Video Premiere: Electric Pets – ‘That Way’

Having previously received acclaim for their debut single ‘Don’t Leave Me’ from the likes of BBC Introducing, Emma Buckley, Phil Wagg, Adam Grace and Pete Darrington – aka Electric Pets – have now announced that their debut EP is set for release later this month, and have shared a heartfelt new video.

With Buckley’s raw, impassioned vocals accompanied by a gritty scuzz-strewn musicality, ‘That Way‘ builds with a fierce emotion to an empowering anthem of self love and a two fingers up to society’s expectations of what we should be. Propelled by a jangly, lilting energy, an immersive, intimate tone soon gathers pace and intensity to create a catchy slice of garage-infused rock, oozing a bold swagger. Of the track, Buckley explains:

“You could say ‘That Way’ is my autobiographical f**k you to the music industry. I spent so long being too much of something to someone and not enough of the same thing for someone else. I needed to remind myself who I was. This song is for all the people that never quite fit in, the ones who never quite felt good enough. A reminder to unapologetically love yourself.

‘That Way’ is accompanied by stirring new video, featuring artfully filmed footage of the band glistening with a sparkling allure. Watch it for the first time here:

Rhinoceros, the debut EP from Electric Pets, is set for release on 19th August via Reckless Yes.

Mari Lane
@marimindles

Five Favourites: Breakup Haircut

Having wowed us live with their scuzzy, joyous punk-pop at our January gig at The Victoria, First Timers Fest alumni Breakup Haircut have just released their debut album – Punk Dancing For Self Defence. A collection of joyously lo-fi pop punk reflecting on themes ranging from social anxiety and break-ups to bi-erasure and existing in a Capitalist society. Propelled by a jangly, uplifting energy with gritty angst-driven undertones, the band’s colourful charisma and sparkling charm shines through each track with a striking relatable poignancy, creating an utterly necessary listen. Whether you need cheering up with some buoyant danceable anthems, or simply want to immerse yourself in the band’s raw emotion and relatable, resonant reflections on life, Punk Dancing For Self Defence will provide you with the aural comfort you need right now.

We think one of the best ways to get to know a band is by asking what music inspires them. So, to celebrate the release of their debut album, we caught up with members of Breakup Haircut to ask about the music that has inspired them the most. See below for their choices of their five favourite albums, and listen to latest single ‘I’d Say Yes‘ at the bottom of this feature.

Ripley:

Pat Benatar – Greatest Hits
I could pick my favourite Pat Benatar album, but I’m going to pick specifically the random ‘Greatest Hits’ album that my Dad bought off a market stall when I was a teenager and we were living in the USA. It was one of the first albums that I basically ‘permanently borrowed’ from my parents’ music collection. I fell in love with the intense and energetic ‘80s rock sound. I have always particularly loved music that generates energy and feels kinetic and I don’t think I’d heard anything that sounded so huge, epic and all big emotions before at that age (and as a teenager, I was of course relating to big emotions particularly strongly at the time). Their music had an intense energy and sincerity that I really connected with. Pat Benatar’s powerful and emotive voice; her aspirationally cool, badass attitude in her singing and lyrics, plus Neil Giraldo’s amazing guitar solos were also a big draw. Pat Benatar is probably best known for ‘Hit Me With Your Best Shot’ and ‘Love is a Battlefield’ in the UK (both awesome songs). I think their music was a lot more popular stateside than here, as a variety of their songs used to be played on rock radio there a lot. My favourites were songs like the emotional and epic ‘Promises In The Dark’ (the bridge vocal build and following emotional guitar solo is so amazing that I often end up listening to that section an extra time after finishing the whole song), and the inspirational ‘Invincible’ that makes you feel badass and ready for anything (it’s also a perfect inspirational training montage song).

Ishani:

Kimya Dawson – Remember That I Love You
I don’t get a whole lot of time to listen to new music – my partner actually spends a lot of time doing that, and makes this big playlist of releases of the year I should listen to which is hanging over my head. But a staple of my favourites in rotation is Remember That I Love You by Kimya Dawson. I found it when I was around 13 or 14, I remember seeing her at St Martin-in-the-Fields when I was 15 or so and meeting her. But I feel like that’s an album that has stayed with me through my years, because Kimya Dawson is someone that I take a lot of inspiration from, even a decade later – I think her work is so simple and poignant that it is really cutting. I love it because that allows for its hooks to be catchy without complication, something that relates down to the core. It’s pop, but it’s totally anti-pop. Everyone in the world would be better for listening to it once in a while, just to remember that the human condition is just a lot – and hearing it in such a simple way is kind of gutting.

