LISTEN: GIHE on Soho Radio with Bitch Hunt 30.06.21

Tash, Kate & Mari were back on the NYC & Culture channel on Soho Radio for their third GIHE new music show! They played a mix of golden oldies and new tunes from some of their favourite women, non-binary and LGBTQ+ artists.

London-based non-binary band Bitch Hunt joined them to talk about First Timers Fest, their recent EP Shapeshifter, working with their ultra supportive label Reckless Yes and their enduring love for Dave Grohl…

Listen below:

 

Tracklist
Kelis – Good Stuff
Lolawolf – Whole House
Täpp – Aquaria
Witch Prophet – Makda
HAVVK – Automatic
Lingua Ignota – PENNSYLVANIA FURNACE
WheelUP ft. Tiawa – Take Me Higher
Desire Marea – Tavern Kween
Sharon Van Etten & Angel Olsen – Like I Used To
Wet Leg – Chaise Longue
Varley – The Pressure
Girl Ray – Give Me Your Love
CMAT – 2 Wrecked 2 Care
Bitch Hunt – Eau Claire
**Interview with Bitch Hunt**
Th’Sheridans – I Don’t Wanna Be Dismembered
The Linda Lindas – Racist, Sexist Boy
BLAB – Eton Mess
Trouble Wanted – Lonely Cowgirl
All Day Breakfast Cafe – Old School Struggling
Cherym – Listening To My Head
Alice Hubble – Power Play
Blonde Maze x Attom – I Think About
HARD FEELINGS – Holding On Too Long
Seinabo Sey – Younger (Kygo Remix)
Joni Mitchell – All I Want

PREMIERE: Bellatrix – ‘Bad Love’

With previous support from the likes of Clash and Wonderland magazine, former beat-box world champion (what a feat!) and proudly queer artist Bellatrix has now announced the release of a new EP. Taken from the EP, today they have shared a brand new single.

Propelled by glitchy hooks and a gritty, sensuous energy, ‘Bad Love’ showcases Bellatrix’s sweeping, impassioned vocals whilst oozing shimmering, blissful vibes with shades of pop legend SOPHIE. A scuzzed-out slice of infectious electro-pop reflecting on self-discovery and emotional growth, it sparkles with a fierce empowering drive, instantly demanding multiple listens. Of the inspiration behind the track, Bellatrix explains:

“‘Bad Love’ is a realisation, and really I think it does what it says on the tin. I remember being sat in circle with my women’s group – a candle lit circle of 15 witches – and saying ‘I’ve realised that I’m in an abusive relationship, and at the moment I can’t see the way out…’ There was a calmness in finally being able to be completely honest with myself about my situation. I knew that the storm would have to come, but for the minute I could just look at things as they were, and see them. Wow what a mess I had found myself in.

Listen to ‘Bad Love’, for the first time, here:


‘Bad Love’ is out tomorrow 1st July, And I Was An Aphid, the upcoming new EP from Bellatrix, is set for release later this year.

Mari Lane
@marimindles

PREMIERE: CRISP&CLASSY – ‘Boom Bay’

Feminist LGBTQIA+ electro-pop duo CRISP&CLASSY (aka producer Kat Knix and singer-songwriter Plushy) pride themselves on bringing sexual liberation and self-acceptance to the UK pop scene. Now, having captured our attention earlier this year with vibrant dance-floor anthem, ‘Basic‘ – a collaboration with GIHE fave Rookes – they have shared a brand new euphoric offering.

Oozing all the sumptuous summer vibes and colourful energy you could ever desire, ‘Boom Bay’ fuses together an eclectic palette of genres to create something wonderfully uplifting. Interweaving funk-fuelled Raggeton beats with synth-driven soundscapes as sensuous vocals exude an empowering lyricism, it’s impossible not to become utterly immersed in its blissful, sassy splendour and sparkling, soulful drive. Celebrating self-love and our connection with each other (“Self love is my husband / Confidence is my cousin”), ‘Boom Bay’ is the place to be: a sunny, sonic delight that will exhilarate and inspire; “a utopian luxury resort where everyone is welcome. Here you can be whoever you want to be; express yourself in any way you desire.” 

