Track Of The Day: Yawners – ‘Please Please Please’

Influenced by the sounds of 90s grunge and garage pop-punk, Madrid-based duo Yawners have shared their single ‘Please Please Please’. The track is taken from their debut album Just Calm Down, which is set for release on 22nd March via La Castanya.

Formed of vocalist & guitarist Elena Nieto and drummer Martin Muñoz, Yawners began life in Elena’s home town of Salamanca, survived a move to Germany, and have now settled in Madrid. Fluent in Spanish, German and English, Elena is a translator by day and Yawners’ talented frontwoman by night.

‘Please Please Please’ is filled with Elena & Martin’s overlapping dual melodies, with elevating guitar parts underscoring themes of being lost and lovelorn. It’s an impressive lead single from the Spanish duo who will playing in the US for the first time at 2019’s SXSW, with further dates in Europe to follow later in the year.

Listen to ‘Please Please Please’ below and follow Yawners on Facebook more more updates.

Yawners’ debut album Just Calm Down is vailable to pre-order here.

Photo Credit: Mariano Regidor

Kate Crudgington
@KCBobCut

WATCH: Northwest – ‘London’

Although duo Northwest physically released their debut album – simply titled I – in June 2018, they only recently decided to publish it online. Why? well, it was part of the band’s manifesto (which they published on their website) where they decided to give away the digital version of their record to who anybody who personally requested it.

Since then, Northwest have sent 460 hand-written postcards all over the world, each one with an individual code to access the record online. It’s a bold approach to take for a DIY band in the age of the internet, but it’s one that has clearly paid off for the pair. They’ve now shared a music video for ‘London’ their “favourite” track on the album as a celebration of their efforts.

Directed by Ignacio Simón (one half of Northwest) and featuring images from photographer & artist Álvaro Gómez-Pidal, ‘London’ is a beautifully executed, intriguing set of visuals. “This is probably the hardest we’ve ever worked on a song and in a video, and we hope you like it as much as we do” explain the duo, and we’re sure their fans certainly will. Watch the video below…

Photo Credit: Ignacio Hergueta

Kate Crudgington
@KCBobCut

ALBUM: Queen Zee – ‘Queen Zee’

Making weirdness in to wonderful, inclusive, explosive new tunes; GIHEs favourites Queen Zee have shared their debut self-titled album and it’s every bit as glorious as we’d hoped. Released via their own label Sasstone Records, the group have created ten tracks that gleefully cut down any of the forces that attempt to stand in the way of equality.

The tongue-in-cheek ‘Loner’ opens the record, and it’s an in-your-face anthem taking the piss out of being a solitary, socially inept loser. Zee’s vocals dominate the track as swirling guitar and non-stop percussion keep the riot going. It’s followed by the equally punchy ‘Lucy Fur’ and ‘Sissy Fists’, which are belting fusions of grunge & punk. The latter smashes apart any associations of weakness and is a proper hardcore two minutes of pure adrenaline.

‘Idle Crown’ is a riotously executed piece of Marilyn Manson-esque pop sleaze. The narrative centers around two LGBTQ+ characters trapped in a toxic heteronormative relationship, who are unable to live as their true selves. It’s hard to resist screaming along to the chorus of ‘Porno’ and ‘Victim Age’, both of which will have you kicking and screeching around a dance floor.

The album’s standout track is undoubtedly ‘Boy’. It’s an anthem for trans-gender rockers and their allies who refuse to be ignored, or oppressed by transphobic or homophobic attitudes. “You can try and bury my head in the sand, but that won’t make the body at the surface a man’s” sings Zee, as manic guitar and heart-pounding drums smash out for just shy of five minutes. ‘Hunger Pains’ follows with Zee’s ravenous screeching and more trademark corkscrew guitar riffs, whereas the brief interlude ‘Anxiety’ is a mellow yet candid admission to not feeling well.

Whether you admit to it or not, we can all relate to closing track ‘I Hate Your New Boyfriend’. It’s a hilariously vicious take-down of a misogynistic partner who drains your friend and by default drains you too. Turn it up extra loud anytime you know said antagonist is in the vicinity. With their punk attitude and ability to write abrasive and infectious tracks, there’s no danger of Queen Zee being melted in to a “masculine mould” – and we’re rejoicing in support of this “whipping girl born into a big man’s world”. What a debut, invest immediately.

Photo Credit: Jon Mo Photography

Kate Crudgington
@KCBobCut

Track Of The Day: Emilie Kahn – ‘Will You?’

Beautifully melancholic and expertly produced, Montreal songwriter Emilie Kahn‘s latest single ‘Will You?’ makes for a poignant and earnest listen. The track is taken from  her second album Outro, which is set for release on 22nd February via Secret City Records.

