Five Favourites: Roaches

Swedish four-piece garage band Roaches have just released their new EP ROACHES! and we are loving it! They describe their sound as “Acid flop lollipop fuzzy pussy bug smash lash trash bubble slug hug” – need I say more…

We caught up with Linda & Åsa to tell us their ‘Five Favourites’ – five artists or albums that have influenced their songwriting techniques. They both came back with so many great choices, we let them have five each because we’re nice like that. Check out their choices below, and make sure you give their new EP ROACHES! a listen at the end of this post!

Linda – I have been singing since I was a little girl. For me, it’s been really natural to identify with female singers. Mostly the ones who ”stood out”. Here’s a few of them:

Blondie – ‘Dreaming’
Debbie has been my number one since I was six years old. The first time I heard Blondie was through my father’s cassettes and I fell in love. I was completely fascinated that a girl could sing both in a beautiful and ugly way at the same time. And I still listen to her just as much today! It’s hard to find a favourite song but ‘Dreaming’ is captivating and never gets old!

Siouxsie And The Banshees – ‘Cities in Dust’
This video caught my attention first, not the music. I remember sitting in front of the TV screaming when it came on. Siouxsie has this dark appearance and voice that is really dramatic, and I loved it. ‘Cities in Dust’ is both dark and catchy and it’s about volcanoes! And I love volcanoes!

Kate Bush –  ‘Cloudbusting’
Kate Bush is multi-talented at mixing music, dance and her unique appearance and that really caught my attention at a young age. She is strange and I can relate to that because I feel the same. ‘Cloudbusting’ is my favourite song of hers, it just feels really ‘Kate’, and it resonates with me on a personal level too.

Björk – ‘Jóga’
I have followed Bjork since Kukl and Sugarcubes. It’s hard to describe in words how much she means to me. But, in short, she represents freedom. She has always done what she wants. She can be like a child and the next second a queen. I admire that ability. Björk is the artist I feel closest to myself. I choose Jóga for the love of Björk and the Scandinavian nature.

The Coathangers – ‘Hurricane’
The Coathangers are both inspirational as a band and people. I’ve had the privilege to open for them and got a chance to hang out with them; both their performance and their supportive attitude and words to me really struck a chord. They are cool, cuddly and gave me good advice. I choose ‘Hurricane’ because I love Rusty’s voice and the song is just like them, badass and corky!

Åsa – In taking on the task to list five personal anthems, I felt bound to retrieve some of the songs of my youth. Of course, this leaves out a lot of songs that hold meaning for me. However, my adolescent and young adult life framed my interest in music and woke my desire to perform on stage. So here’s my list, in no particular order – all holding equal weight in their meaning to me:

Dead Moon – ‘It’s O.K.’
Dead Moon are one of my favourite bands of all time. The song ‘It’s O.K.’ is, as for many others, the first song I ever heard of this iconic garage band. I can only hope to be as fierce on stage as Toody after the age of retirement.

Raooul/Skinned Teen – ‘Spirit of ’78’
As a young punk I of course listened to all the women and queers that had managed to “break through” within the scene. Several of whom would have made this list if I had gotten this quest of listings anthems as a member of one of my other bands. This band, however was truly life changing for me. I got the split record with Raooul and Skinned Teen at the age of 14 and it hit me with a blast.

Thee Headcoatees – ‘Wild Man’
One of the things I love with the genre of garage is the kind of sweet sound with rough edges. Girlsville was the first record of this end of the genre, it has this sound with a clear feminist vibe – of course my teenage self was hooked.

PJ Harvey –  ‘To Bring You My Love’
Let England Shake and The Hope Six Demolition Project are probably two of the records I have listened to the most in later years. However, as a young girl I was introduced to PJ Harvey through the records To Bring You My Love and Rid of Me. I truly believe she is one of the greatest musicians in rock music.

The 5, 6, 7 8s – ‘Motorcycle Go Go Go’
Before The 5,6,7,8s appeared in Kill Bill, my brother introduced me to this band, probably through one of the mixtapes that he gave me. They were my introduction to the surf part of the garage rock genres.

Thanks to Linda & Åsa for sharing their favourites! Check out their epic EP ROACHES!, which you can buy from Bandcamp now. Follow Roaches on Facebook and Instagram for more updates.

