Interview: Bang Bang Romeo

Having been completely blown away by the immense force of Doncaster’s Bang Bang Romeo live at Cro Cro Land earlier this year, it was with excitement that I ventured out on a rainy Thursday night to see them again last week.

With their current UK tour in full swing, having already sold out shows in Birmingham, Manchester and Southampton (amongst others), and with the injuries to show for it (drummer Richard broke his foot in an unfortunate accident coming off stage in Birmingham, but is continuing to play gigs like a trooper), the band are in good spirits when I catch them for a quick chat before the gig at Omeara.

The tour’s been beyond what we expected”, front woman Stars enthuses when I ask how it’s been going so far. “We’ve sold out every night… it’s crazy. Of course, we’d hoped that Leeds and Sheffield and places close to home would sell out. But, for places down here, like Southampton, it blows my mind; driving so far away from where friends and family are, there are no guestlists, it’s just genuine fans. It’s a great feeling.”

Discussing how the crowds have all been totally “up for it“, Stars tells me how it’s been the first time she’s experienced receiving gifts from fans. From wooden BBR logos and names tattooed on people’s arms, to tasty Bake Off worthy cakes: “One BBR fan in Edinburgh had seen on social media that my favourite breakfast is Eggs Benedict with black pudding, so they baked a three tier cake in the shape of Eggs Benedict with a shiny pink tutu… And it tasted amazing.”

And so it seems that Bang Bang Romeo’s time has come to win over hearts worldwide with their energy-fuelled anthems and Stars’ unmatched charisma, and it’s fantastic to see this well-deserved success. “There’s been all these weird moments that we’ll never forget… This tour really has been a turning point.”

But what got Bang Bang Romeo started on their journey to ‘stars’dom? Has music always been a part of their lives?

There’s just nothing else we could see ourselves doing,” Stars reflects. “I’m very happy that mine and Ross’ paths crossed a few years ago. We’ve been writing together ever since.” And with Richard Gartland (drums), and the recent addition of Richard (II) on bass, their line-up is now complete. “This is the line-up that you see today,” Stars motions around the cosy dressing room, “We’re a very happy unit.”

We’re all just massive music lovers“, guitarist Ross continues, “We got a lot of inspiration from our dads.” Stars agrees: “We’ve all had our dads as a main focal point for music… Well-played dads!

As well as listening to music from a young age, Stars can’t remember a time that she didn’t love singing – “Dad says I started singing when I came out of the womb… just imagine – ‘I’m here and I’m queer!’” she chants, with that distinctive cheeky glint in her eye. Drummer Richard, too, has been honing those beats since childhood: “I started playing when I was ten. At first, I didn’t like missing Maths for the classes, but as soon as I got into it, I loved it.”

Music has always been an integral part of the band’s lives, and this completely shines through in their boundless passion and enthusiasm for all they do. Music is life, and Bang Bang Romeo’s belief in this is just one of the things which I’d imagine makes so them so popular – their genuine love for what they do resonates deeply in each of their immense performances; it’s impossible not to become swept up in their utterly infectious joyous energy. “Music is everything” Stars explains, “… Whatever experience you have relates to music – happy times, sad times, you wanna pull a girl – music… Music is the real accompaniment to every memory. It’s a wonderful thing. We are all obsessed with it.”

Bang Bang Romeo’s passion and optimism is reflected in their empowering latest single ‘Love Yourself’, which saw them team up with songwriter and producer Example. Of the collaboration, Ross explains: “It all started at a This Feeling TV show we were doing. He (Example) was also there doing an interview, and we just started chatting.” Stars continues: “Mikey Johns – the creator of This Feeling, an organisation that’s always supported us – just introduced us to his mate, Example, and we just both hit it off straight away… We had each other belly-laughing, and he suggested we should work together. Two weeks later, behind the scenes, it had all been sorted out.” Co-writing and recording the song together, the collaboration seemed like a completely natural and pretty relaxed process: “Blueprints of the song were down within two hours. It was just there.