Treat your ears to ‘Boom Bay’, for the first time, here:

Find out more about CRISP&CLASSY and the new single in the interview below:

Hi, CRISP&CLASSY, welcome to Get In Her Ears! Can you tell us a bit about yourselves?
We are a LGBTQ & Feminist musical love affair comprised of Scandinavian producer Kat Knix and Transylvanian songwriter Plushy. Our mission is breaking preconceptions and speaking about the unspoken. Our love for diversity and desire to break free is universal and gets translated through our iconic bops. CRISP&CLASSY is a spoiled and ignorant child; always in your face, screaming their lungs out to be heard. Because every day is riot day!

How did you initially decide to start creating music together?
Kat Knix was a proper indie rock chick in her teenage years back in Stockholm, while Plushy worshipped the pop divas and joined R’n’B dance classes in Transylvania. We met in London in 2013. Plushy was still a music student at that point and Kat was a part time DJ, so music made us bond. It was only after a few years of failing to write anything good together because of too many bottles of wine, when Kat asked Plushy to be her backing vocalist on her solo project. After performing together under Kat Knix, they eventually decided to officially unite their forces and create something never seen before. And CRISP&CLASSY was born. Mixing our music backgrounds, CRISP&CLASSY is a marriage between electronic synths, pop hooks, and dance and reggaeton beats. Both of us being ’90s kids, CRISP&CLASSY naturally carries a twisted ’90s sound, inspired by queens such as Janet Jackson and Madonna.

You’re about to release your euphoric new single ‘Boom Bay’. Can you tell us a bit about what inspired this track? Are there any particular themes running throughout it? 
The first idea for ‘Boom Bay’ came from Kat last Spring. Plushy was working out in Hackney Marshes and got sent a voice memo from Kat: “I made a beat and we should make it a song inspired by an ’80s aerobic tape with a matching video…” Eventually the concept kind of travelled from there to being an anthem of self love, and we started imagining this video where the water element in the production would be visually mirrored. We imagined it to be the perfect combination between Kat’s reggaeton beats and Plushy’s New York voguing chords over the chorus. ‘Boom Bay’ is a utopian luxury retreat in the CRISP&CLASSY world where everyone is welcome. Here we celebrate ourselves and one another. 

The track follows your epic collaboration with GIHE fave Rookes on vibrant single ‘Basic’ earlier this year – how did this collaboration come about? And how was it working with Rookes? 
Rookes pitched us the idea on a drunken night out and we simply had to join in! After several Zooms discussing the concept and Kat spending time on the production, we met up in the studio and recorded the lyrics that glued the track together, and eventually became the main concept! Rookes has taught us a lot. She is a veteran in the music industry and has not only mentored us, but also opened so many doors. Working with her was a lot of fun and we thank her for the love during our drunken wild Zoom meets! 

And you have a debut album set for release later this year, which is very exciting! Can you tell us any more about this? 
Fried Futuristic Electric guitars and Luxury Alien Spit in a glass by the beach – that’s all we have to say. You will be completely infatuated once you’ll be blessed with it! And a music video for ‘Boom Bay’ will be released along with the album, stay tuned!

How have you been connecting with your audience and other musicians during the pandemic?
Our community of amazing creative people in all areas has made us feel extremely loved. We were so lucky to shoot our ‘Boom Bay’ music video during the pandemic, and worked with incredibly talented people. So many musicians made a lot of music during the pandemic, and we’ve kept our people close. We’ve also started C&C TV on our YouTube channel, for our fans to still be able to escape to the CRISP&CLASSY world, as gigs have been out of the question for quite some time. On C&C TV we are completely letting go; ridiculing ourselves while celebrating our love for ’90s cooking shows and make-up tutorials. 

And has there been anything/anyone specific that has been inspiring you, or helping to motivate you, throughout these strange times? 
Creativity has been like therapy for us during the pandemic, and we’re so glad that we can always turn to each other for unlimited love and encouragement; especially during these hard times. Plushy was very happy Lady Gaga dropped an album during the pandemic. He is also continuously obsessed with Bree Runway who’s helped him make it through. Kat has become a true yogi, and the pandemic has made her realise she can’t live without gong baths! Hanging out with drag queen extraordinaires like Miss Dylan and Styled By Voodka has certainly lifted our spirits during the pandemic. And on the other hand, the pandemic has made us less distracted. As we both are restless souls and suffer from serious FOMO! 

