LISTEN: New Pagans – ‘Yellow Room’

A racing, urgent exploration of the isolation new mothers often face, Belfast band New Pagans have shared their latest single ‘Yellow Room’. Inspired by the semi-autobiographical short-story The Yellow Wallpaper, written by American feminist author Charlotte Perkins Gilman, the band have penned the track to highlight the need for a specialised parent-and-baby mental health unit in Northern Ireland.

After watching her close friends struggle with post-natal depression, New Pagans’ vocalist Lyndsey McDougall decided to speak out about the silencing of motherhood, especially in music. McDougall saw parallels between the experiences of her friends and the character in Gilmans’ original story, in which the mental health of the female protagonist deteriorates rapidly when she is separated from her normal life, locked in an old nursery room by her physician husband. Through the medium of Gilmans’ text, McDougall channels these feelings of fear and rage in her clear, cathartic vocals, supported by the band’s crashing percussion and charged, powerful riffs.

Being a Mother herself, McDougall is aware of the pressures that come with the role, and whilst she is not solely defined by these responsibilities, she feels they shouldn’t be ignored or played down. By using personal experience and Gilmans’ text as foundations for ‘Yellow Room’, New Pagans are challenging and updating the narrative around women’s mental health, and they’ve crafted a catchy, energetic post-punk tune in the process.

Listen to ‘Yellow Room’ below and follow New Pagans on bandcamp, Facebook & Spotify for more updates.

 

Kate Crudgington
@KCBobCut

LISTEN: Emily McNally – ‘Pretty Girl’

A carefree tune about having a summer crush, Brooklyn-based folk-pop artist Emily McNally has shared her latest single ‘Pretty Girl’. Recorded, mixed, and mastered on her iPhone, McNally has created a charming tune that celebrates the joys of queer relationships.

Released via Corkscrew Records, a teenage-run label devoted to amplifying marginalized voices, ‘Pretty Girl’ playfully explores feelings of yearning through sweet vocals, cute lyrics and upbeat instrumentation.

Creating all her sounds from her bedroom, McNally hopes to share a time capsule of the emotional whirlwind of queer adolescence in order to ease the sense of loneliness in others and herself. Listen to ‘Pretty Girl’ below and follow Emily McNally on Instagram and YouTube for more updates.

 

 

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: GRAMN.

Blending soulful vocals with lush synths and trip-hop inspired beats, GRAMN. is the new project of Hackney-based Awks. She transforms her experiences as a woman of colour in both the music industry and wider society into catchy, slickly produced tunes.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with GRAMN. to ask about her “Five Favourites” – five songs that have inspired her songwriting techniques. Check out her choices below, and scroll down to listen to GRAMN.’s latest single ‘Mini Milk’ at the end of this post.

1. Earth, Wind & Fire – ‘September’
They’re my heroes – look how big the band is, they play perfectly, I’ve never not heard it. I remember being really small in my cot, and my dad singing this song bare close to my face. But he’s dead now.

2. Kendrick Lamar – ‘These Walls’
This is my go to Kendrick tune. It’s a revenge story about how he seduced the girlfriend of the man who killed his friend Dave. I’m like, that’s like something I would do. ‘These walls’ works on so many levels; the walls of a vagina, prison walls, city walls, the walls put up by systemic racism in America. At the same time it’s such a tune. Bilal’s vocals are so nice, you can listen to it any time, in the shower, in your car, when you’re happy or sad. It just works.

3. Stevie Wonder – ‘Living For The City’
He’s such a G, he writes stuff that you always wanna listen to. It’s so well crafted, someone’s actually gone, “wait how am I gonna make this a banger?”, and he’s done that on every track. The break downs are everything and this song is a perfect example. It’s 7 and a half minutes long and I always play it twice.

4. Tierra Whack – ‘Unemployed’
Her flow, her diction, I can understand every word she’s saying. her flow switches up at the drop of a hat, she’s just like aaaaaand switch. She uses all these different voices like I try to do to bring different characters into the stories I’m telling. Plus there’s a massive potato in the video and potatoes are my favourite absolute motherfucking favourite vegetable. But more than anything she’s just so unapologetically herself – I have so much respect for that, especially when there’s so much pressure to get in the mould.

5. CHIKA – ‘industry Games’
So good. I mean everybody knows that crazy things happen in the music industry but no one really seems to speak about it, so it’s great that’s she’s just like – there you go. And she’s rude, just the perfect amount of rude – her lyricism is incredible. But tiny desk is what really made me fall in love with her – it’s perfect.

Thanks to GRAMN. for sharing her favourites with us. Listen to her track ‘Mini Milk’ below.

Follow GRAMN. on Facebook & Spotify for more updates.

Track Of The Day: Aphty Khéa – ‘Alerta’

An unflinching, powerful stand against the police brutality in her homeland of Greece, Aphty Khéa has shared her new single ‘Alerta’. Accompanied by a self-edited visual piece, the track blends frantic vocal samples recorded in anti-fascist protests and relentless beats to raise the alarm and shout back against the state’s abuse of power.

Currently based in Kreuzberg in Berlin, Aphty Khéa is a half Greek, half British artist who combines sonic and visual elements to create her stimulating, exciting electronic music. On ‘Alerta’ she uses traditional tsifteteli (τσιφτετέλι) rhythms, which are a part of the broader rebetiko (ρεμπέτικο) Greek music subculture, known for its anti-authoritarian history. Her mixing of the old and the new is what makes the single and accompanying video so poignant.

All the Bandcamp proceeds from the track will be donated to the Legal Aid Team, a solidarity initiative of pro-bono activist lawyers based in Athens who take on the court cases of detained protesters and victims of police repression. Watch the video for ‘Alerta’ below.

**Trigger Warning: Images of Police brutality and violence**

Follow Aphty Khéa on Facebook & Spotify for more updates.

Kate Crudgington
@KCBobCut