Reflecting on the meaning behind the lyrics and its message of self-love, Stars explains: “The state that social media’s in, with the massive pressure to be perfect… It bleeds into your life and your loved one’s lives. It’s becoming more and more apparent that no one can accept a compliment or be proud of how they look. I’ve experienced it a million times with myself, and with my partner Charlotte too: I’ll say ‘You look beautiful today’, and she’ll say ‘no thanks’… I’m like basically ‘just love yourself!‘” So, it seemed only right to write a song with this message. “We all wanted to roll with that”, she continues, “Ross had had this chorus in his ‘brainlocker’ for a while, and it was just a perfect starting point for this song, and we just built around it…”

Taking this as a starting point, Example, too, was inspired: “He would just suddenly come up with lyrics… He’d be on his phone and we’d be like ‘what the fuck’s he texting for?’, and he’d literally just written the whole songThere were just little things that inspired the lyrics. Like, we were recording in London and it was absolutely pissing it down, and we went somewhere called The Moon, which is where the lyric ‘meet me down the moon some rainy Sunday’ came from. The guy’s a genius, we loved working with him.”

On the subject of working with other members of the pop elite, we discuss the band’s recent support slot on tour with the legendary P!NK. “It was amazing“, Stars recounts, “It was more than we expected. A dream come true. Everything was more than we expected“. Richard interjects: “Especially the catering!

Everything was more. We got told that P!NK’s agent had come to a show we didn’t know about – you don’t expect anything to come from it, and then obviously this happens. So, that was more than expected. Then you think you’ll be playing somewhere like the O2, then it’s Wembley Stadium two nights in a row, so it’s a little more than expected. Then on the catering, you expect chips and burgers and then it’s lamb shank with a dauphinois red wine jus. Everything exceeded every expectation. Including P!NK herself.”

With clear admiration and gratitude, Stars continues: “That saying ‘never meet your heroes’ – whoever came up with that had shite heroes! She’s a total hero of mine, and I know the lads genuinely love her and appreciate her as an artist. She was extremely inspirational in every single way. It really is a testament to her as a person, and an artist, and her whole team – putting on a band like us, a completely unknown band in comparison. I think other artists of her level should take a leaf out of that book because otherwise noone’s gonna have a chance. And we feel like we’ve been given this wonderful chance.”

Again, Stars’ and the band’s genuine emotion and love for what they do shines through. They’re clearly not taking anything for granted and relish every opportunity they get to spread the word about BBR, perform around the world, and recruit new members of the ‘BBRMY’. Their love for each other and closeness as a unit is also explicitly evident; they seem completely at ease with each other; totally on the same page, and frequently breaking out into little giggles either at each other or the various interruptions we have throughout the interview (the fire alarm and support bands’ vocal warm-ups only adding to the fun). 

With them now having shared a stage with one of the most famous women in the industry, I ask the band what they think of the representation of women in music generally. “I think it’s progressing”, Stars begins, “And quite rightly so. Just like anything else in the world, the more awareness there is about it – the more conversations we have, and the more open-minded we are – the more change will happen. And I think this change has started to happen. We’re starting to have more of these conversations; whether it’s the 50/50 split on festival line-ups, or even tragic things that shouldn’t have to be campaigns like the ‘Me Too’ movement. They shouldn’t have to be a thing, but shed light on the way women in general are treated.”

And on the labels women are so often heaped under, Stars laments: “I think we’re at a stage where people are starting to hopefully not focus too hard on ‘female fronted’ as a label. I hate that so so much – my vagina’s nothing to do with it! It’s not ‘female fronted’, it’s ‘me’ fronted! I think we’re getting there. We just need to have more conversations like this.”

It’s evident that the rest of the band are in agreement too, as Richard adds: “I think the best thing we’ve seen is women now finding the confidence to say ‘actually you can’t say that to me. You can’t do that to me‘”. In other words, Stars clarifies: “We’re not taking any more shit!

