old Blue Last as part of DIY Magazine’s Ones To Watch evening a few weeks back, and was an instant fan! They ooze heaps of charisma and a wonderful tongue-in-cheek wit delivering their wildly energy-fuelled, gritty garage-rock anthems.
(Mari Lane – Managing Editor)

Pigeon Dog – ‘Wet Washing’
North London trio Pigeon Dog first came to my attention when they supported Dogviolet at their special single launch show at The Victoria last year. They instantly blew me away with their stark grunge-tinged post-punk and gritty energy, which showcased perfectly in this new single. With shades of the likes of Dry Cleaning, ‘Wet Washing’ ripples with scuzzy hooks and an immersive raw power. Of the track, the band explain: “’Wet Washing’ is about chaos; the extreme hyperactivity used to try and counteract being broke, depressed, existential and lethargic. Making yourself so busy that you lose all sense of who you are and why you’re doing the thing in the first place. Really hope you don’t relate.” (ML)

Slung – ‘Laughter’
I love the cathartic opening scream that Slung’s vocalist Katie Oldham unleashes on this track. The Brighton four piece, initially formed by bassist Vlad Matveikov, have announced that they’ll be releasing their debut album, In Ways, via Fat Dracula on 2nd May. ‘Laughter’ is inspired by difficult family dynamics and the resentment that builds up when they’re not addressed. (KC)

ALT BLK ERA -‘Come Fight Me For It’
I caught up with genre-defying sister duo ALT BLK ERA at the start of this month to talk about their debut album, Rave Immortal, which this banger of a track is taken from. Released via Earache Records, on their debut LP Nyrobi & Chaya battle their demons and bring the noise with a tenacious blend of jagged electronics and racing beats. We spoke about their inspirations, life experiences, collaborating with indie rock legends Wheatus and a shared respect for Radio 1 DJ Alyx Holcombe. You can read the full feature here. (KC)

Glixen – ‘all tied up’
A potent, swirling rumination on infatuation, this single from Phoenix shoegazers Glixen features on their upcoming EP, Quiet Pleasures. Set for release on 21st February via AWAL/Wichita Recordings, the EP is looks set to be a visceral headrush of drifting vocals, immense riffs and brooding basslines. I can’t wait to hear it in full. (KC)

Kills Birds – ‘Madison’
Whether she’s screaming or singing softly, I find the vocals of Kills Birds’ front person Nina Ljeti totally enrapturing. This single ‘Madison’ sees her seamlessly blend both of these skills over the band’s unpredictable volume shifts and blistering riffs. ‘Madison’ is lifted from Kills Birds’ upcoming EP, Crave, which will be released on 11th April via Lucky Number. (KC)

Grandmas House – ‘Slaughterhouse’
GIHE faves Grandmas House are back with this brooding new single, described as a raw “love song”. ‘Slaughterhouse’ is taken from the Bristol band’s upcoming EP, Anything For You, which is set for release on 11th April via Duchess Box Records. I’m looking forward to listening to the record in full. (KC)

Gender Chores – ‘January Blues’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast’s Gender Chores first blasted into our ears with the seething energy of 2019’s Womansplain, and have since been continuing to impress us with their feminist punk-pop anthems. New single ‘January Blues’ is a powerful reflection on violence against women and victim blaming; combining a fierce fast-paced energy with the haunting poignancy of the lyrics, it offers a raging rallying cry to fight against the dangerous patriarchal society. All proceeds from the single on bandcamp will be going to Women’s Aid NI and Nexus NI. (ML)

Loose Articles – ‘Guitars, Cars, Knickers and Bras’
Having shared the stages with the likes of Foo Fighters and The Lovely Eggs, Manchester punks Loose Articles’ debut album, Scream If You Wanna Go Faster, was one of my faves of last year. Taken from the album, latest single ‘Guitars, Cars, Knickers and Bras’ bemoans workplace misogyny with a fierce raw energy and fuzzy allure. Of the track, they explain: “The track points to the collective issue of not being taken seriously as a female musician, which is something we as a band have all experienced… Disillusioned sexism channeled into an anthemic sardonic chant.” We’re super excited to see that Loose Articles will be playing Cro Cro Land in April. Grab a ticket here. (ML)