PLAYLIST: March 2020

March has been a busy month for Get In Her Ears HQ! It’s Women’s History Month and it was International Women’s Day on the 8th, so we’ve continued to support the women artists we love with regular reviews on our website and a special IWD Playlist which you can listen to here.

Sofar Sounds kindly invited us to curate their IWD gig in Hackney too, which Indian Queens, Amahla, and Beckie Margaret all graciously agreed to play for us. We’ve barely stopped for breath! Take some time to scroll through our track choices for our March playlist below and make sure you hit play on the Spotify playlist at the end of the page.

Sink Ya Teeth – ‘The Hot House’
Fresh from their excellent second album aptly named Two, Sink Ya Teeth’s singleThe Hot House’ and the accompanying video features footage shot by the band and audience members at their recent show in Oxford (check it out here). I am SO happy that I’ve got another heavy helping from the Norwich duo to soundtrack the upcoming warmer months. A time where post-punk, and deep house and I really get back into the swing of things. Sink Ya Teeth thank you, thank you! (Tash Walker)

Sleater-Kinney – ‘Hurry On Home’
I have not stopped singing this since us GIHE girls saw Sleater-Kinney live at Brixton Academy a few weeks ago. Their latest album The Center Won’t Hold is such a tonic, and their performance was certainly a gig-life highlight for all of us. (Kate Crudgington)

Noga Erez – ‘VIEWS’
The inimitable Noga Erez stylishly explores the absurdity of paying for exposure on social media on her brand new track, ‘VIEWS’. Collaborating with her partner Ori Rousso, and LA-based hip-hop artist Reo Cragun, Erez effortlessly commands attention in the striking video that accompanies the single. The Tel-Aviv musician’s clear vocals glide over slick beats and pop hooks to create an infectiously powerful anti-fakeness anthem. (KC)

Taquirah – ‘Feel’
‘Feel’ is the latest single from Taquirah, a performance artist form Illinois currently living in Brooklyn. I cannot get this track’s addictive beats and R&B melodies out of my head. I’m obsessed. Taquirah recently released a video for her track ‘Rush’ choreographed and performed by herself, in line with her focus on creating performance art pieces that fuse ballet with hip hop culture. Keep your eyes peeled for Taquirah’s debut project Divine, coming soon. (TW)

Belako – ‘Tie Me Up’
Having previously blown me away with their immersive live show supporting Queens Of The Stone Age in Finsbury Park last year, Basque Country band Belako have now shared new single ‘Tie Me Up’. Filled with gritty, swooning vocals and immense swirling hooks, it’s a super catchy alt-rock anthem showcasing the poignant raw power and majestic musicality that this Spanish band are capable of creating. (Mari Lane)

CLT DRP – ‘Where The Boys Are’
An anthem of self-realisation and new found confidence, ‘Where The Boys Are’ from Brighton-based CLT DRP oozes their immense raging passion in a seething blast of poignant, swirling electro-punk. Commenting on the track, front-woman Annie Dorrett says: “It’s a love song to some of my favourite female artists, a big thank you to my mom for being such a powerhouse and lastly a big f*ck you to all the TERFS out there spreading hate. It’s also just a really playful song to perform with the band, you get a lot of different elements of our sound all jammed into one piece.” CLT DRP’s upcoming debut album Without The Eyes, is out 15th May via Small Pond Records. (ML)

THICK – ‘Mansplain’
A cathartic, witty, guitar driven take-down of the men who undermine women in bands (and women in general), Brooklyn punk trio THICK’s single ‘Mansplain’ will resonate with women and girls who have struggled to be taken seriously on, and off stage. The track is lifted from their debut album 5 Years Behind, which is out now. (KC)

New Pagans – ‘Admire’
I first heard New Pagans whilst listening to The Irish Jam, and I quickly became fascinated by the Belfast band’s genre-bending sounds. Their debut EP Glacial Erratic is a poignant collection of tracks that explore issues of frustration, defiance, and resolution. ‘Admire’ is a personal favourite. It’s a humble, shimmering ode to the perseverance that’s needed to keep a long-term relationship going. (KC)

Why Bonnie – ‘Voice Box’
Oozing sunny uplifting vibes as shimmering hooks and Blair Howerton’s rich, luscious vocals flow with a soaring emotion, Why Bonnie’s ‘Voice Box’ has shades of the twinkling surf-rock of the likes of Alvvays or Best Coast, creating a truly dreamy offering fuzzing with a dazzling, effervescent charm. Voice Box, the upcoming EP from Why Bonnie, is out 10th April via Fat Possum Records. (ML) 

