GIHE: Ones To Watch 2025

It’s fair to say that 2024 has been another tough one, but if there’s one positive to take away, it’s the immense amount of incredible new music that’s been released and the hope of even more wonderful offerings from new bands and artists in 2025.

Following our Tracks Of 2024, Albums & EPS of 2024 and Highlights of 2024 features, we’re now sharing our Ones To Watch for 2025 – naming a handful of bands and artists who we’ve loved through 2024 and that we predict will be reaching ears far and wide next year. Have a read of our choices and make sure you give them all a follow to keep track of their achievements over the next twelve months.

Comic Sans
Having completely blown us away with their immense energy playing live at New River Studios in October, London queer emo-punks Comic Sans have had quite the year. Supporting Amyl and the Sniffers on tour in France in June, and releasing their soaring punk anthem ‘Mr President’, they really have marked themselves out as ones to watch. Bringing a fierce sense of urgency and swirling playful charisma to everything they do, seeing them live is a truly memorable experience; their unique empowering energy shining through, immersing the crowd in a joyous, raging catharsis. I’m pretty sure some exciting things must be lined up for this hard-working, riotous, witty and hugely loveable band over the next twelve months…
(Mari Lane – Managing Editor)

THE NONE
Birmingham-based four piece THE NONE are an experimental punk supergroup. Formed of vocalist Kaila Whyte (Blue Ruth, Youth Man), bassist Gordon Moakes (Bloc Party, Young Legionnaire), guitarist Jim Beck (Cassels) and drummer Chris Francombe (Frauds), the band formed at the start of 2023 and create cathartic, abrasive anthems that are inspired by ego-less experimentation and open collaboration. This passion comes screaming through in their live performances and their knockout set at Supersonic Festival in September was a riot of abrasive punk cacophonies that completely pulverized my eardrums. THE NONE shared their debut EP, MATTER, on bandcamp earlier this year – but you need to hear their music in the flesh to fully appreciate its raw, tenacious spirit. 
(Kate Crudgington – Features Editor)

Jasmine 4.t 
Based in Manchester, this year trans artist Jasmine.4.t was the first UK signee to Phoebe Bridgers’ new label Saddest Factory Records and I fell instantly in love with her exquisite single ‘Skin On Skin’. Reflecting on both the camaraderie and isolation that can be a part of transfeminine life, its stirring glistening emotion and twinkling hooks are as beautifully perfect as you’d expect. Jasmine’s debut album – You Are The Morning – is set for release on 17th January; produced by Bridgers alongside fellow Boygenius members Julien Baker and Lucy Dacus, it offers an ode to queer friendship, and I cannot wait to immerse myself in all its heartfelt majesty. 
(ML)

Tiiva
I’ve been following the work of Bristol-based, non-binary producer and electronic artist Tiiva for some time now, and their collaborative efforts are equally as impressive as their solo output. Having remixed tracks for Clementine Blue, Tiece and El Hardwick in the past, Tiiva put themselves into the spotlight again this year in September when they released their second EP, DESERT PLAINS. Formed of seven tracks, the record traces a personal journey of change and empowerment for Tiiva, underscored by their lilting electronica and soft vocals, which I think are perfectly encapsulated on ‘TORNADOS’. I’ve yet to see Tiiva perform live, but I’m hoping that will change in 2025. (KC)

Gay Skeleton Club
London based queer DIY band Gay Skeleton Club formed at First Timers Fest last year and have been total faves of mine since they played live for us at Matchstick Piehouse in December. I just love their fizzing pop-punk sounds and quirky, tongue-in-cheek energy, all showcased perfectly in the 7-track demos EP that they released back in October, alongside the band’s raging, fun-filled spirit. Already a pivotal part of the London DIY queer scene, both on and off stage, and huge supporters of all their peers, Gay Skeleton Club deserve every success to come their way and I can’t wait to see what they do next. And they’re kicking off 2025 in style, playing live for us at New River Studios, supporting Thwack! On 7th February – nab your tickets now. (ML)

Jæd
I already named London-based, Irish-Puerto Rican musician Jæd in our Albums of 2024 feature, but I couldn’t resist naming her again here. Her dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. Jæd has been grafting away for years creating the tracks that form her debut record, which is inspired by personal hardship and the endurance of the creative spirit. It’s cliché to say it, but Jæd’s talent really is best appreciated live. (KC)

Skutterfly
After being recommended by numerous people to check out Skutterfly earlier this year, I was super chuffed to be able to book the First Timers alumni to play for us at The Cavendish Arms, supporting The Baby Seals, back in October. With their sparkling energy and jangly hooks fizzing throughout each ‘90s-reminiscent grunge-tinged offering, they completely won us over with a set full of scuzzy goodness, including a unique rendition of No Doubt’s ‘Just A Girl’. They released their debut single ‘Changing Room’ in October, and I can’t wait to hear more from this exciting new band in 2025! (ML)

Fetch
In November, I had the honour of hosting the debut gig for queer punk-pop supergroup FETCH. Consisting of legends Chuck SJ, Beth White and Frankie Tuffragette, they delivered a fiercely fun-filled set oozing a perfect balance of gritty riotous energy and unifying queer joy (plus, they had the cutest merch table ever). Formed out of a desire to create nostalgic punk-pop through a queer lens, they offer a much-needed antidote to the frequently cis male dominated scene, and to say I’m excited to see/hear more from them in 2025 is an understatement! (ML)


Despite our apprehensions about 2025, at least we’re heading into the new year with some fantastic music to accompany it! Massive thanks to all who’ve supported GIHE throughout 2024, it really means the world. And huge thanks to all the amazing bands and artists who’ve soundtracked it, and who will continue to soundtrack the next twelve months! If possible, please support your favourite artists by downloading their music from bandcamp, following them on social media and nabbing tickets to see them live!

A great way to discover your new favourite band is to come along to our gigs – next up, we’re at The Cavendish Arms on 23rd January with Leeds noise-pop band Wormboys, dreamy indie faves Schande and brand new twee queercore supergroup Tomboy Grandpa. Nab tickets now!

