GUEST BLOG: Xylo Aria (Music Production For Women)

Xylo Aria is the Founder of Music Production For Women (MPW), an online platform that encourages women to start producing music for themselves. After the success of her first FREE work-shop in London, we asked this inspirational woman to write about her thoughts on the music industry, and what fuels her creativity and generosity.

 

I’ve been thinking a bit lately about why we kill ourselves to be in the music industry, which from afar looks to be an unforgiving, self-centered being which really couldn’t care less about you. I’ll be honest, even at proximity it’s probably much the same, although I’m not sure I’d consider myself on the “inside” by any means. Still, I have to say as frustrated as I get by it sometimes, I still am in love with it.

This is for many reasons. Firstly, my project that’s so extremely close to my heart, MPW (Music Production for Women) as cheesy as it sounds gives me a very strong reason to wake up in the morning. Although it was launched not a lot time ago, the message seems to be spreading slowly but surely, and I often get lovely messages from women all over the world, something along the lines of “I’m so glad I found this, and have been looking for it for a while. It’s very encouraging to see and if there’s any way I can support it I’d love to!”.

This obviously puts a giant smile on my face. If my project helps reduce the self-doubt and lack of control over one’s music that I experienced in anyone else, then it’ll be the best thing. In saying that, it is a struggle. Although I love what I’m doing more than I’ve ever enjoyed anything, it’s a constant battle trying to stay afloat in many ways including financially and (although I feel I’m getting better at this) mentally when you’re trying to set something up from scratch, not having any clue what the outcome will be a few years, or even a few months from now.

And then of course, there’s the actual music side of things. There seem to be a million routes which you can take as an artist these days. Self release, pitch to small labels, pitch to bigger labels, try for publishing (I still don’t really understand what this is if I’m being honest) try for synch, release monthly to keep the flow, release periodically to keep people wanting more. etc. In some ways, it’s the best time to create music because we have so many options available to us; but it’s also enough to overwhelm any sane individual. Whether we are sane, fighting tooth and nail to work so hard to be in an industry which is doing so fine without us is another matter entirely.

Although it seems I’m straying from the point I’m trying to make – and yes there is a positive point – there is a clear reason why we do this. To say we love it seems to be an over-used cliche when it comes to the arts, but for me I guess it’s more the euphoria I get when I’m creating something I believe to be beautiful, as well as when I feel I’m helping people through MPW in a unique way which I somehow have the perfect skills in my opinion to do, is like nothing I get from anything else. And that’s pretty much all there is to it. You can be fighting every minute, and be getting beaten down but know you’re ALIVE while you’re doing it, or you can take the comfortable option and be dying a little every minute because what you’re doing has nothing to do with what you’ve been given the unique skills to do.

Thanks to Xylo for writing this piece for GIHE. Follow Music Production For Women on Facebook for more updates.

Track Of The Day: Palm Haze – ‘Second Round’

Described as “another story told by the unconscious”, Vancouver-via-Brazil shoegaze duo Palm Haze have shared their latest single ‘Second Round’. Taken from their recent album Rêve Bleu – released via YHS Records – the track is a deceptively calm swirl of sultry vocals and riotous, fuzzy guitar sounds.

Formed of vocalist/bassist Anna Wagner and guitarist/producer Lucas Inacio, Palm Haze blend elements of alt-rock, shoegaze, and trip-hop to create moody, furiously dark noise. The pair lose themselves in the chaos of the loud and the quiet, which they demonstrate clearly on ‘Second Round’. It’s a five minute journey in to the “forbidden paths” of their inner world.

Speaking about their recent album Rêve Bleu, the pair explain: “[the record] will bring up chaotic emotions and thoughts, taking you much further from reality and closer to the wonders of uncertainty. Where could you go? What could you do? It’s a fantasy you fall on accidentally…It’s the kind of dream you’re afraid of, but also tempted towards.”

Listen to ‘Second Round’ below and follow Palm Haze on Facebook for more updates.

Photo Credit: by Philippe Hardardt

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: TONI&MASH

Berlin-based duo TONI&MASH are on a mission to create 80s inspired, electro-pop bangers. They recently released their debut single ‘LTGFU’ through Black Diamonds Records this summer which stands for “‘Love to Get Fucked Up” – a direct and self-explanatory tune designed to fill the coolest of dance floors.