However, Stars does have some concerns about certain measures being put into place to promote ‘equality’. “The 50/50 split does kind of worry me. I wanna be on a line-up for a festival because I’m good enough, not because I’ve ticked a box. Not because there’s a space for my vagina! It would have to be a pretty big space… I take up two seats. I don’t want to be a statistic on your fucking spreadsheet. I’m here because I’m good enough.” 

She has a valid point. These measures are of course positive steps, but what’s key is the awareness of the issue, and the importance of female/non binary artists being given as many opportunities as their male peers. “I think we just need to come up with more ideas, because it’s working and I’m seeing more bands with a strong female presence, and that’s because of this, and soon I won’t have to say a ‘female band’, that’s the dream for me… Just stop calling me a ‘female fronted’ band!” Stars’ passion fills the room; her assertive and vibrant nature is something that I truly admire, and wish I had more of. She’s a force to be reckoned with, an essential strong presence in today’s industry.

So, it is not surprising that when asked about sexist attitudes she’s come across directly, her initial response is: “I think the majority of people wouldn’t fucking dare! I don’t know if you’ve noticed, but I’ll just tell you what I think.” (I have noticed, and it is one of the things I love most about her).

“Yeah, I’ve experienced little things – it’s hard to compile just one experience. But there are always things that make you go ‘Oh, you said that because you’re a man… At a show abroad recently, I was getting interviewed and the guy was like ‘how do your band feel about a woman fronting them?’ … I was like ‘they probably feel pretty fuckin’ lucky. Next question’… And then he continued ‘how does it feel to be female in a band in a man’s world?’ – I was like ‘what is this?! Am I being Punkd?!'” So, yes, even the strongest and most outspoken of us experience sexism from ignorant men in the industry… “There are so many other interesting things to talk about… Why are we talking about my tits?!

And it’s clear this wasn’t a stand-alone incident, as Richard adds: “And a bloke the other day said he’d wank over Stars. He even said it twice, for effect.” Stars continues: “Yeah, he said it like it was a compliment, like I should be flattered. I was like ‘why are we having this conversation?!’ If I could get away with breaking someone’s nose, I’d have broke his nose. Obviously I don’t condone violence though… Piss off!

My admiration for Stars only continues to grow, as I secretly wish she had broken that guy’s nose…

So, onto subjects other than being in a ‘female fronted band’…

It’s with evident excitement that the band talk about their upcoming debut album, which is out this Friday, 1st November. “We had the release pushed back a couple of times due to various things, like the P!NK tour and Example song“, Richard explains, “And us all just being total perfectionists… But we’re finally in a position when it’s ready.

We’re itching to get it out“, Stars adds, “It’s a compilation of songs that we’re so excited about. It’s our life’s work versus recent work, showing the journey of us as musicians, and how we’ve progressed.”

I just think it’s a really good introduction to what we deliver” Richard continues, “It varies from different sorts of vibes. It’s got funkier tracks, heavier ones, and then more mellow ballads, like my personal favourite ‘Beautiful World‘.”

“It includes songs we’ve recorded all over the world“, Stars explains, “From songs we recorded a few years ago, to one we recorded in March of this year. It really does span a long amount of time and distance – from NY and LA, to Birmingham, London and Doncaster.

This distinctive, yet eclectic, sound is a Bang Bang Romeo trademark, as I witness at the gig that follows – from head-banging, fist-clenching heavy rock moments, to lighters (phones) in the air emotional pop ballads. Their versatility, all held together by the immense power of Stars’ vocals, her unique charisma, and the band’s consistently tight musicality, is another element that I think contributes to their widespread and ever-growing fan base.

And, yet again highlighting their closeness as a band, Stars explains how all the songwriting is completely collaborative: “In terms of lyrics, me and Ross will write the songs, then when we take the bones into the studio, it’s all very hands on in how we want it to sound. We all help each other out with everything, we’re strangely in tune with each other, and have the same kind of vision. We all trust each other completely, and want each other to be completely happy.

