LIVE: Nik Void (supporting Gum Takes Tooth) – Electrowerkz 25.01.19

Surrounded by smoke and bathed in flickering coloured lights, Nik Void gave a masterclass in how to perform electronic music solo at Electrowerkz on Friday night. Supporting duo Gum Takes Tooth at their album launch for Baba Yaga’s Hut; Void’s obscure but intriguing soundscapes infiltrated the heads of her large crowd.

Positioned behind a desk overflowing with wires and synths, Void skillfully tuned and triggered her equipment, creating intense waves of experimental electronic noise. Many will be aware of Void’s history as one half of Factory Floor, and as one third of Carter Tutti Void, alongside Cosey Fanni Tutti and Chris Carter (Throbbing Gristle/Chris & Cosey) – but even without an understanding of her previous work, Void’s solo set is a truly remarkable experience.

The transitions between tracks are seamless, despite Void being open to “the creation of space for ‘mistakes’” in her music. The mood and tone are constantly in flux; sometimes droney and desolate, other times euphoric and uplifting. Despite her laid-back performance style, it’s easy to see that Void is a woman who is entirely immersed and in control of the jungle of wires that surround her. She moves with ease between synthesizers, making her technical set-up look like it requires minimal effort to manipulate.

There is something transformative about her sound; she communicates complex emotions in unconventional ways with only a few voice samples. She blends elements of techno, ambient, avant-garde and noise into a truly stunning performance, which is made all the more intense by the venue it’s set in. Track names and timings become unnecessary, as Void’s electronic craft-work eludes any kind of labeling or conventional measures/restraint.

At the end of her set, Void graciously bowed her head to the appreciative applause directed her way. Whether you’re a loyal follower or a new addition to the fan club, Nik Void’s live set is definitely going to appeal to anyone interested in diverse, original electronic music.

Kate Crudgington
@KCBobCut

FIVE FAVOURITES: Lily & Madeleine

American sister duo Lily & Madeleine are set to release their new album Canterbury Girls on 22nd February via New West. It was recorded in Nashville and produced by the team behind Kacey Musgraves’ Golden Hour, Daniel Tashian and Ian Fitchuk. Their record takes its name from Canterbury Park, located in the sisters hometown of Indianapolis, Indiana. Despite the album’s poppy veneer, the record boasts some of Lily & Madeline’s most intense lyrics to date – all written or co-written by the sisters – exploring relationships, power imbalances, and the weight of expectation.

We asked Lily & Madeleine to name their “Five Favourites” – five artists or albums that have influenced their songwriting techniques. Check out their choices below, and make sure you watch their new video for ‘Analog Love’ at the end of this post!

1. Charlotte Day Wilson – Stone Woman 
Madeleine: I started listening to Charlotte Day Wilson this past summer at the suggestion of a boy I had a crush on. Feeling swept up in the giddy anticipation of a summer fling, I immediately fell in love with her music and listened all summer long. Her voice is like velvet and her songs are so mellow and warm, perfect on a summer evening. She could really sing over any backing beat and I’d love it, but I always go back to my favorite song on the record ‘Funeral’ because it’s so cathartic to sing along to.

2. Kacey Musgraves – Golden Hour
Madeleine: This is my #1 album of 2018 and will forever be a favorite because the songs are so fun yet poignant. Produced by the amazing Daniel Tashian and Ian Fitchuk, who we worked with on Canterbury Girls, this record just makes you wanna sing along and cry at the same time. I wasn’t familiar with Kacey until this record and I think Golden Hour changed how I see country music to be more of a spectrum of influences. My favorite song is the first track ‘Slow Burn’. The imagery in that song makes me feel like I’m driving through the country without a real destination, just a sense of freedom and serenity.

3. Solange – A Seat at the Table
Madeleine: This record by Solange is honestly pure artistry. It has catchy hooks and emotional interludes, all wrapped into a soulful pop package. Every song tells a story about being a woman, being black in America, being an artist. I feel like I can see into Solange’s mind with this record and I relate as a young female artist. As Beyonce’s sister, you’d think that Solange might have a difficult time finding her own voice, yet this record is so unique from anything else. I hope she continues to make music this powerful. It inspires me to have a voice in this industry and sing about things that matter to me, like owning your power as a woman.

4. The Killers – Hot Fuss
Lily: Hot Fuss was the first record put out by the Killers in 2004, and although I was only 7 years old when it debuted, it became one of the defining records of my adolescence. The production of the songs is in-your-face with loud bass lines, fast drums, and interesting synths. But to me, the songwriting is the best part of this album. Songs like ‘All These Things That I’ve Done’ and ‘Andy You’re A Star’ unfold themselves in such an unexpected and theatrical way, it reminds me of Queen and Muse mixed together. The Killers have released a ton of awesome and popular songs since 2007, but I think Hot Fuss will always remain my favorite record of theirs: it’s got everything an angsty midwestern teenager needs!

5. JoJo – The High Road
Lily: I had some of my best car sing-along moments driving around in my sister’s rickety 1986 Mercedes and listening to this album by JoJo. The High Road was her sophomore album, and in my opinion it’s one of the best pop/R&B crossover albums there is. JoJo has absolutely amazing vocal performances all over this album and I think the production of it, with steady beats and subtle synths, is surprisingly timeless! Madge and I used to yell along to the title track and her hit ‘Too Little Too Late’ while we drove around running errands, never hitting the notes but having a great time trying! The only unfortunate thing about this album is that it’s not on Spotify!! JoJo released a remake of the album pretty recently but us die hard fans need to hear the original. Help me out, Spotify!

Thanks to Lily & Madeleine for sharing their favourites! Pre-order their new album Canterbury Girls here. Follow the girls on Facebook for more updates.

Kate Crudgington
@KCBobCut

Track Of The Day: SPELLLING – ‘Under The Sun’

SPELLLING (aka Chrystia Cabral) has shared her new single ‘Under The Sun’ – the second offering from her forthcoming album Mazy Fly, due for release on 22nd February via Sacred Bones. The track is a six minute blend of dance-inducing beats and smooth vocals, which SPELLLING says form a “cosmic prayer for good fortune”.

Chrystia began experimenting with music production in 2015 in an effort to carry on the creative legacy of a lost loved one. She released her first LP Pantheon of Me, in September 2017 via Bandcamp. Drawing heavily from messages in her dreams, the result was a “divine soul music; with a unique vision, inhabiting a world of its own”.

On her second record Mazy Fly, and new single ‘Under The Sun’, SPELLLING has developed her dreamy soundscape further: celebrating the “invisible energies that come together over time to create something radically new, like the birth of a star”. Check out the new track below and follow SPELLLING on Facebook for more updates.

Pre-order SPELLING’s new album Mazy Fly via Sacred Bones here.

Photo credit: Catalina Xavlena

Kate Crudgington
@KCBobCut