 

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GIHE: Personal Highlights of 2024

We’ve already shared our Albums & EPs Of 2024, Tracks Of 2024 and our final Soho Radio show of the year, but now the GIHE team have put together a round up of some of their music related highlights from the past twelve months.

From the festivals we attended, to our monthly GIHE gigs (especially at The Cavendish Arms), to the guests that made our monthly Soho Radio shows continue to feel like a total joy and privilege to host: the GIHE team were grateful to feel connected to our friends and followers which is something that our Personal Highlights of 2024 reflect.

Huge love to everyone who has listened in to our radio shows, read our reviews & features or attended one of our gigs this year. Take care of yourselves and we’ll see you all in 2025. Read below for a recap of some of our best bits of the year…

GIHE night of Queer Country at Sebright Arms with The Dumb Blondes, pink suits and Trouble Wanted

Whilst every gig that I’m lucky enough to host is special in its own way, this year I had the opportunity to branch out a little from our usual line-ups, and organise a night of ‘Queer Country’ at Bethnal Green’s Sebright Arms. Headlined by the world’s best Dolly Parton tribute band/supergroup, The Dumb Blondes – consisting of members from Fightmilk, Panic Pocket and Charley Stone – who brought their own sparkling energy to all the singalong anthems, the evening as a whole just felt really joyous; filled with all the best people and best vibes. Opening the night, Margate duo pink suits delivered their own wonderfully queer renditions of country classics, plus a few countrified punk anthems, complete with banjo, harmonica and spoons! And then Trouble Wanted brought all their fierce riotous energy and fantastically playful allure. It was all so wonderful that I’m definitely thinking of making a queer country night an annual GIHE event, so do keep your eyes peeled through 2025!
(Mari Lane – Managing Editor)

GIHE being able to host gigs at The Cavendish Arms

Again, although I don’t like to play favourites with our gigs – finding a venue that seems to perfectly fit our ethos makes a real difference to not only my enjoyment of the whole experience, but really helps to put my mind at rest that both the bands and audience are being looked after in the safest, most inclusive space. So, this year, having the opportunity to regularly host gigs at The Cavendish Arms in Stockwell has been such a privilege. Not only is it nice to be south of the river, but the venue really is the most lovely, cosy, accessible space with the most helpful staff, great sound, tasty pizza and best of vibes. Plus, there’s a cat called Karen. What more could you want?

In September we hosted a dreamy night with the Baby Seals, Charley Stone and Skutterfly there and then we were back again in November for a really special time celebrating brand new queer punk-pop supergroup FETCH’s debut gig with Jemma Freeman and the Cosmic Something and First Timer’s Alumni Lip Stain. Huge thanks to Shirley, Dom and the team for having and for being such a joy to work with. We can’t’wait to be back at the gorgeous venue for plenty more events in 2025, starting with Wormboys, Schande and Tomboy Grandpa on 23rd January – tickets here! (ML)

Whitelands on Soho Radio

London shoegazers Whitelands already made our Albums & EPS of 2024 list with their superb debut record, Nightbound Eyes Are Blind To The Day, but they deserve a second mention here. The band came into the Soho Radio studio to chat to us in February on the same day that they received a copy of their album on vinyl. Etienne, Jagun, Michael and Vanessa looked so content holding the physical iteration of all their hard work in their own hands, and they spoke about Whitelands’ journey from First Timers Fest to signing with iconic label Sonic Cathedral with equal parts gratitude and enthusiasm. I’ve seen Whitelands play live four times this year and they are becoming firm favourites of mine. You can listen back to our show with them here.
(Kate Crudgington – Features Editor)

Schande on Soho Radio

I have Mari to thank for introducing me to alt-rockers Schande. They played our first post-covid gig at The Victoria in Dalston supporting Currls and I remember being so impressed by their swirling, reverb-heavy riffs. Each time Mari has booked them to play for us since, I’ve been equally as impressed, so it made sense to finally invite lead vocalist and guitarist Jen on to our Soho Radio show to talk about all things Schande. Jen is such a huge supporter of GIHE and her enthusiasm for new music matches our own. It was a joy to finally have her in the studio with us chatting about Schande’s debut album, Once Around, the inspirations behind the record and just generally gush about how much we all love music. My off-air highlight was when we tried to pay Jen a compliment by telling her she was incredibly cool, and her response was “I’m not a cool girl, I say sorry to chairs when I walk into them.” It still makes me laugh now. Listen back to the show here. (KC)

 

Supersonic Festival

Having been a longtime admirer of Supersonic – which has been running for 21 years – I was delighted to finally be able to attend the Birmingham-based festival in person for the first time this year. Described as “championing experimental and adventurous music,” my encounter with Supersonic was immersive and fascinating. Punk four piece THE NONE melted my eardrums. Gazelle Twin’s theatrical performance of her paranormal-inspired fourth album, BLACK DOG, sent shivers down my spine – but it wasn’t just the eclectic line up that impressed me. I found the community aspect of Supersonic Festival and the natural friendliness and curiosity of festival goers really striking. I felt this especially at the Decolonise Fest zine making workshop, and at the creative networking brunch where I met some truly lovely people. It was endearing to witness an unwavering level of commitment manifest itself in so many different ways across the weekend at Supersonic Festival. Read my full review of the event here. (KC)

Deer Shed Festival

Having fallen in love with Deer Shed when I attended for the first time back in 2022, and then going on to have another dreamy weekend at the North Yorkshire festival last year, I was very glad I got to go again this year. Highlighting a real family focus, whilst hosting a range of exciting new artists, it oozes the warmest of vibes and – being smaller in size than most other festivals – creates a space that feels comfortingly intimate; an inclusive safe haven for artists and fans of all genres and ages.

