PLAYLIST: January 2025

Welcome to our first New Music Playlist of 2025! The Get In Her Ears team have put together an eclectic mix of alternative, grunge & shoegaze anthems, alt-pop tunes, punk bangers, immersive electronic soundscapes and indie musings for your listening pleasure. Take some time to scroll through our selections below and make sure you press play on the playlist at the end of this post.

Follow GIHE on Spotify to see all of our previous playlists too. As well as streaming these tunes, we encourage you to follow the artists we’ve featured on social media, sign up to their newsletters, buy their records and merch from bandcamp and attend their gigs if you’re able to!

 

THE NONE – ‘My People’
After naming THE NONE as Ones To Watch for 2025 earlier this month, it’s great to see that the Birmingham/London punk band are firing on all cylinders with their latest single. ‘My People’ is taken from their upcoming EP, CARE, which is set for release on 14th February, available exclusively on bandcamp. The four tracks that form it are a visceral statements of autonomy, shrouded in THE NONE’s trademark ear-splitting cacophonies. I can’t wait to catch them playing live again at Oslo in London on 29th March. Watch the accompanying video for ‘My People’ here.
(Kate Crudgington – Features Editor)

Scrounge – ‘Higher’
GIHE faves Scrounge are BACK! The South London duo have announced that they’ll be releasing their second album, Almost Like You Could, on 18th April via Ba Da Bing! Records. This track ‘Higher’ is the first taste of what’s to come. It’s a powerful, biting reminder that Scrounge are fuelled by the desire to create meaningful art that represents the voices of the allies and the communities that they are a vital part of when they’re offstage. We back that all the way. (KC)

The Pill – ‘Money Mullet’
I’m not quite sure how The Pill had passed me by until now, but I was lucky enough to see them at The Old Blue Last as part of DIY Magazine’s Ones To Watch evening a few weeks back, and was an instant fan! They ooze heaps of charisma and a wonderful tongue-in-cheek wit delivering their wildly energy-fuelled, gritty garage-rock anthems.
(Mari Lane – Managing Editor)

Pigeon Dog – ‘Wet Washing’
North London trio Pigeon Dog first came to my attention when they supported Dogviolet at their special single launch show at The Victoria last year. They instantly blew me away with their stark grunge-tinged post-punk and gritty energy, which showcased perfectly in this new single. With shades of the likes of Dry Cleaning, ‘Wet Washing’ ripples with scuzzy hooks and an immersive raw power. Of the track, the band explain: “’Wet Washing’ is about chaos; the extreme hyperactivity used to try and counteract being broke, depressed, existential and lethargic. Making yourself so busy that you lose all sense of who you are and why you’re doing the thing in the first place. Really hope you don’t relate.” (ML)

Slung – ‘Laughter’
I love the cathartic opening scream that Slung’s vocalist Katie Oldham unleashes on this track. The Brighton four piece, initially formed by bassist Vlad Matveikov, have announced that they’ll be releasing their debut album, In Ways, via Fat Dracula on 2nd May. ‘Laughter’ is inspired by difficult family dynamics and the resentment that builds up when they’re not addressed. (KC)

ALT BLK ERA -‘Come Fight Me For It’
I caught up with genre-defying sister duo ALT BLK ERA at the start of this month to talk about their debut album, Rave Immortal, which this banger of a track is taken from. Released via Earache Records, on their debut LP Nyrobi & Chaya battle their demons and bring the noise with a tenacious blend of jagged electronics and racing beats. We spoke about their inspirations, life experiences, collaborating with indie rock legends Wheatus and a shared respect for Radio 1 DJ Alyx Holcombe. You can read the full feature here. (KC)

Glixen – ‘all tied up’
A potent, swirling rumination on infatuation, this single from Phoenix shoegazers Glixen features on their upcoming EP, Quiet Pleasures. Set for release on 21st February via AWAL/Wichita Recordings, the EP is looks set to be a visceral headrush of drifting vocals, immense riffs and brooding basslines. I can’t wait to hear it in full. (KC)

Kills Birds – ‘Madison’
Whether she’s screaming or singing softly, I find the vocals of Kills Birds’ front person Nina Ljeti totally enrapturing. This single ‘Madison’ sees her seamlessly blend both of these skills over the band’s unpredictable volume shifts and blistering riffs. ‘Madison’ is lifted from Kills Birds’ upcoming EP, Crave, which will be released on 11th April via Lucky Number. (KC)

Grandmas House – ‘Slaughterhouse’
GIHE faves Grandmas House are back with this brooding new single, described as a raw “love song”. ‘Slaughterhouse’ is taken from the Bristol band’s upcoming EP, Anything For You, which is set for release on 11th April via Duchess Box Records. I’m looking forward to listening to the record in full. (KC)

Gender Chores – ‘January Blues’
Having shared stages with the likes of Problem Patterns, Strange New Places and Sister Ghost, Belfast’s Gender Chores first blasted into our ears with the seething energy of 2019’s Womansplain, and have since been continuing to impress us with their feminist punk-pop anthems. New single ‘January Blues’ is a powerful reflection on violence against women and victim blaming; combining a fierce fast-paced energy with the haunting poignancy of the lyrics, it offers a raging rallying cry to fight against the dangerous patriarchal society. All proceeds from the single on bandcamp will be going to Women’s Aid NI and Nexus NI. (ML)

Loose Articles – ‘Guitars, Cars, Knickers and Bras’
Having shared the stages with the likes of Foo Fighters and The Lovely Eggs, Manchester punks Loose Articles’ debut album, Scream If You Wanna Go Faster, was one of my faves of last year. Taken from the album, latest single ‘Guitars, Cars, Knickers and Bras’ bemoans workplace misogyny with a fierce raw energy and fuzzy allure. Of the track, they explain: “The track points to the collective issue of not being taken seriously as a female musician, which is something we as a band have all experienced… Disillusioned sexism channeled into an anthemic sardonic chant.” We’re super excited to see that Loose Articles will be playing Cro Cro Land in April. Grab a ticket here. (ML)