Ghost Car – ‘Virginia & Vita’
Released at the end of last year, ‘Virginia & Vita’ is a perfect example of all there is to love about Ghost Car. Oozing their scuzzy, quirky bubblegum indie-pop sounds, it’s propelled by eerie synth-driven hooks, soaring honey-sweet vocals and their trademark stirring, whirring theramin-soaked fuzz. I cannot wait to catch this totally unique band headline for us this Friday at The Finsbury! As always, FREE entry, event details here. (ML)

Indian Queens – ‘Bubblewrap’
Hackney trio Indian Queens headlined our International Women’s Day gig (in partnership with Sofar Sounds) at the weekend, and we were captivated by their stripped back set. The talented Amahla & Beckie Margaret also shared the bill, and Girls Against were on hand to  help raise awareness of the issues that female musicians & fans often face. This IQ track is a beguiling lament about the state of the planet, and it’s taken from their debut album God Is A Woman, which is set for release via Cool Thing Records on 3rd April. (KC)

Laura Gray – ‘Break, Drift’
‘Break, Drift’ is the first release from Laura Gray’s upcoming EP Better Lighting. Gentle vocals and dreamy synths all mixed together with pulsating beats. I think we could all do with a little more saxophone in our life. Check out the video for ‘Break, Drift’ here. (TW)

A.A. Williams – ‘Cold’
A.A. Williams is set to play her first headline gig at Southbank Centre in the Purcell Room on Thursday 12th March, and I’m excited to hear her dark, atmospheric sounds in the flesh for the first time. (tickets are available here). (KC)

Otta – ‘Near Enough A Woman’
I cannot get enough of Otta! Their new music is seeping so perfectly into my ears, it’s what I’ve been craving for so long and didn’t realise. This is one of their latest singles taken from the freshly released debut EP after it all blew over, which is sublime. Delivering the perfect combination and concoction of electronic, UK jazz, new soul and RnB. (TW)

Okay Kaya – ‘Insert Generic Name’
Okay Kaya who hails from Norway has been a firm fave of mine since I heard her debut Both, released back in 2018. I got to catch her on 4th March at SET in Dalston which was a total pleasure, she’s back again in May at Hoxton Hall so if you can, grab yourself some tickets. ‘Insert Generic Name’ is taken from her recently released and equally fantastic album Watch This Liquid Pour Itself, another incredibly intimate record of self-reflection via boldly honest, exposing lyrics which are delivered with bone dry with wit. One of my albums of 2020, without a doubt. (TW)

Bugeye – ‘Don’t Stop’
The latest single from friends of GIHE, Bugeye, ‘Don’t Stop’ is filled with swirling scuzzy hooks and the band’s trademark impassioned fiery attitude. Complete with whirring synth-driven refrains, it’s a frenzied slice of catchy disco-punk, showcasing the band’s utterly unique vibrant sound. ‘Don’t Stop’ is produced by Paul Tipler and is out now. You can catch Bugeye live on tour this month – check out their Facebook page for details. (Mari Lane) 

Lady Gaga – ‘Stupid Love’
Get me a pink wig and a metallic bikini, because I’m moving to Chromatica to live with Lady Gaga (see the ‘Stupid Love’ video here). I am SO excited to hear her new album (released on 10th April). I hope it’s bursting with electro-pop bangers like this one, and that all of her future videos are just as Power-Ranger-esque. (KC)

PLAYLIST: International Women’s Day 2020

Happy International Women’s Day! It’s a day to highlight and bring awareness to the issues facing women around the globe, and it’s also a time to celebrate the women we love too. This year’s theme is #EachforEqual – encouraging all of us to collectively help create a gender equal world: because an equal world is an enabled world.

At Get In Her Ears, we have only one definition of a “woman”, and that is inclusive of ALL women. Inclusivity is at the core of what we do. It’s the reason we started, it’s what drives us, and it’s something we will consistently strive for as long as we exist. To be explicitly clear, we always have and always will stand against transphobia – it is unacceptable. We send our love, support and solidarity to ALL women out there.

We’ve created a playlist of all the wxmen artists that continue to inspire, entertain, and motivate us into action. Take some time to scroll through our choices below, and make sure you hit play on the Spotify playlist at the end of the page.