This year, in addition to being able to enjoy incredible performances from the likes of CMAT, Los Bitchos, Picture Parlour and The Go! Team, I also had the pleasure of DJing at the In The Dock Stage, playing tunes to a tent that ended up being full of people for the Silent Disco on the Friday night. Lurking in the shadows without being noticed is generally more my vibe, so needless to say I was quite nervous about it. But, despite the cursor key on my laptop deciding to stop working at just the wrong time, causing a few clunky ‘mixes’(and with most of my set clashing with Liverpool legends The Coral on the main stage), it was really lovely to see so many people dancing and singing along to the music I was playing. Noticing the number of young people who seemed to be enjoying it – making up dances with their friends and getting excited by certain songs – was particularly heartwarming and I’m really grateful to have had the opportunity to do it. So, massive thanks and love to Deer Shed for letting me unleash my danceable queer tunes onto the crowd (and hopefully my laptop cursor won’t break next time!) Read more about how wonderful the festival was here. (ML)

Interviewing Los Bitchos

Following the success of their 2022 debut, Let The Festivities Begin, London based Los Bitchos released their fantastic new album, Talkie Talkie, in August. Known for their ability to fuse together layers of colourful instrumentation to create joyous cacophonies, the album combines elements ranging from Turkish psych and Cumbian Guacharaca rhythms, to funk-fuelled hooks and the racing excitement of comic book-inspired storylines, to create a thrilling, fun-filled collection; oozing a rousing sonic euphoria throughout.

Ahead of the album’s release and having been blown away by their live set at Deer Shed Festival, I was lucky enough to catch up with Serra and Agustina from the band. We talked about the club concept of the album (“… there’s something in there for everyone. Different rooms with different themes, and everything’s fabulous!”), their love of making fun videos, the iconic experience of playing Glastonbury last year, friendly Americans, and their desire to create safe and inclusive queer spaces at their gigs. One of my favourite bands of 2024, it was really lovely to have the opportunity to speak to Los Bitchos, and I’m very excited to experience more of their joyous live shows in 2025. Read the full interview here. (ML)

Kae Tempest at Koko

Whilst other people were out in the cold watching explosions in the sky, on the evening of Tuesday 5th November I was lucky enough to be inside the warmth of legendary Camden venue KOKO having my mind blown and my heart set alight by the incredible Kae Tempest. I think it was the fourth time I’ve seen them, and I instantly sensed a shift in their presence, a change from the other times I’ve seen them live over the years; a subtle, genuine joy and sense of ease emanated throughout the whole performance. It was so clear how much it meant to them to be able to be there, to be able to be truly themselves, and share that with us. Treating us to a set of strikingly poignant songs from over the last ten years, Tempest oozes an immersive euphoric energy throughout and I come away feeling a sheer sense of delight at the joy I have witnessed; heartened by the empowering and unifying queer energy of the night, I’m left with a subtle sense of hope that – despite how terrifying the world may be right now – through coming together as a community we can find happiness and strength. Thank you Kae Tempest for sharing your journey with us; for being you, and for giving us this hope that is so needed right now. Full review of the show here. (ML)

Taylor Swift’s Eras Tour (aka Get In Her Eras)

Lots of people are surprised when I reveal that I’m a fan of Taylor Swift. I’ll admit that I’ve been reluctant to admit it in the the past too, but this year, having seen her perform live for the first time on her record-breaking Eras Tour, I cannot stop talking about how wonderfully life-affirming it was to be part of a crowd who were united by their passion for her music.

As a teenage girl, I felt a weird unease about openly enjoying pop. It wasn’t considered “cool” and it wasn’t accepted as a valid answer when people asked what your favourite type of music was. I rejected it for a long time and in the process I discovered an amazing array of new alternative genres and found some of my favourite bands. What I’ve realised now at the age of 34, is that it’s not actually a crime to love more than one genre of music. Not only that, but it’s also more than okay to unashamedly enjoy pop music.

I was privileged enough to be able to attend the Eras Tour in Lisbon on my 34th birthday in May and again in London at Wembley in June. I was surrounded by women and girls who felt comfortable enough to share compliments, stories and friendship bracelets with each other whilst singing in unison to songs that have provided them pure emotional release over the past 18 years. Whether you love or hate Taylor Swift, you cannot deny that she has offered millions of women and girls the opportunity to embrace their girlhood and truly feel their feelings through her infectious narrative-driven songwriting. That is something I think is absolutely priceless (unlike my tickets, which I used some of my savings to pay for.)

The Eras tour also brought Get In Her Ears some attention too! Our ethos was mentioned in an article about Taylor’s Edinburgh show in The Herald newspaper and I was interviewed for The Evening Standard’s front page feature about her London shows about my own experiences of attending the tour. Huge thanks to my friends Rachel, Vicky and Mel for securing tickets and sharing the Eras experience with me too. (KC)

Gossip at All Points East

Finally getting to see Gossip at All Points East on 25th August, having been a mega fan for nearly twenty years, really did exceed all expectations. The empowering energy and fiercely immersive charisma of Beth Ditto is unmatched and it was an experience filled with tonnes of queer joy and overwhelming emotion. “I’ll hold back tears / Move in the right direction / Face my fears / Move in the right direction” – hearing this song live just hit particularly hard. Other highlights from the festival that day included Sleater Kinney, Say She She and headliners, The Postal Service. (ML)

Amyl and the Sniffers at The Roundhouse

One of my many gig highlights of the year! You know what, I think this tells you a lot about my 2024 – I really lent into the dancing. It was the one thing that really brought me a lot of joy over the last couple of months. So, my knees will just have to deal with it. I saw Amyl and the Sniffers at the Roundhouse and they were incredible, such a great gig. So much energy and good vibes and a big shout out to Doto who came with me & got matching merch!
(Tash Walker – Digital Editor)

Launching the GIHE monthly newsletter

One final plug for the year…if you haven’t signed up to our newsletter already, click here! We promise not to spam you with updates – it’s just one email a month that rounds up all of our gig dates, radio endeavours and features on our website. (KC)

Keep your eyes peeled for our Ones To Watch in 2025 feature, which we’ll be publishing on our website before the end of the year…

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GIHE: Albums & EPs of 2024

After sharing our Tracks Of 2024 last week, the Get In Her Ears team want to shine a light on some of the brilliant Albums & EPs that have been released during the last 12 months. These eclectic offerings resonated with us and we’ll be talking about them long into the future. Huge thanks to all of the bands and artists who submitted music to us this year. 