Touch Excellent – ‘Sober Mind’
“‘Sober Mind’ is an anthem for a new generation that likes to party hard and drink soft,” explain Dublin post punk band Touch Excellent. Through their witty lyricism, gritty riffs and unexpected party beats towards the end of the track, the band explore what it’s like to be the “the last sober person left at the gaff” on this latest introverted yet infectious offering. (KC)

Bria Salmena – ‘Stretch the Struggle’
This passionate new single from Sub Pop signee Bria Salmena is lifted from her upcoming debut album, Big Dog. Set for release on 28th March, the record “chronicles a story of transformation–a deeply personal exploration of resilience and a declaration of artistic independence forged through collaboration,” seamlessly linked together by Salmena’s defiant vocals. (KC)

Roller Derby – ‘Last Night’
Set to release their debut album next month, Hamburg dream-pop duo Roller Derby released a string of singles last year, garnering acclaim from the likes of Charlie Ashcroft on Amazing Radio, John Kennedy on Radio X, and being featured in Record Collector Magazine. A heartfelt insight into feelings of anticipation and desire, new single ‘Last Night’ whirrs with swirling atmospherics, showcasing the band’s ability to combine ‘80s-inspired electronic soundscapes with their own unique sparkling splendour. When The Night Comes, the debut album from Roller Derby, is out on 28th February. Pre-order it here and grab tickets to see them live while they’re in the UK in May here! (ML)

jasmine.4.t – ‘Guy Fawkes Tesco Dissociation’
I’ve made no secret of my immense love of Jasmine.4.t over recent months, having picked her as one of my Ones To Watch for this year. And I’m not alone; she’s been receiving tonnes of acclaim from publications such as Pitchfork, The Line Of Best Fit and BBC 6Music. Her exquisite debut album, You Are The Morning, was released via Phoebe Bridgers’ label, Saddest Factory Records, and reflects on both the camaraderie and isolation that can be a part of transfeminine life with a stirring glistening emotion. A heartfelt ode to queer friendship, it sparkles with a truly captivating majesty throughout. (ML)

Flora From Kansas – ‘The Ghost Is Me’
I love this single from 17 year old Flora Kay aka Flora From Kansas. Taken from her upcoming debut EP, Homesick, which is set for release on 14th March via Melodic, ‘The Ghost Is Me’ is inspired by the rage Flora says she continuously felt in middle school. The track simmers with a quiet angst, softened by the songwriters’ tender vocals and earnest lyrics. (KC)

Dayydream – ‘Fucked Up’
After self-releasing her debut EP, Bittersweet, back in 2022, Glasgow-based songwriter Chloe Trappes aka Dayydream has returned with this brand new single. Backed by her new band, Trappes’ vocals delicately unravel over tentative beats and melodic riffs, making ‘Fucked Up’ a melancholic rumination on love gone wrong. (KC)

Kathryn Mohr – ‘Take It’
Taken from her recent album, Waiting Room, I’m a big fan of this track from Oakland-based artist Kathryn Mohr. Released via eclectic label The Flenser, Mohr wrote and recorded the LP over the course of a month whilst staying in a disused fish factory in Iceland surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Japanese Breakfast – ‘Orlando In Love’
Hearing that longtime faves Japanese Breakfast were releasing new music this month, it seemed like the stars had aligned as I’ve just been reading Michelle Zauner’s poignant reflection on grief, Crying In H Mart. One of the most heartbreaking, yet comforting and absolutely beautiful books I’ve ever read. Ahead of the release of new album, For Melacholy Brunettes (& Sad Women), ‘Orlando In Love’ offers a shimmering tale of desire, inspired by an unfinished epic by Renaissance poet Matteo Maria Boiardo and rippling with Zauner’s distinctive spellbinding allure. (ML)

Julien Baker and TORRES – ‘Sugar In The Tank’
Just when I thought I couldn’t love Julien Baker more, she starts the year by announcing the release of a debut album as part of a collaboration with fellow fave TORRES. In the works since they played their first show together back in 2016, the country-inspired album is due out in April, and I cannot wait. Ahead of the album announcement, at the end of last year, they shared a joyous video for this lead single featuring queer country dance party Stud Club. It’s the stuff of every queer country gal’s dreams, and I’m already obsessed. Send A Prayer My Way, the debut album from Baker and TORRES, is set for release on 18th April via Matador Records. (ML)