Eurythmics & Aretha Franklin – ‘Sisters Are Doin’ It For Themselves’
An obvious, but essential choice for any IWD Playlist. Annie Lennox & Aretha Franklin are a dream vocal team, and I never get tired of listening to this classic. (Kate Crudgington)

Planningtorock – ‘Beulah Loves Dancing’ 
I’m forever grateful to Tash for introducing me to the lush electronics of Planningtorock. This track is all about their sister, Beulah, and her love of house music. When Planningtorock played this live at their gig at Southbank Centre last year, Beulah was in the audience, and when the two siblings embraced each other after the song, I had a tear in my eye. (KC)

The Julie Ruin – ‘Girls Like Us’
It’s no secret by now that Kathleen Hanna is the woman who has inspired me the most and pretty much the reason we started GIHE, and so it seems only right to include a track of her’s on our playlist celebrating amazing women. And this track from The Julie Ruin is just a perfect ode for womxn of all kinds this IWD. A unifying anthem for all us misfit grrrls, with relatable empowering lyrics such as “… girls like us pick up the hot handles and burn our hands and we get over it”, it never fails to pick me up and leave me feeling ready to face the world. (ML)

Big Joanie – ‘Used To Be Friends’
I think all three of us would firmly place this band on any International Women’s Day Playlist. We could not be more behind everything Big Joanie are about, having seen them countless times over the last year – their headline gig at The Moth Club was an undoubted highlight, this band just keep the good music coming. Their politics and music are inseparable, using their platform to speak to their experiences as a black, queer, punk band and the importance of intersectional feminism, it is a privilege to have had them on our radio show. (TW)

Nova Twins – ‘Bullet’
Consistent GIHE favourites Nova Twins have released their breath-taking new album Who Are The Girls, and this track is lifted from it. It’s a powerful statement against street harassment, and the myth that women are “asking for it” if they dress or act in a certain way. Amy’s lyrics are the ultimate weapon against such insults, making it crystal clear that those who touch without permission are not fucking welcome. (KC)

Jehnny Beth – ‘I’m The Man’
Though Jehnny Beth has said that ‘I’m The Man’ is “a poetic work first and foremost. Its aim is to make you feel, not think”, for me it seems to address the anger and ruthlessness surrounding toxic masculinity and the damaging effects it can have. IWD, I feel, should not only be about celebrating the brilliant women in our lives, but informing our male allies so that they can support their female peers as much as possible, and also be reassured that to be a “man” does not mean having to be aggressive or physically powerful. A poignant and powerful offering from this immense force of womankind, who I cannot wait to see live today at The Roundhouse as part of BBC 6 Music’s Festival (along with other awesome women Kate Tempest, Kim Gordon and more). (ML)

Deux Furieuses – ‘Year Of Rage’
GIHE faves Deux Furieuses last year dropped their immense album My War Is Your War – a collection of poignant, impassioned and all-too-relevant rock anthems. Taken from the album, ‘Year Of Rage’ is a seething offering addressing the #MeToo movement and the anger felt by women everywhere trying to seek justice. Delivering a message of empowerment through the raging riffs and soaring vocals of Ros Cairney and frenzied pummelling beats from Vas Antoniadou, it’s a hugely powerful and distinctly necessary listen this IWD. (ML)

The Joy Formidable – ‘The Last Drop’
I’ve lost count of the amount of times I’ve told people how much I adore The Joy Formidable. I’ve been following them for a decade now, and I am still in awe of their ability to create heavy, magnetic, alternative tracks like this one. (KC)

ARXX – ‘Intervention’
Another playlist, another ARXX track. But we make no apologies about this. ARXX have been faves for a while now, and with their “unapologetically loud”, ferocious raw power, they continue to blow us away with their unrelenting raucous sounds. This track, ‘Intervention’, taken from 2018’s EP Daughters Of Daughters, talks of social injustices, giving a shout out to the LGBT charity Stonewall, exclaiming that “you don’t get to say who we fall in love with”. A perfect, raging anthem for equality. Two of the coolest women we know, ARXX also headlined our IWD gig last year at The Finsbury, and it really was the best way to celebrate. (ML)

Amaroun – ‘Perish’
Previous guest on our radio show Amaroun has recently jumped back into the limelight with several new tracks, inclusive of this one ‘Perish’. I’m loving this next step in Amaroun’s musical journey – the beats, the vocals, the stripped back simplicity, sublime. Drawing from her experiences as a black queer woman, overcoming struggles with sexuality and the importance of emotional honesty in music, these themes stand strong throughout her songs. I can’t, and don’t want to stop listening. (TW)

