Get In Her Ears w/ I See Rivers 29.08.19

Tash & Kate were back in the studio this week with the best new music, with highlights from LIA, Palm Haze, Chartreuse and Sandunes.

They were also joined by the lovely I SEE RIVERS who talked about their debut album (set for release next year) and a lesson in Norwegian linguistics!

Listen back:

@iseerivers
@getinherears
@KCbobCut
@maudeandtrevor

Tracklist
Tracy Chapman – Talking About A Revelation
Martha Hill – Pick Me Up
Lucy Dacus – Half Mast
SHHE – Saint Cyrus
Peaches – Boys Wanna Be Her
Sandunes – Eleven Eleven (feat. Landslands)
Jaguar Jonze – Beijing Baby
Emily Breeze – ‘Work’
Natalie McCool – Someone Nue
LEGGY – Not What You Need
LOCKS – In The City
BONES UK – I’m Afraid Of Americans
Keren Ilan – Take Her Down
I See Rivers – HELIOS
I See Rivers – Collide
Konradsen – Baby Hallelujah
LIA – To The Woods
Stainwasher – Drying
Chartreuse – Three Days
Palm Haze – Second Round
Dearly Beloved – Race To The Bottom
TWEN – Damsel
Swimsuit Competition – Never Gonna Leave You
HUSK – Feeling Heat
Joey Slater – Hunger
LIZZO – Juice

FIVE FAVOURITES: TWEN

Nashville-via-Boston duo Twen are gearing up to support Seattle rockers TacoCat tomorrow night at Hackney’s Moth Club (29th Aug), and we’re convinced their celestial, angular sounds will impress their London crowd. Comprised of Jane Fitzsimmons and Ian Jones, Twen came to life over the space of two years as the duo toured the Boston DIY punk scene. Now, they’re getting ready to share their debut album Awestruck, which is set for release on 20th September via Frenchkiss.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Jane to ask her about her “Five Favourites” – five albums that have influenced her songwriting techniques. Check out her choices below, and make sure you listen to Twen’s track ‘Baptism’ at the end of this post.

1. Central Heating – Heatwave
This is a classic that has stayed with me since I was 14. Before streaming, I would check out CDs at the library and rip them into my iTunes library. I found Heatwave while trying to listen to every funk/disco band I could find (thinking I could somehow listen to the whole genre). This whole album has a playfulness that packs some serious joy. The title track is the star of the show; the vocals are so strangely melodic but carry major rhythmic weight. I just love the concept of making people groove out with a vocal melody rather than the beat. Also the most silly and beautiful intro and outro I have yet encountered. James Guthrie (of Pink Floyd The Wall fame) produced this album, which I don’t really care about but something to note.

2. Bibio – À tout à l’heure 
I put this song on a mixed CD I made for Ian when we were sophomores in college. We would make so many mixes for each other, a different type of language than our early awkward convos. I would meticulously decorate them with sharpies and would spend hours deciding how to make the perfect “flow”. This was a song I found out he loved too, and he even knew how to play them to my amazement. The beyond beautiful and intricate finger-picking is so delicate but this song is a BANGER. The beat and funky bass line pair perfect with the acoustic layers and nonsensical lyrics (“À tout à l’heure”, French for “see you later”). There is such emotional and hypnotic value to this song, without making logical sense of it. Bibio still and always will have the best production sounds on the block, mixing analog and digital to make more of a sound tapestry than just a mere song.

3. Cocteau Twins – Heaven or Los Vegas
I found out about Cocteau Twins through my friend Matt, who DJ’d a college radio show called “Folk U” with me for two years. We had inherited the show and both slowly started to move out of the genre till Death Grips was playing. He played ‘Cherry-colored Funk’ and I nearly lost my damn mind, I had never heard anything so perfect. I read once that Elizabeth Fraser’s voice was ‘the voice of God’ and I don’t dispute it. Her ingenious melodies put me in a trance and make me feel like I’m understanding something outside words. Also, I have sweet memories with this album since it was one of the few albums I brought with me on an iPod on a trip to Iceland. I had gone by myself after college to camp 10 days in June when it’s daylight 22 hours a day (the only way I felt safe to camp by myself). I brought an old ass iPod that only had room for a few albums and this one of them. So, I listened the shit out of it while looking at the insane Icelandic landscape and I still love it.