Delphine:

Jimmy Eat World – Bleed American
I think I‘ll have to pick Bleed American by Jimmy Eat World. This album came out whilst I was in a difficult period in my life and somehow, this album enabled me to allow myself to feel. ‘The Middle’ is to this day one of my favourite songs of all time. It was a pep talk and in song form. I’ve always struggled with lack of self-esteem and being self-critical so it was a good reminder that doing your best is all you can do and it’s okay to not succeed at the first try. It also reinforced the idea that one shouldn’t listen to people being overly critical when they know nothing about you and your circumstances and that you should do what you want rather than what other people say you must want. 

Jordan:

Biffy Clyro – Puzzle 
My pick is Puzzle by Biffy Clyro. I can’t remember how old I was – but it felt like a whole lifetime ago – I was at this super house party. The conversation is going great and I heard ‘Living Is A Problem Because Everything Dies’ come on. It was the first time both me and my friend had heard it and it instantly grabbed us. You’ve got the big build up and the shrill strings in the pre-chorus. I think we both dropped what we were doing to try to find the CD so we could steal it. For a good 9-15 months it was in contact rotation with other music we would listen to. We’d play ‘Now I’m Everyone’ whenever someone had a match or needed hyping up. I wasn’t really drumming at that time but when I started, this album became more important in trying to replicate the sound. The drumming on the album is especially interesting as it’s semi-technical and semi-mental. Some parts you just have to feel where the notes are, rather than learning the specific sticking. You also have songs like ‘Love Has a Diameter’ which are more soppy but still can maintain a strong groove and pace.

Band Combo Decision:

Green Day – American Idiot
With four of us in the band and five albums to choose, we decided to pick one album each and one shared choice. American Idiot was a young Ripley’s gateway album to a life-long obsession with rock and punk music, one of Ishani’s first discoveries from her brother’s speakers, the album that rekindled Delphine’s love for everything rock ‘n’ roll after a short stint into EDM.
Ripley’s favourite track: ‘Letterbomb’. An underrated high energy song from the latter end of the album. I always loved the intro build to this and the high energy mixed with nihilism vibes that this song gives off. It just sounded so huge, dramatic and intense to me when I was younger, with the driving bass and drums and sweeping guitar melodies. It’s one of those songs where it feels like it has so much energy that it has spare to hand over to you, and you can’t help but feel energised and ready to go by listening to it.
Ishani’s favourite track: ‘Homecoming’. I was always more of an early Green Day fan, like Dookie/Nimrod, but this came out at a time when I wasn’t paying that much attention to music beyond what came muffled out of my brother’s room. He played this a lot – I love the highs and lows, the harmonies, the theatricality of it – it feels like it was written for a stadium, it’s almost dadly. 
Jordan’s favourite track: ‘She’s A Rebel’. American Idiot was the first album I was excited to buy. I was taken up to central London with my grandma and we went into the Virgin Megastore in order to get a copy. It was so catchy and well produced, and it’ll always be remembered fondly. I say that I rarely ever listen back to this album now because having tracks 3 to 6 actually being eight songs has got to be the most colossally stupid fucking idea ever conceived. Why would you do that? ‘She’s A Rebel’ is my favourite and I have to sit through ‘Give Me Novacaine’ in order to get to it. Terrible. 
Delphine’s favourite track: ‘Jesus of Suburbia’. Mostly because it covers all the topics that encompass what a generation of disenchanted kids would feel strongly about. Green Day has always been engaged in their lyrics and giving the finger to the establishment. I guess, in this album, it’s that song. 

Massive thanks to Breakup Haircut for their amazing album choices for their Five Favourites! Listen to their latest single ‘I’d Say Yes’ now:

Punk Dancing For Self Defence, the debut album from Breakup Haircut, is out now via Reckless Yes. Buy on Bandcamp now.

Track Of The Day: Chorusgirl – ‘Don’t Go Back to ’89’

Having announced the much-anticipated (by me in particular!) release of her third album this Autumn, Silvi Wersing – aka Chorusgirl – has now shared her first new single in a few years, and I couldn’t be happier about it. Following their self-titled debut album in 2015, and 2018’s perfectly titled follow-up Shimmer and Spin, this new offering could not be more welcome.

