LISTEN: chiika – ‘VILLAIN’

After a year which saw her receive support from BBC Radio 6Music and BBC Asian Network, and perform on both Truck Festival’s Main Stage and the BBC Introducing Stage at The Big Feastival, chiika returns as her villainous, pyromaniac alter-ego – releasing a song about holding onto a grudge and setting things on fire: “…very healthy coping mechanisms of course!”

Exploring the theme of revenge, ‘VILLAIN‘ is for those of us that “just want to burn it all down”; justified angst trading love for hate. Produced and mixed/mastered by Tonie, the track showcases chiika’s ability to evoke evocative imagery of fire and ash through her lyrics (in both English and Hindi), her hypnotic vocals matched only by the intensity of the Hindustani-inspired instrumentation. A slow-burn of progressively punishing percussion and distorted guitar disorder. “This could have been something more / This could have been something so beautiful!”

Taking inspiration form the East of her Indian heritage, and the West of her British upbringing, the Oxford based artist’s cathartic, cinematic power-pop song is set ablaze with a dangerous chorus leading to a satisfying conclusion; “a song which burned like fire,” exploring “facets of personality, situations, and ideas” to enkindle an emotional response. “I was naive and in love… / But I’m bittersweet / Might leave a sour taste on your tongue.”

From her 2021 debut extended play, Unlearning, through last year’s Dounia-inspired EP, Cure, Antidote, Commotion, through to this latest track, chiika’s music is ever-changing; a reflection of her emotionally-driven musical growth and do-it-yourself confidence. “God, I’ve waited for the day / When the villain gets her way.”

Ken Wynne
@Ken_Wynne

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EP: Emily Magpie – ‘She’

Following her alluring 2020 debut LP, Let’s Talk About the Weather, and last year’s ethereal extended play, When the Space Between Was so Much Less, Bristol based songwriter and producer Emily Magpie steps into the water for her deeply personal new EP, She. Filled with soothing alt-pop melodies shimmering on the surface, it offers a poignant reflection on her own experience being a woman,“which is beautiful and messy!”

Opening with ‘She Said’, Emily, in celebration of her best friends, sings in lush vocal harmony with the most important women in her life; the subtle elegance of sun-drenched guitar evoking summer warmth and better days. Below the surface of the water, haunting lyrical hypnosis from ‘Down in the Deep‘ submerges the listener in raw emotion – a delicate, yet complex, dream-pop soundscape of synth, guitar, and piano, elevating Emily’s mesmerising multi-layered vocals. “My salt bathing lungs / The lines on their tongues / Is that what you sold to me? / Half spun cigarettes / Can’t work with less / The wheel still spins the same.”

Imagining herself “drifting around the bottom of the sea,” Emily explores the feminine – “which exists outside of gender” – encapsulating the light and dark. Closing with ‘Blistered Tongue’, Emily finds herself beyond the aphotic zone; ghostly reflections shimmering to the percussive groove and brooding synth-driven melody. Don’t be afraid! Through atmospheric arrangement, Emily embraces both the sparkling beauty and the melancholic unknown of the feminine, as Kieran Ball and Max Harrison provide additional instrumentation, swirling in Emily Magpie’s effervescent electronic mix. “Feminine energy is badass and there’s a massive history of it being suppressed which it’s important to challenge by us being heard.”


She, the new EP from Emily Magpie, is out now via  Def Pressé. Buy on bandcamp now.

Ken Wynne
@Ken_Wynne

Photo Credit: Hannah Lisa

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ALBUM: Dream Wife – ‘Social Lubrication’

“Music isn’t the cure, it’s the remedy.”

Following their 2018 self-titled debut LP, and 2020’s sophomore record, So When You Gonna…, London-based trio Dream Wife – consisting of Rakel Mjöll on lead vocals, Alice Go on guitar/backing vocals, and Bella Podpadec on bass/backing vocals – are set to release their highly anticipated, riotous third record, Social Lubrication on 9th June via Lucky Number; a collection of playful, political punk with a lust for life. Entirely self-written and self-produced by Dream Wife and mixed by legendary duo Alan Moulder (Yeah Yeah Yeahs, The Killers, Depeche Mode) and Caesar Edmunds (Wet Leg, Beach House), Social Lubrication perfectly channels their live wire intensity into ten tracks of raw truth.