4. Lijadu Sisters – Horizon Unlimited 
I had first heard the Lijadu sisters while working in a vegetarian restaurant in St. Louis, where I’m from. I had just moved back home for a quick quarter-life crisis. The owner and chef, Bay would sometimes make the playlists for the restaurant and loved blasting Lijadu Sisters. Being surrounded by an inspiring woman with a fountain of culinary creativity and listening to this album most days made a hard time a little less unbearable. The power of music. The beats and melodic riffs will make any day great and the two sisters feel exponentially BIG singing in unison. I really enjoy listening to music in different languages, it makes me notice the melodies better and the variety of vocal sounds possible that aren’t even used in English.

5. Mercyful Fate – Melissa 
I’m not super metal literate, but Mercyful Fate is THE metal band in my little world. On a tour probably a year ago (I only remember it was cold outside, they all start to blend together) a sound guy played this in the venue after the lights went on, probably to make everyone leave. A classic move. It made me want to STAY and to find out everything. Better known as King Diamond, this was his first band and Melissa is their first album. The vocal range is inhuman and the diversity of sounds that merely one person can make is an inspiration. Also I was raised Catholic, so hearing about covens and satanic rituals brings me a twisted joy.

Thanks to Jane for sharing their five favourites with us! Follow TWEN on Facebook for more updates.

Photo credit: Alexa Viscius

LISTEN: Kim Gordon – ‘Sketch Artist’

With her inimitable vocals and uncompromising, ever-cool style; it’s no surprise that Kim Gordon‘s brand new single ‘Sketch Artist’ is an intriguing, heavy, eclectic gem. Taken from her first solo album No Home Record, which is set to for release on 11th October via Matador Records, the new track is accompanied by a sharp set of visuals directed by Berlin-based artist Loretta Fahrenholz.

Following on from Gordon’s 2016 single ‘Murdered Out’, ‘Sketch Artist’ is a multi-textured new offering that snarls, bites and sedates in equal measure. Speaking about her upcoming album, Gordon extrapolates: “Why a solo record? And why now? I don’t know, but it wouldn’t have happened without the persistence of Justin Raisen. Living in LA the last few years it feels like home, but the transience of the place makes it feel sometimes like no home.”

Gordon’s feelings about LA are explored in Fahrenholz’s visuals, which feature the artist as an “Unter” driver with a deadly stare, cruising through the city causing pedestrians to break out in to strange spasms of movement. The video also includes a cameo from actress and writer Abbi Jacobson. Whilst most will know Gordon for her work with Sonic Youth – alongside her numerous art exhibitions, and her brilliant 2015 memoir Girl In a Band – these new tracks prove she is capable or re-directing her vision whenever the mood strikes her.

Watch the video for ‘Sketch Artist’ below and follow Kim Gordon on Twitter for more updates.

Photo Credit: Natalia Mantini

Kate Crudgington
@KCBobCut

Track Of The Day: Sandunes – ‘Eleven Eleven’ feat. Landslands

A unique musicality informed by jazz, spirituality, experimental folk and electronic music; Sandunes has shared her new single ‘Eleven Eleven’ featuring Landslands. The track is taken from her new EP of the same name, which is set for release on 6th September via !K7.

Sandunes (aka Sanaya Aredeshir) recorded her 11:11 EP whilst travelling between between Mumbai, London and Berlin. She blends these three different cultures seamlessly in to one seductive, electronic listening experience. Her respect for the works of Philip Glass, Andrew Ashong, Anoushka Shankarthe, and the experimental music of Sudan Archives have merged in to a homage to what she calls the “diverse spiritualists” that surround her.

As well as creating her own music, Sandunes actively encourages other musicians in Mumbai where she’s based. She is a member of DASTA – a community collective of six beatmakers at the forefront of India’s electronic music scene, and runs courses for young producers and artists committed to exposing, promoting and exporting the music. In 2017, Sandunes also worked with the Barbican as part of their “Different Trains 1947 project”, a collaborative response by artists including Actress and Darkstar, responding to the 70th anniversary of the declaration of India’s independence.

Sandunes will be returning to the UK to headline The Pickle Factory in East London on the 12th September, to coincide with the release of her new EP. Listen to her mesmerising new single below, and follow Sandunes on Facebook for more updates.

 

Get tickets for Sandunes gig at The Pickle Factory on 12th September here.

Photo credit: Jishnu Chakraborty

Kate Crudgington
@KCBobCut