Touch Excellent – ‘Sober Mind’
“‘Sober Mind’ is an anthem for a new generation that likes to party hard and drink soft,” explain Dublin post punk band Touch Excellent. Through their witty lyricism, gritty riffs and unexpected party beats towards the end of the track, the band explore what it’s like to be the “the last sober person left at the gaff” on this latest introverted yet infectious offering. (KC)

Bria Salmena – ‘Stretch the Struggle’
This passionate new single from Sub Pop signee Bria Salmena is lifted from her upcoming debut album, Big Dog. Set for release on 28th March, the record “chronicles a story of transformation–a deeply personal exploration of resilience and a declaration of artistic independence forged through collaboration,” seamlessly linked together by Salmena’s defiant vocals. (KC)

Roller Derby – ‘Last Night’
Set to release their debut album next month, Hamburg dream-pop duo Roller Derby released a string of singles last year, garnering acclaim from the likes of Charlie Ashcroft on Amazing Radio, John Kennedy on Radio X, and being featured in Record Collector Magazine. A heartfelt insight into feelings of anticipation and desire, new single ‘Last Night’ whirrs with swirling atmospherics, showcasing the band’s ability to combine ‘80s-inspired electronic soundscapes with their own unique sparkling splendour. When The Night Comes, the debut album from Roller Derby, is out on 28th February. Pre-order it here and grab tickets to see them live while they’re in the UK in May here! (ML)

jasmine.4.t – ‘Guy Fawkes Tesco Dissociation’
I’ve made no secret of my immense love of Jasmine.4.t over recent months, having picked her as one of my Ones To Watch for this year. And I’m not alone; she’s been receiving tonnes of acclaim from publications such as Pitchfork, The Line Of Best Fit and BBC 6Music. Her exquisite debut album, You Are The Morning, was released via Phoebe Bridgers’ label, Saddest Factory Records, and reflects on both the camaraderie and isolation that can be a part of transfeminine life with a stirring glistening emotion. A heartfelt ode to queer friendship, it sparkles with a truly captivating majesty throughout. (ML)

Flora From Kansas – ‘The Ghost Is Me’
I love this single from 17 year old Flora Kay aka Flora From Kansas. Taken from her upcoming debut EP, Homesick, which is set for release on 14th March via Melodic, ‘The Ghost Is Me’ is inspired by the rage Flora says she continuously felt in middle school. The track simmers with a quiet angst, softened by the songwriters’ tender vocals and earnest lyrics. (KC)

Dayydream – ‘Fucked Up’
After self-releasing her debut EP, Bittersweet, back in 2022, Glasgow-based songwriter Chloe Trappes aka Dayydream has returned with this brand new single. Backed by her new band, Trappes’ vocals delicately unravel over tentative beats and melodic riffs, making ‘Fucked Up’ a melancholic rumination on love gone wrong. (KC)

Kathryn Mohr – ‘Take It’
Taken from her recent album, Waiting Room, I’m a big fan of this track from Oakland-based artist Kathryn Mohr. Released via eclectic label The Flenser, Mohr wrote and recorded the LP over the course of a month whilst staying in a disused fish factory in Iceland surrounded by remote nature. The result is an intense rumination on the human condition, tethered together through her veiled vocals, field recordings and affecting instrumentation. (KC)

Japanese Breakfast – ‘Orlando In Love’
Hearing that longtime faves Japanese Breakfast were releasing new music this month, it seemed like the stars had aligned as I’ve just been reading Michelle Zauner’s poignant reflection on grief, Crying In H Mart. One of the most heartbreaking, yet comforting and absolutely beautiful books I’ve ever read. Ahead of the release of new album, For Melacholy Brunettes (& Sad Women), ‘Orlando In Love’ offers a shimmering tale of desire, inspired by an unfinished epic by Renaissance poet Matteo Maria Boiardo and rippling with Zauner’s distinctive spellbinding allure. (ML)

Julien Baker and TORRES – ‘Sugar In The Tank’
Just when I thought I couldn’t love Julien Baker more, she starts the year by announcing the release of a debut album as part of a collaboration with fellow fave TORRES. In the works since they played their first show together back in 2016, the country-inspired album is due out in April, and I cannot wait. Ahead of the album announcement, at the end of last year, they shared a joyous video for this lead single featuring queer country dance party Stud Club. It’s the stuff of every queer country gal’s dreams, and I’m already obsessed. Send A Prayer My Way, the debut album from Baker and TORRES, is set for release on 18th April via Matador Records. (ML)

Florist – ‘Have Heaven’
Having been a big fan of New York quartet Florist since becoming quite obsessed with The Birds Outside Sang back in 2016, I was excited to hear that they’ll be releasing a new album in April. Ahead of the album, they’ve shared ‘Have Heaven’, a beautiful reflection on cosmic alchemy and the symbiosis of the worlds of magic and death – themes which they’ve said will run throughout the album. Rippling with the band’s trademark sparkling grace and a delicate lilting energy, it offers a heartfelt plea “for a peaceful place for our spirits to live and land”. Jellywish, the upcoming new album from Florist, is set for release on 4th April via Double Double Whammy. (ML)

Glorybox – ‘Shadows’
London-based trio Gloybox create their luscious synth-driven soundscapes as a means of connecting with and bringing visibility to their queer identity. Exploring issues around bi-erasure and cis/heteronormativity, their genre-defying music draws on ‘90s trip-hop and r’n’b with a fresh, energising power. Flowing with glistening hooks and a soulful impassioned splendour, ‘Shadows’ explores the painful experience of not being seen for who you truly are by the people you love with a stirring resonance. (ML)

Penelope Trappes – ‘Red Dove’
I’ve had this meditative but striking single from Brighton-based Australian producer and multi-instrumentalist Penelope Trappes on a loop since its release. It’s taken from her fifth album, A Requiem, which is set for release on 4th April via One Little Independent Records. ‘Red Dove’ is inspired by an apocalyptic dream that Trappes had and is accompanied by a beautiful video, shot and directed by Agnes Haus. Watch it here. (KC)