Of course, we’re all missing live music at the moment, and understandably all have quite mixed feelings about the return of events. But do you have any tentative plans for any gigs coming up in the near future? 
We can’t wait to get back into gig life in the fall! London shows are coming up soon, so y’all better get ready!

And what can fans expect from your live show? 
The CRISP&CLASSY World is a safe haven, where you can be yourself and let your hair down, like treating yourself to a relaxing day at the beach. When the sun sets, you take your restless oozing body to a nearby bar. That’s where we will be, soothing your sunburn with our uplifting beats and nasty lyrics. And there you are; feeling yourself becoming one with the CRISP&CLASSY world, and you’ll never want to leave!

Finally, as we’re a new music focused site, are there any other upcoming bands or artists that you’d recommend we check out?
Our friend Arnie Wrong’s club nostalgia songs will put words on your heart ache, while getting you back on your feet and feel your most powerful ever! She just released her new tune ‘Strange Love’, defo a must listen!

Massive thanks to CRISP&CLASSY for answering our questions!

‘Boom Bay’ is out tomorrow 25th June. And it’ll be followed by an iconic music video directed and produced by BAFTA Awarded Scholars Leo Lebeau and James Bell, plus the release of CRISP&CLASSY’s debut album, Xtra Crispy, at the end of the summer.

Mari Lane
@marimindles

PLAYLIST: Pride 2021

As many of our regular readers will know, at Get In Her Ears we strive to support LGBTQIA+ artists all year round via our website, radio show and our live music nights. This Pride Month, we continue to celebrate and share the work of these artists, and take some time to reflect on the history & impact of LGBTQIA+ artists in music and in wider creative spheres too.

Our co-founder Tash Walker, who is also the Co-Chair of the charity Switchboard LGBT+ Helpline & co-producer of the award-winning The Log Books podcast, wrote this powerful intro to our Pride Playlist last year. We’re sharing her words again to let our LGBTQIA+ readers and allies know: we see you, we support you and we love you – this month, and every month. If you need support during Pride Month or at any time, you can always reach out to Switchboard LGBT+ via their website or by calling 0330 330 0630.

Tash: “It’s more important than ever to remember why Pride started. Remember the lengths the LGBTQIA+ communities have come, but more importantly, how far we still have to go. The LGBTQIA+ communities and their allies need to stand strong and united with each other, but especially the black and transgender and gender non-conforming communities.

Covid-19 and its multiple lockdowns have had an unimaginable impact on all of us, especially folks from marginalised communities – magnifying any existing situation people may be in from domestic violence to transphobia, biphobia, homophobia but especially loneliness and isolation. Something members of the LGBTQIA+ communities have been battling heavily against for a while now.

What Pride means to everyone within the LGBTQIA+ communities will be different, but as a queer person I stand and I protest for every single one of those people’s rights. For LGBTQIA+ rights, for anti-racism, for black people, for people of colour, for transgender and gender non-conforming people and every intersectionality in-between. We have to learn from our history and we have to work together where we support the human rights of each and every one of us. People should be free to live without fear of judgement or discrimination. People should not have to fear for their lives because of their sexuality, gender identity, race, socio-economic class, disability or religion.

If your pride flag doesn’t include black and brown stripes, it’s outdated. If your pride flag doesn’t include the transgender flag, it’s outdated. So wherever you are, at whatever Pride you are supporting, spread the word and make it known – equality is for everyone, but most importantly, black lives matter, trans lives matter, black trans lives matter.”

Read about our track choices for our Pride 2021 playlist below and scroll down to the end of the post to listen to it on Spotify.

Ma Rainey – ‘Prove It On Me Blues’
This 1928 song by Ma Rainey, who is unarguably the mother of blues, is possibly one of the first references to queer lesbian culture. Ma Rainey, a queer woman sings, “Went out last night with a crowd of my friends. They must’ve been women, ’cause I don’t like no men.” An essential to any LGBT+ playlist. (Tash Walker)

Jackie Shane – ‘Any Other Way’
We’ve played Canadian soul-singer Jackie Shane multiple times on our GIHE radio show, included her on many a playlist and we’re certainly not stopping now. Jackie was a pioneer for transgender rights in the 60s & 70s, a time when being your true self was not always welcomed, or accepted. (TW)

