Features – Page 81 – Get In Her Ears

New York-based audiovisual project Sound of Ceres create otherworldly, immersive visuals to accompany their celestial soundscapes. With new album, Emerald Sea, shimmering dreamscapes tell the story of how the universe comes to know itself. Written in three acts, it follows two deities who trail each other through the furthest reaches of experience, featuring poignant narration from Marina Abramović throughout. A truly captivating experience that’ll enliven the senses with its majestic cinematic splendour and orchestral grandeur.

We spoke to Sound Of Ceres – vocalist, lyricist and costumer K, songwriter and producer Ryan, songwriter and musician Derrick and costumer and light designer Jacob – about the five videos that have inspired their visuals and fed into their unique, innovative ideas for Emerald Sea. Have a read about their choices below and then watch the beautifully haunting video for album track ‘Arm Of Golden Flame‘ at the bottom of this feature.

The Smashing Pumpkins – ‘Tonight, Tonight’
This video, directed by Jonathan Dayton and Valerie Faris, takes me into my own early 1900s Lumière brothers fantasy. Turn of the century times when La Fée Electricité (Loïe Fuller) wore handmade dresses, seen dancing in light projections when harnessable electricity first presented itself. The handmade set pieces, opacity fades, physical world one can immerse themselves into makes this video transportive to me.
– K

Björk – ‘Hidden Place’
The visuals for ‘Hidden Place’, directed by Inez van Lamsweerde & Vinoodh Matadin and M/M (Paris), made me realise that a music video doesn’t need a million cuts to be interesting. This is one entrancing camera shot the whole time, and has been the single biggest influence on my own video/visualiser work, which usually features a simple visual composition that moves or changes slowly over the entire length of the song.
– Ryan

Björk – ‘Isobel’
Directed by Michel Gondry, this is a synesthetic masterpiece. In my opinion, Gondry pulled off one of the most ambitious things a music video director can do: create a true visual parallel to the music that is equally dynamic and agile as their imagination. I love the surreal compositions (and visual effects) that blend nature and flowing water with Björk. I also love the black and white noir texture throughout.
– Derrick

Smoke City – ‘Underwater Love‘
Directed by Tim Macmillan and John Lynch, this is one of my favourites. The colours and contrast are perfect in a way that you can only get from actual film stock. The whole video is essentially just playing with time: a lot of delightful water shots played in reverse, and just when you start to wonder if all this backwards, Jean Cocteau-like stuff is able to carry a whole video, they throw in some really stunning, ghostly ‘time slice photography’. This video came out two years before everyone would see this method used in the first Matrix movie, and IMO, ‘Underwater Love’ uses it to much prettier effect. The whole thing is just sparkling and sexy and fun. Serious eye candy!
– Jacob

Virgina Astley – ‘Waiting To Fall’
Here, Virginia Astley performs ‘Waiting to Fall’ for an appearance on BBC2. This was filmed at the Coventry Electric Wharf in 1982, where the beautifully weightless song somehow fits perfectly into the backdrop of gleaming industrial (moving!) machinery.
– Ryan

Massive thanks to Sound Of Ceres for sharing their Five Favourites with us!

Emerald Sea, the immersive new album from Sound Of Ceres, is out now via Joyful Noise Watch the beautifully haunting video for ‘Arm Of Golden Flame’ here:

Photo Credit: Todd Eckert

The Get In Her Ears team have put together another eclectic mix of guitar tunes, alternative gems & electronic sounds for your listening pleasure. Take some time to scroll through our track choices below and make sure you hit play on the Spotify playlist at the end of this post.

Follow GIHE on Spotify to hear all of our previous playlists too.

Petrol Girls – ‘Baby, I Had An Abortion’
The entirety of Petrol Girls’ new album Baby offers a totally necessary soundtrack for right now; each and every track a truly poignant reflection driven by a raging sense of urgency. I just wanted to highlight ‘Baby, I had An Abortion’ again, in the wake of the horrific overturning of Roe Vs Wade in the United States. An immense, empowering statement reflecting on vocalist Ren Aldridge’s own experiences of having an abortion in 2018 (having found out she was pregnant the morning that the Eighth Amendment was repealed in Ireland), ‘Baby, I Had An Abortion’ offers a stirring ode to bodily autonomy. A raging cacophony fuelled by a riotous catharsis; urging us to fight against the confines of this damaging patriarchal society and heinous pro-life laws.