Birthday Problem ft. Party Fears – ‘Lines’
It’s been too long since I heard the wonderful voice of Maggie Devlin from Party Fears! Thank you to Irish electronica project Birthday Problem (formed of Matt Harris and Rocky O’Reilly) for bringing her clear, poetic intonation back into my ears. Maggie’s voice is serving a deeper purpose on this track though – ‘Lines’ tells the story of two people forced to leave their homes due to circumstances beyond their control. It’s a creative collaboration with Leila Boukarim & Asaf Luzon, the authors behind A Million Kites, a poignant collection of poetry and testimonies from children in Gaza. Compiled between October 2023 and March 2024, all profits from the sale of this book will be donated to organisations helping the people of Gaza. Buy your copy here. (KC)

Amulets & Midwife – ‘Lifelike’
This is such a beautiful collaboration from two of my favourite artists. ‘Lifelike’ seamlessly blends the mesmerising drones and ambient electronics of Asian-American artist Amulets with the ethereal vocals and hazy reverb of Colorado-based musician and producer Midwife. This track is taken from Amulets’ second album, Not Around But Through, which is set for release via Beacon Sound on 21st February. I can already tell it’s going to be one of my favourite records of the year. (KC)

NYX – ‘Daughters’
I’ve been a big fan of the NYX drone choir for several years now, so I was thrilled to read that they will be releasing their self-titled debut album via their own label NYX Collective Records on 28th March. ‘Daughters’ beautifully showcases their ability to immerse listeners into their instinctive and experimental soundscapes. Totally mesmerising. You can pre-order your copy of NYX here. (KC)

Maud The Moth – ‘Despeñaperros’
This latest single from Spanish-born, Scotland-based multi-instrumentalist Amaya Lopez-Carromero aka MAUD THE MOTH is lifted from her upcoming album, The Distaff. Set for release on 21st February 2025, the LP is an “ethereal but violent” amalgamation of autobiographical experiences, folklore, myth and poetry. “‘Despeñaperros is one of the cornerstones of The Distaff’s universe,” Lopez-Carromero explains. “A canyon and natural reserve with dramatic geology and very violent historical background, the Despeñaperros Pass is a gateway into the wilderness. Its name, which can be translated as ‘where dogs are thrown off the cliff’, has unclear origins and adds to the lore and mystery shrouding this area in the Spanish collective consciousness.” (KC)

ESKA – ‘Down Here’
ESKA’s been such an innovative creator for the last decade, having wowed listeners with her incredible eponymous debut album back in 2015, collaborated with legends such as Grace Jones and Baxter Dury and been a key part of a number of exciting projects including a Royal Opera House comission and Meltdown Festival. Now, she’s showcasing her exquisite musical prowess and songwriting ability with this epic new single. Propelled by an uplifting power, ‘Down Here’ flows with ESKA’s soaring, soulful vocals and a captivating majestic splendour. (ML)

 

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GIHE: Ones To Watch 2025

It’s fair to say that 2024 has been another tough one, but if there’s one positive to take away, it’s the immense amount of incredible new music that’s been released and the hope of even more wonderful offerings from new bands and artists in 2025.

Following our Tracks Of 2024, Albums & EPS of 2024 and Highlights of 2024 features, we’re now sharing our Ones To Watch for 2025 – naming a handful of bands and artists who we’ve loved through 2024 and that we predict will be reaching ears far and wide next year. Have a read of our choices and make sure you give them all a follow to keep track of their achievements over the next twelve months.

Comic Sans
Having completely blown us away with their immense energy playing live at New River Studios in October, London queer emo-punks Comic Sans have had quite the year. Supporting Amyl and the Sniffers on tour in France in June, and releasing their soaring punk anthem ‘Mr President’, they really have marked themselves out as ones to watch. Bringing a fierce sense of urgency and swirling playful charisma to everything they do, seeing them live is a truly memorable experience; their unique empowering energy shining through, immersing the crowd in a joyous, raging catharsis. I’m pretty sure some exciting things must be lined up for this hard-working, riotous, witty and hugely loveable band over the next twelve months…
(Mari Lane – Managing Editor)

THE NONE
Birmingham-based four piece THE NONE are an experimental punk supergroup. Formed of vocalist Kaila Whyte (Blue Ruth, Youth Man), bassist Gordon Moakes (Bloc Party, Young Legionnaire), guitarist Jim Beck (Cassels) and drummer Chris Francombe (Frauds), the band formed at the start of 2023 and create cathartic, abrasive anthems that are inspired by ego-less experimentation and open collaboration. This passion comes screaming through in their live performances and their knockout set at Supersonic Festival in September was a riot of abrasive punk cacophonies that completely pulverized my eardrums. THE NONE shared their debut EP, MATTER, on bandcamp earlier this year – but you need to hear their music in the flesh to fully appreciate its raw, tenacious spirit. 
(Kate Crudgington – Features Editor)

Jasmine 4.t 
Based in Manchester, this year trans artist Jasmine.4.t was the first UK signee to Phoebe Bridgers’ new label Saddest Factory Records and I fell instantly in love with her exquisite single ‘Skin On Skin’. Reflecting on both the camaraderie and isolation that can be a part of transfeminine life, its stirring glistening emotion and twinkling hooks are as beautifully perfect as you’d expect. Jasmine’s debut album – You Are The Morning – is set for release on 17th January; produced by Bridgers alongside fellow Boygenius members Julien Baker and Lucy Dacus, it offers an ode to queer friendship, and I cannot wait to immerse myself in all its heartfelt majesty. 
(ML)

Tiiva
I’ve been following the work of Bristol-based, non-binary producer and electronic artist Tiiva for some time now, and their collaborative efforts are equally as impressive as their solo output. Having remixed tracks for Clementine Blue, Tiece and El Hardwick in the past, Tiiva put themselves into the spotlight again this year in September when they released their second EP, DESERT PLAINS. Formed of seven tracks, the record traces a personal journey of change and empowerment for Tiiva, underscored by their lilting electronica and soft vocals, which I think are perfectly encapsulated on ‘TORNADOS’. I’ve yet to see Tiiva perform live, but I’m hoping that will change in 2025. (KC)

