FIVE FAVOURITES: Phé

Inspired by the unpredictability of modern life and the captivating electronic sounds of La Roux and New Order, Yorkshire-born, South London-based songwriter & producer Phé has recently shared her new EP, Moodboard. Blending her lush vocals with catchy beats, she’s created a collection of alt-pop soundscapes that meander through themes of self-acceptance and personal growth.

We think one of the best ways to get to know an artist is by asking what music inspired them to write in the first place. We caught up with Phé to ask her about her “Five Favourites” – five songs that have inspired the music on her new EP. Check out her choices below and scroll down to listen to her Moodboard at the end of this post.

1. The Strokes – ‘Soma’
It was difficult to pick a favourite Strokes song, most of their lyrics resonate with me, but this one stands out at the moment because I can’t seem to stop playing it. I appreciate songwriters who are aware that they are flawed, especially those who don’t sugar-coat it in their lyrics. Whether they aim to resolve their flaws or not isn’t necessarily what’s important, but it’s their desire to creatively articulate what their weaknesses are in a way that people can relate to that I find inspiring. There’s so much passion and anger in Julian Casablancas’ voice and for some reason whenever I hear it I feel so overwhelmed that I well up, no matter how many times I listen to it. It could be something to do with nostalgia because they narrated most of my childhood, or maybe it’s the fact you can tell there’s so much pain behind it, but the way Casablancas sings just feels incredibly authentic.

2. The Cure – ‘Just Like Heaven’
Love songs are wonderful things and I find it so interesting how timeless they can become through people’s personal experiences of them. This is one of my favourites of all time and I always tend to re-visit it when I’m busy romanticizing my own life in short bursts. Writing songs is such a personal experience, and it’s difficult to not recoil in despair when you listen back to what you’ve made sometimes, usually because you know you’re listening to how you actually feel rather than distracting yourself at all costs. ‘Just Like Heaven’ reminds me that it’s nothing to be ashamed of to express how you feel in your lyrics. It’s easy to get in your own head when you’re working on a project and I often forget that when someone listens to my music they’ll be having their own completely unique emotional response and I find that pretty comforting.

3. La Roux – ‘Let Me Down Gently’
It would have felt like one big whopping lie if I didn’t add La Roux as one of the main influences for this EP. Her approach to song-writing has been a real inspiration since I stopped writing songs with a guitar and moved towards a more electronic sound. I found it quite difficult to establish the kind of music I wanted to create at first and always felt like I was restricting myself, and the fact I wasn’t great at guitar probably didn’t help. Once I started using synths and making beats it pushed me in the direction that I’d been trying to go in, and it finally started to sound like my lyrics were matching the instrumentation. I find her style effortless with how she manages to be completely raw and direct in her lyrics, at times verging on cynical, alongside these really catchy synth melodies that are so simple but so effective. She manages to paint a world that is colourfully futuristic whilst staying honest with herself and the people around her, and that’s is the kind of world I want to live in.

4. Orange Juice – ‘Rip It Up’
I think anyone who makes music finds it incredibly frustrating sometimes because it’s a challenge to articulate yourself when there’s so many different ways you could do it. I didn’t really have much of an idea where I was going to go stylistically with this EP at first, but I was listening to a lot of folk and 80’s music at the time I was writing it and I guess that guided me through. As frustrating as it is, I also love the trial and error process of song-writing, and I took on the whole ripping-it-up-and-starting-again concept quite seriously because that’s what I did half-way through, and I’m glad I did because once I started re-writing it that’s when my thoughts started to come together and I had more of an idea of what I needed to say and how I wanted to say it.

5. Sudan Archives – ‘Come Meh Way’
Sometime last year I was listening to Sudan Archives on a walk round the moors in Yorkshire and I thought “God, I would kill to be able to play like that.” I ran home and dusted off my Mum’s old violin that was hibernating in the attic and started to teach myself. I’ve never heard anyone play the violin like Brittney Denise Parks, something about it is so haunting and atmospheric and adds a dimension to her songs that makes them so unique, and every time I listen to her I feel so moved. I love how her lyrics and violin seem to speak to each-other, and in this track her lyrics are rounded and gentle compared to this piercing violin arrangement – together it just produces such a mesmerizing sound and it definitely influenced elements of Moodboard.

Thanks to Phé for sharing her favourites with us!
Listen to Phé’s Moodboard EP below.

Photo Credit: Anna Rakhvalova

Video Premiere: MALMØ – ‘No Words’

Following 2018’s critically acclaimed debut album We Come From The Stars, and with acclaim from the likes of BBC 6Music and KEXP, Danish artist Maria Malmoe, aka MALMØ, has now shared her new single, ahead of her upcoming second album this summer.

Propelled by glitchy beats and Maria’s (and her her sister Frida’s) sweeping ethereal vocals, ‘No Words’ reflects on the damage we do to the environment on a daily basis – how we’re too reliant on the artificial, at a great cost to the natural world, and to ourselves. With an exquisite, captivating majesty, a shimmering, spellbinding soundscape is created. A beautifully poignant, and delicately cathartic, rumination on the world today and how we all need to take action to save it.

