FIVE FAVOURITES: Aerial East

Described as a deeply personal coming-of-age record, New York-based musician Aerial East is preparing to release her poetic new album, Try Harder, on 12th February. Set to be released via Partisan Records, the LP tentatively explores East’s experiences of disconnection, loneliness, suicide, friendships, gender roles and breakups, whilst also embracing the simple beauty that life can unexpectedly bestow upon us.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Aerial East to ask about her “Five Favourites” – five albums that have inspired her song-writing techniques. Check out her choices below and scroll down to watch Aerial East’s latest video for ‘Try Harder’ at the end of this post.

 

1. Joanna Newsom – Have One On Me
This album just keeps giving. When I first heard it in 2010 I had a really negative reaction to it. I was already a big fan having binged The Milk Eyed Mender and Ys after high school. A friend of mine made a comment about her during this time that was something like “I would marry her without even meeting her” and I followed an immature impulse to prove that she wasn’t that amazing by rejecting the overwhelming 3 disc record. By 2011 though I was feeling heartbroken and I found myself uncontrollably humming and singing ‘On a Good Day’, the most digestible song on the epic breakup record. The more heartbroken I felt the more I threw myself into the record. I must have listened to this album thousands of times – probably more than any other. It is so familiar to me and feels like home. It still makes me cry. My friend Kelly once said that she feels like herself when she hears it. I feel that way too. I still don’t always know what is going to happen next when I listen though. I haven’t yet memorized the lyrics, melodies and structures of the songs and that makes for stimulating repeated listens. I saw her perform again in 2019 and it sent me into a satisfying spiral of obsessively analyzing her lyrics and reading about her that really helped me think and write about my own songs.

2. Kate Bush – Hounds of Love
The Kick Inside gives this one a run for its money but Hounds of Love is the record I put on to cheer myself up when I’m feeling depressed. I actually first heard the song ‘Hounds of Love’ in high school when the Futureheads covered it and didn’t discover Bush until years later when I moved to New York. I was immediately drawn in when I first saw her dancing in the red dress video for ‘Wuthering Heights’. I remember thinking I had heard the song as a child but I later realized I was remembering ‘Come to My Window’ by Melissa Etheridge. Anyway, Bush’s videos are all amazing. I wanted to study mime for a long time because of her. I still kind of do. Hounds of Love is one of the best records ever made.

3. Tsegué-Maryam Guèbrou – Ethiopiques, vol. 21: Emahoy (Piano Solo)
This record centers me. It was all I could listen to in 2016 and I don’t play piano but I wanted my record Try Harder to feel like this. I first heard it when I was working at Dimes, a restaurant I have worked at since 2013. I used to listen to it often while setting up for my night shift that the closing daytime server would put it on when they saw me arrive. Emahoy, homemade pizza, and David Attenborough got me through 2016. A good remedy for anxiety.

4. Joni Mitchell – Blue
I mean, come on. It’s so good! I actually didn’t get into Joni Mitchell until Teeny Leiberson and Rachel Pazdan invited me to perform in their HUM Joni Mitchell tribute show. There was a lot to dig into and I said yes obviously, but then I had a deadline to familiarize myself with her work – she is pretty prolific – and choose a song I wanted to sing. I ended up doing ‘My Old Man’ because I don’t really write love songs even though I’m very romantic and ‘Hana’ from 2007’s Shine, because I wanted to acknowledge her as a contemporary artist. This is one of those records that just makes me feel good when it comes on. It came out the same year as Carole King’s Tapestry and I like thinking about the two different song-writing styles. Tapestry has so many crazy big hit songs that you are like “wait, she wrote that song too?!” They are such perfectly written pop songs but Blue is full of weird idiosyncratic songs that only really make sense if Joni is singing them. I love both albums so much and I imagine Carole made more money off of Tapestry because those songs are so widely covered and licensed, but if I could choose I would rather have made Blue.

5. The Beach Boys – Pet Sounds
Beautiful melodies, beautiful harmonies, dizzying layered vocals, heart-breaking lyrics produced joyfully. I’m not sure if it was the first time I heard this record but I remember listening to these songs upstate and crying and everyone in the room politely pretending not to see. Pet Sounds was a big reference when I was producing my first record Rooms.

Thanks to Aerial for sharing her favourites with us!

Watch Aerial East’s video for ‘Try Harder’ below.

You can pre-order Aerial East’s new album Try Harder here.