In alphabetical order…here are our top Albums & EPs of 2024 (including multiple Honorable Mentions at the end because we hate leaving people out…)

ALBUMS

Beckon – Between the Bridge And The Tree

Having been a big fan of bands like Suggested Friends and Chorusgirl, I’ve been following songwriter and musician Faith MacNeil Taylor for a number of years now and always find myself completely immersed in each of their heartfelt creations. This year, with new project Beckon (FKA Athabaska), Faith has collaborated with a group of five other wonderful musicians to create queer alt-folk anthems. We were lucky enough to have them play for us at one of our gigs at The Shacklewell Arms back in March and I was utterly spellbound, so I knew I would like new album Between The Bridge and The Tree. But it really is quite something quite special. Alongside Faith’s distinctive exquisite emotion-rich vocals, lilting folk-strewn melodies flow throughout with a raw heartfelt grace; a truly stirring creation of resonant offerings. Between The Bridge And The Tree was released in October.
(Mari Lane – Managing Editor)

BERRIES – BERRIES

BERRIES’ much-anticipated album captures the electrifying energy of their live performances, with a set of well-crafted songs by some very skilled musicians. Their signature guitar riffs shine throughout, paired with pounding, energetic drums and commanding basslines that keep the tracks driving forward. The tracks combine catchy melodies, dynamic musicality and at times, a satisfying thick wall of sound, bringing to mind early 2000s indie bands like The Strokes and Yeah Yeah Yeahs as well as garage rock influences, resulting in a sound that feels both nostalgic and modern. The album is also balanced with some quieter and delicate moments like ‘Balance’ – the album’s single acoustic track. Overall, this is an album that expertly builds tension, keeping listeners captivated from start to finish.
(Ella Patenall – GIHE Contributor)

Brimheim – RATKING

Multi-instrumentalist Helena Heinesen Rebensdorff finds strength in self scrutiny on her excellent second album, RATKING. Released at the end of March, the LP is just as raw as the Danish-Faroese artist’s debut offering, can’t hate myself into a different shape (2022), but on RATKING, she vivaciously embraces remnants of shame, hyper-sensitivity and unrequited love and sets them to a more melodic, pop-tinged backdrop. The result is a witty, cathartic reflection on the contradictions of love, underscored by her audaciously dark humour.

Whether it’s the fully fleshed band sound and distinctive instrumentation on tracks like ‘Dancing In The Rubble’ and ‘Keep Bleeding Diamonds’, the infectious pop melodies on singles ‘Literally Everything’, ‘Brand New Woman’ and ‘Normies’, or the sonically more expansive tracks like ‘No Liver, No Lungs’ and ‘Surgeon’, Brimheim and esteemed producer Søren Buhl Lassen (Blaue Blume) have crafted an eclectic and exhilarating collection of lush alt-pop anthems. Watching Brimheim perform her new album at The Lexington earlier this year was a live highlight for me too. Her confidence in her artistic vision and revelation that she was almost ready to give up making music just a few years ago was truly inspiring.
(Kate Crudgington – Features Editor)

Elsa Hewitt – Chaos Emeralds

Written and recorded intermittently over the course of four years, electronic artist & producer Elsa Hewitt’s eighth album, Chaos Emeralds, is a deeply evocative listening experience. Her intuitive mix of lilting vocals, hypnotic synth loops and eclectic field recordings have helped reduce the cortisol levels in my body significantly this year.

Her improvisational writing style pulls you into a warm hypnosis, where notions such as ‘Unimaginable Pain’ are transformed into soothing electronic lullabies. Her lyrics were originally poems which she penned separately, blending them with her music at different intervals throughout the creative process. The album’s title – a nod to Sonic The Hedgehog – hints at the paradoxical way in which life presents us with difficulties in order to teach us resilience and recovery. This is something Elsa Hewitt has mastered on many of her previous records, but on this collection of tracks she truly achieves something special. She has been prolific this year and she is currently in the process of teasing her ninth album, Dominant Heartstrings, which is set for release in the near future. (KC)

Fightmilk – No Souvenirs

I’ve made no secret of my super fandom of Fightmilk over the years. I’ve been following them since they first played live for us back in 2018 and now – after having had the honour of them headlining many more of our gigs and being obsessed with their albums Not With That Attitude and Contender – my fandom has only continued to grow with the recent release of this year’s No Souvenirs. Reflecting on themes of getting older, particularly as a woman in music, the album exquisitely showcases the band’s ability to hone their sound, creating perfect punk-pop; angsty and uplifting in equal measure. Instantly catchy singalong anthems, combining their trademark tongue-in-cheek wit with a swirling energy and gritty raw emotion.

From fuzzy sentimentality to fierce tirades against patriarchal society, No Souvenirs is a perfect culmination of how Fightmilk have continued to refine their sound. With shades of noughties punk-pop, combined with an injection of fresh queer joy and raging emotion, it’s at once cathartic, validating and empowering. But, most importantly, fun. A sound that’s uniquely Fightmilk; truly distinctive in its colourful charisma, but consistently evolving into something more. No Souvenirs was released in November via Fika Recordings/INH Records. (ML)

Happy Accidents – Edit Undo

I’ve been a mega fan of Happy Accidents since first falling in love with the South London based duo at the late, great Indietracks Festival in 2018, and have been an avid follower of the active roles that both Rich and Phoebe have continued to play in the DIY music scene over the years, including their other musical projects, ME REX and Cheerbleederz. This year, they released their first album in a few years, the gorgeous Edit Undo, which marked a really fantastic return form combining the band’s trademark jangly hooks and emotion-rich twinkling harmonies with additional experimental, electronic soundscapes. I was lucky enough to catch their first live show in five years at Paper Dress Vintage in September, and it was a really special evening. Plus, Phoebe is also responsible for one of my other highlights of the year – learning drums at a First Timers Festival workshop with GIHE pal Kate. She was a really wonderful teacher, and inspired me to continue learning! Edit Undo was out in September via Alcopop! Records. (ML)

HAVVK – To Fall Asleep

Inspired by the complicated nature of sleep and bassist & vocalist Julie Hawks’s own experiences of insomnia, HAVVK’s third album, To Fall Asleep (released via VETA Records) is an urgent, cathartic listen that beguiles the senses and rattles the nerves in equal measure. The Irish alt-rock trio have been favourites of ours since they played our debut GIHE gig at The Finsbury pub back in 2016, and it’s been a privilege to watch them develop as a band over the last eight years.

