FIVE FAVOURITES: Bones Garage

Tel Aviv-based band Bones Garage have been making music together for the last 6 years. Formed of Ariel Pedatzur, Eden Atad, Yaniv Bin, Dor Harari, Yoni Deutsch and Raz Copperman, they’ve played stages at Glastonbury, SXSW, All Points East, and The Great Escape, and are set to release their third record in May this year. Influenced by elements of post-punk, surf rock and shoegaze, the six piece create intriguing soundscapes, but their latest single ‘I’ve Loved’ shows the band can also deliver stripped back, gentler tracks too. 

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Bones Garage to ask them about their “Five Favourites” – five albums that have influenced their song writing techniques. Check out their choices below, and scroll down to watch the video for ‘I’ve Loved’ at the end of this post.

1. John Lennon – Plastic Ono Band
Like many others, we grew up as Beatles freaks. The first show Eden and Yaniv ever played together was a Beatles covers show at their school. But somehow this album ended up resonating with us more than any Beatles record. It’s raw, personal, heartbreaking, broken, yet perfectly beautiful. The experiments and cleverness of The Beatles was replaced by bare-minimum arrangements. As a band of six people, our initial arrangements are rarely minimal, but this album is a great reminder that sometimes simple and raw is the most beautiful.

2. Elliot Smith – Either/Or
We’ve been called many things – post-punk, surf, shoegaze, and so on – and the aesthetics in our music are indeed influenced by many genres. But that’s all extra stuff on top of the most important thing – the songwriting itself. We admire too many songwriters to list here, but Elliot Smith stands apart as one of the most open, sensitive, talented and emotional songwriters in history. Either/Or is the peak of his career, an album that perfectly sums up the emotions we strive to achieve in music.

3. Timber Timbre – Hot Dreams
It all started when Timber Timbre were scheduled to play in Israel, and we were asked to cover one of their songs to help promote the show. Somehow, we ended up as their opening act for two shows in Israel, years apart. We’ve discovered this great band together, and their lush, dark and dramatic style have influenced us greatly. The gentle, meaningful drumming of Olivier Farfield has been a great influence on our drummer Dor (who used to be an insanely loud metal drummer), and we’ve discovered and experienced their great music together, as a band. And also, we think our cover turned out pretty well (listen to it here).

4. Pavement – Crooked Rain, Crooked Rain
After a revolutionary debut album, Stephen Malkmus and Pavement delivered a masterpiece that’s everything rock music should aspire to be. It’s a nostalgic record, reminds us of hot summer days, makes you want to ride a skateboard with friends, listen to music and fall in love like when we were naïve teenagers. It’s full of humor and silliness, a reminder we shouldn’t always take ourselves too seriously, and still manages to be profound and meaningful. It sounds like it was made up on the spot and recorded in one take, yet every note and word is right where it should be. And besides, Stephen Malkmus really is something special.’Middle America’ is, hands down, one of the best songs we’ve heard in the last few years.

5. The Microphones – The Glow Pt 2.
When we were teens, Eden and Yaniv recorded a string of weird, ambitious albums on their own in a home studio. Most of them honestly weren’t great at all, but it helped us become who we are. So it’s great to see such a masterpiece like “The Glow Pt. 2” made in a home studio. Phil Elverum has combined raw, emotional, stark songwriting with experimentation and weird noises, taking us to an emotional journey that has deeply influenced our music, and they way we’ve learned to use noise to express ourselves.

Thanks to Bones Garage for sharing their favourites with us. Follow the band on Facebook & Spotify for more updates.

Photo Credit: Eirad Netzer

Get In Her Ears w/ Dear Pariah 06.02.20

Kate was back on air this week with some of the Get In Her Ears grrrls favourite new music. She played tracks from AyOwA, Ghum, AGAMA, Sink Ya Teeth, Lido Pimienta & Jackie Shane.

