Introducing Interview: The Frisbys

Having received praise from the likes of Amazing Radio, Gigwise and For Folk’s Sake, South London folk collective The Frisbys create twinkling, emotion-strewn offerings, oozing a sweeping musicality and celestial splendour.

With a new EP set for release this week, we caught up with Nicola Frisby from the band to find out more…

Hi, welcome to Get In Her Ears! Can you tell us a bit about The Frisbys? 
Hi! We are an alternative folk/country band from South London. Our band consists of myself (Helen – vocals, flute), my twin sister Nicola (vocals – guitar), my husband Sam Keer (electric guitar) and three of our friends from university/college – Sal Palekar (piano and violin), Will Cattermole  (bass) and Tom Finigan (dums). We will be releasing our third EP, My Wicked Mind this week and we’re looking forward to hopefully playing live again as soon as we possibly can!  

How did you initially all get together and start creating music?
Although Nicola and I have been writing music together since we were teenagers, our line up as a band has changed massively over the last few years. When Nicola and I started creating music, we were an acoustic duo playing locally around South London with just harmonies, guitar and a flute. Gradually as the years have gone by, we’ve recruited some amazing musicians who also happen to be some of our best friends. Every member of our band is a friend that we’ve met through studying music at college or university. The most wonderful thing is that making music together has helped to reunite us again and I know that both Nicola and I feel incredibly lucky for that.

Your new EP My Wicked Mind is out on Friday – can you tell us what it’s all about? Are there any themes running throughout the EP?
The title of My Wicked Mind stems from the idea that the human mind is just bonkers. I suppose I just find it strange how the mind can create such wonder and beauty, whilst at the same time be capable of causing so much anxiety and suffering. I wouldn’t say that this EP is thematic in its concept, but it is a collection of songs that explore both the inner turmoil and the resolute strength of the human mind. So, for example, the songs ‘I Heard’ and ‘Print’ are almost opposite viewpoints based on the same theme. ‘I Heard’ is a fighting song about pushing through even when everyone is telling you what you are trying to achieve is impossible, whereas ‘Print’ highlights the insecurity that lies beneath. Even if you believe in yourself and the path you’ve chosen, it can be very hard not to let those doubts overwhelm you. Everybody wants to be accepted. 

You’ve been compared to the likes of First Aid Kit and The Lumineers, but who would you say are your main musical influences?
Unsurprisingly, Nicola and I have very similar musical influences. Our early days listening to my mum’s Simon and Garfunkel records or my brother’s Nirvana collection has meant that we have a pretty varied taste in music; which would maybe explain why our music can be so hard to fit into one genre. We like everything. As individuals, we all have quite different musical tastes. I recently asked the band to compile some of their favourite artists for a Spotify playlist and it was pretty amazing how diverse some of the artists were. Nonetheless,  there are always points where our influences cross. I would say that, collectively, we are inspired by artists such as Carole King, Eagles, Fleetwood Mac, Bruce Springsteen and The Beatles. 

How is your local music scene (in ‘normal’ times!)? Do you go to see lots of live music?
I actually moved very recently and so Covid has prevented me from getting out and about and testing out the local music scene, but before that we gigged a lot in the Croydon and South London area. Some of our very first gigs were gigging in South Croydon and we have a real soft spot for it in our hearts. What we’ve noticed as the years have gone by is that more and more of the venues that we used to play in have closed down and so now it can be quite difficult to find a venue that has a capacity for a band of our size. The good news is that there are some local musicians and venues who are constantly fighting this and putting on some excellent nights of music. I adore seeing live music and I try to see as much of it as I can. I prefer more intimate gigs to big arenas as I sometimes feel a little stifled by the environment. I need to move around and hate being restricted to a seat! One of the best gigs I’ve been to recently was watching Skunk Anansie in Brighton. The energy they created was just incredible and Skin’s stage presence is second to none.

And what can fans expect from your live shows?
I think our aim as a band is to make you feel something. Tom (our drummer) has a particular talent for creating set-lists and he always puts a lot of thought into making the set into a bit of a journey. We definitely don’t just have one style that we sit with, we try to mix it up. I love the fact that we can build the crowd’s energy with songs like our recent single ‘I Heard’, only to drop them back down again and make them almost silent with songs like ‘Give in to the Dark’. As horrible as it sounds, I quite like it when people tell me we made them cry! For me it means that we connected with them.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
One of my favourite bands I have found over the last few years is an American band called Joseph. They are a band of three sisters who create the most incredible live sound I’ve ever heard. Other upcoming bands we’d recommend are Theo Katzman (a multi-instrumentalist from California) and FlagTwister, John Lovell, Scott McFarnon, Chloe Ray and Dave Sears who are all local musicians we love to listen to.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think there are lots of really wonderful opportunities for new bands at the moments. For example, anyone can submit their music to be played on BBC Introducing and there are some fantastic blogs (like yourself) who are out there promoting new music. More affordable music software has meant that it is cheaper for people to create music themselves which is so wonderful, but it does mean that the music industry is very over-saturated. Most bands now realise that they can make music without record companies funding them and so that has meant that it is a much more level playing field. I think it has meant that bands have to work harder to get their music heard and maybe they have to be more creative about how they promote their music, but I don’t think that is necessarily a bad thing!