Formed of front person Julie, guitarist Matthew Harris and former Bitch Falcon drummer Nigel Kenny, on To Fall Asleep, HAVVK interrogate the things that keep us awake at night. Whether they’re charging ahead on tracks like ‘Expiry’ – a vital anthem about the gendered double standards of ageing – or ruminating on anxiety on ‘Waste Of Time’, they create stirring, emotionally charged tracks that resonate long after the record has stopped spinning. It was a real pleasure to hear the band play some of their new tracks live this year when they headlined our GIHE gig at The Shacklewell Arms in March. (KC)

Jæd – I Loved The Gauntlet And There Was No Other Way

London-based, Irish-Puerto Rican musician Jæd played a GIHE gig for us in October 2022 supporting Pixie Cut Rhythm Orchestra and we were all blown away by her unique talent. Her stage presence, dynamic vocal range and virtuoso guitar playing have all translated beautifully into the tracks that form her debut album, I Loved The Gauntlet And There Was No Other Way, released via cult Irish label The Delphi Label. The record is an eclectic cacophony of guitar sounds inspired by the uncertainty and hardship that Jæd has lived through, and it’s a testament to the endurance of her creative spirit. ‘Very Fond’ is my personal favourite, but every song on the album is a gem. (KC)

Midwife – No Depression In Heaven

On her fourth LP, No Depression In Heaven, Colorado based musician and producer Madeline Johnston aka Midwife pays tribute to life on the road, reflecting on the eccentricities of a transient existence and the characters that colour the views between locations on the map. Her ambient shoegaze sounds pacify the pain of the grief that informed many of the tracks. Whether it’s an ode to her trusty tour vehicle on ‘Vanessa’ or a cover of ‘Better Off Alone’ which was originally released in 1999 by European popstar Alice Deejay, Midwife treats these things with equal parts grace and grit. No Depression in Heaven is a beautiful body of work full of her poetic lyrical motifs and hazy lullaby-like reverb. (KC)

Our Girl – The Good Kind

Having fallen completely in love with their 2018 debut, Stranger Today, my adoration of London trio Our Girl has only grown with the release of this year’s The Good Kind. Reflecting on poignant themes such as the heartbreak of seeing illness affect someone you love, challenges faced due to gender and sexuality, and the strength that can be found in community, the overarching feeling that permeates whilst listening is a gentle, comforting optimism. Propelled by a whirring energy and brit-pop inspired scuzzy hooks, each track fizzes with a glistening heartfelt emotion as Soph Nathan’s distinctive vocals ripple with an understated powerful grace, creating a deeply resonant shimmering splendour. The Good Kind was released in November via Bella Union. (ML)

Pink Suits – Dystopian Hellscape

Having released their blazing debut, Political Child, back in 2021, Margate duo pink suits released their second album, Dystopian Hellscape, this year. Inspired by the relentless over saturation of bleak news cycles, it loses none of the band’s politically aggressive, anti-Tory, anti-Fascist, Feminist Queer Energy. Exploring the effects that modern society and neoliberal politics can have on our mental health with the duo’s trademark tenacious spirit and raw musicality, it reflects on themes of self-care, grief, gender identity, sexuality and queer joy, showcasing pink suits’ ability to channel frustration into a perfect raging catharsis. In addition to creating these necessary punk anthems, throughout 2024 Lennie and Ray brought tonnes of queer joy performing as a country duo – on tour with Paisley James, at their own completely wonderful Queer Cuntry event at The Southbank Centre, and as part of our GIHE queer country night at Sebright Arms with Dolly Parton tribute band, The Dumb Blondes (more on this coming in our ‘Personal Highlights’ feature). Dystopian Hellscape was released in April. (ML)

Rubie – Seek Sisters

Having been fans of exquisite songstress Rubie for a while now, both as a solo artist and as part of the incredible F*Choir, we were delighted that she released a stunning new album this year. Flowing with a swirling majestic allure, Seek Sisters interweaves quirky jazz-tinged melodies with a soaring musicality and Rubie’s distinctive heartfelt vocals, creating something truly spellbinding; each and every note glistening with an empowering heartfelt grace. We were lucky enough to have Rubie perform the album in full for us at The Divine in November, and it really did feel like such a special night; accompanied by a full band and choir, she completely captivated us all with her shimmering joyous energy and stirring creations. Seek Sisters was released in September. (ML)

Schande – Once Around

Noise-pop-shoegaze-tinged legends and friends of GIHE, Schande, this year released their debut album, Once Around. Following 2019’s EP Pedigree, and having charmed our ears playing live for us a number of times over the last few years, this new release perfectly captures the band’s immersive, shimmering soundscapes. Flowing with a lilting twinkling grace, it truly is a thing of pure beauty as front-person Jen cements herself as a songwriter capable of exquisitely conveying the fragility of life with each rich sonic tapestry, as a resonant raw emotion ripples throughout. Such a dreamy collection of songs that I find impossible to listen to just once, but instead need to play at least twice, or even three times, around in a row! Once Around was released in April 2024 via Thurston and Eva Moore’s record label, The Daydream Library Series. (ML)

Whitelands – Night-bound Eyes Are Blind To The Day

Initially formed from DIY grassroots music initiatives like First Timers Fest and Decolonise Fest, Whitelands are gently dismantling the expectations and stereotypes surrounding the traditionally white-male oriented guitar music scene. Released via iconic shoegaze label Sonic Cathedral, their debut album, Night-Bound Eyes Are Blind To The Day, is a disarming reflection on everything from politics, philosophy (the album title is taken from the book ‘The Prophet’ by Kahlil Gibran) to ADHD, depression and heartbreak.