One of our favourite things to do“, Ross adds, “is just being in the studio, throwing ideas around. With ‘Beautiful World’, for example, Stars went in to do a vocal on it, and just went off on a tangent of crazy vocals. We were all hugging each other, and she had no idea what was going on – it was perfect. There are loads of little beautiful moments. So, hopefully people will listen to the album and get those too.

It seems, with the tour and album, that Bang Bang Romeo are pretty busy and couldn’t possibly fit in anything else for the rest of the year, but they’re not stopping there…

We have got a few announcements coming up. A few Christmas shows we’re playing and announcements for next year…” Richard assures me.

Even though our debut album will have just come out”, Stars adds, “we are going straight back into the studio to record album number two… Sitting on our hands and doing nothing is just not an option. Not just financially, but we just don’t wanna do anything else… This is life. We are often talking ’til midnight, and then will be back on the phone at 8am. Not a day goes by when we don’t speak.”

And it shows. Bang Bang Romeo are clearly as tight personally as they are musically. There will be no stopping them as they continue to blast into our ears and minds, expanding their ‘BBRMY’ and creating powerful, empowering anthems. With the incredible raw force of Stars at the helm, they’re unlike any other band around; their music, and all they stand for, is truly admirable. It was an honour not only to meet them, but to continue to have my mind blown by their colossal live show once again.

A Heartbreaker’s Guide To The Galaxy, the upcoming debut album from Bang Bang Romeo, is out 1st November.

Words: Mari Lane / @marimindles
Photos: Jon Mo / @jonmophoto

Introducing Interview: Eilis Frawley

Already known to us as one half of duo Party Fears, Berlin based artist Eilis Frawley has now got our attention with a stirring new solo release.

Combining poignant spoken word lyricism with throbbing beats and twinkling ethereal electro soundscapes, ‘illusions’ reflects on the pressures of modern day life and the effects it can have on our mental health.

We caught up with Eilis to find out more…

Hi Eilis, welcome to Get In Her Ears! Can you tell us a bit about what you do?
Hey! I’m a drummer, playing in Party Fears and I Drew Blank, and more recently as a solo performer working with spoken word, drums and samples. 

We already know you as one half of art-pop duo Party Fears, but what inspired you to start this solo project, and how did it come about?
I had been thinking about it for a number of years but I can’t sing (or play a more ‘solo’ friendly instrument), and was unsure of what medium I could create something in. Last year I applied for a job in a circus (truth!) and they asked me to send a video of me playing/using electronics (tbh I probably wasn’t qualified for the job), which was the birth of the ‘Intellectual Men’ video I put out last year; much to my surprise it got a lot of attention, and I started to think maybe the world is big enough for exactly that, a solo drummer with spoken word. 

Your stirring new single ‘illusions’ is out now – can you tell us a bit about it?
I’m fascinated by the various masks people wear to function in society. We show ourselves so differently on social media, towards people we love and towards strangers. We’re living in a time of extreme busy-ness and I think it takes a real toll on peoples mental health, so wanted to touch on that. 

Your music is pretty unique and I wouldn’t ever try to pigeon hole it into one genre, but who or what would you consider to be your main inspirations for this new project?
I’ve been fan girl-ing Tune-yards for years, I love the layers she uses and how unapologetic she is in her style. Holy Fuck and Battles are also huge inspirations for pad/synth/soundscapes.

How is your local music scene? Do you go to see lots of live music?
The music scene in Berlin is large and diverse. We’re extremely lucky to get so many bands coming through on tour. Any night of the week there’s a possibility to see a show. I try to go to a gig every week – sometimes it doesn’t happen, but other weeks I go to three! 

And what can we expect from your solo live show?
You can expect it to be loud, and hopefully reflective. I hope people can relate to my stories of feminism, growing up, living abroad, mental health and the general feeling of being an ‘outsider’. 

As we’re a new music focused site, are there any new/upcoming bands or artists you’d recommend we check out?
So many! I made a tour playlist full of new releases (mostly) by upcoming artists. Have a listen here. For Berlin Bands: People Club, SchnickSchnack, Aporia, Jaguwar, Shybits, Gym Tonic.