Gay Skeleton Club
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, all showcased perfectly in the 7-track demos EP that they released back in October, alongside the band’s raging, fun-filled spirit. Already a pivotal part of the London DIY queer scene, both on and off stage, and huge supporters of all their peers, Gay Skeleton Club deserve every success to come their way and I can’t wait to see what they do next. And they’re kicking off 2025 in style, playing live for us at New River Studios, supporting Thwack! On 7th February – nab your tickets now. (ML)

Jæd
I already named London-based, Irish-Puerto Rican musician Jæd in our Albums of 2024 feature, but I couldn’t resist naming her again here. Her dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. Jæd has been grafting away for years creating the tracks that form her debut record, which is inspired by personal hardship and the endurance of the creative spirit. It’s cliché to say it, but Jæd’s talent really is best appreciated live. (KC)

Skutterfly
After being recommended by numerous people to check out Skutterfly earlier this year, I was super chuffed to be able to book the First Timers alumni to play for us at The Cavendish Arms, supporting The Baby Seals, back in October. With their sparkling energy and jangly hooks fizzing throughout each ‘90s-reminiscent grunge-tinged offering, they completely won us over with a set full of scuzzy goodness, including a unique rendition of No Doubt’s ‘Just A Girl’. They released their debut single ‘Changing Room’ in October, and I can’t wait to hear more from this exciting new band in 2025! (ML)

Fetch
In November, I had the honour of hosting the debut gig for queer punk-pop supergroup FETCH. Consisting of legends Chuck SJ, Beth White and Frankie Tuffragette, they delivered a fiercely fun-filled set oozing a perfect balance of gritty riotous energy and unifying queer joy (plus, they had the cutest merch table ever). Formed out of a desire to create nostalgic punk-pop through a queer lens, they offer a much-needed antidote to the frequently cis male dominated scene, and to say I’m excited to see/hear more from them in 2025 is an understatement! (ML)


Despite our apprehensions about 2025, at least we’re heading into the new year with some fantastic music to accompany it! Massive thanks to all who’ve supported GIHE throughout 2024, it really means the world. And huge thanks to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack the next twelve months! If possible, please support your favourite artists by downloading their music from bandcamp, following them on social media and nabbing tickets to see them live!

A great way to discover your new favourite band is to come along to our gigs – next up, we’re at The Cavendish Arms on 23rd January with Leeds noise-pop band Wormboys, dreamy indie faves Schande and brand new twee queercore supergroup Tomboy Grandpa. Nab tickets now!

 

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GIHE: Personal Highlights of 2024

We’ve already shared our Albums & EPs Of 2024, Tracks Of 2024 and our final Soho Radio show of the year, but now the GIHE team have put together a round up of some of their music related highlights from the past twelve months.

From the festivals we attended, to our monthly GIHE gigs (especially at The Cavendish Arms), to the guests that made our monthly Soho Radio shows continue to feel like a total joy and privilege to host: the GIHE team were grateful to feel connected to our friends and followers which is something that our Personal Highlights of 2024 reflect.

Huge love to everyone who has listened in to our radio shows, read our reviews & features or attended one of our gigs this year. Take care of yourselves and we’ll see you all in 2025. Read below for a recap of some of our best bits of the year…

GIHE night of Queer Country at Sebright Arms with The Dumb Blondes, pink suits and Trouble Wanted

Whilst every gig that I’m lucky enough to host is special in its own way, this year I had the opportunity to branch out a little from our usual line-ups, and organise a night of ‘Queer Country’ at Bethnal Green’s Sebright Arms. Headlined by the world’s best Dolly Parton tribute band/supergroup, The Dumb Blondes – consisting of members from Fightmilk, Panic Pocket and Charley Stone – who brought their own sparkling energy to all the singalong anthems, the evening as a whole just felt really joyous; filled with all the best people and best vibes. Opening the night, Margate duo pink suits delivered their own wonderfully queer renditions of country classics, plus a few countrified punk anthems, complete with banjo, harmonica and spoons! And then Trouble Wanted brought all their fierce riotous energy and fantastically playful allure. It was all so wonderful that I’m definitely thinking of making a queer country night an annual GIHE event, so do keep your eyes peeled through 2025!
(Mari Lane – Managing Editor)

GIHE being able to host gigs at The Cavendish Arms

Again, although I don’t like to play favourites with our gigs – finding a venue that seems to perfectly fit our ethos makes a real difference to not only my enjoyment of the whole experience, but really helps to put my mind at rest that both the bands and audience are being looked after in the safest, most inclusive space. So, this year, having the opportunity to regularly host gigs at The Cavendish Arms in Stockwell has been such a privilege. Not only is it nice to be south of the river, but the venue really is the most lovely, cosy, accessible space with the most helpful staff, great sound, tasty pizza and best of vibes. Plus, there’s a cat called Karen. What more could you want?

In September we hosted a dreamy night with the Baby Seals, Charley Stone and Skutterfly there and then we were back again in November for a really special time celebrating brand new queer punk-pop supergroup FETCH’s debut gig with Jemma Freeman and the Cosmic Something and First Timer’s Alumni Lip Stain. Huge thanks to Shirley, Dom and the team for having and for being such a joy to work with. We can’t’wait to be back at the gorgeous venue for plenty more events in 2025, starting with Wormboys, Schande and Tomboy Grandpa on 23rd January – tickets here! (ML)

Whitelands on Soho Radio

London shoegazers Whitelands already made our Albums & EPS of 2024 list with their superb debut record, Nightbound Eyes Are Blind To The Day, but they deserve a second mention here. The band came into the Soho Radio studio to chat to us in February on the same day that they received a copy of their album on vinyl. Etienne, Jagun, Michael and Vanessa looked so content holding the physical iteration of all their hard work in their own hands, and they spoke about Whitelands’ journey from First Timers Fest to signing with iconic label Sonic Cathedral with equal parts gratitude and enthusiasm. I’ve seen Whitelands play live four times this year and they are becoming firm favourites of mine. You can listen back to our show with them here.
(Kate Crudgington – Features Editor)