Nayana Iz – ‘How We Do’
What a tune1 ‘How We Do’ is possibly one of the best debuts I have ever heard. Indian born, London raised Nayana Iz has arrived and she’s taking you with her. Eyes wide open people and get watching. (TW)

Missy Elliott – ‘She’s A Bitch’
One of the coolest, most inspiring women in the business, Missy Elliott delivers the most empowering and entertaining of offerings, just by being her incredible self. Proving that a woman can conquer a previously male-dominated genre, whilst consistently unashamedly oozing self confidence, she never fails to motivate me and put a smile on my face. Showing women that it’s ok to not fit the “feminine” stereotype that the industry so often seems to demand, and just be who you are and wear whatever the f*** you feel comfortable in (whether that’s an inflated bin bag or a scarecrow costume – check out last year’s performance at the VMAs to see this in action), she continues to push boundaries and remains a colossal force of nature. ,(ML)

Nilüfer Yanya – ‘Tears
One of my favourite tracks from Nilüfer Yanya, a slight move away from her guitar heavy tunes, ‘Tears’ released early last year captures and takes you along with its bouncing beats and sad reflective lyrics. It’s been great to watch this artist reach the acclaim she so rightly deserves, with my personal highlight seeing her play at Primavera 2019. It was the definition of sun-drenched guitars. (TW)

Shea Diamond – ‘I Am Her’
As early as transgender singer Shea Diamond can remember, she identified as a girl – and was punished for it. At age 20, she robbed a convenience store at gunpoint – desperate, she says, to fund her gender-affirming surgery. Behind bars (in a male prison), Diamond found her voice as a songwriter, and wrote this track ‘I Am Her’. I wanted to include this track today, not only because I just love its poignant, soulful groove, but because Trans Women are of of course women too and should be celebrated on International Women’s Day (and every day)! (ML)

Lido Pimienta (feat. Li Saumet) – ‘Nada’
Inspired by the birth of her daughter, Canadian-Columbian musician Lido Pimienta has penned this beautiful song ‘Nada’. Taken from her upcoming album Miss Colombia, Pimienta ruminates on the pain women experience – from debilitating period pains to giving birth – and how strong we are despite being unfairly dubbed the “weaker sex”. Watch the accompanying video for the track here(KC)

FKA Twigs – ‘sad day’
The master and the muse; FKA Twigs continues to dazzle my eyes and ears with each new release. This track is taken from her second album, Magdalene, a record which blends vulnerability and raw power in equal measure. There aren’t enough adjectives to describe how much I love the music this woman makes. (KC)

Pumarosa – ‘Lose Control’
I interviewed Pumarosa’s front woman Isabel Munoz-Newsome last year for The Line Of Best Fit (read here), and she said this was her favourite track from their latest album Devastation. She spoke candidly about how she wanted to change the narrative around “love” or “breakup” songs, and her words have stayed with me ever since. This track is a slow-burning banger. (KC)

Arlo Parks – ‘Cola’
Watching Poet, rapper, singer & producer Arlo Parks grow over the last couple of years, receiving the absolutely deserve notoriety and success that an artist of her calibre should has been our pleasure. ‘Cola’ her debut single has kept a solid place on many of my playlists, a tender, confessional and mesmerising track. If you haven’t heard of Arlo Parks yet, go check her out now. You can thank me later. (TW)

Sleater Kinney – ‘Modern Girl’
Having been left completely speechless by seeing total heroes Sleater Kinney live last week, I couldn’t not include a track by this group of inspirational women. Seeing Carrie Brownstein perform this song, with all her infectious charisma and musical magnificence, was a definite highlight. And the lyrics “anger makes me a modern girl” seem particularly poignant this International Women’s Day. (ML)

Amahla – ‘Old Soul’
Hackney-Native Amahla blew us away with this song ‘Old Soul’ at the beginning of 2019 and has just kept getting better. An artist who uses their platform for greater good talking about women’s issues, race and current political climates, has an unquestionable place on our IWD2020 playlist. (TW)