Vocalist and guitarist Etienne’s songwriting is deeply poetic, something which becomes more apparent when you read the accompanying lyric sheet on the album’s vinyl insert. His soft floating vocals are accompanied by lead guitarist Michael’s soaring riffs, drummer Jagun’s driving beats and Vanessa’s brooding bass lines, all of which intermittently push the record into both melancholic and euphoric territory. It was wonderful to have Whitelands with us in the studio for our Soho Radio show in February this year talking about their debut record. Having caught them live at Hammersmith Apollo and EARTH supporting Slowdive, as well as at Cro Cro Land and their album launch show at Rough Trade East, Whitelands have provided some of my favourite musical memories of 2024, both live and on record. (KC)

EPs

all cats are beautiful – Just Kids

In 2021, London based duo All Cats Are Beautiful released their gorgeous mini album The Things We Made. However, playing gigs and writing new songs then fell to the back burner when Ky from the band’s partner of ten years suddenly tragically passed away that same year. Now, three years on, Ky and Elena finally felt ready to share new music with their EP Just Kids; a heart achingly poignant reflection on love and loss. Delving into stark reflections on the pain that comes with losing someone that you love so intensely, the EP glistens with a raw vulnerability and emotion alongside its twinkling electro soundscapes, creating a truly beautifully cathartic and honest collection. The band perfectly summarise – “grief is just love with no place to go.” Just Kids was released in October via Peach Records. (ML)

Piney Gir – Cosmic Upside Down 

This year prolific artist (and self-proclaimed witch) Kansas-born Piney Gir released her new EP, Cosmic Upside Down. Propelled by a twinkling, lilting energy and Piney’s distinctive lush honeysweet vocals, each track on the EP oozes a sparkling immersive splendour. Whilst its spiritual roots remain evident throughout, it also touches on themes ranging from climate change to feminism; offering a stirring yet uplifting reflection on the world today. In addition to the EP release, 2024 also marked twenty years since Piney shared her first album, Peakahokahoo, and to celebrate we helped her promote a special 20th anniversary gig at The Lexington with a superstar line-up of Anat Ben-David (Chicks On Speed) and Psycho Delia (Robots In Disguise) – a really dreamy evening! Cosmic Upside Down was released in August via No Distance Records. (ML)

SPIDER – object of desire

I’ve been watching Irish alt-pop artist SPIDER grow since the release of her debut single ‘Water Sign’ in 2021, and it’s been a joy to see her talents recognised in the alternative rock scene this year. Her third EP, object of desire, is bursting with riotous, angst-ridden tunes about coming-of-age in an antagonistic world that tries to dictate this deeply personal process. The title track is a formidable anthem that perfectly outlines all that SPIDER is capable of as an artist; her clear intonation, candid lyricism and loud-and-quiet grunge and pop punk dynamics are showcased perfectly. It was a privilege to watch her perform AT her debut London headline show at The Camden Assembly earlier this year. Read my full review here. (KC)

Softcult – Heaven

Marking a heavier development in their sound, Heaven is the fourth EP from Canadian twin sibling duo Softcult. By blending shoegaze sensibilities with dream-pop melodies and Riot Grrrl politics, Mercedes and Phoenix Arn-Horn tackle the pressures of existing in patriarchal society, the breakdown of platonic and romantic relationships and the fluctuating nature of mental health. Heaven is a cohesive, considered record that offers respite through heavy reverb and gloomy vocals, which the pair have perfected on this latest offering. Guitarist & vocalist Mercedes spoke eloquently about the inspirations behind the EP in an interview with me earlier this year. Read the full feature here. (KC)

Queen Of Nothing – The Pull

Recorded to tape at Middle Farm Studios with acclaimed producer Peter Miles (Torres, Orla Gartland and Dodie) independent alt-folk artist Abi Crisp aka Queen Of Nothing released her debut EP, The Pull, in November this year. It’s an atmospheric, brooding reflection on what it feels like to let go of heartbreak, uncertainty and fear and emerge as a truer version of ones self. I love her blend of shimmering and gritty guitar tones, tender vocals and dramatic volume shifts, which are epitomised on my favourite track ‘How Does It Feel’. (KC)

Honourable Mentions

Alien Chicks – Indulging The Mobs (EP)
ARXX – Good Boy
The Baby Seals – Chaos
Charley Stone – Here Comes The Actual Band
Chelsea Wolfe – She Reaches Out To She Reaches Out To She
Cherym – Take It Or Leave It
Coolgirl – Road Closures
Fears – affinity
Fraulein – Sink Or Swim
Julia-Sophie – forgive too slow
King Hannah – Big Swimmer
Los Bitchos – Talkie Talkie
Mammoth Penguins – Here
NikNak – Ireti
PostLast – Pull Me Into The Open Sea (EP)
Sassyhiya – Take You Somewhere
SOPHIE – SOPHIE
WISP – Pandora (EP)

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GIHE: Tracks Of 2024

With another hard-going year behind us, we’ve continued to seek comfort in new music released by our favourite hard-working and talented artists. There’s been an immense amount of incredible new music released, so we want to shed some light on some of the tunes that got us through the hard times, accompanied the good times & generally saw us through 2024.

To start our annual end of year round-ups, we’re sharing our ‘Tracks Of 2024’ ahead of features on our favourite albums, ‘Personal Highlights’ and ‘Ones To Watch 2025’. Have a read about some of the tunes we’ve been loving the most, and make sure you hit play on the accompanying playlist to hear just how fantastic they all are! Then, please do follow the artists you love on all platforms – download their music, buy their merch, go see them live and continue to spread the word about how wonderful they are!