At this time, it’s also important to remember that it’s not only in America that people are being denied access to safe abortions: with this release, Petrol Girls raise money for Abortion Without Borders – they’re a network of organisations that fund and support people in Poland to access abortion in neighbouring countries or at home with pills. Abortion laws were further tightened in Poland last year making it only legal in extremely limited circumstances. You can also donate to Abortion Support Network – helping people who need to access safe abortions in Ireland, Northern Ireland and other parts of Europe – here.
(Mari Lane)

Petrol Girls ft. Janey Starling – ‘Fight for Our Lives’
To echo what Mari has said, this track from Petrol Girls’ vital new album Baby, put a lump in my throat the first time I heard it. When Ren Aldridge screams “We’re on the streets again / another bed sheet painted with the blood of a sister” her rage is palpable, her fury undeniable. DIY punk and Kerrang-award-winning activist Janey Starling delivers an equally powerful guest vocal, and together their righteous anger acts as a call to arms to challenge the systems that try to deny women bodily autonomy and justice for the violence they continue to be subjected to. As well as the international organisations Mari has mentioned above, you can follow Level Up to find out more about how you can help achieve gender justice here in the UK.
(Kate Crudgington)

Deux Furieuses – ‘Bring Down The Government’
Having received acclaim from the likes of Radio X’s John Kennedy and currently members of Brix Smith (The Fall)’s band, punk duo Deux Furieuses have now shared a riotous new single. Raging with a fierce power and fervid sense of urgency, ‘Bring Down The Government’ is driven by a seething, blazing energy, building to an immense rallying cry to take a stand against Johnson’s government and the devastating effect it’s had on so many lives. (ML)

Agender – ‘Womb 2 Wound’
LA-based four piece Agender make “schizo, synthy, paranoid, post-punk with a dash of dysmorphic desire” and I am INTO IT. This track is taken from their recent album, No Nostalgia, and I’ve had the lyric “Fuck my biological clock / with my philosophical cock” ricocheting around my skull since I first heard it. The band are also due to release a remix EP in collaboration with JD Samson and Harvey Sutherland later this year! (KC)

Big Joanie – ‘Happier Still’
Big Joanie are BACK and we are THRILLED that they’ve shared this joyful new anthem. Released via Daydream Library Series/Kill Rock Stars, it’s a real rush of guitar-driven energy, inspired by the breakthrough that comes after a period of depression. Big Joanie have just played Glastonbury and performed as part of Grace Jones’ Meltdown festival at Southbank Centre, and we can’t wait to see what they do next. (KC)

Don Chi ft. Rosco Sauce – ‘Angry’
Mari & I had the pleasure of travelling over to Belfast to DJ at the Women’s Work Showcase in May (read our review here) and we were overwhelmed by the amount of music talent on the line-up (Problem Patterns, SPRINTS, Clara Tracey, Fraulein) and rapper Don Chi really impressed us with her effortless flow and hazy beats, which this track ‘Angry’ is full of. (KC)

Ghum – ‘Bitter’
Having been firm favourites here at GIHE for a number of years, London band GHUM have now released their much-awaited debut album, Bitter. Oozing a gritty, swirling energy as front person Laura’s vocals soar throughout, each track carries the band’s trademark ethereal allure and dark, hypnotic splendour, showcasing their ability to consistently hone their sound and bewitch listeners worldwide. Read our recent interview with Ghum here. (ML)

Brutus – ‘Dust’
Belgian trio Brutus are back with this new single ‘Dust’, born from the frustration caused by a demanding and unbalanced friendship. Stefanie Mannaerts’ defiant vocal leads the way, complimenting her powerhouse percussion and the charged, thundering riffs of guitarist Stijn Vanhoegaerden and bassist Peter Mulders’. The band have just announced a string of UK tour dates this November, including The Garage in London on the 22nd. Grab a ticket here. (KC)

Nova Twins – ‘Choose Your Fighter’
We’ve been big fans of Nova Twins here are GIHE for a few years and we’re thrilled to see them taking over the world with their uniquely heavy sound. This track is taken from their second album, Supernova, and it’s a blisteringly loud mix of Georgia’s deliciously distorted basslines and Amy’s visceral vocals. I had the privilege of writing the script for their Kerrang TV show ‘Nova Twins Presents The Anthems’ – a proper dream come true for someone who loves new music and who watched the channel as a teenager! (KC)