Florist – ‘Have Heaven’
Having been a big fan of New York quartet Florist since becoming quite obsessed with The Birds Outside Sang back in 2016, I was excited to hear that they’ll be releasing a new album in April. Ahead of the album, they’ve shared ‘Have Heaven’, a beautiful reflection on cosmic alchemy and the symbiosis of the worlds of magic and death – themes which they’ve said will run throughout the album. Rippling with the band’s trademark sparkling grace and a delicate lilting energy, it offers a heartfelt plea “for a peaceful place for our spirits to live and land”. Jellywish, the upcoming new album from Florist, is set for release on 4th April via Double Double Whammy. (ML)

Glorybox – ‘Shadows’
London-based trio Gloybox create their luscious synth-driven soundscapes as a means of connecting with and bringing visibility to their queer identity. Exploring issues around bi-erasure and cis/heteronormativity, their genre-defying music draws on ‘90s trip-hop and r’n’b with a fresh, energising power. Flowing with glistening hooks and a soulful impassioned splendour, ‘Shadows’ explores the painful experience of not being seen for who you truly are by the people you love with a stirring resonance. (ML)

Penelope Trappes – ‘Red Dove’
I’ve had this meditative but striking single from Brighton-based Australian producer and multi-instrumentalist Penelope Trappes on a loop since its release. It’s taken from her fifth album, A Requiem, which is set for release on 4th April via One Little Independent Records. ‘Red Dove’ is inspired by an apocalyptic dream that Trappes had and is accompanied by a beautiful video, shot and directed by Agnes Haus. Watch it here. (KC)

Birthday Problem ft. Party Fears – ‘Lines’
It’s been too long since I heard the wonderful voice of Maggie Devlin from Party Fears! Thank you to Irish electronica project Birthday Problem (formed of Matt Harris and Rocky O’Reilly) for bringing her clear, poetic intonation back into my ears. Maggie’s voice is serving a deeper purpose on this track though – ‘Lines’ tells the story of two people forced to leave their homes due to circumstances beyond their control. It’s a creative collaboration with Leila Boukarim & Asaf Luzon, the authors behind A Million Kites, a poignant collection of poetry and testimonies from children in Gaza. Compiled between October 2023 and March 2024, all profits from the sale of this book will be donated to organisations helping the people of Gaza. Buy your copy here. (KC)

Amulets & Midwife – ‘Lifelike’
This is such a beautiful collaboration from two of my favourite artists. ‘Lifelike’ seamlessly blends the mesmerising drones and ambient electronics of Asian-American artist Amulets with the ethereal vocals and hazy reverb of Colorado-based musician and producer Midwife. This track is taken from Amulets’ second album, Not Around But Through, which is set for release via Beacon Sound on 21st February. I can already tell it’s going to be one of my favourite records of the year. (KC)

NYX – ‘Daughters’
I’ve been a big fan of the NYX drone choir for several years now, so I was thrilled to read that they will be releasing their self-titled debut album via their own label NYX Collective Records on 28th March. ‘Daughters’ beautifully showcases their ability to immerse listeners into their instinctive and experimental soundscapes. Totally mesmerising. You can pre-order your copy of NYX here. (KC)

Maud The Moth – ‘Despeñaperros’
This latest single from Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH is lifted from her upcoming album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore, myth and poetry. “‘Despeñaperros is one of the cornerstones of The Distaff’s universe,” Lopez-Carromero explains. “A canyon and natural reserve with dramatic geology and very violent historical background, the Despeñaperros Pass is a gateway into the wilderness. Its name, which can be translated as ‘where dogs are thrown off the cliff’, has unclear origins and adds to the lore and mystery shrouding this area in the Spanish collective consciousness.” (KC)

ESKA – ‘Down Here’
ESKA’s been such an innovative creator for the last decade, having wowed listeners with her incredible eponymous debut album back in 2015, collaborated with legends such as Grace Jones and Baxter Dury and been a key part of a number of exciting projects including a Royal Opera House comission and Meltdown Festival. Now, she’s showcasing her exquisite musical prowess and songwriting ability with this epic new single. Propelled by an uplifting power, ‘Down Here’ flows with ESKA’s soaring, soulful vocals and a captivating majestic splendour. (ML)

 

Get In Her EarsLeave a comment