ARXX – ‘Crying In The Carwash’
Here at GIHE we make no secret of our immense adoration for the Brighton duo. And this year has been a pretty wonderful one for Hanni and Clara – we could not be happier for them doing so well and living their dreams. They’ve released an incredible album, played Glasto, been on tour with Fletcher and sold out a load of dates on their own headline tour of Europe. Kate and I were lucky enough to catch them at Lafayette last month, and it was such an uplifting and emotional night – they put on a fantastic show, and just seem to get more and more incredible every time we see them. We can’t wait to see what 2025 brings for these faves. Good Boy, the latest album from ARXX, is out now via Submarine Cat Records.
(Mari Lane – Managing Editor)

Circe – ‘Blue Love’
I have been OBSESSED with this song from dark-pop artist and GIHE fave Circe since she released it in March. ‘Blue Love’ is intense, candid and sultry – a BIG FEELINGS anthem that sets my cells alight every time I hear it. Circe described this offering as “Karen O produced by The Cure during their Disintegration era” and I wholeheartedly agree. ‘Blue Love’ is all about being love bombed and dealing with fuckboys, swirling in the ashes of disappointment and rising from them in defiance. I can’t get enough of it and it was a pleasure to hear it live when Circe played it at Camden’s Electric Ballroom when she supported The Midnight. Full review of the show here. 
(Kate Crudgington – Features Editor)

Tom Rasmussen ft. Romy – Never Look Back
A definite highlight of 2024 for me was seeing Tom Rasmussen finish their UK tour at KOKO, it was an incredible show and you really felt it. I also got to see Romy play at Drumsheds for the False Idols event in November, and my knees are still not back to normal. I just could not stop dancing.
(Tash Walker – Digital Editor)

Freak Slug – ‘Spells’
Freak Slug, aka Manchester artist Xenya Genovese, has definitely been one of my favourite new discoveries of 2024. Having released her debut album, I Blow Out Big Candles, in November, her music combines her glistening sultry allure with a fizzing quirky energy, and this track is an instant earworm that had me hooked on Freak Slug the first time I heard it. I’m hoping to finally catch this exciting new artist live at Moth Club on 22nd May next year. You can nab your own tickets for her Spring tour here. (ML)

Tusks – ‘Adore’
I love this evocative single from London-based electronic artist Tusks. It’s lifted from her her third album, Gold, which she released in April via One Little Independent Records. Inspired by a variety of contrasting experiences and emotions, the record is a dynamic, intricate musing on the shifting nature of love, time and change. (KC)

Blonde Maze – ‘Beside You’
I’m not sure a year goes by that I don’t include New York artist Blonde Maze on my highlights of the year, and there’s a reason for that. She continues to make truly exquisite soundscapes that never fail to soothe and captivate, and this single from March this year is no exception. There is just something about the twinkling grace, swirling energy and blissful uplifting energy that I find completely immersive and utterly cathartic. Having been a mega fan since she was one of the first guests on our radio show nearly ten years ago, I’m so grateful to all that Blonde Maze creates; euphoric sonic journeys to ease the stresses of every day life. (ML)

Ideal Host – ‘Dust Collector’
Created during a four day residency in a converted water mill in Llangollen in Wales, this single from indie band Ideal Host is their poppiest offering to date. I love the way Heather’s soft vocals blend seamlessly with the band’s buoyant riffs, lilting electronics and catchy beats. (KC)

Fears – ‘4th of the 1st’
This single from Dublin-born, London-based interdisciplinary artist Fears is a poignant reflection on emotional resilience and self-soothing. Taken from her second album, affinity, which she released in March via her own label TULLE, ‘4th of the 1st’ delicately dismantles the duplicitous and intrusive thoughts that follow in the aftermath of a complicated breakup. I’m a big fan of everything that Fears does and it was lovely to have her back in the studio as a guest on our Soho Radio show again this year. Listen back to our chat here. (KC)

Roller Derby – ‘Dreams’
Hamburg duo Roller Derby are set to release their debut album next year, and this year they’ve shared four gorgeous singles as a taster of the exquisite atmospheric dream-pop that they’re able to create, including the glistening splendour of ‘Dreams’. They headlined for us at the beginning of the year, selling out the Shacklewell Arms with such a beautifully immersive set. And we can’t wait to have them play for us again next May – at The Lexington on the 9th and at The Rossi Bar in Brighton on the 10th. Tickets here. When The Night Comes, the upcoming debut album from Roller Derby, is set for release on 28th February 2025. Pre-order here. (ML)

afromerm – ‘reciprocity’
This single from London-based artist and GIHE favourite afromerm is about the duality of balancing our inner and relational worlds; getting lost in thoughts, versus present, reciprocal care with those we love – a powerful concept that she treats with such grace and gentility. ‘reciprocity’ will feature on her debut three track EP, which is set for release in the near future. I love everything that afromerm creates and I can’t wait to hear more from her. (KC)

Breymer – ‘When I Get Through’
Having released their latest album When I Get Through in October, Minnesota born artist Sarah Walk – aka Breymer – creates sweeping indie-pop anthems, oozing a raw emotion and stirring heartfelt splendour. Exploring their relationship with gender and identity, the album marks the first since they recently changed their artist name – from Sarah Walk to the more androgynous Breymer – to reflect how they feel about themselves after their recent top surgery. Interweaving lush layered vocals and a shimmering textured musicality, it reflects on a personal journey of self-discovery with a stark honesty. A truly exquisite collection. (ML)

Dogviolet – ‘Violets’
Having played their first ever gig for us back in 2022!, this year’s ‘Violets’ was the first proper single from Dogviolet. And it was worth the wait. I love the soaring celestial splendour they are able to create and felt honoured to help them promote their special single launch show at The Victoria in October – a night of beautiful music, and beautiful scents, as they’d decorated the venue with purple flowers! I’ve been lucky enough to see them live numerous times this year – as well as their single launch show, they kindly stepped in and played at our gig at New River Studios supporting Kara Delik, I saw them at The Lexington supporting other faves Berries, and they played Croydon festival Cro Cro Land -, and I’m excited to see them many more times in 2025. (ML)

Glixen – ‘Lust’
Arizona-based shoegazers Glixen have been one of my favourite new music discoveries this year. They’ve released a string of excellent singles throughout 2024, but ‘Lust’ is the standout one for me. It’s an intoxicating blend of reverb, crashing cymbals and hypnotic vocals. I’m really looking forward to hearing their new EP, Quiet Pleasures, when it’s released in February next year. (KC)

Pink Milk – ‘You Will Follow Me to Hell’
A gorgeous piece of goth-rock-electronica from Swedish act Pink Milk here. It’s taken from their excellent album, Night On Earth, which is inspired by dystopian science fiction fantasies and marks a heavier, darker new era in sound for the band. Their gloomy, cinematic soundscapes are a real sonic delight. (KC)