Schande on Soho Radio

I have Mari to thank for introducing me to alt-rockers Schande. They played our first post-covid gig at The Victoria in Dalston supporting Currls and I remember being so impressed by their swirling, reverb-heavy riffs. Each time Mari has booked them to play for us since, I’ve been equally as impressed, so it made sense to finally invite lead vocalist and guitarist Jen on to our Soho Radio show to talk about all things Schande. Jen is such a huge supporter of GIHE and her enthusiasm for new music matches our own. It was a joy to finally have her in the studio with us chatting about Schande’s debut album, Once Around, the inspirations behind the record and just generally gush about how much we all love music. My off-air highlight was when we tried to pay Jen a compliment by telling her she was incredibly cool, and her response was “I’m not a cool girl, I say sorry to chairs when I walk into them.” It still makes me laugh now. Listen back to the show here. (KC)

 

Supersonic Festival

Having been a longtime admirer of Supersonic – which has been running for 21 years – I was delighted to finally be able to attend the Birmingham-based festival in person for the first time this year. Described as “championing experimental and adventurous music,” my encounter with Supersonic was immersive and fascinating. Punk four piece THE NONE melted my eardrums. Gazelle Twin’s theatrical performance of her paranormal-inspired fourth album, BLACK DOG, sent shivers down my spine – but it wasn’t just the eclectic line up that impressed me. I found the community aspect of Supersonic Festival and the natural friendliness and curiosity of festival goers really striking. I felt this especially at the Decolonise Fest zine making workshop, and at the creative networking brunch where I met some truly lovely people. It was endearing to witness an unwavering level of commitment manifest itself in so many different ways across the weekend at Supersonic Festival. Read my full review of the event here. (KC)

Deer Shed Festival

Having fallen in love with Deer Shed when I attended for the first time back in 2022, and then going on to have another dreamy weekend at the North Yorkshire festival last year, I was very glad I got to go again this year. Highlighting a real family focus, whilst hosting a range of exciting new artists, it oozes the warmest of vibes and – being smaller in size than most other festivals – creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages.

This year, in addition to being able to enjoy incredible performances from the likes of CMAT, Los Bitchos, Picture Parlour and The Go! Team, I also had the pleasure of DJing at the In The Dock Stage, playing tunes to a tent that ended up being full of people for the Silent Disco on the Friday night. Lurking in the shadows without being noticed is generally more my vibe, so needless to say I was quite nervous about it. But, despite the cursor key on my laptop deciding to stop working at just the wrong time, causing a few clunky ‘mixes’(and with most of my set clashing with Liverpool legends The Coral on the main stage), it was really lovely to see so many people dancing and singing along to the music I was playing. Noticing the number of young people who seemed to be enjoying it – making up dances with their friends and getting excited by certain songs – was particularly heartwarming and I’m really grateful to have had the opportunity to do it. So, massive thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd (and hopefully my laptop cursor won’t break next time!) Read more about how wonderful the festival was here. (ML)

Interviewing Los Bitchos

Following the success of their 2022 debut, Let The Festivities Begin, London based Los Bitchos released their fantastic new album, Talkie Talkie, in August. Known for their ability to fuse together layers of colourful instrumentation to create joyous cacophonies, the album combines elements ranging from Turkish psych and Cumbian Guacharaca rhythms, to funk-fuelled hooks and the racing excitement of comic book-inspired storylines, to create a thrilling, fun-filled collection; oozing a rousing sonic euphoria throughout.

Ahead of the album’s release and having been blown away by their live set at Deer Shed Festival, I was lucky enough to catch up with Serra and Agustina from the band. We talked about the club concept of the album (“… there’s something in there for everyone. Different rooms with different themes, and everything’s fabulous!”), their love of making fun videos, the iconic experience of playing Glastonbury last year, friendly Americans, and their desire to create safe and inclusive queer spaces at their gigs. One of my favourite bands of 2024, it was really lovely to have the opportunity to speak to Los Bitchos, and I’m very excited to experience more of their joyous live shows in 2025. Read the full interview here. (ML)

Kae Tempest at Koko

Whilst other people were out in the cold watching explosions in the sky, on the evening of Tuesday 5th November I was lucky enough to be inside the warmth of legendary Camden venue KOKO having my mind blown and my heart set alight by the incredible Kae Tempest. I think it was the fourth time I’ve seen them, and I instantly sensed a shift in their presence, a change from the other times I’ve seen them live over the years; a subtle, genuine joy and sense of ease emanated throughout the whole performance. It was so clear how much it meant to them to be able to be there, to be able to be truly themselves, and share that with us. Treating us to a set of strikingly poignant songs from over the last ten years, Tempest oozes an immersive euphoric energy throughout and I come away feeling a sheer sense of delight at the joy I have witnessed; heartened by the empowering and unifying queer energy of the night, I’m left with a subtle sense of hope that – despite how terrifying the world may be right now – through coming together as a community we can find happiness and strength. Thank you Kae Tempest for sharing your journey with us; for being you, and for giving us this hope that is so needed right now. Full review of the show here. (ML)

Taylor Swift’s Eras Tour (aka Get In Her Eras)

Lots of people are surprised when I reveal that I’m a fan of Taylor Swift. I’ll admit that I’ve been reluctant to admit it in the the past too, but this year, having seen her perform live for the first time on her record-breaking Eras Tour, I cannot stop talking about how wonderfully life-affirming it was to be part of a crowd who were united by their passion for her music.

As a teenage girl, I felt a weird unease about openly enjoying pop. It wasn’t considered “cool” and it wasn’t accepted as a valid answer when people asked what your favourite type of music was. I rejected it for a long time and in the process I discovered an amazing array of new alternative genres and found some of my favourite bands. What I’ve realised now at the age of 34, is that it’s not actually a crime to love more than one genre of music. Not only that, but it’s also more than okay to unashamedly enjoy pop music.