And how do you feel the music industry is for new artists at the moment – would you say it’s difficult to get noticed?
I hands down don’t understand the industry. There seems to be a lot going on and there are plenty of blogs/promoters/playlists, but be dammed if I understand anything about algorithms. At the moment I’m trying to just work with people who are decent and genuinely interested in my music. If the industry is a deep sea, everyone is trying to be in the reef!

Finally, what does the rest of 2019 have in store for you and your solo work?
I have plans to go back into the recording studio at the end of November, and another single to come out by the end of the year. In December/January I will be soaking up the sun in Australia, spending some time with my family and also playing a few shows.

Massive thanks to Eilis for answering our questions! 

‘illusions’ is out now, via Reckless Yes. Buy on Bandcamp. And catch Eilis live on tour:

30th October – Earth, London
31st October – Hatch, Sheffield
1st November – The Old Abbey, Manchester
2nd November – The Gallery, Leicester (w/ Amateur Pop)

Photo Credit: Nina Hynes

Film Preview: A Dog Called Money

As the sun fades to dusk in Kosovo, five different calls to prayer sing out over the city. Harmonious and discordant, PJ Harvey remarks, “I felt my soul open to the singing.”

PJ Harvey and Seamus Murphy have been collaborating for a decade. A Dog Called Money is their magnum opus; a politically and artistically-driven film shot over the course of three years. The pair visited Kosovo, Afghanistan, and the lesser-spoken-of suburbs of Washington DC, exploring misrepresented cultures overlooked by mainstream media.

In A Dog Called Money, Murphy splices these scenes with the recording of Harvey’s last record, The Hope Six Demolition Project. A further daring test to push her boundaries, Harvey recorded Hope Six in a specially-built studio at Somerset House. She then invited the public to come and watch the process. Laughs and jokes are shared, but not to the detriment of the worldwide issues that inspired the material. 

The film explores all aspects of Harvey’s process: the inspiration – those calls to prayer, baptisms, war, music; the recording – songs that made the album, songs that didn’t; and the notes she took while in the field. All of these make it to the screen. At one point, in Southeast DC, a boy takes Murphy on a tour of his neighbourhood, pointing out every spot where a member of his family was shot. At another, a group of children offer Harvey some tea. 

On 1st November, A Dog Called Money will be premiering at the Barbican Centre. As part of the Doc’n Roll Film Festival, the audience will be treated to a screening of the film and a Q&A with director, Seamus Murphy.

In a world where the UK doesn’t know what the fuck it’s doing, A Dog Called Money and its accompanying album, The Hope Six Demolition Project are timely insights into what really matters: art, music, and the fragile bonds of humanity.

A Dog Called Money premieres at The Barbican on Friday 1st November as part of Doc ‘N’ Roll Film Festival, with a Q&A featuring Seamus Murphy. More info here.

Em Burfitt
@fenderqueer

Five Favourites: Deux Furieuses

Having previously wowed us with their truly immense live show at The Finsbury a couple of years back, duo Ros Cairney and Vas Antoniadou – aka Deux Furieuses  – have been going from strength to strength with their powerful offerings.

Now, with the release of their poignant new album My War Is Your War, they continue to blow our minds with their explosive post-punk and stirring raw emotion.

We think one of the best ways to get to know a band is by asking what music inspires them or influences their writing. We caught up with Ros from the band, who has shared her “Five Favourites” – five tracks that particularly resonate with her and Vas. Check out her choices below, and scroll down to watch the new video for ‘Let Them Burn’ at the end of this post.