ARXX – ‘Couldn’t Help Myself’
The latest single from total faves ARXX offers a swirling slice of honey-sweet pop. A positive reflection on the freedom that can come from a break-up, it builds with a fizzing energy and the sassy allure of Hanni’s vocals to a colossal pure-pop banger, oozing a danceable, empowering drive. We cannot wait for ARXX to headline The Shacklewell Arms for us on 22nd July, with support from Fraulein and Lusa Morena. Tickets selling fast, so grab one here! (ML)

Ailbhe Reddy – ‘A Mess’
A lighthearted reflection on an early, chaotic relationship, ‘A Mess’ is the latest single from Irish-born, London-based alt-folk artist Ailbhe Reddy. Full of energetic guitar riffs, relatable lyrics and Reddy’s clear vocals, the track is a buoyant rumination on the cyclical nature of bad habits, the lasting effect of a seemingly throwaway comment and a lively effort to move past it. (KC)

ADDIE – ‘Crush Me’
This is a great tune from 19 year old singer-songwriter-producer-bassist Adeline Vamenta aka ADDIE. She’s just released her debut album, Crater Lake, which this single ‘Crush Me’ is taken from. Every instrument on the record was played by a woman or non-binary musician, which is probably why it sounds so good… (KC)

Planningtorock – ‘Gay Dreams They Do Come True’
June is Pride month, and as our friend & co-founder Tash Walker reminds us each year, it’s a time to celebrate our LGBTQIA+ siblings, commemorate important milestones and to call out the systems and the people in power who are trying to restrict the rights of the LGBTQIA+ community. Tash inspires us everyday, but their work on The Log Books Podcast and as a Co-Chair for Switchboard truly marks them out as an incredible force for change in both the LGBTQIA+ and wider spheres. I know Tash is a big fan of Planningtorock, so I thought I’d sneak this banger on to our playlist to celebrate all that they do. Big love to Tash and to all of our LGBTQIA+ followers this Pride month & all year round. x (KC)

GLITTERMXXTH – ‘HIM’
Inspired by everything from Grimes and Pussy Riot to matcha tea and hairless cats, ‘HIM’ is the latest single from producer & multi-instrumentalist GLITTERMXXTH. Their cyber-punk sounds are inspired by “the dirty, different and delicious alternative.” (KC)

Tiiva ft. Hellikisto – ‘IDORU’ (Grimes Cover)
I love this dreamy cover of Grimes’ 2020 single ‘IDORU’ by wonderfully talented producer and artist Tiiva. It’s a perfect tune for the (hopefully) warm summer evenings ahead. (KC)

all cats are beautiful – ‘Heartbeats’
With their rendition of The Knife’s ‘Heartbeats‘, all cats are beautiful (acab) offer a truly enchanting dreamscape. Flowing with delicate, twinkling hooks alongside the duo’s luscious harmonies, it’s a stripped back, yet instantly immersive, version of the original, adding the duo’s own unique resplendent grace and spellbinding allure. (ML)

Nikki & The Waves – ‘E.L.C.’
Manchester band Nikki & The Waves are fast becoming new faves, and have just released their new EP, Songs To Play Tennis To. Taken from the EP, latest single ‘E.L.C.’ (exceptionally lovely corduroy) offers a celebration of every indie kid’s favourite fabric. Propelled by the band’s trademark vibrant funk-fuelled groove and fizzing, blissful allure, it’s a perfectly danceable summer anthem. We can’t wait for Nikki & The Waves to headline for us at The Victoria on 12th August (with support from BAXTR and Panic Pocket) – get your tickets here. (ML)

Gemma Cullingford – ‘Tongue Tied’
With a new album set for release in September, Gemma Cullingford (of Sink Ya Teeth) has recently shared title track ‘Tongue Tied’. A reflection on feeling shy and being lost for words, it offers a danceable vibrant soundscape. Building with a frenzied drive, it interweaves zesty electronic hooks with Gemma’s distinctive sensuous vocals. We can’t wait for Gemma Cullingford to headline for us at The Shacklewell Arms on 10th September – a joint headline show with Alice Hubble, support will come from Yay Maria! Tickets here. (ML)