Antony and the Johnsons – ‘My Lady Story’
“My womb’s an ocean full of grief and rage.” I can’t listen to that lyric without my heart breaking a little. A strong advocate for trans rights, feminism and climate action, Anohni (formally of Antony and the Johnsons), is a necessary and powerful voice this International Women’s Day. On identifying as transgender, Anohni once said in an interview with The Guardian: “I was never going to become a beautiful, passable woman, and I was never going to be a man… It’s a quandary. But the trans condition is a beautiful mystery; it’s one of nature’s best ideas. What an incredible impulse, that compels a five-year-old child to tell its parents it isn’t what they think it is. Given just a tiny bit of oxygen, those children can flourish and be such a gift. They give other people licence to explore themselves more deeply, allowing the colours in their own psyche to flourish.” (ML)

Dolly Parton – ‘Here You Come Again’
With the recent release of the Dolly Parton podcast and BBC documentary, I’ll take any chance I can to lap up any more content from this one. Dolly, what a woman. I don’t think I need to say anything more. (TW)

Merry Clayton – ‘Love or Let Me Be Lonely’
I recently watched 20 Feet From Stardom and to my shame learned so much about this amazing woman’s history that I did not know. A long established American soul and gospel singer, she provided backing vocal tracks to so many notable performing artists, the most famous being the Rolling Stones’ ‘Gimme Shelter’. Take her voice out of that and what are you left with? Here’s a shout out to the often forgotten or overlooked backing singers from some of the best hits out there. An established and amazing recording artist in her own right, it’s never too late to get into Merry Clayton. What a voice. (TW)

Jackie Shane – ‘Any Other Way’
A Get In Her Ears playlist would not be complete without Jackie Shane, I think this track ‘Any Other Way’ has featured on so many of our playlists and radio shows, but for good reason. Kate introduced me to this artist a couple of years ago and I was sold on first listen. Jackie Shane lived her life as a woman in the spotlight, during a time when compassion and acceptance were not always reciprocated to those who identified as trans. A pioneer for trans rights in the 60s, who very much lives on in our memories today. (TW)

Girl Ray – ‘Friend Like That’
GIHE faves Girl Ray have recently released their uplifting second album, Girl, and I cannot get enough. Taken from the album, ‘Friend Like That’ is an ode to friendship flowing with the trio’s colourful energy and funk-filled, pop-inspired hooks. Of the track, the band explain: “This is a friendship anthem. In music, friend love is often overshadowed by romantic love and IT’S JUST WRONG. This one goes out to the mates of the world.” Basically a perfect, shimmering anthem to celebrate all your fantastic female peers this International Women’s Day. (ML)

Shari Vari – ‘New York City’
Since hearing their debut album, Now in 2019, I still cannot get enough of the Hamburg based alt-electro/punk/producers Shari Vari. Now out via Malka Tuti, it’s packed full to the brim of brutalist delights. From ‘Dance Alone’, which takes me back to those dark, freezing, sweaty warehouse raves to this track ‘New York City’ with warped vocals, heavy reverb and cinematic crescendos. One of my albums of 2019, I consider myself still completely hooked. (TW)

Mentrix – ‘Nature’
Born in Iran but now based in Berlin, Mentrix (aka Samar Rad) blends her experiences of eastern and western culture, along with traditional Sufi instrumentation to create her beguiling, bold soundscapes. Her extensive travels and multiple influences – from Latin and French Literature, to The Qu’ran and traditional Persian poetry – give her music a diverse and fascinating edge. I can’t wait to hear her album My Enemy, My Love, which is set for release via her own (female-led) record label, House of Strength, on 3rd April. (KC)

Gazelle Twin – ‘Anti-body’
“I’m credibly unknown, and incredibly ok with that” wrote Elizabeth Bernholz – aka Gazelle Twin – in response to a fan who suggested she should be added to the Reading Festival lineup to fill the obvious void of female bands/artists on the bill. Bernholz’s pioneering sound and vision is best experienced elsewhere though, as her avant-garde, haunting electronic soundscapes demand your full attention. This track is lifted from her second album Unflesh, and although Bernholz has said she will never return to this material (having crafted her spectacular third album, Pastoral), I always come back to it when I’m feeling restless. (KC)

Introducing Interview: KENICHI & THE SUN

Set to release her new album next month, Katrin Hahner – aka KENICHI & THE SUN – has previously received acclaim from the likes of The Guardian, Gold Flake Paint and BBC 6Music’s Lauren Laverne.