I was privileged enough to be able to attend the Eras Tour in Lisbon on my 34th birthday in May and again in London at Wembley in June. I was surrounded by women and girls who felt comfortable enough to share compliments, stories and friendship bracelets with each other whilst singing in unison to songs that have provided them pure emotional release over the past 18 years. Whether you love or hate Taylor Swift, you cannot deny that she has offered millions of women and girls the opportunity to embrace their girlhood and truly feel their feelings through her infectious narrative-driven songwriting. That is something I think is absolutely priceless (unlike my tickets, which I used some of my savings to pay for.)

The Eras tour also brought Get In Her Ears some attention too! Our ethos was mentioned in an article about Taylor’s Edinburgh show in The Herald newspaper and I was interviewed for The Evening Standard’s front page feature about her London shows about my own experiences of attending the tour. Huge thanks to my friends Rachel, Vicky and Mel for securing tickets and sharing the Eras experience with me too. (KC)

Gossip at All Points East

Finally getting to see Gossip at All Points East on 25th August, having been a mega fan for nearly twenty years, really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – hearing this song live just hit particularly hard. Other highlights from the festival that day included Sleater Kinney, Say She She and headliners, The Postal Service. (ML)

Amyl and the Sniffers at The Roundhouse

One of my many gig highlights of the year! You know what, I think this tells you a lot about my 2024 – I really lent into the dancing. It was the one thing that really brought me a lot of joy over the last couple of months. So, my knees will just have to deal with it. I saw Amyl and the Sniffers at the Roundhouse and they were incredible, such a great gig. So much energy and good vibes and a big shout out to Doto who came with me & got matching merch!
(Tash Walker – Digital Editor)

Launching the GIHE monthly newsletter

One final plug for the year…if you haven’t signed up to our newsletter already, click here! We promise not to spam you with updates – it’s just one email a month that rounds up all of our gig dates, radio endeavours and features on our website. (KC)

Keep your eyes peeled for our Ones To Watch in 2025 feature, which we’ll be publishing on our website before the end of the year…

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GIHE: Albums & EPs of 2024

After sharing our Tracks Of 2024 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. 

In alphabetical order…here are our top Albums & EPs of 2024 (including multiple Honorable Mentions at the end because we hate leaving people out…)

ALBUMS

Beckon – Between the Bridge And The Tree

Having been a big fan of bands like Suggested Friends and Chorusgirl, I’ve been following songwriter and musician Faith MacNeil Taylor for a number of years now and always find myself completely immersed in each of their heartfelt creations. This year, with new project Beckon (FKA Athabaska), Faith has collaborated with a group of five other wonderful musicians to create queer alt-folk anthems. We were lucky enough to have them play for us at one of our gigs at The Shacklewell Arms back in March and I was utterly spellbound, so I knew I would like new album Between The Bridge and The Tree. But it really is quite something quite special. Alongside Faith’s distinctive exquisite emotion-rich vocals, lilting folk-strewn melodies flow throughout with a raw heartfelt grace; a truly stirring creation of resonant offerings. Between The Bridge And The Tree was released in October.
(Mari Lane – Managing Editor)

BERRIES – BERRIES

BERRIES’ much-anticipated album captures the electrifying energy of their live performances, with a set of well-crafted songs by some very skilled musicians. Their signature guitar riffs shine throughout, paired with pounding, energetic drums and commanding basslines that keep the tracks driving forward. The tracks combine catchy melodies, dynamic musicality and at times, a satisfying thick wall of sound, bringing to mind early 2000s indie bands like The Strokes and Yeah Yeah Yeahs as well as garage rock influences, resulting in a sound that feels both nostalgic and modern. The album is also balanced with some quieter and delicate moments like ‘Balance’ – the album’s single acoustic track. Overall, this is an album that expertly builds tension, keeping listeners captivated from start to finish.
(Ella Patenall – GIHE Contributor)

Brimheim – RATKING

Multi-instrumentalist Helena Heinesen Rebensdorff finds strength in self scrutiny on her excellent second album, RATKING. Released at the end of March, the LP is just as raw as the Danish-Faroese artist’s debut offering, can’t hate myself into a different shape (2022), but on RATKING, she vivaciously embraces remnants of shame, hyper-sensitivity and unrequited love and sets them to a more melodic, pop-tinged backdrop. The result is a witty, cathartic reflection on the contradictions of love, underscored by her audaciously dark humour.

Whether it’s the fully fleshed band sound and distinctive instrumentation on tracks like ‘Dancing In The Rubble’ and ‘Keep Bleeding Diamonds’, the infectious pop melodies on singles ‘Literally Everything’, ‘Brand New Woman’ and ‘Normies’, or the sonically more expansive tracks like ‘No Liver, No Lungs’ and ‘Surgeon’, Brimheim and esteemed producer Søren Buhl Lassen (Blaue Blume) have crafted an eclectic and exhilarating collection of lush alt-pop anthems. Watching Brimheim perform her new album at The Lexington earlier this year was a live highlight for me too. Her confidence in her artistic vision and revelation that she was almost ready to give up making music just a few years ago was truly inspiring.
(Kate Crudgington – Features Editor)

Elsa Hewitt – Chaos Emeralds

Written and recorded intermittently over the course of four years, electronic artist & producer Elsa Hewitt’s eighth album, Chaos Emeralds, is a deeply evocative listening experience. Her intuitive mix of lilting vocals, hypnotic synth loops and eclectic field recordings have helped reduce the cortisol levels in my body significantly this year.

Her improvisational writing style pulls you into a warm hypnosis, where notions such as ‘Unimaginable Pain’ are transformed into soothing electronic lullabies. Her lyrics were originally poems which she penned separately, blending them with her music at different intervals throughout the creative process. The album’s title – a nod to Sonic The Hedgehog – hints at the paradoxical way in which life presents us with difficulties in order to teach us resilience and recovery. This is something Elsa Hewitt has mastered on many of her previous records, but on this collection of tracks she truly achieves something special. She has been prolific this year and she is currently in the process of teasing her ninth album, Dominant Heartstrings, which is set for release in the near future. (KC)

Fightmilk – No Souvenirs

I’ve made no secret of my super fandom of Fightmilk over the years. I’ve been following them since they first played live for us back in 2018 and now – after having had the honour of them headlining many more of our gigs and being obsessed with their albums Not With That Attitude and Contender – my fandom has only continued to grow with the recent release of this year’s No Souvenirs. Reflecting on themes of getting older, particularly as a woman in music, the album exquisitely showcases the band’s ability to hone their sound, creating perfect punk-pop; angsty and uplifting in equal measure. Instantly catchy singalong anthems, combining their trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion.