Helen Ganya – ‘Beautiful Country’
Taken from her recent EP, Heart Mirage, this poignant single from Helen Ganya (previously known as Dog In The Snow) is described as “a little tongue-in-cheek heartbreak on the illusion of meritocracy.” Underscored by Ganya’s reflections on the anti-Asian hate that resurfaced during the pandemic, the track is a an upbeat musing on what it means to be judged by the society you live in. (KC)

Katie Malco – ‘Animal’ (Alternate Version)
I was a bit late to the “Katie Malco is great party” but I remember thinking “this is a bit of me” the first time I heard her song ‘Animal’. She’s recently released this alternative version, and it’s just as good as the original. Check out her album Failures (2020) if you like the sound of this. (KC)

Rat Tally – ‘Spinning Wheel’
I love the soft anger that permeates Chicago-based Addy Harris aka Rat Tally’s latest single ‘Spinning Wheel’. Taken from her upcoming album In My Car, which is set for release on 12th August, the track is a hazy blend of atmospheric riffs, bittersweet vocals and introspective lyrics. (KC)

SASAMI ft. J Mascis – ‘Tried To Understand’
I have been obsessed with LA-based SASAMI’s album SQUEEZE since it was released earlier this year. It’s a mad, thrilling mix of metal, folk and grunge; something which is encapsulated on this superb remix of ‘Tried To Understand’, featuring J Mascis of Dinosaur Jr. (KC)

Bonnie Trash – ‘Teeth’
Bonnie Trash is the new “drone-rock” project of Canadian-Italian twin sisters Emmalia and Sarafina Bortolon-Vettor. Their latest single ‘Teeth’ is a delicious blend of distorted guitars and beguiling vocals, lamenting an ambiguous toxic love story. The band are due to release their debut album later this year via Hand Drawn Dracula. (KC)

A.A. Williams – ‘Evaporate’
A heavy, graceful musing on the darker side of the emotional spectrum, I love this track from London-based songwriter and multi-instrumentalist A.A. Williams. Taken from her upcoming second album, As The Moon Rests, which is set for release on 7th October via Bella Union, ‘Evaporate’ is a brooding blend of dramatic volume fluctuations and Williams’ effortless vocals, which mirror the raw sensitivity of her introspective lyrics. (KC)

Junk Whale – ‘Pilebox’
Oxford band Junk Whale have now announced the release of their new EP, Caught In The Act Of Looking Weird, next month. Taken from the EP, latest single ‘Pilebox’ pays homage to being yourself in the face of adversity. Propelled by a fuzzy, emo-tinged energy, raw impassioned vocals flow throughout as the track builds with a jangly allure to an anthemic blast of angst-driven splendour. Watch the new video for ‘Pilebox’ here. (ML)

Slagheap – ‘Destination Boyfriend’
Having just treated us to their wonderfully quirky charisma live, headlining our night at The Victoria last Friday, Bristol’s Slagheap have recently shared new single ‘Destination Boyfriend’. A joyously discordant yet euphoric celebration of femininity and feeling comfortable in your own skin, regardless of how far from the ‘norm’ you may stray, it reflects on the different paths that bisexuality may take you on, racing with a scrappy, jangly energy as clashing beats sizzle alongside swirling, scuzzy hooks. Appetites, the upcoming new EP from Slagheap, is set for release on 5th August. (ML)

YINYANG – ‘Happy Money’
The latest single from Irish artist Lauren Hannan, aka YINYANG, ‘Happy Money’ offers a poignant reflection on the struggles of depression and the frustration felt that happiness can often be dependent on expensive over-the-counter medication. Propelled by glitchy hooks and Hannan’s soaring rich vocals, it oozes a fierce impassioned drive and deep blistering beats with shades of GIHE fave Noga Erez. (ML)

J. Zunz – ‘Cruce’
Despite my overall positive, sunny disposition – I am a gloomy girl at heart – and that’s why I enjoy listening to the dark electronic sounds of Mexican artist J. Zunz so much. This track is taken from her recent album Del Aire. She’ll be playing alongside some amazing artists (Divide & Dissolve, No Home, A.A. Williams, Grove, Rachel Aggs, NYX Drone Choir) at this year’s Supersonic Festival. Full details here.