PJ Harvey – ‘All and Everyone’
This makes me feel ill. I first listened to the album lying in a hospital bed which was a mistake. The track alternates heart-stoppingly between urgent and woozy sections as she plays with time, life and death. When the drums come in with a dull thud they sound stilted, then soon stop to leave the build up of chiming autoharp chords which introduce the voice with the words “Death was everywhere, In the air, And in the sounds, Coming off the mounds, Of Bolton’s Ridge..”. The vocals echo with a sense of place and history. Verse 2 is propelled along by churning chords until the rhythm slows and the song just lets go into the most sublime free fall with “As we advance in the sun, As we advancing every man, As we advancing in the sun”.  After the last line “Sing death to all and everyone” the track descends into a repetitive outro with long trombone notes conveying an out of tune malaise. I didn’t think PJ Harvey could improve on Dry until I heard Let England Shake. I had always loved PJ Harvey the actual band, that first trio with her distorted guitar riffs locking into that fantastic rhythm section, rather than her songwriting or her ‘solo’ albums. Vas and I saw them many times and are honoured to have worked with drummer Rob Ellis on both our albums. But on Let England Shake, Polly Harvey surpassed all her previous work.

Bert Jansch – ‘January Man’
I first heard Bert Jansch on an old battered copy of 1965 album Don’t Bother Me, borrowed from my aunt Aine Carey who actually taught me to play guitar. I loved his voice and the track ‘Ring a Ding Bird’ with its mesmerising major to minor and back to major key mood shifts. But this is my favourite Bert Jansch song for the combination of his voice and guitar playing on this fantastic song written by Dave Goulder. “And the January man comes round again in woollen coat and boots of leather, To take another turn and walk along the icy road he knows so well, The January man is here for starting each and every year, Along the road for ever”.

Joni Mitchell – ‘Amelia’
I took a year off university in Glasgow to work as a houseparent in a ‘free school’ near Dumfries and would take off into the countryside on a bike. It was summer and I loved to sit under a tree in a field and listen to Hejira, Joni Mitchell’s electric guitar road album endlessly on headphones. I loved the words and guitar on ‘Amelia’, skies streaked with vapour trails that look like “the hexagram of the heavens, the strings of my guitar… The drone of flying engines is a song so wild and blue, It scrambles time and seasons if it gets through to you… I dreamed of 747s over geometric farms”. The song progresses without a chorus, powered by her finger picked electric chords with sonic textures and a line at the end of each verse addressed to Amelia Earhart, another solo traveller with a dream to fly. I was considering moving to London to pursue music but then stayed on in Glasgow for a few years until I realised it was now or never. When I finally moved I met Vas. 

The Beatles – ‘A Day In The Life’
It was tough to choose between ‘A Day in the Life’ and ‘Gimme Some Truth’ by John Lennon solo, which is the only cover we have ever played live and is so relevant to now. But ‘A Day in the Life’ won through. Wafting in with atmospheric guitar and piano which reminds me of PJ Harvey, the dead pan vocals intone the almost callous words. On verse 2, thunderous rolling drum fills propel the track along without playing a beat. “He blew his mind out in a car… A crowd of people stood and stared… Nobody was really sure if he was from the House of Lords”. This experimental track has a violent cruelty about it which is lightened by Paul McCartney’s middle section which ends with “And I went into a dream…” before returning to John Lennon’s evocative wailing “Aaaahs”. ‘A Day In the Life’ evokes for me an indifferent England sleepwalking into catastrophe which resonates even today.

Kate Bush – ‘Sat in Your Lap’
This is the track Vas and I put on to remind ourselves that we have a very long way to go and should possibly just give up. In fact all of these tracks do this. But you have to keep going if you are driven to communicate with music like we are. With its thunderous drums and absolutely insane vocals, this is a masterpiece. The words have a great rhythm to them. “Some say that knowledge is something sat in your lap, Some say that knowledge is something that you never have.” It comes to a thunderous and operatic end which I can hear us trying to emulate in some of our songs. Is this rock? Who cares. We don’t make music to fit your genres! These artists inspire and challenge us and brought us together with their music.

Massive thanks to Ros for sharing her Five Favourites with us! 

My War Is Your War, the new album from Deux Furieuses, is out now. Watch the searing video for latest single ‘Let Them Burn’, here:

Catch Deux Furieuses live at the following dates:

2nd November – Blossoms, Stockport
5th November – Banshee, Edinburgh

 

Photo Credit: Dan Donovan