‘No Words’ is accompanied by a sparkling, artfully created new video. Watch it for the first time here:

The Inevitable End, the upcoming new album from MALMØ, is out on 11th June (vinyl & digital) via Integrity Records.

Mari Lane
@marimindles

Introducing Interview: YINYANG

With her previous single ‘Black Mamba’ being awarded the title ‘Best Song In The World’ from Across The Line with BBC Radio Ulster last year, Irish hip-hop artist Lauren Hannan – aka YINYANG– has now blasted into our ears with immense new tune ‘Bloodhound/Earthbound’. With shades of GIHE fave Noga Erez, the track oozes a gritty energy as the angst-driven power of Hannan’s vocals seethe alongside attitude-fuelled glitchy beats, building with a soulful, soaring splendour.

We caught up with Lauren to find out more…

Hi YINYANG, welcome to Get In Her Ears! Can you tell us a bit about yourself?
Hello! My real name is Lauren, which is bit more vanilla than YINYANG. I decided to have a pseudonym because YINYANG represents the project better – yin and yang as a philosophy is the concept of dualism, how seemingly opposite or contrary forces can be complimentary and interconnected. This resonates with me as my music is where I channel the dark, fierce energy I have that takes no shit from anyone, but if you met me in real life I’m also just a nice wee, kinda zaney, Northern Irish woman who loves a red wine and her cat Elvis. If you’re into star signs I bet you guessed I’m Gemini, and you nailed it!

How did you initially start creating music?
In my pre-covid life you’d catch me in a field producing festivals, and I’d watch the artists when I got a chance and just have a belly full of jealousy like “why the hell am I not up there? I really want to be up there!” So for me, although lockdown has been shit in many ways, it’s also been a bit of a blessing in disguise because I was able to find time to be able to make the dream become a bit more of a reality – even though I’m still a newbie, it’s the realest it’s ever been which makes me very happy! I found Garageband on my laptop and started making really terrible demos to begin with, I think I spent forever at the beginning just listening to every built in instrument sound to work out what I like, then I turned all the buttons off and on again to see what they do cause I didn’t have a clue what I was doing or what compression is or wtf is EQ?! I spent every single day on GB writing and working out my sound like I was addicted to it. I released my debut single ‘Black Mamba’ last July to just dip my toes in the water and see if anyone liked what I was making, ’cause to be honest I didn’t know what it was, and I still don’t know what genre I am, but people liked it! So I decided fuggit we’ll keep going, and gas levels have been on 10 ever since. 

Your new single ‘Bloodhound/Earthbound’ is out now – can you tell us what it’s all about?
Yes, very excited and nervous all at the same time! It’s basically about protecting your energy. The title is from one of the lyrics “Learn to sniff the bad out of them – Bloodhound, bring your head out of the clouds – Earthbound…” This line hits the jackpot for what I’m trying to say really – sniff out the bad out of the situation and get your head out of this romanticised, fake reality you made up in your mind and into the ugly truth; that this isn’t serving you how it should be, so don’t bother cause you’re really a baddie and ya don’t need crumbs. It’s not just about one particular event in my life, it’s about all of the times I’ve made that same addictive mistake, even when it was in disguise. 

You’ve been compared to the likes of Little Simz and Peaches, but who would you say are your main musical influences?
I’ve got quite a few musical influences that I think will become more apparent with the next few releases: M.I.A. is a constant, Sampa The Great, Ben Khan, Kendrick Lamar and then bands like The Prodigy and Rage Against The Machine. Bit of a mix really, all depends on my mood!

In ‘normal’ times, how is your local music scene? Do you go to see lots of live music
What’s a gig… ? It’s been sooooo lonnnnggg! (Terrible dad joke I’m so sorry!) Yeah, I totally immerse myself in live music and will 100% be going to every gig possible when this is all over. There are some wicked artists in Northern Ireland, a lot of talent there. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
Minchanbaby’s ‘Luzzy’ is the soundtrack to my life at the moment. Special mentions to Draper, who’s not new but his new stuff is great and has been going in a new direction from his other material ,so it kind of counts as new. Melahnin, Red Eye Pariah and Rye Milligan. 

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I guess you could argue that it’s always been hard! But at the moment I think it feels particularly hard because it’s so online focused in 2020/21 as we can’t play live, you could totally drain yourself trying to keep up with promoting yourself on all the socials, thinking of new ways to connect and reach audiences and stay relevant I guess. BUT, that doesn’t make it any less fun! I’m just trusting the process, keeping my head down and working hard, hoping for the best. 

Finally, what does the rest of 2021 have in store for YINYANG?
Oooooohhhh it’s feeling like an exciting year but I’m scared to jinx it! Going to be releasing eight tracks throughout the year and if we can play live shows then I’ll be performing as soon as humanly possible. I’m pretty buzzed for 2021 – a lot of work has gone into it, I have a real good feeling about it and a great team to share it with. 