Follow Aerial East on Spotify, bandcamp, Twitter, Instagram & Facebook 

#ThrowbackThursday: GIHE w/ TABS 05.09.19

Due to the ongoing Covid-19 pandemic and lockdown in the UK, we’re unable to make it into the Hoxton Radio studio to broadcast our weekly live new music show from 7-9pm. Instead, we’re sharing previous GIHE radio show recordings as #ThrowbackThursday sessions, so you can still enjoy 2 hours of new music tunes & chats with some of our favourite artists each week.

Today, we’ve picked our September 2019 show with London-based musician TABS. Tash, Kate and Mari spoke to her about her EP Love Like This, the amazing Butch, Please! night she organises at the Royal Vauxhall Tavern and how her experiences within the music industry pushed her to produce and release her own music. She also played some special acoustic versions of her new songs.

Listen back to the show below.

Tracklist
M.I.A. – Paper Planes
GHOST CAR – Awkward
Keren Illan – Take Her down
ESYA – Nothing
The Txlips – The Lost Ones
Annie Taylor – 17 Days
Junk Whale – Chestburster
Emzae – As This Day Fades To Another
Lola – Care
Freja Frances – Catching Fire
False Idols – Hurricane
Shamir – Straight Boy
Errunhrd – Easier
Daniele Andrade – Wet Dreams
BABEHEAVEN – Seabird
**TABS live acoustic session & interview**
Campbell L. Sangster – Lil’ Sis’
Esmé – Ella
Blushing – Control
She Drew The Gun – Trouble Every Day
Lu.Re – Night Soul
Mexican Radio – Night of the Nihilist
Common Holly – Joshua Snakes
HAWXX – You’re No God
Tape Runs Out – Knife
Queen Latifah – UNITY

Track Of The Day: Grandmas House – ‘Always Happy’

A thumping post-punk anthem that seethes with sardonic wit, Bristol-based trio Grandmas House have shared their latest single ‘Always Happy’. Released via Brace Yourself Records, the track is a raucous juxtaposition of the confident image we project externally to others, when internally we often feel the complete opposite.

Formed of Yasmin Berndt (vocals, guitar), Poppy Dodgson (vocals, drums) and Zoë Zinsmeister (bass), Grandmas House combine gritty guitars, powerhouse percussion and visceral vocals to create their corrosive, commanding sounds. Formed in late 2018, the band were busy cutting their teeth on the UK gig circuit before Covid-19 put an abrupt stop to live music. The trio decided to use their time in lockdown constructively, quickly writing and recording new material, including their new single ‘Always Happy’.

“The song is wrapped in sarcasm based on our experiences of being perceived as a certain person, particularly on stage where we are overconfident, exaggerated versions of ourselves,” the band explain. “[It’s] a song we wrote about the social anxiety we all experience in some way or another, particularly concerning social media which gives the chance to easily convey a polished, perfect life which is often misleading – it’s not daily life, but snippets of the best parts. It was one of those songs that just came together so quickly as we were all completely on the same wavelength concerning the meaning of it.”

Through Berndt’s raspy, sarcastic vocals, Zinsmeister’s smouldering bass lines and Dodgson’s distinctive drum strikes, the trio smash through the false perceptions that happiness or contentment are permanent states of being. This welcome dose of cynicism will be accompanied by another equally infectious track ‘Small Talk’ on the band’s upcoming cassette release on 12th March.

Listen to ‘Always Happy’ below.

 

Follow Grandma’s House on bandcamp, Spotify, Instagram, Twitter & Facebook

Photo credit: Belle Whittington

Kate Crudgington
@KCBobCut

LISTEN: Francis of Delirium – ‘Let It All Go’

A frantic, grungy guitar tune that confronts the feeling of being uncomfortable in your own skin, Francis of Delirium have shared their new single ‘Let It All Go’. Taken from the duo’s upcoming EP Wading, which is set for release via Dalliance Recordings, the track is a cathartic burst of energy that sees songwriter Jana Bahrich shake off the self-doubt that starts to creep in when you feel inferior in a large social group.

“’Let It All Go’ chronicles a full commitment to isolation. It imagines me on a night out, drunk and babbling on about how sad I am,” Bahrich candidly explains. “Nobody wants to be around that person. At the heart of this song, away from all the craziness, is a desire to accept change and find acceptance within myself, letting go of holding onto any pain or hurt.” Through her commanding mix of loud-and-quiet vocals and her melodic guitar riffs, Bahrich pushes through these anxieties and purges her feelings of unease with gritty flair.

The track is accompanied by a superb claymation video which Bahrich created herself. It’s cut-and-paste style and fast-paced editing reflect the feelings of angst and apprehension she sings about.

Watch the video for ‘Let It All Go’ below.

Follow Francis Of Delirium on bandcampSpotify, Facebook, Twitter & Instagram

Kate Crudgington
@kcbobcut

Photo Credit: Lynn Theisen