Big Freedia – ‘Judas’ (Lady Gaga Cover)
I’m absolutely loving Big Freedia’s cover of Lady Gaga’s ‘Judas’ which features on Gaga’s Born This Way Reimagined album, celebrating the 10th anniversary of her second record. Gaga has also enlisted the help of Kylie Minogue and Orville Peck to embellish her evergreen sentiments about self love, having the freedom to love anyone you want and to express that love however you want to. (Kate Crudgington)

Lido Pimienta – ‘Declare Independence’ (Björk Cover)
This is such a beautiful cover by Colombian-Canadian artist Lido Pimienta, released as part of Spotify’s Pride campaign. I was lucky enough to interview her last year about her amazing album Miss Colombia, and on this new offering her defiant spirit and powerful voice shine through just as brightly. Pimienta released this track as a statement of solidarity with the LGBTQ+ communities, and also for Colombian and Palestinian people struggling for freedom and dignity in their homelands. (KC)

Catherine Moan – ‘Fools’ (Depeche Mode Cover)
This is a fun, polished cover of a Depeche Mode b-side from Philadelphia-based electro-pop artist Catherine Moan. Her buoyant electronics and infectious rhythms give this slice of 80s alternative music nostalgia a welcome sultry twist. (KC)

Robyn – ‘Dancing On My Own’
Robyn is an outspoken ally for LGBTQ+ rights. I think it’s important to recognise the role that allies play within LGBTQ+ history and the movement’s continued fight for equality. Being an ally is about educating yourself, it’s about listening, being visible, challenging inequality and helping to educate others. Being an ally isn’t just about LGBTQ+, it applies to any under-represented, marginalised section of society worldwide. As Stonewall says “If we want to live in a world where people are accepted without exception, we all need to be part of the solution.” (TW)

Hercules & Love Affair – ‘Blind’
Taken from their self-titled album released in 2008, the same year I attended London Pride for the first time, this is without a doubt the theme tune to me fully embracing my sexuality, feeling proud of who I was and strong enough to come out happily in all aspects of my life. (TW)

SOPHIE – ‘Immaterial’
This track is taken from SOPHIE’s debut album and I love it. A pioneer of experimental music, often the producer behind so many other amazing tracks, remixes and artists. Described as disorientating latex pop which I think sums up my first experience of seeing SOPHIE live – intense at its best. (TW)

Mykki Blanco – ‘Free Ride’
This is a song from an artist who I feel needs no introduction, a queer pioneer who is doing amazing things for LGBTQ+ rights as well as being open about their positive HIV status. Mykki Blanco is also such an incredible artist and their music is just oh so gooooood. (TW)

Desire Marea – ‘Tavern Kween’
This amazing track by Durban, South Africa-based artist Desire Marea was inspired by Desire’s aunts who went against social norms to find their own forms of freedom in the usually male-occupied taverns in their hometown of Amandawe. Desire explains: “It’s an ode to them, an ode for defiance and feminine manifestations everywhere, an ode to people who come alive at night, to people who enjoy being free and also an ode to people who are fierce about claiming their freedom.” The accompanying video is also sublime. (KC)

Witch Prophet – ‘Makda’
I have Tash to thank for introducing me to the majestic sounds of Ethio queer hip-hop fusion artist Witch Prophet. ‘Makda’ is a celebration of the Ethiopian Queen of Sheba and, as Witch Prophet explains, “the power of Black women and mothers” which she highlights in the track’s beautiful accompanying video. (KC)

Planningtorock – ‘Non Binary Femme’
This track is take from one of my favourite albums of all time, Planningtorock’s Powerhouse. Unarguably paving the way for not only a better understanding of what those words mean, but also leading in acceptance for transgender and gender non-conforming people, Planningtorock and their music has unquestionably helped me on my own gender identity journey and I’m sure many others. (TW)

Ragdoll, Husk – ‘Throwback’
A collaboration between trans, non-binary artist and GIHE fave Husk and non-binary drag queen Ragdoll, ‘Throwback’ offers a wittily nostalgic dance anthem, sparking many fond memories for us millennials. A massively uplifting, fun-filled banger, complete with Husk’s smooth, soulful vocals and a wonderfully infectious groove, it’s a perfect accompaniment to any Pride party. (Mari Lane)