The new song is accompanied by an equally beautiful music video, directed by Aaliyeh Afshar and Max Taeuschel. Speaking about the visuals, the pair explain: “We wanted to highlight Emilie’s performance while exploring the dark but tender feeling of the song. Playing with the mirror, blinds and faux walls, we wanted to delve into the liminal divide between life and death in a physical way”.

Emilie Kahn’s alternative pop tunes have an exquisite pain about them, and ‘Will You?’ is another shining example of the songwriter’s ability to achieve so much through minimal but focused music. Listen to ‘Will You?’ below and follow Emilie Kahn on Facebook for more updates.

Photo Credit: BaoNgho

Kate Crudgington
@KCBobCut

ALBUM: Le Butcherettes – ‘bi/MENTAL’

A vivid exploration of maternal relationships, enduring grief, and coping with the many faceted mental health issues encountered along the way; Le Butcherettes‘ new album bi/MENTAL is a potent infusion of almighty vocals, hefty guitar riffs, and commanding percussion. Released via Rise Records, the band’s fourth album was produced by Talking Heads member Jerry Harrison (No Doubt, Violent Femmes, KD Lang) and recorded at his home studio in Northern California.

Cited as their most personal album to date, bi/MENTAL is an ode to frontwoman Teri Gender Bender’s mother. She states that with the aid of producer Jerry, she was able to be “vulnerable and in-your-face at the same time” and that freedom permeates bi/MENTAL. Opener ‘spider/WAVES’ is six minutes of off-kilter unhinged sound, dominated by Teri’s trademark falsetto vocals and accompanied by spoken word from Dead Kennedys’ front man, Jello Biafra. It leads in to the knockout ‘give/UP’ lamenting the struggles surrounding grief. The opening line paints a morbid picture – “I’ve been putting off for days / a visitation to your grave” – but Teri’s passionate delivery and the infectious, rolling rhythms make this track a real blood-pumping tune that’s hard to sit still to.

‘strong/ENOUGH’ is an anthem of defiance and acceptance – “I’m not the kind of girl you thought I was” – whilst ‘father/ELOHIM’ explores a narrative of reckless behaviour and freedom. ‘little/MOUSE’ follows, before the scratchy nostalgic opening of ‘in/THE END’ breaks through, developing in to a retrospective ballad about faithlessness. A seething, buzzing bass line dominates ‘nothing/BUT TROUBLE’, whilst the sultry vocals of Chilean vocalist Mon Laferte take centre stage on ‘la/SANDÍA’.

Gritty guitar and psych-tinged keys meet on ‘struggle/STRUGGLE’ where pain and grief culminate in a speaking-in-tongues outro from Teri. ‘dressed/IN A MATTER OF SPEECH’ follows, before the unsettling screams and screeches of ‘mothers/HOLDS’ conquer the next three minutes of the record. Featuring the vocals of Alice Bag, ‘mothers/HOLDS’ is an example of the dark magic that’s conjured when two assertive, defiant women come together to create art.

The heady, mesmeric sounds on the penultimate ‘sand/MAN’ are followed by closing track ‘/BREATH’. It has a gentle opening, with slow guitar and a child-like voice sample interrupting intermittently like an old memory, but that’s swiftly discarded around the two minute mark. The track kicks back in in true raucous Le Butcherettes fashion, closing the record on a willful, assertive note.

Inspired by the “the death of a living mother”, the duality of life, and the inevitable strife caused by the fluctuation of mental health; Le Butcherettes bi/MENTAL is a cathartic burst of emotional rock music designed to clear the cobwebs between your ears.

Listen to bi/MENTAL on Spotify here.
Follow Le Butcherettes on Facebook for more updates.

Kate Crudgington
@KCBobCut

PLAYLIST: February 2019

It’s a brand new month and that means we’ve got a brand new playlist of new music to share with you. Take some time to scroll through our words and hit play on the Spotify link at the bottom of the page…

Queen Zee – ‘Loner’
GIHEs faves Queen Zee released their debut self-titled album last week, and this single was lifted from the record just before it dropped. It’s an in-your-face anthem that takes the piss out of being a solitary, socially inept loser. Zee’s vocals dominate this track which is filled with swirling guitar noise and non-stop percussion. Mari & I will be watching Queen Zee live at The Lexington on Valetine’s Day this year, and we can’t wait to grab a copy of this glorious record, and we’d encourage you to do the same! (Kate Crudgington)

Scrounge – ‘Crimson’
Total faves Scrounge have just released their ferocious new single ‘Crimson’. Ever since they completely blew us away with their epic energy-fuelled set at our gig at The Windmill last summer, we’ve been struggling to put into words just how impressive we find their refreshingly original sound. Propelled by Luke’s intense pummelling beats and Lucy’s trademark gritty snarl, ‘Crimson’ creates a frenzied swirl of sound that’ll wrap itself around you with a racing sense of urgency. With shades of the soaring majesty of Sonic Youth, whilst retaining the duo’s utterly unique and colossal genre-blending sound, I just can’t get enough of ‘Crimson’s wonderfully discordant whirring cacophony. (Mari Lane)