Massive thanks to YinYang for answering our questions! 

 

Listen to YINYANG’s latest single ‘Bloodhound/Earthbound’ on Spotify now.

FIVE FAVOURITES: Bleach Lab

Working through unexpected grief majorly informed the songs on South London-based Bleach Lab’s upcoming EP, A Calm Sense of Surrounding. The death of bassist Josh Longman’s father and the breakdown of vocalist Jenna Kyle’s long-term relationship seeped into the band’s song-writing, as they began to musically explore the five stages of grief – anger, denial, bargaining, depression and acceptance. Through Kyle’s emotive vocals and earnest lyrics and guitarist Frank Wates’ fluid, atmospheric riffs, the band soften the sharpness of their collective pain.

We think one of the best ways to get to know a band is by asking what music inspired them to write in the first place. We caught up with Bleach Lab to ask them about their “Five Favourites” – five songs that have inspired their song-writing techniques. Check out their choices below and scroll down to listen to Bleach Lab’s latest single ‘Flood’ at the end of this post.

1. Mazzy Star – ‘Halah’
Jenna Kyle (vocalist): My closest friend introduced me to Mazzy Star when I first moved to Brighton a while ago. She thought it would be right up my street, she knows me well. It’s hard to pick a favourite Mazzy song, but after a lot of rumination I concluded a while ago that ‘Halah’ takes the top spot. It quickly became a break up song of sorts for me and accompanied me on many wine filled nights. Hope’s dreamy, effortless voice floats above the guitar so flawlessly. The story that I take from the lyrics is not too dissimilar from the themes that I tend to find myself pulled into writing. The reflection and process of a break up that you can’t quite manage to move forward from. “Before I close the door, I need to hear you say goodbye, baby won’t you change your mind?” The story is a relatable one, it’s immersive and something that a lot of listeners can place themselves in. Something that I try to achieve with the way that I write my lyrics.

2. Radiohead – ‘Pyramid Song’
Frank Wates (guitarist): I remember first hearing this song on the TV soon after Amnesiac was released. It was the music video, the beautifully animated one where the diver jumps into the water and explores the submerged city. At the time I was probably around 10. I remember it really hit me emotionally, but I also remember being so confused about its rhythm and meter, which I later learned to be swung 4/4. I was tapping my foot along and totally failing to follow the beat and it really frustrated me. Granted I was only 10, but I think it really imprinted on me and it ended up being an important moment in my developing interest in rhythm. Rhythm is now the main thing I think about when writing my guitar parts and imagining how our songs will sound when fully formed. Melody and everything else come second.

3. Daughter – ‘Youth’
Jenna: ‘Youth’ was one of the first songs I fell in love with when I began the journey of figuring out my own style, back when I was around 16 and had previously only been singing over karaoke videos of Les Mis and Cats (the musical) soundtracks, whenever my parents left the house. I hadn’t really listened to any artists that ignited such a strong emotional response for me. I’m pretty sure it was a “this is it” moment when I heard it, and I couldn’t wait to learn the iconic guitar riff so I could play it myself. Elena Tonra’s lyrical style has always been a huge inspiration for the way that I have adapted my own writing. She writes visual stories with her words and her use of metaphors is effortlessly captivating. I would love to be able to quiz her on her approach and method to writing.

4. Interpol – ‘Rest My Chemistry’
Josh Longman (bassist): I have always been a big fan of Interpol growing up and have always been a massive fan of the simple guitar leads that just carry the song along from start to finish. I have always known of them, but only during my college days did a few of my friends entice me to dig deeper down the Interpol rabbit hole. The guitar tones and dynamic range throughout are spot on and the driving bass in many of their songs have influenced a few tracks for me as a bass player. When the bass isn’t driving, its simplicity really gives the guitars and vocals space to explore amazing melodies. Underrated band in my opinion, and I was happy to see them at All Points East when The Strokes were headlining, although for me I saw the festival as a good value of money as it seemed like there were 2 headliners that day.

5. Helena Deland – ‘Smoking At The Gas Station’
Frank: This is a really recent release, but I already know it will be one of my favourite records for a long time to come. I first heard it when I was listening through Helena Deland’s debut album Someone New for the first time soon after it came out. I was so excited for the album’s release as the singles were so gorgeously produced. Since sitting in on mixing sessions with the producer/mixer/engineer for our debut EP (shout out to Max), I’ve really started to pay attention to finer details around the mixing and production of any song I listen to. The song itself already features an incredible vocal performance, but I was absolutely blown away by its mixing and production. It has a really unsettling beauty to it to start but the song develops and finishes with one of the most beautiful and subtle outros I’ve heard. I’m starting to pay a lot more attention to writing powerful outros because of it.

Thanks to Bleach Lab for sharing their favourites with us!
Listen to ‘Flood’ below.

 

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Photo Credit: Isy Townsend