From fuzzy sentimentality to fierce tirades against patriarchal society, No Souvenirs is a perfect culmination of how Fightmilk have continued to refine their sound. With shades of noughties punk-pop, combined with an injection of fresh queer joy and raging emotion, it’s at once cathartic, validating and empowering. But, most importantly, fun. A sound that’s uniquely Fightmilk; truly distinctive in its colourful charisma, but consistently evolving into something more. No Souvenirs was released in November via Fika Recordings/INH Records. (ML)

Happy Accidents – Edit Undo

I’ve been a mega fan of Happy Accidents since first falling in love with the South London based duo at the late, great Indietracks Festival in 2018, and have been an avid follower of the active roles that both Rich and Phoebe have continued to play in the DIY music scene over the years, including their other musical projects, ME REX and Cheerbleederz. This year, they released their first album in a few years, the gorgeous Edit Undo, which marked a really fantastic return form combining the band’s trademark jangly hooks and emotion-rich twinkling harmonies with additional experimental, electronic soundscapes. I was lucky enough to catch their first live show in five years at Paper Dress Vintage in September, and it was a really special evening. Plus, Phoebe is also responsible for one of my other highlights of the year – learning drums at a First Timers Festival workshop with GIHE pal Kate. She was a really wonderful teacher, and inspired me to continue learning! Edit Undo was out in September via Alcopop! Records. (ML)

HAVVK – To Fall Asleep

Inspired by the complicated nature of sleep and bassist & vocalist Julie Hawks’s own experiences of insomnia, HAVVK’s third album, To Fall Asleep (released via VETA Records) is an urgent, cathartic listen that beguiles the senses and rattles the nerves in equal measure. The Irish alt-rock trio have been favourites of ours since they played our debut GIHE gig at The Finsbury pub back in 2016, and it’s been a privilege to watch them develop as a band over the last eight years.

Formed of front person Julie, guitarist Matthew Harris and former Bitch Falcon drummer Nigel Kenny, on To Fall Asleep, HAVVK interrogate the things that keep us awake at night. Whether they’re charging ahead on tracks like ‘Expiry’ – a vital anthem about the gendered double standards of ageing – or ruminating on anxiety on ‘Waste Of Time’, they create stirring, emotionally charged tracks that resonate long after the record has stopped spinning. It was a real pleasure to hear the band play some of their new tracks live this year when they headlined our GIHE gig at The Shacklewell Arms in March. (KC)

Jæd – I Loved The Gauntlet And There Was No Other Way

London-based, Irish-Puerto Rican musician Jæd played a GIHE gig for us in October 2022 supporting Pixie Cut Rhythm Orchestra and we were all blown away by her unique talent. Her stage presence, dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. The record is an eclectic cacophony of guitar sounds inspired by the uncertainty and hardship that Jæd has lived through, and it’s a testament to the endurance of her creative spirit. ‘Very Fond’ is my personal favourite, but every song on the album is a gem. (KC)

Midwife – No Depression In Heaven

On her fourth LP, No Depression In Heaven, Colorado based musician and producer Madeline Johnston aka Midwife pays tribute to life on the road, reflecting on the eccentricities of a transient existence and the characters that colour the views between locations on the map. Her ambient shoegaze sounds pacify the pain of the grief that informed many of the tracks. Whether it’s an ode to her trusty tour vehicle on ‘Vanessa’ or a cover of ‘Better Off Alone’ which was originally released in 1999 by European popstar Alice Deejay, Midwife treats these things with equal parts grace and grit. No Depression in Heaven is a beautiful body of work full of her poetic lyrical motifs and hazy lullaby-like reverb. (KC)

Our Girl – The Good Kind

Having fallen completely in love with their 2018 debut, Stranger Today, my adoration of London trio Our Girl has only grown with the release of this year’s The Good Kind. Reflecting on poignant themes such as the heartbreak of seeing illness affect someone you love, challenges faced due to gender and sexuality, and the strength that can be found in community, the overarching feeling that permeates whilst listening is a gentle, comforting optimism. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, each track fizzes with a glistening heartfelt emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind was released in November via Bella Union. (ML)

Pink Suits – Dystopian Hellscape

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits released their second album, Dystopian Hellscape, this year. Inspired by the relentless over saturation of bleak news cycles, it loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Exploring the effects that modern society and neoliberal politics can have on our mental health with the duo’s trademark tenacious spirit and raw musicality, it reflects on themes of self-care, grief, gender identity, sexuality and queer joy, showcasing pink suits’ ability to channel frustration into a perfect raging catharsis. In addition to creating these necessary punk anthems, throughout 2024 Lennie and Ray brought tonnes of queer joy performing as a country duo – on tour with Paisley James, at their own completely wonderful Queer Cuntry event at The Southbank Centre, and as part of our GIHE queer country night at Sebright Arms with Dolly Parton tribute band, The Dumb Blondes (more on this coming in our ‘Personal Highlights’ feature). Dystopian Hellscape was released in April. (ML)

Rubie – Seek Sisters

Having been fans of exquisite songstress Rubie for a while now, both as a solo artist and as part of the incredible F*Choir, we were delighted that she released a stunning new album this year. Flowing with a swirling majestic allure, Seek Sisters interweaves quirky jazz-tinged melodies with a soaring musicality and Rubie’s distinctive heartfelt vocals, creating something truly spellbinding; each and every note glistening with an empowering heartfelt grace. We were lucky enough to have Rubie perform the album in full for us at The Divine in November, and it really did feel like such a special night; accompanied by a full band and choir, she completely captivated us all with her shimmering joyous energy and stirring creations. Seek Sisters was released in September. (ML)