Crisp&Classy X Rookes – ‘Basic’
Electro-pop duo CRISP&CLASSY (aka producer Kat Knix and singer-songwriter Plushy) pride themselves on bringing sexual liberation and self-acceptance to the UK pop scene. Collaborating with GIHE fave, London-based artist and promoter of queer female identity, Rookes, ‘Basic’ is a vibrant, uplifting dance-floor anthem. Blasting into the ears with an explosive fizzing energy, it’s an effervescent ode to being yourself and silencing anyone who chooses to get in your way. (ML)

ARXX – ‘DEEP’
The latest single from GIHE faves Brighton duo ARXX, ‘DEEP’ is an empowering ode to leaving behind all your anxieties and getting what you want. Interweaving a more electro-infused, glitchy sound than previous releases with their signature ferocious grunge-fuelled drive, it instantly hits you with its raw, anthemic rush and gritty, sensual prowess. ARXX have now also released a number of remixes of ‘DEEP’ – including one by Dream Wife’s Alice Go. (ML)

Ci Majr – ‘Ultraviolet’
Non-binary Atlanta artist Ci Majr creates uplifting, emotion-filled pop anthems with a twinkling sensitivity. Taken from their latest EP Side Effects, ‘Ultraviolet’ sparkles with a heartfelt sense of hope alongside a scintillating energy and instantly catchy, shimmering hooks. (ML)

Alex Loveless – ‘Meet Me Tonight’
There’s something about Hackney-based DIY electronic artist Alex Loveless’ music that’s just effortlessly chill. ‘Meet Me Tonight’ is their latest single, but I would also recommend checking out their recent EP, Phone Keys Wallet too. (KC)

Amaroun – ‘Perish’
Amaroun talks about the themes she evokes in her music which consistently touch on her journey of being a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music. In Amaroun’s words, “this track is an autobiographical reintroduction of myself”. It’s one of my faves. (TW)

BISHI – ‘Who Has Seen the Wind’
As part of Southbank Centre’s 2019 Meltdown Festival, Kate and I had the privilege of meeting Bishi. She’s an incredibly talented singer, electronic rock-sitarist, producer and performer born in London of Bengali heritage. She is also the co-founder of WITCiH: The Women in Technology Creative Industries Hub, a platform elevating Women & Non-Binary in tech through commissions, performances & panels. (TW)

STRAIGHT GIRL – ‘Limón’
Describing themselves as “fiercely and fearlessly queer,” Leeds-based electronic artist STRAIGHT GIRL is a master at exorcising their demons and developing them into their own brand of “grave rave” sounds. I love this track ‘Limón’ which is a vibrant, jagged soundscape inspired by disjointed and self-critical thoughts. (KC)

Gordian Stimm – ‘Though My Love Is Always Still’
I am such a huge fan of everything Gordian Stimm aka Maeve Westall of itoldyouiwouldeatyou releases. They’ve crafted so many experimental gems in the last year, from their debut album Your Body In On Itselfto this single for Amateur Pop Inc.’s compilation record, their offerings are intensely eclectic & so well produced. (KC)

Twin Pixie – ‘Firestarter’
Philadelphia-based hyper-pop duo TJ Cole and Aiv Rubino aka Twin Pixie are inspired by the likes of SOPHIE and Grimes and explore themes of queerness and the supernatural in their majestic, ethereal soundscapes. Propelled by glitchy beats, ‘Firestarter’ races with a sweeping cinematic allure as poignant spoken-word vocals soar, tearing into the sexist norms of society. (ML)

Khx05 – ‘Trouble’
I have Nova Twins to thank for introducing me to North Carolina-based artist Khx05. They feature on the duo’s compilation album Voices For The Unheard, a blistering collection of alternative anthems that showcase the eclectic, tenacious range of talent from artists of colour in the heavy & alternative music scenes. (KC)

Ms Mohammed – ‘Pandora’
‘Pandora’ and its rolling, rumbling drums – such a tune by Ms Mohammed who we had a total blast with in the Get In Her Ears studio a few years ago. As well as being an artist in her own right, Ms Mohammed founded the Clit Rock movement in 2013 as a way of speaking out against female genital mutilation. As a champion of cross-cultural tolerance and an out queer artist who advocates for LGBTQIA+ rights and visibility, Ms Mohammed is challenging prejudice through her music and we stand by her every step of the way! (TW)

pink suits – ‘pink suits everyone’
Margate based queer punk-rock duo pink suits incorporate politically driven rage, dance and even theatre into their work, exploring issues of sexuality, mental health and a resistance of binary gender. Taken from their recently released album, political child, ‘Pink Suits Everyone’ oozes a rousing, stirring intent. Offering a vibrant message of inclusivity and hope, here the duo urge us to come together and unite against the powers that seek to contain us. Watch the new video for ‘Pink Suits Everyone’ here. (ML)