Opening with riot grrrl moxie, the infectious Bella bassline of ‘Kick in the Teeth’ (“I spent so much of this youth questioning my value / Lolita’s all grown up now, who knew?”) is followed by the scuzzy Alice Go Go Go riffs of ‘Who Do You Wanna Be?’. Rakel’s rebellious attitude screaming for increased collective action – away from soul-destroying “social media activism without action” – and decreased hyper-individualism. “Exhausted by the pressure to feel somewhat empowered / It’s only 8AM, and I haven’t even showered / Guess perseverance is the boldest thing one can do.”

‘Hot (Don’t Date a Musician)’ evokes the playfulness of CSS and the rock and roll grit of Motörhead. “Don’t date a musician / They’ll think your competition / I was never competition / I was just… hot” Rakel states, her on-the-nose humour backed up by a refusal to be reduced or intimated for being a woman who makes music. Title track’Social Lubrication’ flows in a similar vein, as the trio, exhausted, refuse to pander to patriarchal bullshit. Rakel delivers her spoken word verses with urgency across distorted garage guitar: “What’s it like to be a woman in music, dear? / You’d never ask me that if you regarded me as your peer.”

‘Mascara’ is a love letter to the mundane – but no less important – moments of life, and provides brief respite before Dream Wife are out for blood with ‘Leech’. Screaming for empathy and calling out double standards through frenetic fuzz (“Fuck those who call themselves a friend, but they don’t lift a finger! / Fuck that WhatsApp group where they got points for nailing a fresh-faced singer!”) before crescendo-ing into cathartic feedback. (“Nobody really wins in a patriarchal society. We all lose.”)

‘I Want You’ and ‘Curious’ leave us lusting over Social Lubrication. the first is a filthy Be Your Own Pet-esque punk rocker, and the second is a hot bisexual/polyamorous anthem (“She loves you but she is curious about her love for me… / You’ll all be middle-aged men one day / And I’ll be a middle-aged Dream Wife”). Nostalgic for the early noughties, Dream Wife enter the stratosphere with the New Pony Club/Yeah Yeah Yeahs-inspired ‘Orbit’, closing Social Lubrication with a pulse-racing, disco-punk groove. It’s an unapologetic record that speaks to “systemic problems that cannot be glossed over by lube,” and that’s something we fully endorse at Get In Her Ears.

Pre-order your copy of Dream Wife’s new album Social Lubrication here

Follow Dream Wife on bandcamp, Spotify, Twitter, Instagram & Facebook

Ken Wynne
@Ken_Wynne

Photo Credit: Sophie Webster

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EP: Dream Phone – ‘Dream Phone EP’

Fuelled by snacks, Pepsi Max, and 100 gecs on repeat, Oxford glitch-pop duo Dream Phone – aka Hannah Watts and Jenny Bell (last seen ‘caught in the act of looking weird’ as half of Junk Whale) – get ridiculous for their DIY debut extended play with ten minutes of synth-driven hyper-pop melodies and pitch-shifted lyrical pandemonium!

Opening with the infectious one, two, three, four, ‘strut’, Dream Phone sparkle with an off-kilter electronic groove (“If you can’t find me in the dark / I’ll be here by the searchlight”) before exposing us to the extreme temperature of their own personal ‘hell’; a hot mess of obnoxiously upbeat noise and auto-tuned self-destructive attitude: “I can do what I want now / It’s none of your concern / Gonna cut my hair short / Because I’m not really listening to / What you say what you say what you say!”

Piercing your heart with a wooden stake, the ‘bad girls’ sink their fangs into riot grrrl for this next track, taking inspiration from Kathleen Hanna’s Le Tigre and Julie Ruin, and transforming their already unique pop sound into something otherworldly. Dream Phone’s ode to Buffy The Vampire Slayer is a celebration of friendship and “finding your partner in crime”; a euphoric glitch-pop beatdown for the BBC 6Music generation. “Going to the club / Dance up on some hunks and / Maybe kill some monsters / Or crash a cop car!”

Deliberately artificial in its production and sound, ‘no’ is an “anti-people-pleasing” pop anthem for those of us who struggle to say fuck “no” (“You ask, I sigh but I agree / You can always count on me / I will lie on the ground for you / You can wipe your feet on me”); opening with an electronic blast beat before glitching out into synth cyberspace! Closing their self-titled EP with ‘i don’t want to talk to you (at the show)’, the dreamy duo set boundaries and get anti-social: “Clinging to my beer / Everything’s too loud in here / I can’t concentrate / On what you’re shouting in my ear.”

Dream Phone ooze hyperactive energy, enthuse an ethos of DIY disorder, and, throughout their wonderfully eclectic debut EP, occupy the brain with vivid musical imagery.


The debut EP from Dream Phone is out now via independent record label Divine Schism. Buy on bandcamp now.

Ken Wynne
@ken_wynne

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