Slung – ‘Fire To Burn’
I was gutted to miss Brighton four-piece Slung when they played a GIHE gig in May at Sebright Arms. They’ve released a handful of heavy, brooding singles this year and ‘Fire To Burn’ is my favourite. It’s inspired by witchcraft and more specifically, bassist Vlad’s own ancestor who was regarded as a ‘superwitch’ in her village. She was initially perceived as a healer, but eventually she faced persecution from those who once sought solace in her remedies. I Love Katie Oldham’s vocals on this track, they’re the perfect mix of gritty and theatrical. (KC)

Lambrini Girls – ‘Company Culture’
A track about being under appreciated, sexually harrassed and never able to win in the workplace as a woman or queer person, ‘Company Culture’, from punks on the rise Lambrini Girls, was one of a string of equally raging singles this year. Showcasing the Brighton band’s fierce racing energy and ferocious sense of urgency, it cements them as a true formidable force to be reckoned with. Having seen them take the music world by storm in 2024, I can’t wait to FINALLY catch Lambrini Girls live at Brixton Electric next April. (ML)

The Menstrual Cramps – ‘Abortion’
“I’ve had an abortion, no I’ve had two / If you don’t like it, then fuck you!” Straight to the point, as always, Bristol faves The Menstrual Cramps shared this raging, honest and utterly necessary pro-choice anthem at the beginning of the year. Written in response to archaic laws being imposed against women who seek abortions, both in the US and here in the UK, it showcases the band’s ability to create a perfect balance of unifying joy and rage that has never felt more urgent. (ML)

NEXT TO NADA – ‘Moths’
If you’ve ever wondered what it would look like if a punk band shot their debut music video on a narrowboat, wonder no more! London based “sludge rock” four piece NEXT TO NADA filmed the accompanying visuals for their single ‘MOTHS’ inside of one, reflecting the chaotic but ultimately enjoyable nature of modern life. The track is taken from the bands’ debut EP, WHINE // MOTHS – a collection of grinding-yet-gleeful anthems designed to release the pent up frustrations of everyday life. (KC)

Pigeon Dog – ‘Jumpy Cow’
Combining the brooding intensity of grunge with the infectious groove of post-punk, Pigeon Dog’s ‘Jumpy Cow’ is anchored by a funky, driving guitar riff, compelling you to move while immersing you in its shadowy atmosphere. The low, raspy vocals deliver a hauntingly melancholic melody that lingers long after the song ends, leaving you craving another listen. (We caught Pigeon Dog supporting Dogviolet at their single launch show in October – a new favourite for sure!) (Ella Patenall – Contributor)

Hello Mary – ‘0%’
It took me about 10 seconds of listening to ‘0%’ for me to decide that I loved New York trio Hello Mary. This track captures their dynamic blend of grungy riffs, unpredictable beats and defiant vocals perfectly. It features on the band’s second album, Emita Ox, which they released in September. I caught Hello Mary’s set at The Windmill in Brixton and I was equally as impressed by their live rendition of this track. (KC)

adults – ‘Trouble’
South London’s adults have been one of my faves for a few years now and so I was super excited about the return of their trademark jangly melodies and scuzzy energy this year, showcased perfectly in this stirring track. I was lucky enough to catch adults live supporting Fightmilk (more on them later) with Tugboat Captain at Paper Dress Vintage last month – a pretty dreamy night of live music. ‘Trouble’ is taken from …In The Big League, a split EP from adults and Oxford band Spank Hair, which is out now via Fika Recordings. And I’ve heard that there will be plenty of new music to come in 2025 – I can’t wait. (ML)

Sacred Paws – ‘Another Day’
After a five year hiatus, we were excited that London / Glasgow duo Sacred Paws returned to our ears last month. We love everything that Ray Aggs does; we were honoured to have them headline one of our gigs earlier this year, and the revival of this project with Eilidh Rogers came as a very welcome surprise. Flowing with the duo’s trademark lilting and uplifting energy and distinctive sparkling harmonies, ‘Another Day’ introduces a heartfelt folk-strewn sound with the inclusion of banjo played by Ray’s father. Apparently there’s more new music on the way next year, and we cannot wait! (ML)

Dream Phone – ‘Fogo’
Having been utterly brilliant supporting Ray Aggs for us back in April, Oxford duo Dream Phone are one of my favourite new discoveries of the last couple of years. With its playful riot grrrl-inspired spirit, ‘fogo’ showcases all there is to love about them; listening to its scuzzy layers of shimmering musicality, I feel instantly uplifted by its infectious quirky allure and blissfully danceable energy. Watch the accompanying homemade video for ‘fogo’ here and make sure you catch Dream Phone live as soon as possible! (ML)

Zamilska ft. huskie – ‘Odyssey’
I’ve been following Polish electronic artist Zamilska through GIHE for a while now, and she never fails to impress me with her eclectic soundscapes. This track ‘Odyssey’ features on her album, United Kingdom Of Anxiety, which she released in October via Untuned Records (her own label). It’s an intoxicating post-apocalyptic tinged record that totally enraptures the senses. Zamilska also supported Kim Gordon on her European tour this year. I hope 2025 is just as prosperous for her. (KC)

NikNak ft. AGAAMA – ‘Pandora’s Box’
An absolute A-STAR collaboration here between experimental producer & DJ NikNak and electronic artist & songwriter AGAAMA. ‘Pandora’s Box’ is lifted from NikNak’s album, Ireti, which she released in May via Accidental Records. I was so excited to hear new music from AGAAMA too, who’s EP, Wandering Worlds, was a favourite of mine back in 2022. Check out the accompanying Sci-Fi/AI inspired visuals for ‘Pandora’s Box’ here. (KC)

Huge thanks to all the artists and bands creating the wonderful tunes that have got us through this year! Listen to our Tracks Of 2024 playlist now, and please be sure to check them out and support their work (listen/download/buy in places other than Spotify)!

And keep an eye out for our Albums & EPs Of The Year, 2024 Highlights & Ones To Watch for 2025…

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