Songwriter Dear Pariah also came in to the studio for a chat about her new tracks, ‘Not Ready’ & ‘Felt Your Love’

Listen back here:

Tracklist
Bronski Beat – Smalltown Boy
Lido Pimienta – No Pude
HANYA – I’ll Do It Tomorrow
Dunebug – Uninvited
ALA.NI – Papa
AyOwA – First Frost
Wilsen – Feeling Fancy
May Rosa – Before I Knew
Pet Crow – What We Doin
Ghum – California
Eden Huntur – Weightlessness
Half Waif – Ordinary Talk
AGAMA – Safe In Noise
The Golden Age Of TV – Me, You and a Dog
Jackie Shane – Any Other Way
Dear Pariah – Not Ready
Dear Pariah – Felt Your Love
Genevieve Dawson – Mountain
Deathhags – Be Who You Are
Otta – Near Enough A Woman
Sink Ya Teeth – Somewhere Else
Piney Gir – Puppy Love
Roxy Jackson – Father’s Regrets
Kat Five – Butterfly Wings
Bugeye – Don’t Stop
Pretty Happy – Schmuck
Planningtorock – Beulah Loves Dancing

Track Of The Day: draag – ‘Trauma Kit’

Anxious thoughts melt away in a swirl of hazy guitars and uplifting electronics on ‘Trauma Kit’, the latest single from L.A. indie-shoegaze five-piece draag. Following on from their previous track ‘Ghost Leak’, ‘Trauma Kit’ continues to unravel the tensions that went in to creating the band’s upcoming EP, Clara Luz, which is set for release on 21st February.

Draag was originally a solo project fronted by Adrian Acosta, who was trained as a mariachi singer by his Father. After exploring the worlds of underground punk, no wave, and experimental jazz, Acosta soon met and added Jessica Huang, Nick Kelley, Ray Montes and Shane Graham to draag’s lineup. Together, the five piece create music that’s garnered comparisons to My Bloody Valentine and Sonic Youth.

The band have shared a dramatic set of visuals to accompany ‘Trauma Kit’, directed by Devonte Johnson, and co-directed by band members Acosta and Huang. They compliment the track’s cinematic, all-encompassing sound.

Having been tested by illness and personal turmoils throughout recording, draag’s new track and the collection of songs on their upcoming EP are about dealing with trauma, and how simultaneously difficult and empowering that can be.

Listen to ‘Trauma Kit’ below, and follow draag on Facebook & Spotify for more updates.

Photo Credit: Devonte Johnson

Kate Crudgington
@KCBobCut

ALBUM: Pet Crow – ‘Take The Edge Off’

Smashing through insecurities and personal ailments in refreshing garage-pop style; Derby-based band Pet Crow have returned with their second album, Take The Edge Off. Self-released in the UK on 7th Feb, it’s an apt title for a collection of songs that provide momentary relief from the everyday stresses of being an adult.

Formed of Danielle Ross, Dan Barradell, Sean Kenny, Conor Wallis, and Sophie Prosay; Pet Crow are facing up to their demons on their sophomore record. Speaking from direct experience; the band explore anxiety, depression, drug addiction, recovery, OCD, and ADHD across the ten tracks on Take The Edge Off.

The first three songs – ‘Limbo’, ‘Insomnia’ and ‘NOCD’ – fly by in a blur of fuzzy guitars, punky percussion, and moody vocals. They’re restless, cathartic laments about not being able to switch off, or switch back on when you most need to. The band channel not having a clear direction in life into well directed sounds on ‘What We Doin’, whilst the riotous ‘One Whole Summer’ is a strung out two and a half minutes about cutting loose, and the repercussions of going wild a little too often.

‘Controlling’ explores a toxic relationship, but the buoyant, surf-rock guitars distract from the darker context of the song. The same can be said for eponymous track ‘Take The Edge Off’, which does exactly that for just shy of two minutes. The band are “flitting between caring, and care free” on ‘Hostage’, and the manic instrumental mid-way through penultimate track ‘Scars’ is equally as freeing.

The joyfully named ‘Prick’ closes the record. It’s an infectious four minute take down of another toxic relationship, and the repeated line “You make me sick” will draw a wry smile across your face as you sing along to the catchy guitar riffs. Pet Crow firmly believe you can dance and sing your way through your problems, and Take The Edge Off will help you to do just the same.

Pre-order your copy of Pet Crow’s Take The Edge Off via Bandcamp
Follow Pet Crow on Facebook for more updates.

Kate Crudgington
@KCBobCut