Flowing with a majestic, swirling grace, ‘Don’t Go Back To ’89‘ poignantly reflects on feelings of nostalgia and hopelessness. Propelled by a shimmering splendour and glistening celestial charm, it’s a beautiful slice of jangly dream-pop, sparkling with a glowing summer haze, whilst tinged with stirring undertones of darkness. With a scuzzy, whirring energy reminiscent of the lilting allure of early ’90s shoegaze/post-punk such as Cocteau Twins or Pixies, it’s a perfectly captivating immersive introspection for anyone in need of some calming aural therapy.

Of the track, Silvi explains:

Thematically, it riffs off the following idea: what if you could travel back in time in order to save a loved one? What if you’d have to do this over and over and over again, because it turns out that that person cannot be saved? What if you still can’t stop trying again and again though, and end up stuck in a never-ending loop?

I must admit, I’ve felt quite emotional hearing Silvi’s voice again, with Chorusgirl’s previous two albums having provided so much comfort to me in the past. What she’s able to create is just utterly unique; a soothing amalgamation of influences resulting in truly blissful soundscapes.

Mixing Super 8 footage of a dancer with images of Silvi with a psychedelic, kaleidoscopic allure, watch the Busby Berkeley-inspired new video for ‘Don’t Go Back To ’89’ here:

Colapso Calypso, the upcoming third album from Chorusgirl, is set for release on 14th October.

Mari Lane
@marimindles

Get In Her Ears Live @ The Shacklewell Arms w/ ARXX, 22.07.22

For our second gig of the month, following our emotional farewell to DIY pioneers Charmpit a few weeks ago, we returned to The Shacklewell Arms to host long-term faves ARXX! Support came from incredible up-and-coming duo Fräulein and fierce new band Lusa Morena. It was truly an honour to host three such exciting bands – it was such a beautiful night filled with not only immense music blasting from the stage, but all the nicest vibes and loveliest people. And to sell out the night was a dream come true – we’ve raised another £300 for vital organisation Abortion Support Network, so huge thanks to all who came along!

I’m struggling to put into words just how wonderful the night was, but I’ve written a few sentences to accompany some fab photos, courtesy of Harry Levin…

Opening the night is Portuguese, London-based band Lusa Morena. Blasting out an immense, swirling energy as impressive relentless riffs roll out alongside front woman Bárbara’s immersive charisma, they cement themselves as definite ones to watch.

Next up, one of the most exciting bands around – duo Joni and Karsten, aka Fräulein – deliver an utterly impressive set. Having headlined for us at The Victoria back in January, it’s wonderful to have them play for us again delivering their gritty grunge-fuelled anthems. I’ve seen Fräulein live a few times now, and each time is even more incredible than the last – as Karsten’s frenzied pummelling beats accompany Joni’s raw, impassioned vocals and swirling hooks, they really are a truly unique, captivating force to be reckoned with. It’s also particularly lovely to have them on the same bill as ARXX, as I first fell in love with them a couple of years back at an online festival that Hanni curated.

To top off the dreamiest of line-ups, total long-term faves ARXX take to the stage to Shania Twain’s ‘Man, I Feel Like A Woman’. And then Hanni and Clara blast into our eyes and ears with that perfect balance of raucous energy and joyous charm that we’ve come to know and love over the years. As they treat us to an eclectic set, offering some of their more poppy recent releases alongside the grungey edge of some of their older songs, they fill The Shacklewell Arms with a euphoric sea of admiring fans – smiling and singing along in blissful unity. New or old, each track is delivered with the duo’s trademark colossal anthemic musicality as the sassy allure of Hanni’s vocals soar over immense catchy hooks and Clara’s buoyant beats and witty between-song chat. With all the colourful, empowering vivacity that you could ever hope for, ARXX once again prove themselves to be a band consistently honing and developing their sound to create the freshest, most addictive of tunes. Impossible to pigeonhole into one genre, they continue to impress with everything they do (including the surprise ‘Sk8r Boi’ cover with special guest vocalist Beth White!), and remain truly one of the most exciting – and completely lovely – bands I’ve ever come across. It’s such an honour to host them at one of our nights again that I notice silly little tears (of joy and pride) trickling down my cheeks as the set draws to a close.

Massive thanks again to the three AMAZING bands who played for us on Friday, to all at The Shacklewell Arms and to everyone who came along and sold out the night, raising £300 for Abortion Support Network. A really special night!
Next month we have another two gigs in store for you: 12th August at The Victoria with Manchester band Nikki & The Waves, First Frontier and Panic Pocket – tickets here, and 20th August at The Cavendish Arms with Australian duo Mannequin Death Squad, Maya Lakhani and Dogviolet – tickets here!

Words: Mari Lane / @marimindles
Photos: Harry Levin / @harrywlevin