With influences ranging from Abra to Patti Smith and Grace Jones to The Sugababes, they’ve been active on the DIY music collective circuit in Berlin for the last few years. In addition to TONI&MASH, the duo are involved in a multitude of projects, including directing, shooting and editing videos for themselves and other artists in Berlin’s hip hop and R&B scene.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with TONI&MASH to ask about their “Five Favourites” – five albums that have influenced their songwriting techniques. Check out her choices below, and make sure you listen to their track ‘LTGFU’ at the end of this post.

1. Abra – Rose
I (Toni) remember the first time I heard Rose – I was so enthralled by the 808 drum combo with Abra’s catchy and emotional hooks. I must have listened to this album 20 times over in the first week I got it. It came out in 2015, a time when I was still developing my full badassness, I remember hearing her vulnerability and rawness in what very often women have been scolded for; expressing her needs and desires so openly. Well done Abra, big ups for being a voice for young women navigating mad lusts and relationships in this world, an creating a beautiful record at the same time. I still return back to ‘Rose’ every few months, the sign of a great album!

Toni showed me (Mash) this album  and it was right up my ally – of course! Dramatic melodies, over layering vocals and 80´s sounds in nu-r&b form – that is what dreams are made of! I´m especially in love with her lyrical style and surprising melodies. I strongly relate to every songs message. This album has a fierce female energy while being boss-ass and not too sweet or girlish. A lot of the songs seem to talk about power dynamics in relationships and as a psychologically interested person, that totally hits the sweet spot for me. Songs about feeling and relationships that are hermetic and not completely on the nose are hard to write and lovely to listen to. Although all the songs have a similar style they are all very distinct and individually beautiful. Whenever we do a TONI&MASH related mix, we make sure there is one track of Abra in there, since she is such a musical influence to us.

2. SBTRKT – SBTRKT
The first album that TONI&MASH ever bonded over. Knowing each other for only one week and on set for an Ämsi Maasname video shoot, this album came on and before the first chorus even hit to ‘Wildfire’ we were both singing every lyric, word for word. And from that the beginnings of a beautiful musical friendship was born! It was a record I (Toni) also fell in love with at uni, just a year or two before moving to Berlin. It manages to overlap that wonderful bridge between pop and electronic dance music with tracks like ‘Hold On’. Sampha’s hypnotic and somewhat UK homesick inducing accent hold the perfect singalong, ass shaking session together. ‘Pharaohs’ also dropping a mega strong vibe on this record. Feel like this album really represents what was happening with the UK pop/dance music cross over in 2011/12. We still love it until this day. A formative album for many.

I (Mash) remember the look on Toni´s face when this German girl knew all the lyrics to all the songs of this great album and that I was very proud of making an impression on her. When this album came out, I didn’t know anyone who wasn’t crazy about it. It seemed so ground breaking at the time. The beats, the lyrics, the melodies, the content – it all felt so new and fresh and never heard before. Although I am not such a big fan of instrumentals, I even loved the songs without lyrics, which has to be a good sign. I especially loved all the collaborations – that was also always my dream, was I to make music on my own – a loooot of collaborations since they spark the most inspiration for me. My two favourite songs are definitely ‘Wildfire’ and ‘Hold On’.

3. OutKast – Aquemini
Toni and Mash found out early, that they both are big OutKast fans. Andre 3000 and Big Boi are musical geniuses – period! At a time where most American rap seemed to be gangsta rap and very repetitive, OutKast managed to produce rap music that was beautiful, deep, conscious, without being preachy or boring. While east coast and the west coast were comparing dick sizes and rapping about money and bitches, the south reinvented the game and managed to do so by leaving those topics out and making sociocritical music that was still cool. And even when they rap about having sex with groupies in ‘Mamacita’ they stay respectful and make sure it’s consensual.

Songs like “Da Art of Story Telling” show off their excellent skills in exactly that – the art of storytelling. I love the fact that they are a duo, just like us. Coming from a background of 80´s music, punk and rap, I always got inspired by their quick change of flows and the non-chalant switch from rapping to singing to rapping. We love to make that shift in our own music as much as possible. Favourite tracks are ‘Aquemini, ‘SpottiOttieDopaliscious’, and ‘Liberation’ featuring Cee-Lo and Erykah Badu, but every song on this album is a banger and good to bang to.