Ezra Furman – ‘Suck The Blood From My Wound’
Having recently come out as a Transgender woman, and shared beautiful images of herself with her child, Ezra Furman has long been a favourite of mine, since I first fell in love with her 2018 album Transangelic Exodus. This Pride, I think it’s particularly important to celebrate the Transgender community whilst drawing attention to how society’s acceptance of trans and gender non-conforming people still has a long way to go. As Furman poignantly states in her coming out message: “I’m telling you I’m a mom now for a specific reason. Because one problem with being trans is that we have so few visions of what it can look like to have an adult life, to grow up and be happy and not die young. When our baby was born I had approximately zero examples that I had seen of trans women raising children. So here’s one for anyone who wants to see one. I’m a trans woman and a mom. This is possible.” (ML)

Chuck SJ – ‘Sink Your Teeth In’
This single is taken from DIY multi-instrumentalist Chuck SJ’s upcoming debut album Resist.Recharge.Revolt, which is set for release later this year. Full of atmospheric guitar riffs, sparse beats and glitchy electronics, it’s an industrial-tinged rumination on the forces that construct, influence and sometimes dismantle our ways of thinking. Chuck is also one half of punk duo Byenary who you can check out here. (KC)

Bitch Hunt – ‘Shapeshifter’
Non-binary band Bitch Hunt originally formed at the amazing First Timers fest, and have just released their debut EP via Reckless Yes. The title track of the EP, ‘Shapeshifter’ is a stirring slice of effervescent punk-pop, reflecting on themes of transition and gender identity, and how we are consistently ‘shape-shifting’ depending on our circumstances. A resonant yet ultimately uplifting offering, oozing a sparkling sense of optimism. (ML)

Grace Petrie – ‘Pride’
Taken from 2018’s album Queer As Folk, Grace Petrie’s ‘Pride’ offers a reflection on the strides that have been made for the LGBTQIA+ movement over the years, whilst also drawing attention to how far we still have to go to end all forms of discrimination. With her poignant, heartfelt lyricism oozing both a stirring sense of solidarity and hope, as well as frustration and rage (“I know you don’t want to face the fact / that each and every day we’re still being attacked…”), it’s a perfectly resonant anthem drawing attention to why we still need Pride, over 50 years on from the Stonewall Rebellion. (ML)

Naz and Ella – ‘Internalised’
Having been guests on our radio show back in 2019, alt-folk duo Naz & Ella recently released their new EP, De-Humanize. Taken from the EP, ‘Internalised’ is a deeply poignant offering about overcoming internalised queerphobia. Oozing a gritty edge and sweeping, stirring majesty, it’s an empowering ode reflecting the heartfelt message running throughout the EP as a whole, as the band explained in a recent interview with us: “… you don’t have to participate in your own dehumanisation to comply with social norms.” (ML)

Arlo Parks – ‘Black Dog’
I cannot get enough of Arlo Parks and her mesmerising music, so full of emotion I get lost in every second. ‘Black Dog’ is no different, a frank, heart-breaking insight into the the darkness of depression. Mental health awareness within the LGTBQIA+ communities is so important, especially with rising levels of isolation and loneliness. From talking, to supporting, to asking and reaching out for help is so important and totally OK to do. The more we can look out for each other, the more we can encourage and show people that asking for help is a sign of strength not weakness. (TW)

Kele – ‘Smalltown Boy’ (Bronski Beat Cover) 
I was lucky enough to speak to Kele Orekeke about his new album The Waves Pt. 1 earlier this month for The Line Of Best Fit, and he was incredibly generous with his time. I regret that I was too shy to tell him how much of my late teens & early twenties I spent dancing to Bloc Party and his first album The Boxer, so I thought I’d mention it here instead. His cover of Bronski Beat’s iconic LGBTQ+ anthem ‘Smalltown Boy’ is really beautiful, fore-fronting the track’s unique melancholy in an understated and moving way. (KC)