Finally, what does the rest of 2020 have in store for The Frisbys?
We recorded a live lock-down version of our new single, ‘I Heard’, in May and we are currently in the process of creating some more videos for our fans. We were hoping to be playing an EP release party this year and some festivals, but who knows what will be happening on the ‘live’ music front. Hopefully, we will find a way of playing an ‘online’ gig to help celebrate the release, so fingers crossed we can make something happen!

Massive thanks to Helen for answering our questions!

 

My Wicked Mind, the upcoming EP from The Frisbys, is out this Friday 26th June.

Track Of The Day: The Magnettes – ‘American’

Having previously wowed us live at The Finsbury with the colourful charisma and intense energy of their performance, and with acclaim from the likes of Earmilk and The 405, Swedish duo Rebecka Digervall and Sanna Kalla – aka The Magnettes – have returned to our ears with a brand new single.

More mellow in sound than past offerings, ‘American’ builds on the band’s love-hate relationship with the country and all they’ve learnt from it. Oozing a sweeping emotion alongside instantly infectious glistening melodies and honey-sweet vocals, it builds to a soaring pop anthem. Whilst revealing a more reflective side to the duo, ‘American’ maintains all the sparkling, empowering energy that we’ve come to know and love.

Of the track, the band explain:

“We have a problem with America. Or maybe with ourselves. America is the things we love and the things we hate. Since we were babies it taught us what love was and how to live the dream, and like junkies we swallowed it in chunks. Dylan, Denny’s and Dawson’s Creek, the twists and turns of teenage drama, extra salt, extra sugar. We viewed the world through that filter and plastered American Romance on our surroundings, until slowly but surely we realised what we already had was kind of OK too.”

 

Produced by Tomas Bäcklund Tuneström, ‘American’ is out now.

Mari Lane
@marimindles

Photo Credit: Annica Zion

 

Re-Covered: Sally-Anne’s Illustrated Favourite Albums

If you’re anything like us, throughout Lockdown you may have been seeking refuge in some of your favourite records, perhaps rediscovering some old classics along the way. So, for this new feature, illustrator Sally-Anne Hickman re-imagines her favourite ten albums of all time by painting their covers in her own unique style, using watercolours.

Check out the sixth of Sally-Anne’s choices below, and keep your eyes peeled for the rest over the next few weeks…

The Muffs- Hamburger
This compilation album features songs, outtakes and demos recorded between 1991 and 1999. It really captures the punk-pop-rock sounds that this band is renowned for. It’s garage-pop at its finest with most songs coming in at three minutes, each with a tip of the hat to 1960s girl bands. Its choppy, distorted guitars, layered with the sweet vocal harmonies and rasping growl of Kim Shattuck, all add up a bumper album of songs. Complete classic.

 

Sally-Anne Hickman
@sallyshinystars

Introducing Interview: Lauran Beth

Having kick-started her musical career on YouTube, with a great popularity of videos of her performing impressive covers, Irish artist Lauran Beth has since been captivating listeners with her dreamy alt-pop, and has previously received acclaim from the likes of Hot Press for her debut ‘Just Breathe’.

Lauran’s poignant new single ’11 Years’ offers a shimmering reflection on climate change and its effects, oozing her luscious rich vocals and twinkling pop melodies. We caught up with her to find out more…

Hi Lauran Beth, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hey! I’m a 17 year old singer-songwriter from Offaly, Ireland. My music is mainly pop, but I am influenced by everything!

How did you initially start creating music?
Growing up, my family was quite musical – especially my da. I began playing traditional Irish music when I was seven, but didn’t discover my real passion until I asked for a guitar for Christmas when I was eleven. My da taught me the basics, and the rest is history! I wrote my first proper song ‘Thoughts’ in my bedroom when I was fourteen, and that’s when I discovered my love for songwriting.

Your new single ’11 Years’ is out now – can you tell us what it’s all about?
’11 Years’ is about climate change and the need for society to take it more seriously. As people, we have grown to become selfish in terms of our own wellbeing and indifferent to the needs of plants and animals. ’11 Years’ expresses my personal fears in relation to climate change, as well as the opinion of a need for change. 

You’ve been compared to the likes of KT Tunstall and Orla Gartland, but who would you say are your main musical influences?
I listen to a bit of everything, but I would say main influences at the minute would have to be Avril Lavigne, Melanie Martinez and The 1975. I love artists who are not afraid to be bold in terms of expressing themselves and their projects, and who break social barriers.

In ‘normal’ times, how is your local music scene? Do you go to see lots of live music?
Growing up in a village has really restricted me from seeing many people play live close to home. However, there are some really cool local artists like Jack Keeshan and James Mckelvey who are extremely talented! I’d love to see more music being played in my area.

And what can fans expect from your live shows?
I love to play live, and I hope that people who come to the shows feel like they are safe and belong, as the world can be a scary place at times.

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
There are loads of cool artists on the label that I am on, which is the Beardfire Music label. Artists like KTG, Martin McDonnell, Zoe Clarke, Michael T, Moylan and HappyBdayDaniel are so talented and definitely deserve more attention.

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I think that that this era is the best for sharing music as there is a huge presence on social media, which makes it easier for people to share projects. However, people can sometimes be reluctant to investigate new music, so that can make things hard. 

Finally, what does the rest of 2020 have in store for Lauran Beth?
I’m really looking forward to picking my brain and writing more music. Hopefully I can record more soon, but I am really excited to grow as a musician and songwriter. 

Huge thanks to Lauran for answering our questions! 

’11 Years’ is out now via Beardfire Music.