4. Frank Ocean – Channel ORANGE
Omg, I think this album changed my life and how I look at music (for the better). I love everything about Frank Ocean. His voice, the fact that he´s openly gay in a scene that’s still very dominated by male toxicity and that he came from a songwriting background and then started making music for himself.

The first song I ever heard of him was ‘Thinkin Bout You’ and I just melted. Never has a song portrayed the feeling of longing for someone more accurately. Songs like ‘Super Rich Kids’, ‘Sweet Life’ and ‘Crack Rock’ are outstanding in storytelling and are sharp observations of society by a woke mind. I was listening to nothing but this album when it came out and I showed it to everyone who didn’t jump up the tree quick enough.

I also loved the fact that almost none of the songs had the traditional “song-form” of verse-hook-verse-hook-bridge, etc. Songs like ‘Pyramids’ which is almost 10 minutes long seemed bold and like he just really made the piece of art he wanted to make. So what it´s like two different songs in one? It´s like a dark nu-r&b musical track and it all makes sense. ‘Bad Religion’ is also an all time favourite of course, speaking to anyone with a broken heart. I can´t tell which song is my favourite, I don’t want to diss the others!

5. M.I.A. – Arular
This album came out when I was 18 years old and going out every weekend. I grew up in a smaller city than Berlin in NRW and I knew the DJ of my main club and would always ask for songs and he would play them for me because i´d always be the first person on the dance floor and break the ice. M.I.A. was always on top of the list. Usually I went for ‘Bucky Done Gun’ or ‘Galang’ and totally lost it. She was such an icon to me!

A badass woman that produced her own music, invented a whole new style and was successful without getting her obviously sexy body naked. She always produced her own videos (in which she also appeared without make-up), made art and was multi-dimensional talented while at the same time being very outspoken politically, never taking comfort in her stardom, always out using her voice to do good and change the status quo which is depriving so many people from leading good lives. I obsessed about her and sucked up any information I could get. I was so excited to see the documentary about her last year!

This album just blew my mind, I had never heard music like that. ‘Pull up the people’ and ‘Sunshowers’, are definitely favourites – I also love the music video to ‘Sunshowers’ which touched my heart and showed me that women in pop don’t always have to get their tits out to sell their music.

Thanks to TONI&MASH for sharing their favourites with us. Follow the band on Facebook for more updates.

LISTEN: Jenny Hval – ‘High Alice’

A swirling, textured, surreal take on creativity; Norwegian artist Jenny Hval has shared her her latest single ‘High Alice’. Taken from her upcoming album The Practice of Love – set for release via Sacred Bones on 13th September – the song centers around a re-imagined version of the eponymous character from Alice In Wonderland.

“For a while, this song felt like my entire album. I had no idea what the rest of it would be, just a feeling like this song and the title, the two words ‘High Alice,’ would get me there” explains Hval. “My guiding stars at the time were Clarice Lispector’s The Hour of the Star and Kylie Minogue’s ‘Confide In Me.’ Maybe ‘High Alice’ is the narrator of this album. I don’t know how I wrote it, it was automatic. But I found it really funny that I mentioned the sea three times. ‘High Alice’ goes to all the places I have taught myself to avoid, like the four Big Themes: Love, death, life, the ocean…”

A departure from the darkness of her 2016 album Blood Bitch, Hval’s new record seems much lighter in feel and theme, but equally as complex and emotive. The gentle vocals, looped beats, and the narrative featured on ‘High Alice’ demonstrate Hval’s ability to captivate listeners with her intimate musical storytelling. She’s able to navigate the difficulties of love and loss via her ‘High Alice’ moniker with enviable simplicity

Listen to the track below and follow Jenny Hval on Facebook for more updates.

Jenny Hval’s new album The Practice of Love is released via Sacred Bones on 13th September. Pre-order your copy here.

Jenny Hval – The Practice of Love 2019 Performances
Fri. Sept. 20 – Sat. Sept. 21 – Oslo, NO @ Ultima Festival
Sun. Sept. 29 – London, UK @ Milton Court
Wed. Oct. 16 – Frankfurt, DE @ Mousonturm
Wed. Oct. 30 – Paris, FR @ Centre Pompidou
Sat. Nov. 9 – Utrecht, NL @ Le Guess Who? Festival
Sat. Nov. 23 – Katowice, PL @ Ars Cameralis Festival

Photo credit: Lasse Marhaug

Kate Crudgington
@KCBobCut