Schande – Once Around

Noise-pop-shoegaze-tinged legends and friends of GIHE, Schande, this year released their debut album, Once Around. Following 2019’s EP Pedigree, and having charmed our ears playing live for us a number of times over the last few years, this new release perfectly captures the band’s immersive, shimmering soundscapes. Flowing with a lilting twinkling grace, it truly is a thing of pure beauty as front-person Jen cements herself as a songwriter capable of exquisitely conveying the fragility of life with each rich sonic tapestry, as a resonant raw emotion ripples throughout. Such a dreamy collection of songs that I find impossible to listen to just once, but instead need to play at least twice, or even three times, around in a row! Once Around was released in April 2024 via Thurston and Eva Moore’s record label, The Daydream Library Series. (ML)

Whitelands – Night-bound Eyes Are Blind To The Day

Initially formed from DIY grassroots music initiatives like First Timers Fest and Decolonise Fest, Whitelands are gently dismantling the expectations and stereotypes surrounding the traditionally white-male oriented guitar music scene. Released via iconic shoegaze label Sonic Cathedral, their debut album, Night-Bound Eyes Are Blind To The Day, is a disarming reflection on everything from politics, philosophy (the album title is taken from the book ‘The Prophet’ by Kahlil Gibran) to ADHD, depression and heartbreak.

Vocalist and guitarist Etienne’s songwriting is deeply poetic, something which becomes more apparent when you read the accompanying lyric sheet on the album’s vinyl insert. His soft floating vocals are accompanied by lead guitarist Michael’s soaring riffs, drummer Jagun’s driving beats and Vanessa’s brooding bass lines, all of which intermittently push the record into both melancholic and euphoric territory. It was wonderful to have Whitelands with us in the studio for our Soho Radio show in February this year talking about their debut record. Having caught them live at Hammersmith Apollo and EARTH supporting Slowdive, as well as at Cro Cro Land and their album launch show at Rough Trade East, Whitelands have provided some of my favourite musical memories of 2024, both live and on record. (KC)

EPs

all cats are beautiful – Just Kids

In 2021, London based duo All Cats Are Beautiful released their gorgeous mini album The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally felt ready to share new music with their EP Just Kids; a heart achingly poignant reflection on love and loss. Delving into stark reflections on the pain that comes with losing someone that you love so intensely, the EP glistens with a raw vulnerability and emotion alongside its twinkling electro soundscapes, creating a truly beautifully cathartic and honest collection. The band perfectly summarise – “grief is just love with no place to go.” Just Kids was released in October via Peach Records. (ML)

Piney Gir – Cosmic Upside Down 

This year prolific artist (and self-proclaimed witch) Kansas-born Piney Gir released her new EP, Cosmic Upside Down. Propelled by a twinkling, lilting energy and Piney’s distinctive lush honeysweet vocals, each track on the EP oozes a sparkling immersive splendour. Whilst its spiritual roots remain evident throughout, it also touches on themes ranging from climate change to feminism; offering a stirring yet uplifting reflection on the world today. In addition to the EP release, 2024 also marked twenty years since Piney shared her first album, Peakahokahoo, and to celebrate we helped her promote a special 20th anniversary gig at The Lexington with a superstar line-up of Anat Ben-David (Chicks On Speed) and Psycho Delia (Robots In Disguise) – a really dreamy evening! Cosmic Upside Down was released in August via No Distance Records. (ML)

SPIDER – object of desire

I’ve been watching Irish alt-pop artist SPIDER grow since the release of her debut single ‘Water Sign’ in 2021, and it’s been a joy to see her talents recognised in the alternative rock scene this year. Her third EP, object of desire, is bursting with riotous, angst-ridden tunes about coming-of-age in an antagonistic world that tries to dictate this deeply personal process. The title track is a formidable anthem that perfectly outlines all that SPIDER is capable of as an artist; her clear intonation, candid lyricism and loud-and-quiet grunge and pop punk dynamics are showcased perfectly. It was a privilege to watch her perform AT her debut London headline show at The Camden Assembly earlier this year. Read my full review here. (KC)

Softcult – Heaven

Marking a heavier development in their sound, Heaven is the fourth EP from Canadian twin sibling duo Softcult. By blending shoegaze sensibilities with dream-pop melodies and Riot Grrrl politics, Mercedes and Phoenix Arn-Horn tackle the pressures of existing in patriarchal society, the breakdown of platonic and romantic relationships and the fluctuating nature of mental health. Heaven is a cohesive, considered record that offers respite through heavy reverb and gloomy vocals, which the pair have perfected on this latest offering. Guitarist & vocalist Mercedes spoke eloquently about the inspirations behind the EP in an interview with me earlier this year. Read the full feature here. (KC)

Queen Of Nothing – The Pull

Recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie) independent alt-folk artist Abi Crisp aka Queen Of Nothing released her debut EP, The Pull, in November this year. It’s an atmospheric, brooding reflection on what it feels like to let go of heartbreak, uncertainty and fear and emerge as a truer version of ones self. I love her blend of shimmering and gritty guitar tones, tender vocals and dramatic volume shifts, which are epitomised on my favourite track ‘How Does It Feel’. (KC)

Honourable Mentions

Alien Chicks – Indulging The Mobs (EP)
ARXX – Good Boy
The Baby Seals – Chaos
Charley Stone – Here Comes The Actual Band
Chelsea Wolfe – She Reaches Out To She Reaches Out To She
Cherym – Take It Or Leave It
Coolgirl – Road Closures
Fears – affinity
Fraulein – Sink Or Swim
Julia-Sophie – forgive too slow
King Hannah – Big Swimmer
Los Bitchos – Talkie Talkie
Mammoth Penguins – Here
NikNak – Ireti
PostLast – Pull Me Into The Open Sea (EP)
Sassyhiya – Take You Somewhere
SOPHIE – SOPHIE
WISP – Pandora (EP)

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