Creating utterly enchanting dark-pop offerings, it’s impossible not become captivated by the immersive and powerful soundscapes she creates.

We caught up with Katrin to find out more…

Hi Kenichi & The Sun, welcome to Get In Her Ears! Can you tell us a bit about yourself!
Hi, thanks for the invitation, Get Her Ears! Delighted to be here. I love to create music and art. I turn on/off the lightswitch in my kitchen with my right foot. I like solitary walks and hikes. I love to look at the sky. I just released the first single ‘Splendour’ of my new album WHITE FIRE which will be out April 3rd. I am looking for patterns in everything and am always ready and willing to be amazed.

How did you initially start creating music?
Someone left their electric guitar and an amplifier  in our shared art studio in Art Academy and after staring at it for a while I finally picked it up and subsequently recorded three  albums over the next few years under the name MISS KENICHI. In 2019 that transformed into KENICHI & THE SUN. I created the music for a huge theatre production in Iceland and wrote the music for art performances that were performed in contemporary dance spaces all over Europe, doing film scores for video artists and collaborating with a lot of really inspiring people completely changed my way of writing and producing the songs. It really expanded my horizon of whats possible and I  allowed all these musical influences to play out on WHITE FIRE. That was very liberating. 

Your new album WHITE FIRE is out 3rd April 2020 – can you tell us what it’s all about? Are there any themes running throughout the album?
It really is about transformation and an opening that happens through something like a rock bottom. The core of the fire where the heat is strongest is glowing white. Even the ashes get burned in there. Only very few things remain. Medicine people have forever used the fire to turn previously toxic materials into healing medicine. I felt like I threw my previous experiences, my assumptions, my self imagery into that fire and allowed them be transformed. There´s themes like loss and transience and the strength and wisdom that can come from going though it. I lost a great friend to suicide, my father passed away. Yet there is always a profound presence of beauty and wonder. It´s an exploration of the shadows in order to understand how to see through them. It´s a puzzle of sorts. Every song is one piece that adds to a greater picture. I am interested in life itself with all its strange mechanisms and its intensity and glory and beauty. I am always looking for ways to connect the dark and the light. Can´t have one without the other. Everything is part of the deal. Harmony and chaos, human and divine, male and female, success and failure, sacred and profane. It´s all life. It´s the full colour wheel. 

You’ve been compared to the likes of Björk and Fever Ray, but who would you say are your main musical influences?
All kinds of music influences me. Everything I hear really. These two amazing artists are definitely influential, their fierce creativity and curiosity and courage is a great inspiration. My taste is pretty eclectic.  My head is full of music and images, so I also love (and need) long stretches of silence (or even better: nature sound) . And then if I listen to something, I really listen. I love Talk Talk, Palestrina, Gagaku Music, Gyda Valtisdottir, Kendrick Lamar, Pauline Oliveros, My Brightest Diamond, Erykah Badu….I just made a playlist with music that inspired me during making WHITE FIRE – Check it out! 

How is your local music scene? Do you go to see lots of live music?
Yes! Great concerts in Berlin!

And what can fans expect from your live shows?
Dreamlike. Colourful. A celebration. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
TAU, Candice Gordon, Nina Hynes, Tara Nome Doyle, Johanna Amelie, Mynolia, Dolphin Midwives, Gyda Valtisdottir, Daughters of Reykjavik. 

And how do you feel the music industry is for new bands at the moment – would you say it’s difficult to get noticed?
I try to not focus so much on the difficulties, but on the possibilities. Be creative, leave the playing field for a moment and change the perspective, allow the unexpected. I perceive music more like medicine. Music is not a luxury, it´s an essential nourishment. Of course I put some effort into getting it to the people. I want to have a conversation. I do not only set out to get noticed, but I want to notice the other side as well. It´s a conversation, isn´t it? 

Finally, what does the rest of 2020 have in store for KENICHI & THE SUN?
The release of WHITE FIRE next month, which I am very much looking forward to. Concerts. More videos. An Exhibition. A few months in Iceland. Lots of time in nature there plus an art project I started last year. Right now I am  printing an exclusive special edition art poster for my record release show in April (they came out beautifully!). A movie I did the score for called ‘We always need heroes’ by British artist Rosie Heinrich will be released later in the year. Connecting with more amazing people and getting some new work done. 2020!

WHITE FIRE, the upcoming new album from KENICHI & THE SUN, is set for release 3rd April.