Le Butcherettes – ‘Give Up’
Taken from their new album bi/MENTAL released last week, this knockout single from Le Butcherettes laments the many struggles surrounding grief. Front woman Teri’s passionate vocal delivery and the infectious rolling rhythms on this track make it a real blood-pumping affair you can’t sit still to. (KC)

Sacred Paws – ‘Brush Your Hair’
Having won the 2017 Scottish Album Of The Year Award for their debut Strike A Match, Glasgow-based duo Sacred Paws have become firm favourites over the last couple of years. Now, with their vibrant, jangly melodies flowing seamlessly alongside lush harmonies and thrilling, racing beats, new single ‘Brush Your Hair’ has secured their place in our hearts once again. And, with the band’s trademark utterly infectious uptempo energy and colourful charisma, ‘Brush Your Hair’ is set to brighten your February on first listen. (ML)

Arlo Parks – ‘Super Sad Generation’
Arlo Parks has shared her beautiful follow up to single ‘Cola’ with the aptly named ‘Super Sad Generation’. It’s a heartfelt tune that speaks about going through the motions, trying to make emotional sense of what’s in front of you. (KC)

Mags On Earth – ‘Tulip Stone’
Influenced by her constantly changing surroundings and by the pressures associated with youth and living in the moment; Mags On Earth has shared her beautifully dreamy single ‘Tulip Stone’. The song was recorded with producer Jose Manuel Cubides in London, and deals with “wondering what else life could be looking like right now, and the pressure of spending your youth in a certain way and how time keeps passing”. (KC)

Amahla – ‘Dorothy’s Verses’
Exploring what truth is through the story of her grandmother, Amahla’s ‘Dorothy’s Verses’ flows with rich, impassioned vocals alongside luscious sweeping hooks, creating a truly dreamy – and deeply stirring – offering. Having played legendary venues such as The Jazz Cafe and The Roundhouse, and garnered support from the likes of BBC Radio 1 Extra and 6Music’s Tom Robinson, I really can’t wait to hear more from this innovative artist. (ML)

NAVA – ‘Ritual’
Milan-via-Iran based project NAVA’s new single is a blend of Persian-dance inspired beats, industrial elements and hypnotic vocals. I like this band’s obscure image and sound, so I’ll be keeping tabs on them for the rest of 2019. (KC)

Miss Jacqui – ‘These Walls’
I was only recently introduced to songwriter and poet Miss Jacqui when Amahla featured this track on her guest playlist for us; and it was love at first listen. With poignant, heartfelt lyrical storytelling set to glitchy beats and a twinkling soundscape, ‘These Walls’ is an essential listen. Having performed at the 2012 Paralympics ceremony, she’s only officially started releasing tracks last year, and I’m so glad she has. An exceptional voice that we need in our ears now more than ever. (ML)

Heather Woods Broderick – ‘Where I Lay
‘Where I Lay’ is the utterly cinematic new single from Oregon’s Heather Woods Broderick. With its sparkling beauty and the subtle soaring power of Woods Broderick’s vocals, it’s impossible not to become utterly captivated. Of the track, she explains explains: “’Where I Lay’ is really a poem about the impermanence of all things. So many of our questions will remain unanswered but if we slow down and appreciate things as they are it can provide a simplicity and an ease that inspires wonder amidst the chaos.” ‘Where I Lay’ is taken from Heather Woods Broderick’s new album Invitation, out on 19th April via Western Vinyl. (ML)

Hubert’s Friend – ‘Shipping Forecast’
Filled with gritty, blues-driven riffs, meandering desert-rock groove and the soaring soulful vocals of front woman Elly Lock, I just can’t get enough of this new single from London’s Hubert’s Friend. With regular appearances on the London gig scene, Hubert’s friend have now got through to the  quarter finals of Isle of Wight Festival Emerging Talent competition, so it definitely seems they’re headed for big things this year. (ML)

Track Of The Day: HOST – ‘Taste of Your Love’

An electro-pop gem that contemplates the short-comings of an unhealthy romance; Irish artist Host has shared her new single ‘Taste of Your Love’. Taken from her upcoming debut EP Adolescent Content (set for release later this year) the synth-pop star channels her love of bands like Diiv, Wolf Alice, The Japanese House, and The Cure on her new tune.

Speaking about her new track, Host explains: “Have you ever had someone you really care about do something so idiotic that it makes you look at them in a completely different light? ‘Taste of Your Love’ is that lingering bad impression that I just couldn’t shake, and everything built with this person, this solid foundation, just turned to quicksand. It’s sad really… this idiot, that you still adore nonetheless, has now forced you to cut them out and change your entire life.”

Despite its sad premise, we guarantee Host’s new single will have you up and dancing around your bedroom in no time. Listen to ‘Taste of Your Love’ below and follow Host on Facebook for more updates.

Kate Crudgington
@KCBobCut