LISTEN: SPELLLING – ‘Little Deer’

A majestic new soundscape inspired by Frida Kahlo’s 1946 painting The Wounded Deer, Bay Area-based artist SPELLLING has shared her latest single ‘Little Deer’. Taken from her upcoming album The Turning Wheel, which is set for release on 25th June via Sacred Bones, the track is a dazzling new offering that showcases her talent for blending electronic & acoustic instruments with her lush vocals to create hazy, uplifting sounds.

“‘Little Deer’ is definitely a thesis track,” explains SPELLLING aka Chrystia Cabral. “I feel that way because it not only showcases the greatest range of instrumentation that is featured on the album, but also because it accomplishes this strong impression of theatre that I was striving for with the album as a whole.” The track features 17 different acoustic instruments, as well as a lilting, warped synthesizer. SPELLLING’s new record is split into two halves – “Above” and “Below” – with ‘Little Deer’ marking the beginning of the dreamy, shimmering “Above” section, which contrasts with the darker, more gothic tones of “Below”.

“I’m especially proud of the lyrics on ‘Little Deer’,” SPELLLING continues. “The challenge with the lyric writing was being able to speak to really large concepts like karma, reincarnation and the cycle of life without making the song sound burdened. I wanted the lyrics to match the grandeur of the instrumentation but still be easy to sing along to. I figured out a way to build the lyrics using a lot of abstract language that is still sing-able but odd in a way that I hope makes it memorable.” SPELLING’s attention to lyrical detail and intricate musical arrangements on ‘Little Deer’ certainly mark her out as a distinctive and compelling talent.

Listen to the track below.

Follow SPELLLING on bandcamp, Spotify, Instagram & Facebook

Photo credit: Adora Wilson

Kate Crudgington
@KCBobCut

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Track Of The Day: Smoothboi Ezra – ‘Stuck’

A tender, lo-fi offering that explores the struggle of feeling emotionally stunted or unable to communicate in an unsteady relationship, Irish multi-instrumentalist & producer Smoothboi Ezra has shared their latest single ‘Stuck’. Taken from their upcoming EP of the same name, which is set for release on 11th June, the track is a poignant meditation on the reluctance we encounter when facing the end of our romantic involvement with someone.

“‘Stuck’ is a song about being in a relationship with someone you care a lot about but you know it’s not going to work out,” Ezra explains “It’s an unsaid mutual agreement that you can feel the relationship ending but you’re both waiting on the other person to end it.” Ezra balances these emotional tensions via soft vocals, raw lyricism and gently plucked guitar strings.

As a gender non-conforming artist who is also on the autism spectrum, Ezra offers a different perspective on heartbreak and emotional intelligence, creating captivating, bittersweet soundscapes to contemplate the struggles of everyday life to. At the age of just 19, their talent for writing charming songs about personal growth is humbling and highly impressive.

Watch the video for ‘Stuck’ below.

Follow Smoothboi Ezra on bandcamp, Spotify, Twitter, Instagram & Facebook

Photo Credit: Leon McCulloughl

Kate Crudgington
@KCBobCut

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WATCH: Penelope Trappes – ‘Fur & Feather’

Inspired by Celtic mythology, the on-going journey towards self-autonomy and a sense of inner peace, Australian-born Brighton-based artist Penelope Trappes has shared her latest single ‘Fur & Feather’. Taken from her upcoming album Penelope Three, which is set for release on 28th May via Houndstooth, the track is a deeply soothing listen led by tentative keys and Trappes’ beguiling vocals.

“I wrote ‘Fur & Feather’ after becoming inspired by the Celtic tale of The Selkie, which is about ‘homing’ – returning to a sense of self,” Trappes explains about the track. “I found this treasure within the well-known book Women Who Run With Wolves by Dr. Clarissa Pinkes Estés. In preparation for the inevitable day that my sole daughter would leave home after 18 years, I carried a great sense of bittersweet loss in my heart. The Selkie reminded me of how I always knew the time would come when I’d be physically and emotionally alone and because of this I have always kept my own identity intact.”

Accompanied by a beautifully shot self-directed video in collaboration with art collective Agnes Haus, ‘Fur & Feather’ sees Trappes find contentment in a spiritual and physical sense, exploring lush woodlands as her calm vocals act like a deep exhale, dispersing her fears of loneliness and reassuring herself that the inevitability of change can be embraced and enjoyed with the right mindset.

Watch the video for ‘Fur & Feather’ below.

Follow Penelope Trappes on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo Credit: Agnes Haus

Kate Crudgington
@KCBobCut

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EP: Softcult – ‘Year Of The Rat’

A culmination of their thoughts on and experiences of sexism, misogyny and objectification, twin sisters Phoenix and Mercedes Arn Horn aka Softcult have crafted a bittersweet collection of lush, grunge-infused songs on their debut EP, Year Of The Rat. Pushing through pain and reflecting on their hard earned emotional resilience, the Canadian duo have written an ultra-cool manifesto of resistance designed to help relieve the pressures that come with existing in a patriarchal world.

Informed by their love of 90s guitar bands like Bikini Kill and My Bloody Valentine, as well as the bubble-gum grunge of Beabadoobee and Soccer Mommy, Softcult blend atmospheric guitars, energetic percussion and hazy vocals to create their softly antagonistic sounds. Working from their home studio for most of 2020, Phoenix and Mercedes were able to take stock of what they really wanted to achieve under their new moniker and Year Of The Rat is a mature offering that highlights the duo’s instincts for creating heady soundscapes that soothe the sting of a painful past.

“It might seem like we’re just super angry but it comes from a place of wanting to make positive change, which always starts with a conversation,” explains guitarist & vocalist Mercedes. This anger and empathy manifests itself in different ways throughout the EP, which kicks off with the melodic ‘Another Bish’. The duo find catharsis amidst their swirling riffs and frantic beats, arriving at the humbling realisation that even though you can’t always change someone else’s perception of you, you can refuse to be “tamed” by their reductive views.

The melancholic ‘Gloomy Girl’ provides listeners with a glimpse behind the veil of depression. It’s a tentative musing on the ominous feeling that you’re “wasting away” whilst going through a period of poor mental health. ‘Take It Off’ aches with a subdued anger that’s directed at catcallers, but it also doubles up as a care-free dismissal of ridiculous trophy wife standards. The pair continue to shrug off the emotional labour that’s routinely pushed onto women’s shoulder on the shimmering, restless ‘Young Forever’, before closing the EP with the cutting, yet tender sounds of ‘Bird Song’.

Fuelled by their desire to instigate change in their own circles and further afield, the Softcult blend observational lyrics, smooth vocals and atmospheric riffs together on Year Of The Rat to punctuate their personal statement against injustice and provide listeners with a brooding, polished, unexpectedly light listen.

 

Follow Softcult on Spotify, Instagram, Facebook & Twitter

Kate Crudgington
@KCBobCut

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