ALBUM: Wilsen – ‘Ruiner’

A collection of thoughtful songs that allow space for reflection and growth; Wilsen‘s latest record Ruiner is a deceptively quiet listen. Released via Dalliance Recordings, the album is soft in terms of volume, but lyrically it speaks loudly about overcoming and accepting inherent introversion, and self-doubt.

“Making this record was somewhat of a coming of age process,” guitarist & vocalist Tamsin Wilson explains. “We’re getting older and becoming more deliberate, less precious, less measured, trusting [our] instincts more.” Perhaps it’s this trust that led the band to partner with acclaimed producer Andrew Sarlo (Big Thief, Bon Iver) and mastering engineer Sarah Register (Protomartyr, U.S. Girls) on their new record.

“I can be a ruiner…” confesses Wilson on the album’s eponymous opening track. Written in a moment of “self-sabotage”, her vocals float beautifully over Johnny Simon Jr’s atmospheric, shimmering guitar sounds, belying the negativity that informed the song’s context. The gently tumultuous ‘Align’ follows, with more layered guitar and meandering lyrics about having the guts to go steady with someone.

The catchy refrain and Drew Arndt’s bass lines on ‘Down’ stick in the memory, while the gentle acoustics on ‘Wearing’ compliment Wilson’s lyrics about being worn down (“like a bag stuck in a tree / I’m helplessly clinging on”). ‘YNTOO’ flows in the same vein, before the guitars slowly swell for the final minute of the track.

The brief ‘Birds, Pt.1’ and the thoughtful, extended ‘Birds, Pt.2’ beautifully bookend each other, with the poignant ‘Wedding’ sitting in between. The infectious, full-sounding ‘Feeling Fancy’ celebrates the power of inherent shyness. As Wilson states in the song; “Everybody’s got a story”, and regardless of the volume it’s told at, it deserves to be shared and acknowledged.

The penultimate ‘Fuse’ looks forward with reassuring confidence, leaving you “ready to disco, baby”, whilst closing track ‘Moon’ is the most stripped back on the record. Tentative and delicate, it reiterates the idea that shyness and confidence can exist comfortably side-by-side.

A subtle, but powerful record that speaks to those who are trying to find the balance between being comfortable with themselves, and trying to refrain from being a Ruiner; Wilsen’s latest offering is a poetic, reverb-strewn, dreamy affair.

Listen to Wilsen’s new album Ruiner on Spotify.
Follow the band on Facebook for more updates.

Photo Credit: CF Watkins

Kate Crudgington
@KCBobCut

Get In Her Ears w/ Brix Smith-Start 20.02.20

Kate & Mari were back in the studio this week with plenty of new music from the likes of MAITA, MIRI, LegPuppy, Bad Bones, HMS Morris, Li Yilei, Am.I & Charlotte Spiral.

They were joined by the incredible Brix Smith-Start, who spoke about her last three albums with Brix & The Extricated, and her experiences over the years as a trailblazer in the music industry.

Listen back here:

Tracklist
Lizzo – Juice
LegPuppy (feat. Josefin Ohrn) – Secret Friend
MAITA – A Beast
DRAMA – Years
MIRI – Girls Just Want To Have Fun
MEI – I Don’t Know What’s Next
Lido Pimienta – Eso Que Tu Haces
Bad Bones – Beg
Desire – Bizarre Love Triangle (New Order Cover)
Alessi’s Ark – Woman
Shoulder Season – Clean Lines
Brix & The Extricated – Wolves
RUNAH – Same Face
Li Yilei – A Star Without Guidance
HMS Morris – Babanod
Hilary Woods – Orange Tree
Girl Ray – Friend Like That
Am.i – Millenial
Chloe Foy – Callous Copper
Charlotte Spiral – Wide Eyed
Nirvana – Heart-Shaped Box
Kate Tempest – People’s Faces

Track Of The Day: Hilary Woods – ‘Orange Tree’

A tentative exploration of inner fears, Hilary Woods‘ latest single ‘Orange Tree’ is an atmospheric, brooding affair. Taken from her upcoming second album Birthmarks, set for release on 13th March via Sacred Bones, the Irish musician has crafted another dark, beguiling soundscape that smoulders with quiet intensity.

“For me, ‘Orange Tree’ is a personal song acknowledging an inner fear of the unknown,” Woods explains. “It’s an exercise in overcoming, becoming more planted and rooted in the earth and in the body.” Woods’ thoughts are reflected in the accompanying visuals for the track, which she created and directed with Joshua Wright.

Written & recorded over the course of two years between Galway and Oslo, whilst Woods was heavily pregnant, Birthmarks looks set to be her most personal and powerful record to date. Inspired by the works of Norwegian experimental noise producer & filmmaker Lasse Marhaug, the images from post-war Japanese and wet-plate photography, to the secret life of trees; Woods’ far-reaching influences are what make her art so mesmerising and transcendent.

Watch the video for ‘Orange Tree’ below, and follow Hilary Woods on Facebook & Spotify for more updates.

Hilary Woods EU/UK Live Dates 2020
April 19, Tilberg, NL @ Roadburn Festival
May 18, London, UK @ Cafe Oto

Photo credit: Joshua Wright

Kate Crudgington
@KCBobCut

LISTEN: LegPuppy – ‘Secret Friend’ (feat. Josefin Öhrn)

A slow-burning, atmospheric new offering; South London band LegPuppy have collaborated with award-winning Swedish musician Josefin Öhrn on their latest track, ‘Secret Friend’. Independently released on Valentine’s Day, the new song is a smoldering four minutes of electro-psych sound.

When LegPuppy first heard Josefin Öhrn + the Liberation’s album Mirage, they described it as “like discovering the Velvet Underground for the first time.” The band instantly knew they wanted to collaborate with Swedish Grammy nominated Öhrn, and ‘Secret Friend’ was the result. Öhrn’s exquisite French accent floats above the band’s moody music, and contrasts well with the accompanying male vocal.

LegPuppy are set the release their new album There’s No Rock Stars later this year, and will be announcing tour, and festival dates in the near future. For now, listen to ‘Secret Friend’ below, and follow LegPuppy on Facebook & Spotify for more updates.

Secret Friend feat Josefin Öhrn (radio edit) by Leg Puppy

Follow Josefin Öhrn on Facebook and Spotify too.

Kate Crudgington
@KCBobCut